Enrique Gato volverá a dirigir la nueva película que promete llevar al famoso arqueólogo a través del tiempo en una emocionante travesía. © Paramount Pictures
La “tadeomanía” sigue en auge con la confirmación del regreso de Tadeo Jones a la gran pantalla con su cuarta entrega. Dirigida por Enrique Gato, la película se encuentra en fase de pre-producción.
El arqueólogo más icónico de nuestro país volverá a cautivar al público con una nueva aventura que promete superar todas las expectativas. Tras el éxito de las tres películas anteriores, que han conquistado a más de 8 millones de espectadores y han recaudado 47 millones de euros en España, la cuarta entrega se prepara para llevar a Tadeo a un nuevo nivel.
Enrique Gato ha afirmado que esta nueva aventura será el mayor reto hasta la fecha, llevando a los queridos personajes a una travesía completamente diferente… ¡a través del tiempo! Con un guion lleno de diversión y emoción,...
La “tadeomanía” sigue en auge con la confirmación del regreso de Tadeo Jones a la gran pantalla con su cuarta entrega. Dirigida por Enrique Gato, la película se encuentra en fase de pre-producción.
El arqueólogo más icónico de nuestro país volverá a cautivar al público con una nueva aventura que promete superar todas las expectativas. Tras el éxito de las tres películas anteriores, que han conquistado a más de 8 millones de espectadores y han recaudado 47 millones de euros en España, la cuarta entrega se prepara para llevar a Tadeo a un nuevo nivel.
Enrique Gato ha afirmado que esta nueva aventura será el mayor reto hasta la fecha, llevando a los queridos personajes a una travesía completamente diferente… ¡a través del tiempo! Con un guion lleno de diversión y emoción,...
- 3/14/2024
- by Marta Medina
- mundoCine
Spanish film-tv’s good and great joined illustrious international figures to sketch out a roadmap for Europe’s film-tv future at a Conference on Sunday at San Sebastian.
Hosted by Spain’s government, coinciding with its E.U. Council Presidency, the event delivered a bullish vote of confidence in film, TV and audiovisual in general.
Such confidence is natural given the panelists, such as Movistar Plus’ Domingo Corral, Morena Films’ Pilar Benito and Atresmedia TV’s José Antonio Antón, Beta Film’s Jan Mojto and Mario Gianani, at Italy’s Wildside at a first session turning on the consolidation of business models.
Another panel broke down three European hits – Netflix’s “The Snow Girl” and animated pic franchise “Tadeo Jones,” both from Spain, and mega European co-production “The Three Musketeers: D’Artagnan,” led by France’s Pathé.
Below, eight takeaways:
Size Matters
99% of companies in Europe’s Av sector are SMEs,...
Hosted by Spain’s government, coinciding with its E.U. Council Presidency, the event delivered a bullish vote of confidence in film, TV and audiovisual in general.
Such confidence is natural given the panelists, such as Movistar Plus’ Domingo Corral, Morena Films’ Pilar Benito and Atresmedia TV’s José Antonio Antón, Beta Film’s Jan Mojto and Mario Gianani, at Italy’s Wildside at a first session turning on the consolidation of business models.
Another panel broke down three European hits – Netflix’s “The Snow Girl” and animated pic franchise “Tadeo Jones,” both from Spain, and mega European co-production “The Three Musketeers: D’Artagnan,” led by France’s Pathé.
Below, eight takeaways:
Size Matters
99% of companies in Europe’s Av sector are SMEs,...
- 9/25/2023
- by John Hopewell and Callum McLennan
- Variety Film + TV
The Canary Islands are attracting illustrious animation directors and art directors from France and the Spanish mainland, as local talent is returning and building:
Daniel Albaladejo Robles
Growing up on the island of Tenerife at a time when pursuing a career in animation and film was out of bounds, Albaladejo moved to Madrid to study both subjects at the Madrid Film School. His first jobs were on children’s series “Jelly Jamm,” “Pocoyo” and “The Amazing World of Gumball.” His VFX credits include “Game of Thrones” and “A Monster Calls” at El Ranchito in Madrid. “For the past few years, I have focused on storyboarding or animation, working as a freelancer for various studios, including Las Palmas-based Amuse,” he says. He recently worked on animated docu pic, “Mariposas Negras,” and is now collaborating on a U.K. series under wraps. Amdlf
André Bergs
A Dutch native residing in Spain and...
