If Chris Marker and Preston Sturges ever made a film together, it might have looked something like Grand Tour, a sweeping tale that moves from Rangoon to Manila, via Bangkok, Saigon and Osaka, as it weaves the stories of two disparate lovers towards a fateful reunion. The stowaways could scarcely be more Sturgian: he the urbane man on the run, she the intrepid woman trying to track him down. Their scenes are set in 1917 and shot in a classical studio style, yet they’re delivered within a contemporary travelogue––as if we are not only following their epic romance but a director’s own wanderings.
Grand Tour, which delivered much-needed magic to this year’s Cannes Film Festival lineup, is directed by the one and only Miguel Gomes, the Portuguese filmmaker behind The Tsugua Diaries (an entertaining Covid joint from 2021), Arabian Nights (his epic 2015 triptych), and Tabu (a breakout from...
Grand Tour, which delivered much-needed magic to this year’s Cannes Film Festival lineup, is directed by the one and only Miguel Gomes, the Portuguese filmmaker behind The Tsugua Diaries (an entertaining Covid joint from 2021), Arabian Nights (his epic 2015 triptych), and Tabu (a breakout from...
- 5/24/2024
- by Rory O'Connor
- The Film Stage
I still recall when Miguel Gomes took over the Directors’ Fortnight section with not one, but three films for the The Arabian Nights trilogy in one edition and it’s almost hard to believe that the filmmaker of Tabu and more recently the co-directed The Tsugua Diaries (also Quinzaine) was never in the Un Certain Regard or Comp sections. That changed in 2024 – a year that could potentially see the filmmaker launch his second feature in Venice. A co-production between Portugal, China, France, Germany, Italy and Japan, the dreamy Grand Tour stars the elusive Gonçalo Waddington as Edward and the woman on his heels in Molly by Crista Alfaiate.…...
- 5/23/2024
- by Eric Lavallée
- IONCINEMA.com
Runaway Groom: Gomes Charts a Barren Odyssey
In what serves as an extremely taxing personification of cold feet, Miguel Gomes feels as if he’s going through stylistic motions with his latest feature, Grand Tour. A surprise project considering his long gestating adaptation of Euclides da Cunha’s Backlands, it follows on the heels of his experimental pandemic film The Tsugua Diaries (2021), and his sprawling three part epic, Arabian Nights (2015). Blending documentary footage overlaid with heavy narration with a rather comically conceived bad romance, it’s a period piece which initially promises to slide into the unique territory of his 2012 masterwork, Tabu (especially as it’s utilizing the same two actors suffering beneath a different kind of compromised romance).…...
In what serves as an extremely taxing personification of cold feet, Miguel Gomes feels as if he’s going through stylistic motions with his latest feature, Grand Tour. A surprise project considering his long gestating adaptation of Euclides da Cunha’s Backlands, it follows on the heels of his experimental pandemic film The Tsugua Diaries (2021), and his sprawling three part epic, Arabian Nights (2015). Blending documentary footage overlaid with heavy narration with a rather comically conceived bad romance, it’s a period piece which initially promises to slide into the unique territory of his 2012 masterwork, Tabu (especially as it’s utilizing the same two actors suffering beneath a different kind of compromised romance).…...
- 5/22/2024
- by Nicholas Bell
- IONCINEMA.com
Our times are troubled, our burdens heavy, our passage through life often arduous and the bad kind of absurd. But for anyone feeling a pessimism creeping in like slow poison and taking the edge off any appetite for adventure, Portuguese singularity Miguel Gomes comes like a comet across the Cannes competition with “Grand Tour,” an enchanting, enlivening, era-spanning, continent-crossing travelogue that runs the very serious risk of infecting you with the antidote: a potent dose of wanderlust for life. “Abandon yourself to the world,” says one character, a Japanese monk prone to walking about with a wicker basket on his head, “and see how generous it is to you.” Abandon yourself to “Grand Tour” and reap similar, joyful rewards.
Monkeying around in time like a macaque in a hot spring, trundling through countries like a comically short-legged donkey on a jungle trail, yet somehow also peering down on the action...
Monkeying around in time like a macaque in a hot spring, trundling through countries like a comically short-legged donkey on a jungle trail, yet somehow also peering down on the action...
- 5/22/2024
- by Jessica Kiang
- Variety Film + TV
"I've been running away from her like a coward." The Match Factory has revealed a first look trailer for a Portuguese film set in Asia premiering at the 2024 Cannes Film Festival next month. This new film is called Grand Tour, and it's the latest feature by Portuguese director Miguel Gomes, best known for his films Tabu (2012), The Tsugua Diaries (2021), and his Arabian Nights trilogy (2015). Grand Tour was already announced as part of the prestigious Competition at Cannes 2024 this year, which is a big deal for a film like this. Edward, civil servant, flees fiancee Molly on their wedding day in Rangoon, Burma, in 1917. His travels replace panic with melancholy. Molly, set on marriage and amused by his escape, trails him across Asia. The film stars Gonçalo Waddington & Crista Alfaiate. Variety says it features a mix of "narrative sequences shot in a studio [which are] intercut with footage of contemporary Asia." It is...
