This last episode of star Teresa Orlowski's video magazine series closely resembles the format of Edition 11, but is mediocre by comparison.
Both shows end with a Teresa solo masturbation performance -a vignette fans may find satisfying or merely redundant.
The Chatsworth team of Frank James and Robert Bullock once again dominate in two vignettes - playing different characters in each. Bionca is featured as Frank's wife in a segment of hotwifing, as he invites his buddy to have sex with her and then joins in for a threesome.
Robert and Frank are dominated by 6'3" actress Chanel Price in their other scene, resulting in another threesome. Jon Dough hides as Randy Spears and Lois Ayres make love, but when he is comically discovered behind their couch yet another threesome commences.
After a few library footage shots of the Eiffel Tower and other tourist spots telling us of a Paris setting, Euro star Marilyn Jess is shown playing a pinball machine in a cafe, humped in black & white insert shots by Christoph Clark before Jean-Pierre Armand suddenly shows up for, you guessed it, a threesome. This scene plus Orlowski's turn, give the show a look of being leftover filler dumped in the form of a VHS release.
Both shows end with a Teresa solo masturbation performance -a vignette fans may find satisfying or merely redundant.
The Chatsworth team of Frank James and Robert Bullock once again dominate in two vignettes - playing different characters in each. Bionca is featured as Frank's wife in a segment of hotwifing, as he invites his buddy to have sex with her and then joins in for a threesome.
Robert and Frank are dominated by 6'3" actress Chanel Price in their other scene, resulting in another threesome. Jon Dough hides as Randy Spears and Lois Ayres make love, but when he is comically discovered behind their couch yet another threesome commences.
After a few library footage shots of the Eiffel Tower and other tourist spots telling us of a Paris setting, Euro star Marilyn Jess is shown playing a pinball machine in a cafe, humped in black & white insert shots by Christoph Clark before Jean-Pierre Armand suddenly shows up for, you guessed it, a threesome. This scene plus Orlowski's turn, give the show a look of being leftover filler dumped in the form of a VHS release.