Daniel Albaladejo Robles
Growing up on the island of Tenerife at a time when pursuing a career in animation and film was out of bounds, Albaladejo moved to Madrid to study both subjects at the Madrid Film School. His first jobs were on children’s series “Jelly Jamm,” “Pocoyo” and “The Amazing World of Gumball.” His VFX credits include “Game of Thrones” and “A Monster Calls” at El Ranchito in Madrid. “For the past few years, I have focused on storyboarding or animation, working as a freelancer for various studios, including Las Palmas-based Amuse,” he says. He recently worked on animated docu pic, “Mariposas Negras,” and is now collaborating on a U.K. series under wraps. Amdlf
André Bergs
A Dutch native residing in Spain and...
- 6/13/2023
- by John Hopewell, Anna Marie de la Fuente and Holly Jones
- Variety Film + TV
In a highly anticipated animation event at this year’s Cannes Festival, Emmy-winning Spanish director Rodrigo Blaas attends on Sunday the screening of his short film “Sith,” part of Disney+’s “Star Wars: Visions” Season 2 anthology. The first big-screen exhibition of “Sith” — released worldwide May 4 on Disney+ — followed by a meet and greet with Blaas marks one highlight of the Animation Day Revelations New Animated Shorts From Spain, organized by Icex Spain’s Trade & Investment.
The Spanish animation event at Cannes will also showcase Alberto Mielgo’s celebrated 2022 Oscar-winning short film “The Windshield Wiper.”
Another leading light in the renaissance of Spanish animation, Mielgo also took an Emmy Award last year for individual achievement in animation for “Jíbaro,” part of Season 3 of Netflix’s animated series “Love, Death + Robots.” An earlier episode of the series directed by Mielgo, “The Witness,” won three Emmys in 2019.
Blaas has worked on successful...
The Spanish animation event at Cannes will also showcase Alberto Mielgo’s celebrated 2022 Oscar-winning short film “The Windshield Wiper.”
Another leading light in the renaissance of Spanish animation, Mielgo also took an Emmy Award last year for individual achievement in animation for “Jíbaro,” part of Season 3 of Netflix’s animated series “Love, Death + Robots.” An earlier episode of the series directed by Mielgo, “The Witness,” won three Emmys in 2019.
Blaas has worked on successful...
- 5/21/2023
- by Emiliano De Pablos
- Variety Film + TV
Spain’s status as Cannes’ Marché du Film’s Country of Honor is a “milestone,” says María Peña, CEO of Icex Spain Trade & Investment.
But it’s also a mark of recognition, she says, after Spain’s big wins just this year at the Berlinale and France’s Cesars.
Peña also points to April’s MipTV, where Rafael Cobos’ “The Left Handed Son,” from Movistar Plus+, won Canneseries’ Short Format Competition, and “The Caravan,” produced by Barcelona’s Caravan Films, the first MipDoc International Buyers Screenings honors.
Last year, Spain scooped up a Berlin Golden Bear (“Alcarràs”) and an Oscar (Alberto Mielgo’s “The Windshield Wiper”).
Spain is on a roll. That cuts multiple ways, however, explaining both the Country of Honor designation, and the country’s presence at large at Cannes this year. Seven takeaways about Spain:
Talent, Large Talent
Victor Erice, Pedro Almodóvar, Alberto Mielgo, Rodrigo Blaas — Cannes...
But it’s also a mark of recognition, she says, after Spain’s big wins just this year at the Berlinale and France’s Cesars.
Peña also points to April’s MipTV, where Rafael Cobos’ “The Left Handed Son,” from Movistar Plus+, won Canneseries’ Short Format Competition, and “The Caravan,” produced by Barcelona’s Caravan Films, the first MipDoc International Buyers Screenings honors.
Last year, Spain scooped up a Berlin Golden Bear (“Alcarràs”) and an Oscar (Alberto Mielgo’s “The Windshield Wiper”).