- 4/18/2024
- by Alex Billington
- firstshowing.net
Variety has been granted exclusive access to the trailer (below) for Portuguese director Miguel Gomes’ “Grand Tour,” which will have its world premiere in Cannes Film Festival’s Competition section. Variety can also exclusively reveal that that distribution on “Grand Tour” will be handled in France by Tandem, and in Italy by Lucky Red, and that Gomes’ next film will be “Savagery.”
“Grand Tour” kicks off in 1917 in Burma. It centers on Edward, a civil servant for the British Empire, who runs away from his fiancée Molly the day she arrives to get married. During his travels, however, panic gives way to melancholy. Contemplating the emptiness of his existence, the cowardly Edward wonders what has become of Molly… Determined to get married and amused by Edward’s move, Molly follows his trail on this Asian grand tour.
The film stars Gonçalo Waddington and Crista Alfaiate, and the cast also includes...
“Grand Tour” kicks off in 1917 in Burma. It centers on Edward, a civil servant for the British Empire, who runs away from his fiancée Molly the day she arrives to get married. During his travels, however, panic gives way to melancholy. Contemplating the emptiness of his existence, the cowardly Edward wonders what has become of Molly… Determined to get married and amused by Edward’s move, Molly follows his trail on this Asian grand tour.
The film stars Gonçalo Waddington and Crista Alfaiate, and the cast also includes...
- 4/18/2024
- by Leo Barraclough
- Variety Film + TV
The first image has been unveiled from Miguel Gomes’ upcoming late 1910s drama “Grand Tour,” which is being sold by The Match Factory. The film is currently shooting in Italy, and stars Gonçalo Waddington and Crista Alfaiate.
“Grand Tour” comes after the successful international sales and distribution of Gomes’ critically acclaimed features “Tabu,” “Arabian Nights” and “The Tsugua Diaries” – all titles sold by The Match Factory.
“Grand Tour” kicks off in Rangoon, Burma, 1917. Edward, a civil servant for the British Empire, runs away from his fiancée Molly the day she arrives to get married. During his travels, however, panic gives way to melancholy. Contemplating the emptiness of his existence, the cowardly Edward wonders what has become of Molly… Yet Molly, determined to get married and amused by his move, follows his trail on this Asian grand tour.
The creative process for the film began with a research trip to various countries in Asia.
“Grand Tour” comes after the successful international sales and distribution of Gomes’ critically acclaimed features “Tabu,” “Arabian Nights” and “The Tsugua Diaries” – all titles sold by The Match Factory.
“Grand Tour” kicks off in Rangoon, Burma, 1917. Edward, a civil servant for the British Empire, runs away from his fiancée Molly the day she arrives to get married. During his travels, however, panic gives way to melancholy. Contemplating the emptiness of his existence, the cowardly Edward wonders what has become of Molly… Yet Molly, determined to get married and amused by his move, follows his trail on this Asian grand tour.
The creative process for the film began with a research trip to various countries in Asia.
- 3/10/2023
- by Leo Barraclough
- Variety Film + TV
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Ali & Ava (Clio Barnard)
Watch an exclusive clip above.
Their differences are plenty. Her heritage is Irish; his is Pakistani. She lives in a part of Britain where he knows to worry about getting stones thrown at him; he lives amongst a diaspora of immigrants from Europe and Asia. She has four kids and five grandkids; he has a wife with whom he’s separated yet still unable to admit it to his family, for they wouldn’t approve of letting her stay while she finishes school. The one thing Ava (Claire Rushbrook) and Ali (Adeel Akhtar) do have in common is a little girl named Sofia (Ariana Bodorova). Ava provides educational assistance during her schooling as an aide. Ali employs the...
Ali & Ava (Clio Barnard)
Watch an exclusive clip above.
Their differences are plenty. Her heritage is Irish; his is Pakistani. She lives in a part of Britain where he knows to worry about getting stones thrown at him; he lives amongst a diaspora of immigrants from Europe and Asia. She has four kids and five grandkids; he has a wife with whom he’s separated yet still unable to admit it to his family, for they wouldn’t approve of letting her stay while she finishes school. The one thing Ava (Claire Rushbrook) and Ali (Adeel Akhtar) do have in common is a little girl named Sofia (Ariana Bodorova). Ava provides educational assistance during her schooling as an aide. Ali employs the...
- 8/26/2022
- by Jordan Raup
- The Film Stage
Romania’s Puiu competed for the Palme d’Or in 2016 with ‘Sieranevada’.
The next feature from feted Romanian filmmaker Cristi Puiu is among 12 titles selected for FIDLab, the co-production incubator of French festival FIDMarseille.
The 14th edition of the showcase, known for its focus on experimental documentary and fiction features, is set to be held from July 7-8 and will return as an in-person for the first time since 2019.
Scroll down for full list of titles
The selection includes Mmxx, an ensemble drama from Romanian director Puiu that revolves around a therapist, her younger brother, husband and an organised crime investigator.
The next feature from feted Romanian filmmaker Cristi Puiu is among 12 titles selected for FIDLab, the co-production incubator of French festival FIDMarseille.
