Stephanie Swift both wrote and starred in this once-famous Wicked Pictures title, which holds up fairly well a couple of decades later, thanks mainly to her magnetism.
One of Adult Cinema's greatest stars, SS doesn't fit the stereotype of a porn performer at all, perhaps one reason for her popularity (standing out from an endless array of blondes and silicone wonders).
She plays a taxi driver, manning a vintage 1950s Chevy, and providing voice-over narration for all the sex vignettes concerning mainly her passengers. The useful (for a change) BTS short subject helps explain a segment that doesn't fit the mold, as she has sex with Mark Davis in a freight elevator, a scene that was added on a pick-up day by director Jonathan Morgan due to some earlier mishap during the ultimately 3-day shoot.
A very impressive femme cast supports Swift, almost a who's who of top talent at the turn of this century, ranging form the great Inari Vachs to newcomer Jenna Haze (who would become the biggest star of them all). A personal favorite of mine Friday, is enlisted for a lesbian scene in an alley with Swift that is a wonderful contrast of types.
Brad Armstrong served as a jack of all trades here, as documented in the BTS where he is handling even menial tasks on set, and he's the lucky fellow who is accorded a three-way scene with drive Swift and the uniquely sexy Nikita Denise.
Thanks to Stef, this rises above the all-sex format.
One of Adult Cinema's greatest stars, SS doesn't fit the stereotype of a porn performer at all, perhaps one reason for her popularity (standing out from an endless array of blondes and silicone wonders).
She plays a taxi driver, manning a vintage 1950s Chevy, and providing voice-over narration for all the sex vignettes concerning mainly her passengers. The useful (for a change) BTS short subject helps explain a segment that doesn't fit the mold, as she has sex with Mark Davis in a freight elevator, a scene that was added on a pick-up day by director Jonathan Morgan due to some earlier mishap during the ultimately 3-day shoot.
A very impressive femme cast supports Swift, almost a who's who of top talent at the turn of this century, ranging form the great Inari Vachs to newcomer Jenna Haze (who would become the biggest star of them all). A personal favorite of mine Friday, is enlisted for a lesbian scene in an alley with Swift that is a wonderful contrast of types.
Brad Armstrong served as a jack of all trades here, as documented in the BTS where he is handling even menial tasks on set, and he's the lucky fellow who is accorded a three-way scene with drive Swift and the uniquely sexy Nikita Denise.
Thanks to Stef, this rises above the all-sex format.