Spain is on a roll. That cuts multiple ways, however, explaining both the Country of Honor designation, and the country’s presence at large at Cannes this year. Seven takeaways about Spain:
Talent, Large Talent
Victor Erice, Pedro Almodóvar, Alberto Mielgo, Rodrigo Blaas — Cannes...
- 5/19/2023
- by John Hopewell
- Variety Film + TV
To mark the release of Tad the Lost Explorer and The Curse of The Mummy on 26th December, we’ve been given DVD copies to give away to 3 winners.
Tad’s biggest dream is to be accepted by his archaeology colleagues, but his accident-prone nature gets in his way. When he inadvertently destroys a rare sarcophagus, a spell is cast, putting his friends’ lives in danger. Saving Mummy, Jeff and Belzoni triggers an action-packed adventure that will lead Tad and Sara to travel to the far corners of the world to find a way to stop the curse of the Emerald Tablet. Directed by Enrique Gato.
Please note: This competition is open to UK residents only
a Rafflecopter giveaway
Tad The Lost Explorer and The Curse Of The Mummy available to Download & Keep now and on DVD December 26th.
The Small Print
Open to UK residents only The competition will...
Tad’s biggest dream is to be accepted by his archaeology colleagues, but his accident-prone nature gets in his way. When he inadvertently destroys a rare sarcophagus, a spell is cast, putting his friends’ lives in danger. Saving Mummy, Jeff and Belzoni triggers an action-packed adventure that will lead Tad and Sara to travel to the far corners of the world to find a way to stop the curse of the Emerald Tablet. Directed by Enrique Gato.
Please note: This competition is open to UK residents only
a Rafflecopter giveaway
Tad The Lost Explorer and The Curse Of The Mummy available to Download & Keep now and on DVD December 26th.
The Small Print
Open to UK residents only The competition will...
- 12/16/2022
- by Competitions
- HeyUGuys.co.uk
Sony’s ‘Lyle, Lyle, Crocodile’ and Warner Bros’ ‘Emily’ also debuted at the box office.
RankFilm (distributor) Three-day gross (Oct 14-16)Total gross to date Week 1. Halloween Ends (Universal) £2.1m £2.1m 1 2. Lyle, Lyle, Crocodile (Sony) £1.7m £2.8m 1 3. Smile (Paramount) £1.4m £7.2m 3 4. Ticket To Paradise (Universal) £617,041 £7.8m 4 5. Don’t Worry Darling (Warner Bros) £610,841 £9.4m 4
Gbp to Usd conversion rate: 1.11
Universal’s horror Halloween Ends scared off the competition at the weekend’s UK-Ireland box office, hitting the top spot with £2.1m in its opening weekend from 576 locations, for a £3,646 average.
The feature is the 12th in the Halloween franchise, and the third...
RankFilm (distributor) Three-day gross (Oct 14-16)Total gross to date Week 1. Halloween Ends (Universal) £2.1m £2.1m 1 2. Lyle, Lyle, Crocodile (Sony) £1.7m £2.8m 1 3. Smile (Paramount) £1.4m £7.2m 3 4. Ticket To Paradise (Universal) £617,041 £7.8m 4 5. Don’t Worry Darling (Warner Bros) £610,841 £9.4m 4
Gbp to Usd conversion rate: 1.11
Universal’s horror Halloween Ends scared off the competition at the weekend’s UK-Ireland box office, hitting the top spot with £2.1m in its opening weekend from 576 locations, for a £3,646 average.
The feature is the 12th in the Halloween franchise, and the third...
- 10/17/2022
- by Mona Tabbara
- ScreenDaily
Paramount horror surges a sizeable 17 percent on last weekend.
Rank Film (distributor) Three-day gross (Oct 8-10) Total gross to date Week 1. Smile (Paramount) £1.7m £4.75m 2 2. Don’t Worry Darling (Warner Bros) £1m £8.2m 3 3. The Woman King (eOne) £927,000 £1.3m 1 4. Ticket To Paradise (Universal)
£860,708 £6.7m 3 5. Amsterdam (Disney) £631,064 £631,064 1
Gbp to Usd conversion rate: 1.11
Horror film Smile became the first 18-rated film to top the weekend UK-Ireland box office for over three years, with a huge 17 increase on its previous session.