The 14th edition of the showcase, known for its focus on experimental documentary and fiction features, is set to be held from July 7-8 and will return as an in-person for the first time since 2019.
Scroll down for full list of titles
The selection includes Mmxx, an ensemble drama from Romanian director Puiu that revolves around a therapist, her younger brother, husband and an organised crime investigator.
- 5/27/2022
- by Michael Rosser
- ScreenDaily
Another month, another exciting selection of foreign and indie titles to combat the Hollywood machine. And with that exciting selection comes some exciting imagery to hopefully turn heads in the lobby and remind patrons what else is coming.
The fact that all nine titles below are theatrical releases (with a couple going streaming and/or VOD same day) shows the studios (big and small) have officially reverted to pre-covid status quo whether audiences are ready to comply or not. While there are many positives and negatives born from that unavoidable development, one of the former is unquestionably being able to see these beauties printed and hung on a wall.
Front and center
LA adheres to the “if it isn’t broken, don’t fix it” rule to wonderful effect with their sheet for Firestarter. Even if you’re unaware of the Stephen King source material, seeing Drew Barrymore and Ryan Kiera Armstrong...
The fact that all nine titles below are theatrical releases (with a couple going streaming and/or VOD same day) shows the studios (big and small) have officially reverted to pre-covid status quo whether audiences are ready to comply or not. While there are many positives and negatives born from that unavoidable development, one of the former is unquestionably being able to see these beauties printed and hung on a wall.
Front and center
LA adheres to the “if it isn’t broken, don’t fix it” rule to wonderful effect with their sheet for Firestarter. Even if you’re unaware of the Stephen King source material, seeing Drew Barrymore and Ryan Kiera Armstrong...
- 5/6/2022
- by Jared Mobarak
- The Film Stage
As filmmakers grapple with the pandemic and life during lockdown, few filmmakers have created a work as artfully expressive as The Tsugua Diaries, Maureen Fazendeiro and Miguel Gomes’ study of movie-making. Ahead of a theatrical release beginning on May 27 at Film at Lincoln Center, before expanding across the country, KimStim have now released a new trailer as well as a gorgeous poster.
Soham Gadre said in our TIFF review, “Throughout The Tsugua Diaries we see a still shot of two fruit that change color, initially rotting, then in the ripe stage, and then un-ripened. Finally, we see how it was actually picked from the tree. This contextualizes the film in a way that its characters and creators are self-aware of their project and choose to use the fruit as a means of documenting and reminding themselves of the passing of days. This is perhaps the most relatable depiction and examination...
Soham Gadre said in our TIFF review, “Throughout The Tsugua Diaries we see a still shot of two fruit that change color, initially rotting, then in the ripe stage, and then un-ripened. Finally, we see how it was actually picked from the tree. This contextualizes the film in a way that its characters and creators are self-aware of their project and choose to use the fruit as a means of documenting and reminding themselves of the passing of days. This is perhaps the most relatable depiction and examination...
- 5/3/2022
- by Jordan Raup
- The Film Stage
While there have been many films made about and during the pandemic thus far, Judd Apatow is getting The Tsugua Diaries-level meta with his latest film The Bubble, which captures the production of a movie in the era of Covid-19 with a comedic lens. Ahead of an April 1 release on Netflix, the first trailer for the film have arrived.
Led by Karen Gillan, Iris Apatow, Fred Armisen, Maria Bakalova, David Duchovny, Keegan-Michael Key, Leslie Mann, Pedro Pascal, Peter Serafinowicz, Vir Das, Rob Delaney, Galen Hopper, Samson Kayo, Guz Khan, Nick Kocher, Ross Lee, Harry Trevaldwyn, and Danielle Vitalis, watch below.
The Bubble arrives on Netflix on April 1, 2022.
The post The Bubble Trailer: Judd Apatow Finds Humor in Pandemic Era Movie-Making first appeared on The Film Stage.
Led by Karen Gillan, Iris Apatow, Fred Armisen, Maria Bakalova, David Duchovny, Keegan-Michael Key, Leslie Mann, Pedro Pascal, Peter Serafinowicz, Vir Das, Rob Delaney, Galen Hopper, Samson Kayo, Guz Khan, Nick Kocher, Ross Lee, Harry Trevaldwyn, and Danielle Vitalis, watch below.
The Bubble arrives on Netflix on April 1, 2022.
The post The Bubble Trailer: Judd Apatow Finds Humor in Pandemic Era Movie-Making first appeared on The Film Stage.
- 3/4/2022
- by Jordan Raup
- The Film Stage
European Film Promotion has announced the 10 rising young actors selected for the 25th edition of European Shooting Stars, the promotional event held during the Berlinale that has been instrumental to boosting careers of top talents such as Alicia Vikander, Riz Ahmed, Alba Rohrwacher and George MacKay.
Due to Omicron-related constraints, this year’s Shooting Stars is taking place as a hybrid edition comprising some online events being scheduled before the Berlinale, while others will take place on-site during the festival. One of the program’s highlights will be the European Shooting Stars Awards Ceremony set for Feb. 14 at the Berlinale Palast.
