I'm assuming that that's what this episode is. I love it when the endgame to a season of a show finally kicks off. It's so wonderfully satisfying. All the slow moments of the year are gone; all that's left is intensity. And that's what "The Color Blue" is. The end of Season Three began the moment when Betty found the key in the washer.
The episode opens with the titular question, "is your blue my blue?" And Don has a frankly, beautiful answer: "Even if people see things differently, I don't think we want to." The episode is essentially the beginning of the end, as I said before. Sal, Gene, Joan, Connie, and any people not necessary for the chain of events about to come have been removed. Only those truly worthy stick through to the Endgame.
The highlight of this episode was Betty finding out not about Don's affair, but about Dick Whitman (something I wasn't expecting her to know until at least season six), and best of all, Don not even knowing what she knows. Hats off one hundred percent to January Jones and Jon Hamm for being true masters of body language in acting.
There isn't much else to say here. I absolutely LOVE the slogan "you can't frame a phone call," and I'm now convinced they must have an actual ad man on their writing team, because that is frankly genius (and I checked, "Mad Men" did make that up).
This is what episode ten should always look like. (in a 13-ep drama)
The episode opens with the titular question, "is your blue my blue?" And Don has a frankly, beautiful answer: "Even if people see things differently, I don't think we want to." The episode is essentially the beginning of the end, as I said before. Sal, Gene, Joan, Connie, and any people not necessary for the chain of events about to come have been removed. Only those truly worthy stick through to the Endgame.
The highlight of this episode was Betty finding out not about Don's affair, but about Dick Whitman (something I wasn't expecting her to know until at least season six), and best of all, Don not even knowing what she knows. Hats off one hundred percent to January Jones and Jon Hamm for being true masters of body language in acting.
There isn't much else to say here. I absolutely LOVE the slogan "you can't frame a phone call," and I'm now convinced they must have an actual ad man on their writing team, because that is frankly genius (and I checked, "Mad Men" did make that up).
This is what episode ten should always look like. (in a 13-ep drama)