James A. Fitzpatrick sends the Technicolor cameras down to Guatemala City under the supervision of cinematographer Nat Finston, so he can show us the architecture and a movie theater whose whose marquee proudly proclaims it's showing a Fitzpatrick Traveltalk.
It's a bit far afield for this MGM travelogue series during the Second World War. Mostly they took the audience to the exotic lands like Michigan. Occasionally, they would approach the Canadian border, or take a trip down to Mexico. Guatemala was a little further south than they usually got. Fitzpatrick's language is typically flowery, particularly when he's talking about flowering trees.
The copy that plays on Turner Classic Movies, like many from this period, seems to have been made from a 16 mm. print. The colors are a bit dull.
It's a bit far afield for this MGM travelogue series during the Second World War. Mostly they took the audience to the exotic lands like Michigan. Occasionally, they would approach the Canadian border, or take a trip down to Mexico. Guatemala was a little further south than they usually got. Fitzpatrick's language is typically flowery, particularly when he's talking about flowering trees.
The copy that plays on Turner Classic Movies, like many from this period, seems to have been made from a 16 mm. print. The colors are a bit dull.