The 10 selected European Shooting Stars for 2022 are: Gracija Filipović (Croatia); Marie Reuther (Denmark); Anamaria Vartolomei (France); Emilio Sakraya (Germany); Clare Dunne (Ireland); Hanna van Vliet (The Netherlands); João Nunes Monteiro (Portugal); Timon Sturbej (Slovenia); Evin Ahmad (Sweden); and Souheila Yacoub (Switzerland).
This year’s roster – three men and seven women – of standout actors,...
Due to Omicron-related constraints, this year’s Shooting Stars is taking place as a hybrid edition comprising some online events being scheduled before the Berlinale, while others will take place on-site during the festival. One of the program’s highlights will be the European Shooting Stars Awards Ceremony set for Feb. 14 at the Berlinale Palast.
The 10 selected European Shooting Stars for 2022 are: Gracija Filipović (Croatia); Marie Reuther (Denmark); Anamaria Vartolomei (France); Emilio Sakraya (Germany); Clare Dunne (Ireland); Hanna van Vliet (The Netherlands); João Nunes Monteiro (Portugal); Timon Sturbej (Slovenia); Evin Ahmad (Sweden); and Souheila Yacoub (Switzerland).
This year’s roster – three men and seven women – of standout actors,...
- 1/13/2022
- by Nick Vivarelli
- Variety Film + TV
There’s just so much summer in “The Tsugua Diaries” — great lashings of sunlight warming and slightly melting every 16mm frame, tangles of hyper-green foliage that seem to sweat in the heat, a generally horny, indolent air of human mischief — that you’d be forgiven for assuming “Tsugua” is some idyllic holiday spot you’ve never heard of, the best-kept secret on the Algarve. As with many elements of Miguel Gomes and Maureen Fazendeiro’s woozy, insouciant experiment, however, a longer look reveals something both surprising and simple. “Tsugua” is simply “August” spelled backwards, which certainly ties into the film’s humid seasonality, and also clues us into its modus operandi.
Everything unfolds backwards in this film about filmmaking under curious circumstances, only gradually revealing the motivations and points of view driving the enterprise, and playfully withholding any sense of what it might all be about. “The Tsugua Diaries” is...
Everything unfolds backwards in this film about filmmaking under curious circumstances, only gradually revealing the motivations and points of view driving the enterprise, and playfully withholding any sense of what it might all be about. “The Tsugua Diaries” is...
- 10/15/2021
- by Guy Lodge
- Variety Film + TV
A few hours before the 2021 New York Film Festival opened with Joel Coen’s “The Tragedy of Macbeth,” Lady Macbeth herself sat onstage for a press conference in Lincoln Center and unleashed the ultimate understatement. “In 400 years, everybody’s done almost everything,” Frances McDormand said. “It’s not like we’re inventing anything new.”
She was referring to the daunting odds of her director-husband’s stark, expressionistic take on the ultimate Shakespearean tragedy, though she may as well have been addressing the greatest crisis in modern creativity, and one that the movies face more than most other mediums. With its silent cinema aesthetic and gruff, visceral performances, “Macbeth” certainly provides an original take on one very familiar narrative. But NYFF, as a whole, projects an ethos altogether different from other prominent festivals on the fall circuit, as its curatorial strategy heralds the art of the new.
Throughout the winding path...
She was referring to the daunting odds of her director-husband’s stark, expressionistic take on the ultimate Shakespearean tragedy, though she may as well have been addressing the greatest crisis in modern creativity, and one that the movies face more than most other mediums. With its silent cinema aesthetic and gruff, visceral performances, “Macbeth” certainly provides an original take on one very familiar narrative. But NYFF, as a whole, projects an ethos altogether different from other prominent festivals on the fall circuit, as its curatorial strategy heralds the art of the new.
Throughout the winding path...
- 10/2/2021
- by Eric Kohn
- Indiewire
Unfolding like an arthouse version of that joke about what you get when you play a country song backward, Miguel Gomes and Maureen Fazendeiro’s “The Tsugua Diaries” chronicles a fictional 2020 film shoot abandoned due to a Covid protocol breach, in a backward-running narrative. An opening title card reads “Day 22,” and, eventually, a sequence at a time, “The Tsugua Diaries” rewinds to Day 1, the film-within-the-film gets its sound guy back, gets its permits back, and its shared sense of artistic purpose returns…
Read More: New York Film Festival 2021: The 17 Most Anticipated Films
With its inward-turned focus and quasi-incestuous relationships, every film shoot is a “bubble” to use the era-appropriate term.
Continue reading ‘The Tsugua Diaries’: Miguel Gomes & Maureen Fazendeiro Deconstruct Filmmaking In A Meta-Arthouse ‘Tenet’ [NYFF Review] at The Playlist.
Read More: New York Film Festival 2021: The 17 Most Anticipated Films
With its inward-turned focus and quasi-incestuous relationships, every film shoot is a “bubble” to use the era-appropriate term.
Continue reading ‘The Tsugua Diaries’: Miguel Gomes & Maureen Fazendeiro Deconstruct Filmmaking In A Meta-Arthouse ‘Tenet’ [NYFF Review] at The Playlist.