The film took £1.7m from Friday-to-Sunday, up from last weekend’s £1.5m start. It is up to £4.75m total after strong midweek performances, and...
Rank Film (distributor) Three-day gross (Oct 8-10) Total gross to date Week 1. Smile (Paramount) £1.7m £4.75m 2 2. Don’t Worry Darling (Warner Bros) £1m £8.2m 3 3. The Woman King (eOne) £927,000 £1.3m 1 4. Ticket To Paradise (Universal)
£860,708 £6.7m 3 5. Amsterdam (Disney) £631,064 £631,064 1
Gbp to Usd conversion rate: 1.11
Horror film Smile became the first 18-rated film to top the weekend UK-Ireland box office for over three years, with a huge 17 increase on its previous session.
The film took £1.7m from Friday-to-Sunday, up from last weekend’s £1.5m start. It is up to £4.75m total after strong midweek performances, and...
- 10/10/2022
- by Ben Dalton
- ScreenDaily
Universal titles ‘Ticket To Paradise’, ‘Mrs. Harris Goes To Paris’ make top five.
RankFilm (distributor) Three-day gross (Oct 1-3)Total gross to date Week 1. Don’t Worry Darling (Warner Bros) £1.8m £6.2m 2 2. Smile (Paramount)
£1.5m £1.9m 1 3. Ticket To Paradise (Universal) £1.3m £5.2m 2 4. Mrs. Harris Goes To Paris (Universal) £806,794 £806,794 1 5. Avatar re-release (Disney) £735,000 £2.4m 2
Gbp to Usd conversion rate: 1.12
Olivia Wilde’s thriller Don’t Worry Darling retained the UK-Ireland box office lead for a second weekend with a £1.8m session, holding off the challenge of Paramount horror Smile.
Don’t Worry Darling is now up to a healthy £6.2m, after topping the midweek charts...
RankFilm (distributor) Three-day gross (Oct 1-3)Total gross to date Week 1. Don’t Worry Darling (Warner Bros) £1.8m £6.2m 2 2. Smile (Paramount)
£1.5m £1.9m 1 3. Ticket To Paradise (Universal) £1.3m £5.2m 2 4. Mrs. Harris Goes To Paris (Universal) £806,794 £806,794 1 5. Avatar re-release (Disney) £735,000 £2.4m 2
Gbp to Usd conversion rate: 1.12
Olivia Wilde’s thriller Don’t Worry Darling retained the UK-Ireland box office lead for a second weekend with a £1.8m session, holding off the challenge of Paramount horror Smile.
Don’t Worry Darling is now up to a healthy £6.2m, after topping the midweek charts...
- 10/3/2022
- by Ben Dalton
- ScreenDaily
Disney release “See How They Run,” starring Saoirse Ronan and Sam Rockwell, debuted atop the U.K. and Ireland box office with £1.1 million (1.3 million), according to numbers released by Comscore.
The top four releases of the weekend were all debuts and a rerelease. Paramount’s animated sequel “Tad the Lost Explorer and the Curse of the Mummy” debuted in second place with £818,525.
Universal’s rerelease of Steven Spielberg’s “Jaws,” including an IMAX version, collected £524,233 in third position.
In fourth place, Disney’s big budget Bollywood action fantasy “Brahmāstra Part One: Shiva,” starring Ranbir Kapoor and Alia Bhatt, bowed with £516,943, while Sony’s “Bodies Bodies Bodies” debuted in seventh position with £351,159.
Two box office champions continued their sway over the box office in the top 10. In fifth position, Universal’s “Minions: The Rise Of Gru” collected £382,581 in its 11th weekend for a total of £44.7 million. And in ninth place, Paramount...
The top four releases of the weekend were all debuts and a rerelease. Paramount’s animated sequel “Tad the Lost Explorer and the Curse of the Mummy” debuted in second place with £818,525.
Universal’s rerelease of Steven Spielberg’s “Jaws,” including an IMAX version, collected £524,233 in third position.
