Police chase an armed criminal in a version of Los Angeles comprised entirely of corporate logos.
Directors:
Writers:
Awards:
- Won 1 Oscar. Another 8 wins & 5 nominations.
- See more »
Photos and Videos
Cast
| Bob Stephenson | ... |
Ronald / Bibendum Mike / Bibendum Sheriff (voice)
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| Sherman Augustus | ... |
Bibendum Mitch (voice)
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| Aja Evans | ... |
Esso Girl (voice)
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| Joel Michaely | ... |
Big Boy / Green Giant / Mr. Clean (voice)
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| Matt Winston | ... |
Haribo (voice)
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| Andrew Kevin Walker | ... |
Pringles Hot & Spicy (voice)
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| David Fincher | ... |
Pringles Original (voice)
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Greg Pruss | ... |
Chopper Pilot / Pillsbury Doughboy (voice)
(as Gregory J. Pruss)
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Josh Eichenbaum | ... |
M&Ms (voice)
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| Jaime Ray Newman | ... |
Dispatch Girl - Radio (voice)
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| Rest of cast listed alphabetically: | |||
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Pauline Moingeon Vallès |
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Directed by
| François Alaux | ||
| Hervé de Crécy | ||
| Ludovic Houplain | ||
Written by
| François Alaux | ... | (screenplay) & |
| Hervé de Crécy | ... | (screenplay) & |
| Ludovic Houplain | ... | (screenplay) |
| Greg Pruss | ... | (dialogue) (as Gregory J. Pruss) |
Produced by
| François Alaux | ... | producer |
| Hervé de Crécy | ... | producer |
| Sandrine De Monte | ... | associate producer |
| Ludovic Houplain | ... | producer |
| Stéphane Kooshmanian | ... | executive producer |
| Maurice Prost | ... | executive producer |
| Nicolas Schmerkin | ... | executive producer / producer |
| Rhea Scott | ... | executive producer |
Editing by
| Stephen Berger | ||
| Samuel Danési | ||
| Walter Mauriot | ||
Editorial Department
| Florian Du Pasquier | ... | colorist assistant |
| Jean-Baptiste Le Guen | ... | digital film supervisor |
Art Direction by
| François Alaux | ||
| Quentin Brachet | ||
| Hervé de Crécy | ||
| Ludovic Houplain | ||
Sound Department
| Louis Bart | ... | additional sound |
| Hall Cantrell | ... | assistant sound re-recording mixer |
| Josh Eichenbaum | ... | re-recording mixer |
| Warrick Marais | ... | assistant sound re-recording mixer |
| Human Worldwide | ... | sound designer |
Visual Effects by
| Mathias Barday | ... | digital artist |
| Étienne Bolo | ... | digital compositor |
| Bastien Brenot | ... | digital effects lead / visual effects artist |
| Mathieu De Saint Jores | ... | digital lighting and compositing artist |
| Hugues de Tournemire | ... | digital artist |
| Julien Dubuisson | ... | software engineer |
| Laetitia Gabrielli | ... | look development artist |
| Pascal Giroux | ... | visual effects producer |
| Guillaume Ho Tsong Fang | ... | lighting and compositing supervisor |
| Damien Hurgon | ... | digital compositor |
| Bourdonnay Judikael | ... | digital lighting and compositing artist |
| Benjamin Lenfant | ... | modeler |
| Luc Martias | ... | digital lighting and compositing artist |
| Jérôme Martinez | ... | modeler |
| Julien Meesters | ... | head of studio |
| Olivier Mitonneau | ... | cg artist |
| Thomas Mouraille | ... | modeler |
| Michael Nauzin | ... | animation supervisor |
| Simon Rafin | ... | digital lighting and compositing artist |
| Manuel Souillac | ... | cg artist |
| Quentin Sur | ... | digital artist |
| Milan Voukassovitch | ... | digital lighting and compositing artist |
Animation Department
| Julien Aubard | ... | animator |
| Damien Climent | ... | animator |
| Cédric Hervet | ... | animation supervisor |
| Renaud Mégange | ... | animator |
| Michael Nauzin | ... | animation director / animation supervisor / animator |
Music Department
| Margaret Saadi Kramer | ... | music editor |
| Bryan Ray Turcotte | ... | music supervisor |
| Dayna Turcotte | ... | music supervisor |
Additional Crew
| Joshua Jason | ... | publicist |
| Fred Testot | ... | voice dubbing: Ronald McDonald/Big Boy |
Thanks
Production Companies
- Autour de Minuit Productions
- Canal+
- Little Minx Films (in association with)
Distributors
- Cinéma Public Films (2011) (France) (theatrical)
- Shorts International (2010) (World-wide)
- The Criterion Channel (2019) (United States) (tv) (digital)
Special Effects
Other Companies
- Human Worldwide (original music)
- Human Worldwide (sound design)
- Machine Molle (thanks)
Storyline
| Plot Summary |
Somewhere in a vibrant and colourful interpretation of sunny Los Angeles where corporate logos and mascots simply rule, a sexy Esso Girl waitress takes her cigarette break, while at the same time, a murderous, gun-totting Ronald McDonald runs amok on the busy highways. As the clear signs of a vehement seismic activity foretell an ominous future, will the Michelin Man police officers stop the unhinged psychopath before he blows the whole town to smithereens? Written by Nick Riganas |
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| Taglines | Spectacular car chases, an intense hostage crisis, wild animals rampaging through the city, and even more, will have you at the edge of your seat in... LOGORAMA! See more » |
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| Parents Guide | View content advisory » |
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Additional Details
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Did You Know?
| Goofs | When the Michelin Man cops are parked outside the KFC, the Ghostbusters "No Ghost" logo Stop sign is facing them with the ghost's head on the left (as it is customarily displayed in North America). When the cops pull away, the sign is shown from the other side, and the ghost is still facing the same way. When seen from the other side, the ghost's head should be on the right - as seen later on when the the Esso Girl and Big Boy are getting into the abandoned cop car. See more » |
| Movie Connections | Edited into The Oscar Nominated Short Films 2010: Animation (2010). See more » |
| Soundtracks | Good Mornin' Life See more » |
| Crazy Credits | After the scrolling end credits have come to an end, a bald, toothless Ronald reappears to give a quick laugh. See more » |
| Quotes |
Michelinman Mike:
Oh, God. It was... you know what? You should come with us next time. Michelinman Mitch: No, man. I don't like zoos. Michelinman Mike: Aw, man. But the kids go apeshit for it. Michelinman Mitch: Yeah, well, I don't see my kids that much. Besides, it's depressing. Michelinman Mike: What? Getting up close to animals? I mean, where the hell else you going to get that close to a cheetah? Michelinman Mitch: Yeah, that cheetah can run like a motherfucker, but in a zoo, they ain't got enough room to hit second gear. I mean, it ain't like they're in their natural habitat. Michelinman Mike: Yeah, no shit, man. That's cause they'd be dead if they were in their natural habitat. These animals have been rescued. Usually injured or something in like the, you know the wild, or blind. Michelinman Mitch: No shit? Michelinman Mike: No shit. Michelinman Mitch: See? I didn't know that. Michelinman Mike: Yeah, that's what I'm saying. Michelinman Mitch: That's even more depressing. That's what I'm talking about. A blind ass cheetah bumping into trees and shit. That shit's fucked up. Michelinman Mike: I didn't say the cheetah was blind. Michelinman Mitch: Well then what's blind? Michelinman Mike: N-nothing's blind. It's just an example. Michelinman Mitch: Well then that's a fucked up example of some shit right there, man. That's what I'm talking about. Blind cheetahs and shit. See more » |