- 9/26/2021
- by Mark Asch
- The Playlist
It is already known to all that 2020 was the year that the earth stopped, a year of limitations and confinement. However, this does not apply to the imagination. The proof for this is The Tsugua Diaries, the “pandemic film” of the marriage formed by Maureen Fazendeiro and Miguel Gomes, a project that was born only a few months after the global emergency lockdown began.During confinement, both directors faced seeing their projects put on hold and were feeling jaded from the sensation of living a Groundhog Day existence. Still, they were unable to stop their creative instincts, so they called upon a series of friends, regular collaborators and some new faces, to embark on this minimalistic film project—the only one which was possible at the time. A kind of meta-fictional social experiment that, from an apparent naivete, seeks to portray a specific historical moment while approaching concepts such as friendship,...
- 9/23/2021
- MUBI
Let’s be real, the Covid pandemic has lasted more than 18 months. And over that time, Hollywood has been shutdown and reopened, with many filmmakers actually already writing, filming, and releasing features that feature the pandemic as a plot point. That is to say, it’s a little overdone, already. However, “The Tsugua Diaries” might actually be the pandemic project that adds a little spice to the bland lockdown film stew.
Read More: New York Film Festival 2021: The 17 Most Anticipated Films
As seen in the new trailer for “The Tsugua Diaries,” the feature showcases the rather mundane lockdown life of three people, as they share day-to-day household duties and attempt to inject excitement in their tedious new life.
Continue reading ‘The Tsugua Diaries’ Trailer: The Portugese Drama Tells A Lockdown Story With A Structural Twist at The Playlist.
Read More: New York Film Festival 2021: The 17 Most Anticipated Films
As seen in the new trailer for “The Tsugua Diaries,” the feature showcases the rather mundane lockdown life of three people, as they share day-to-day household duties and attempt to inject excitement in their tedious new life.
Continue reading ‘The Tsugua Diaries’ Trailer: The Portugese Drama Tells A Lockdown Story With A Structural Twist at The Playlist.
- 9/22/2021
- by Charles Barfield
- The Playlist
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbove: Kenneth Branagh's Belfast.The Toronto International Film Festival has come to a close, with Kenneth Branagh’s semi-autobiographical drama Belfast claiming the TIFF People’s Choice Award and Kamila Andini's coming-of-age film Yuni taking home the Platform Prize. Hot off of last year's Tenet, Christopher Nolan has made a deal with Universal to back his next film, which is centered on the theoretical physicist and one of the "fathers of the atomic bomb," J. Robert Oppenheimer. The deal marks the end of Nolan's lengthy working relationship with Warner Bros. and gives the auteur "total creative control, at least a 100-day theatrical window, around a $100 million budget, equal marketing spend, 20 percent of first-dollar gross, and a blackout period where the studio would not release another movie for three weeks before and after the feature.
- 9/22/2021
- MUBI
One of the most acclaimed films on this year’s festival circuit has found a North American home. KimStim have acquired The Tsugua Diaries, Maureen Fazendeiro and Miguel Gomes’ wistful, sunny antidote to lockdown blues that blurs the line between cinema and life. Gomes is the acclaimed Portuguese director of the Arabian Nights trilogy, Fazendeiro an accomplished documentary filmmaker who first collaborated with him as casting director for Arabian Nights. The cast of Tsugua Diaries includes Crista Alfaiate and Carloto Cotta, both of whom starred in Arabian Nights, as well as João Nunes Monteiro.
The film, which KimStim will release in early 2022 in theaters, had its world premiere at Cannes Directors’ Fortnight and screened at Karlovy Vary and TIFF, and will next make its U.S. premiere at the New York Film Festival as the opening night of Currents this Saturday, September 25. KimStim’s Ian Stimler negotiated the deal with...
The film, which KimStim will release in early 2022 in theaters, had its world premiere at Cannes Directors’ Fortnight and screened at Karlovy Vary and TIFF, and will next make its U.S. premiere at the New York Film Festival as the opening night of Currents this Saturday, September 25. KimStim’s Ian Stimler negotiated the deal with...
- 9/20/2021
- by Jordan Raup
- The Film Stage
When the idea of “pandemic movies” becoming a sort of subgenre was formed and necessitated by global conditions, there was a groan that could be heard around the world. We know how this goes. Artists will jump on gimmicky opportunities to shallowly explore interior space and entrapment. It became a cliché before any movie was even made. Yet some great artists found a way to make unique, memorable studies of the current moment. Mati Diop’s In My Room used interior space and feelings of inability to escape to explore monotonous life. Rob Savage’s clever Host turned entrapment into a nightmare of computer-aided terror. The latest film from Portugal’s Maureen Fazandeiro and Miguel Gomes is an exercise in how art itself––and, by virtue, the people involved in making it––has been changed by the pandemic.
The Tsugua Diaries are essentially a recounting of both the narrative arc...
The Tsugua Diaries are essentially a recounting of both the narrative arc...
- 9/20/2021
- by Soham Gadre
- The Film Stage
New York Film Festival parent, Film at Lincoln Center (Flc), announced an expanded footprint for the 59th edition of the fest (Sept. 24 – Oct. 10), partnering with local arthouse theaters to bring selections to new audiences.