In fourth place, Disney’s big budget Bollywood action fantasy “Brahmāstra Part One: Shiva,” starring Ranbir Kapoor and Alia Bhatt, bowed with £516,943, while Sony’s “Bodies Bodies Bodies” debuted in seventh position with £351,159.
Two box office champions continued their sway over the box office in the top 10. In fifth position, Universal’s “Minions: The Rise Of Gru” collected £382,581 in its 11th weekend for a total of £44.7 million. And in ninth place, Paramount...
- 9/13/2022
- by Naman Ramachandran
- Variety Film + TV
Tad the Explorer – aka Tad Stones the Chicago bricklayer – is onto his third adventure in new Enrique Gato feature, Tad the Lost Explorer and the Curse of the Mummy (or Tad the Lost Explorer and the Emerald Tablet in some regions) and is as accident-prone as ever as he tries to gain acceptance into the upper echelons of archaeological circles.
Indeed, we first see Tad (voiced by Trevor White) making a major discovery on a dig in Mexico led by the University of Chicago’s archaeological department which (naturally) all ends in disaster. Expelled from the site and leaving ever patient girlfriend Sara (Alex Kelly) behind, a crestfallen Tad returns home to decomposing old friend Mummy (Joseph Balderrama) who is as addicted to gadgets and social media as any youth is today (parents/guardians unite in rolling their collective eyes to the cinema ceiling in weary recognition here). However, in the chaos that follows,...
Indeed, we first see Tad (voiced by Trevor White) making a major discovery on a dig in Mexico led by the University of Chicago’s archaeological department which (naturally) all ends in disaster. Expelled from the site and leaving ever patient girlfriend Sara (Alex Kelly) behind, a crestfallen Tad returns home to decomposing old friend Mummy (Joseph Balderrama) who is as addicted to gadgets and social media as any youth is today (parents/guardians unite in rolling their collective eyes to the cinema ceiling in weary recognition here). However, in the chaos that follows,...
- 9/12/2022
- by Lisa Giles-Keddie
- HeyUGuys.co.uk
Only middling writing lets down the impressive-looking third instalment from an upstart Spanish studio, which follows a Chicago bricklayer’s quest to lift an ancient curse
Here is the third entry in a series of modestly budgeted, surprisingly profitable Spanish digimations, shrewdly placed at the end of the summer holidays to capitalise on any waning of interest in Minions and Super-Pets. Parents present for the long haul will have witnessed two stories unfolding, primarily how hapless Chicago bricklayer Tad Stones realised his dream of becoming a globetrotting Indiana Jones-like archaeologist.
The new one, however, is more intriguing: a pronounced narrowing of the gap between the American powerhouses who set the CGI bar and the upstart European studios who boosted their rendering capacity as those erstwhile market leaders began cutting corners. Tad’s sweetheart Sara (Alex Kelly) may possess a Disney look so comprehensive that you fear legal intervention, but...
Here is the third entry in a series of modestly budgeted, surprisingly profitable Spanish digimations, shrewdly placed at the end of the summer holidays to capitalise on any waning of interest in Minions and Super-Pets. Parents present for the long haul will have witnessed two stories unfolding, primarily how hapless Chicago bricklayer Tad Stones realised his dream of becoming a globetrotting Indiana Jones-like archaeologist.
The new one, however, is more intriguing: a pronounced narrowing of the gap between the American powerhouses who set the CGI bar and the upstart European studios who boosted their rendering capacity as those erstwhile market leaders began cutting corners. Tad’s sweetheart Sara (Alex Kelly) may possess a Disney look so comprehensive that you fear legal intervention, but...
- 9/7/2022
- by Mike McCahill
- The Guardian - Film News
In its 15th weekend of release, Paramount’s “Top Gun: Maverick” is still flying high at the U.K. and Ireland box office.
The Tom Cruise vehicle collected £600,258 in third place at the box office, according to numbers released by Comscore. With a total of £81.6 million (94.1 million) it has overtaken “Titanic” (£80.3 million) to occupy the No. 9 position on the all time box office chart in the territory.