NYFF is working with with Anthology Film Archives (East Village), Bam, Jacob Burns Film Center, and Maysles Documentary Center (Harlem) to screen a selection of films throughout the festival — complete list below. “These screenings allow filmmakers to share their work with passionate filmgoers across New York, and provide flexibility for movie lovers citywide and beyond,” Flc said.
The festival will also present four outdoor screenings in its own backyard, Damrosch Park on the Lincoln Center campus.
NYFF in August announced its slate for a mostly in-person event, opening with Joel Coen’s The Tragedy of Macbeth, starring Frances McDormand and Denzel Washington. It closes with Parallel Mothers,...
NYFF is working with with Anthology Film Archives (East Village), Bam, Jacob Burns Film Center, and Maysles Documentary Center (Harlem) to screen a selection of films throughout the festival — complete list below. “These screenings allow filmmakers to share their work with passionate filmgoers across New York, and provide flexibility for movie lovers citywide and beyond,” Flc said.
The festival will also present four outdoor screenings in its own backyard, Damrosch Park on the Lincoln Center campus.
NYFF in August announced its slate for a mostly in-person event, opening with Joel Coen’s The Tragedy of Macbeth, starring Frances McDormand and Denzel Washington. It closes with Parallel Mothers,...
- 9/1/2021
- by Jill Goldsmith
- Deadline Film + TV
Film at Lincoln Center on Tuesday revealed the slate for the Currents section of the 2021 New York Film Festival, a slate of cutting-edge and experimental works that showcase fresh voices in contemporary cinema. The section’s opening night film is “The Tsugua Diaries,” a pandemic-era tale that premiered at Cannes Directors’ Fortnight about three housemates in lockdown from Maureen Fazendeiro and Miguel Gomes (“Arabian Nights”).
Currents includes 15 features, plus 36 shorts contained in eight programs, and represent 27 countries. In addition to the Portuguese “The Tsugua Diaries,” several films center around the pandemic. Shengze Zhu’s “A River Runs, Turns, Erases, Replaces,” is a meditation on Wuhan’s urban spaces before and after the outbreak, while Denis Côté’s “Social Hygiene” is an absurdist comedy in which characters exchange frank barbs from a humorous distance.
“Currents is the section of the festival that attests to cinema’s continued capacity for reinvention,” said Dennis Lim,...
Currents includes 15 features, plus 36 shorts contained in eight programs, and represent 27 countries. In addition to the Portuguese “The Tsugua Diaries,” several films center around the pandemic. Shengze Zhu’s “A River Runs, Turns, Erases, Replaces,” is a meditation on Wuhan’s urban spaces before and after the outbreak, while Denis Côté’s “Social Hygiene” is an absurdist comedy in which characters exchange frank barbs from a humorous distance.
“Currents is the section of the festival that attests to cinema’s continued capacity for reinvention,” said Dennis Lim,...
- 8/24/2021
- by Chris Lindahl
- Indiewire
Toronto Film Festival Adds Docs and Midnight Titles Including ‘Titane,’ ‘Attica’ and ‘Neptune Frost’
The Toronto International Film Festival announced which films will fill the TIFF Docs, Midnight Madness, and Wavelength sections at this year’s edition of the event, which runs from Sept. 9-18. The festival also added new titles to the Special Presentation and Contemporary World Cinema programs.
Opening TIFF Docs is the world premiere of “Attica” by Stanley Nelson, which tells the story of the 1971 Attica prison riot. Coming about as a result of the prisoners’ fight for more humane living conditions and lasting for five days, it remains the deadliest prison rebellion in U.S. history.
Wavelengths will open with “Neptune Frost” from directors and married couple Saul Williams and Anisia Uzeyman. The film is billed a sci-fi musical romance between an intersex hacker and a coltan miner that will follow the “virtual marvel born as a result of their union.” This marks the North American premiere of the film,...
Opening TIFF Docs is the world premiere of “Attica” by Stanley Nelson, which tells the story of the 1971 Attica prison riot. Coming about as a result of the prisoners’ fight for more humane living conditions and lasting for five days, it remains the deadliest prison rebellion in U.S. history.
Wavelengths will open with “Neptune Frost” from directors and married couple Saul Williams and Anisia Uzeyman. The film is billed a sci-fi musical romance between an intersex hacker and a coltan miner that will follow the “virtual marvel born as a result of their union.” This marks the North American premiere of the film,...
- 8/4/2021
- by Selome Hailu
- Variety Film + TV
BenedictionThe lineup has been unveiled for the 2021 edition of the Toronto International Film Festival, which will take place over 10 days (September 9-18) both in-person and physically in Toronto, and digitally across Canada. Wavelengths - FEATURESFutura (Pietro Marcello, Francesco Munzi, Alice Rohrwacher)The Girl and the Spider (Ramon Zürcher, Silvan Zürcher)Neptune Frost (Saul Williams, Anisia Uzeyman)A Night of Knowing Nothing (Payal Kapadia)Ste. Anne (Rhayne Vermette)The Tsugua Diaries (Maureen Fazendeiro, Miguel Gomes)Wavelengths - SHORTSThe Capacity for Adequate Anger (Vika Kirchenbauer)Dear Chantal (Querida Chantal) (Nicolás Pereda)earthearthearth (Daïchi Saïto)Inner Outer Space (Laida Lertxundi)Polycephaly in D (Michael Robinson)“The red filter is withdrawn.” (Minjung Kim)Train Again (Peter Tscherkassky)Midnight Madness After Blue (Dirty Paradise) (Bertrand Mandico)Dashcam (Rob Savage)Saloum (Jean Luc Herbulot)Titane (Julia Ducournau)You Are Not My Mother (Kate Dolan)Zalava (Arsalan Amiri)TIFF DOCSAttica (Stanley Nelson)Beba (Rebeca Huntt)Becoming Cousteau...
- 8/4/2021
- MUBI
Titles include a new film from ‘Host’ director Rob Savage.
Toronto International Film Festival (TIFF) has added 35 feature titles to its line-up for 2021, predominantly across the TIFF Docs, Midnight Madness and Wavelengths strands.
The new titles include 11 world premieres, consisting of eight in TIFF Docs and three in Midnight Madness.
Titles in the latter include Dashcam, the new film from Rob Savage, director of 2020 pandemic horror hit Host. Savage was named a Screen Star of Tomorrow in 2013.
Also in the Midnight Madness section is Kate Dolan’s You Are Not My Mother, inspired by the mythology of the Changeling, which...
Toronto International Film Festival (TIFF) has added 35 feature titles to its line-up for 2021, predominantly across the TIFF Docs, Midnight Madness and Wavelengths strands.
The new titles include 11 world premieres, consisting of eight in TIFF Docs and three in Midnight Madness.
Titles in the latter include Dashcam, the new film from Rob Savage, director of 2020 pandemic horror hit Host. Savage was named a Screen Star of Tomorrow in 2013.
Also in the Midnight Madness section is Kate Dolan’s You Are Not My Mother, inspired by the mythology of the Changeling, which...
- 8/4/2021
- by Ben Dalton
- ScreenDaily
New nonfiction films from directors Liz Garbus, Stanley Nelson, and E. Chai Vasarhelyi and Jimmy Chin will screen at the Toronto International Film Festival as part of the TIFF Docs program, TIFF organizers announced on Wednesday.
Nelson’s documentary “Attica” will serve as the opening-night film in the section, while other docs at the festival will include Garbus’ “Becoming Cousteau,” Barry Avrich’s “Oscar Peterson: Black + White,” Penny Lane’s “Listening to Kenny G” and Vasarhelyi and Chin’s “Rescue.”
The festival’s Midnight Madness section will open with the Cannes Palme d’Or winner “Titane,” by Julia Ducournau, while TIFF has also added three Special Presentations films that also premiered in Cannes: Nadav Lapid’s “Ahed’s Knee,” Bruno Dumont’s “France” and Ari Folman’s “Where Is Anne Frank?”
In the Contemporary World Cinema section, additions include Juho Kuosmanen’s “Compartment No. 6” and Khadar Ayderus Ahmed’s “The Gravedigger’s Wife.
Nelson’s documentary “Attica” will serve as the opening-night film in the section, while other docs at the festival will include Garbus’ “Becoming Cousteau,” Barry Avrich’s “Oscar Peterson: Black + White,” Penny Lane’s “Listening to Kenny G” and Vasarhelyi and Chin’s “Rescue.”
The festival’s Midnight Madness section will open with the Cannes Palme d’Or winner “Titane,” by Julia Ducournau, while TIFF has also added three Special Presentations films that also premiered in Cannes: Nadav Lapid’s “Ahed’s Knee,” Bruno Dumont’s “France” and Ari Folman’s “Where Is Anne Frank?”
In the Contemporary World Cinema section, additions include Juho Kuosmanen’s “Compartment No. 6” and Khadar Ayderus Ahmed’s “The Gravedigger’s Wife.
- 8/4/2021
- by Steve Pond
- The Wrap
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbove: Pedro Almodóvar's Parallel Mothers (2021). The lineup for the 2021 Venice Film Festival has been unveiled, featuring the latest from Pedro Almodóvar, Maggie Gyllenhaal, Pablo Larraín, Paul Schrader, Ridley Scott, and more. Find the full lineup here. The New York Film Festival has announced that this year's Centerpiece Selection will be Jane Campion's Power of the Dog, an adaptation of Thomas Savage's novel starring Jesse Plemons, Kirsten Dunst, and Benedict Cumberbatch. New additions to the TIFF roster include Joachim Trier's The Worst Person In The World, Masaaki Yuasa's Inu-Oh, and Ho Wi Ding's Terrorizers. A24 has won the rights to Octavia E. Butler's science-fiction novel Parable of the Sower, and Time director Garrett Bradley is set to direct. The novel follows a girl with a unique gift who rises to...
- 7/28/2021
- MUBI
After a pandemic-forced cancellation last year, Cannes Film Festival made a triumphant return this year, featuring some premieres pegged for the 2020 edition as well as a new crop of work. While our coverage will continue over the next week or so, and far beyond as we provide updates on the journey of these selections, we’ve asked our contributors on the ground to share their favorites from this year’s festival.