Sony’s “Spider-Man: No Way Home” swung back into cinemas with an extended cut and collected £469,309 in fifth position in its 38th weekend in the territory. With a total of £96.9 million, it has swung past James Bond film “No Time to Die” (£96.7 million) and is now No. 3 among the territory’s all time box office champions. “Star Wars: The Force Awakens” (£123.2 million) and another Bond title “Skyfall” (£103.2 million) are the top two.
A pair of animated features returned to the top of the weekend chart.
The Tom Cruise vehicle collected £600,258 in third place at the box office, according to numbers released by Comscore. With a total of £81.6 million (94.1 million) it has overtaken “Titanic” (£80.3 million) to occupy the No. 9 position on the all time box office chart in the territory.
Sony’s “Spider-Man: No Way Home” swung back into cinemas with an extended cut and collected £469,309 in fifth position in its 38th weekend in the territory. With a total of £96.9 million, it has swung past James Bond film “No Time to Die” (£96.7 million) and is now No. 3 among the territory’s all time box office champions. “Star Wars: The Force Awakens” (£123.2 million) and another Bond title “Skyfall” (£103.2 million) are the top two.
A pair of animated features returned to the top of the weekend chart.
- 9/6/2022
- by Naman Ramachandran
- Variety Film + TV
Similar to recent weeks, we’re still in a holding pattern at the international box office, awaiting major new wide studio releases. There were a few milestones this session, however, and Japan has in general been a bright spot with local pic One Piece Film: Red and the continued thrum of Top Gun: Maverick while the market does the bulk of the lifting to potentially push Jurassic World Dominion across the 1B mark worldwide.
Universal/Amblin’s six-film Jurassic franchise has crossed the 6B mark globally. The current installment, Jurassic World Dominion, is now at a worldwide tally of 990.4M through Sunday. As we noted last weekend, Japan was the last major market to release, and may be the swing on whether the Jwd dino-meter clicks past 1B. The market was the top holdover with a 25 drop in its 5th frame, for a 40.9M local cume.
Offshore, Jwd is at 615.7M,...
Universal/Amblin’s six-film Jurassic franchise has crossed the 6B mark globally. The current installment, Jurassic World Dominion, is now at a worldwide tally of 990.4M through Sunday. As we noted last weekend, Japan was the last major market to release, and may be the swing on whether the Jwd dino-meter clicks past 1B. The market was the top holdover with a 25 drop in its 5th frame, for a 40.9M local cume.
Offshore, Jwd is at 615.7M,...
- 8/29/2022
- by Nancy Tartaglione
- Deadline Film + TV
Moviegoers really love those tiny yellow henchmen.
“Minions: The Rise of Gru” hit an important milestone over the weekend, crossing 500 million at the international box office. According to Universal, those ticket sales are in line with where the franchise’s previous films — including 2015’s “Minions” and 2017’s “Despicable Me 3” — were at the same point in their respective theatrical runs. Those two films each grossed over 700 million overseas and notched more than 1 billion globally — so “The Rise of Gru” has plenty of ground to make up. Right now, the latest installment in the popular family-friendly series has grossed 868.8 million worldwide.
Following the onset of the pandemic, many blockbusters have struggled to match their pre-pandemic predecessors in terms of global ticket sales. Another Universal release, “Jurassic World Dominion,” is a dinosaur’s throw from reaching the coveted 1 billion mark, with ticket sales at 990 million. Does it have enough juice to become...
“Minions: The Rise of Gru” hit an important milestone over the weekend, crossing 500 million at the international box office. According to Universal, those ticket sales are in line with where the franchise’s previous films — including 2015’s “Minions” and 2017’s “Despicable Me 3” — were at the same point in their respective theatrical runs. Those two films each grossed over 700 million overseas and notched more than 1 billion globally — so “The Rise of Gru” has plenty of ground to make up. Right now, the latest installment in the popular family-friendly series has grossed 868.8 million worldwide.
Following the onset of the pandemic, many blockbusters have struggled to match their pre-pandemic predecessors in terms of global ticket sales. Another Universal release, “Jurassic World Dominion,” is a dinosaur’s throw from reaching the coveted 1 billion mark, with ticket sales at 990 million. Does it have enough juice to become...
- 8/28/2022
- by Rebecca Rubin
- Variety Film + TV
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