See their picks below and explore all of our coverage here.
Rory O’Connor
1. Drive My Car (Ryusuke Hamaguchi)
2. Vortex (Gaspar Noé)
3. Memoria (Apichatpong Weerasethakul)
4. Titane (Julia Ducournau)
5. Compartment No. 6 (Juho Kuosmanen)
6. Red Rocket (Sean Baker)
7. Annette (Leos Carax)
8. The Tale of King Crab (Alessio Rigo de Righi and Matteo Zoppis)
9. Great Freedom (Sebastian Meise)
10. Ahed’s Knee (Nadav Lapid)
Honorable Mention: The Hill Where The Lionesses Roar (Luàna Bajrami)
David Katz
1. Drive My Car (Ryusuke Hamaguchi)
2. Memoria (Apichatpong Weerasethakul)
3. In Front of Your Face...
See their picks below and explore all of our coverage here.
Rory O’Connor
1. Drive My Car (Ryusuke Hamaguchi)
2. Vortex (Gaspar Noé)
3. Memoria (Apichatpong Weerasethakul)
4. Titane (Julia Ducournau)
5. Compartment No. 6 (Juho Kuosmanen)
6. Red Rocket (Sean Baker)
7. Annette (Leos Carax)
8. The Tale of King Crab (Alessio Rigo de Righi and Matteo Zoppis)
9. Great Freedom (Sebastian Meise)
10. Ahed’s Knee (Nadav Lapid)
Honorable Mention: The Hill Where The Lionesses Roar (Luàna Bajrami)
David Katz
1. Drive My Car (Ryusuke Hamaguchi)
2. Memoria (Apichatpong Weerasethakul)
3. In Front of Your Face...
- 7/20/2021
- by The Film Stage
- The Film Stage
Films in this year’s Cannes (especially the better ones) have been prone to metafiction—demonstrating and examining the process of making movies, creating images, writing and rehearsing scenes, or editing sound, putting the creative process on full display. It’s hardly a new trend in art cinema—make what you know, love and experience, and your livelihood is bound to bleed in some way or another—but self-reflexity is clearly in style, and Miguel Gomes & Maureen Fazendeiro’s structural, faux making-of puzzle film The Tsugua Diaries may be the most exemplary case. True to its title, the diaristic Tsugua fictitiously dramatizes its own production, which disintegrates […]
The post Cannes Film Festival 2021 Critic’s Notebook 4: The Tsugua Diaries, Titane first appeared on Filmmaker Magazine.
The post Cannes Film Festival 2021 Critic’s Notebook 4: The Tsugua Diaries, Titane first appeared on Filmmaker Magazine.
- 7/16/2021
- by Blake Williams
- Filmmaker Magazine - Blog
Films in this year’s Cannes (especially the better ones) have been prone to metafiction—demonstrating and examining the process of making movies, creating images, writing and rehearsing scenes, or editing sound, putting the creative process on full display. It’s hardly a new trend in art cinema—make what you know, love and experience, and your livelihood is bound to bleed in some way or another—but self-reflexity is clearly in style, and Miguel Gomes & Maureen Fazendeiro’s structural, faux making-of puzzle film The Tsugua Diaries may be the most exemplary case. True to its title, the diaristic Tsugua fictitiously dramatizes its own production, which disintegrates […]
The post Cannes Film Festival 2021 Critic’s Notebook 4: The Tsugua Diaries, Titane first appeared on Filmmaker Magazine.
The post Cannes Film Festival 2021 Critic’s Notebook 4: The Tsugua Diaries, Titane first appeared on Filmmaker Magazine.
- 7/16/2021
- by Blake Williams
- Filmmaker Magazine-Director Interviews
by Cláudio Alves
What an exciting day to be at Cannes this must have been. Asghar Farhadi unveiled a new picture to critical acclaim, with some even stating that A Hero is his greatest work since A Separation. In the main competition, Julia Ducournau also presented her sophomore feature, Titane. After Raw, the new film seems like it will continue the director's exploration on the limits of body horror. As for some sidebar prospects, Miguel Gomes opened his latest work in the Director's Fortnight. The Tsugua Diaries was co-directed with Maureen Fazendeiro and represents Gomes' first feature since Arabian Nights. Unfortunately, another project called Savagery remains incomplete since the pandemic forced the production to halt. In any case, for our homebound Cannes alternative, let's explore the past and best works from these filmmakers…...
What an exciting day to be at Cannes this must have been. Asghar Farhadi unveiled a new picture to critical acclaim, with some even stating that A Hero is his greatest work since A Separation. In the main competition, Julia Ducournau also presented her sophomore feature, Titane. After Raw, the new film seems like it will continue the director's exploration on the limits of body horror. As for some sidebar prospects, Miguel Gomes opened his latest work in the Director's Fortnight. The Tsugua Diaries was co-directed with Maureen Fazendeiro and represents Gomes' first feature since Arabian Nights. Unfortunately, another project called Savagery remains incomplete since the pandemic forced the production to halt. In any case, for our homebound Cannes alternative, let's explore the past and best works from these filmmakers…...
- 7/13/2021
- by Cláudio Alves
- FilmExperience
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