"Law & Order: Special Victims Unit" Savior (TV Episode 2010) Poster

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7/10
Two mildly spoilerly observations
wdstarr-129 December 2020
Warning: Spoilers
1. From now on let's Just Say No to cliffhanger-type endings, okay?

2. Man, Gladys Dalton (Mischa Barton) sure looked real healthy real fast after having a baby delivered via C-section, didn't she?

3. And okay, one that's somewhat less of a spoiler: it was just a simple bit of choreographed stuntwork, but I think that the scene where the bailiff suddenly appeared from the right side of the scene moving at full speed and slam-tackling the defendant from the side as he was about to attack the witness was aesthetically very well staged. I rewound and watched it a couple of extra times just to admire it.
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7/10
Saving the working girls
bkoganbing31 January 2015
The SVU squad has a nasty predator on its hands in this episode. They are investigating the killings of some prostitutes and have to dodge one nasty pimp to do it. They finally arrest Lee Tergeson a self styled reverend who believes he's saving the working girls from a sinful life.

One who escaped was Mischa Barton who was understandably freaked by this guy. Her testimony is needed by Stephanie March to convict Tergesen. How he did it who knows, but he has a real smarmy defense lawyer in Delaney Williams. Mischa has other concerns however, a premature baby who is in crisis in an incubator.

Mariska Hargitay bonded with this victim and that fact comes in handy. For even more than Olivia Benson realized at the time.

All around good performances from Barton as the prostitute, in the racket since she was 12 and from Tergesen as one freaky reverend.
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8/10
So Much Better Than Episodes of the Past Few Years
bkkaz31 January 2021
Warning: Spoilers
It's hard to believe what a shell of its former self SVU is these days. At one point, the writing was pretty solid, featuring both complex stories and complex character. Now it's one-dimensional preaching to audience and pandering to causes. In this episode, a religious nut is attacking prostitutes under the guise of saving them. Through the course of their investigation -- well, it's more like a series of confrontations and slip ups -- the SVU squad finally catches the guy, but in twisting the arm of one of the witnesses, gets involved with a pregnant prostitute. From there, the story becomes one of trying to convince the mother to do the best for her child. But this episode, as with so many in the middle of SVU's run, takes the time to chastize Benson and Stabler for their do-gooder strong-arming of victims and perps, pointing out ably that it's so easy for them to moralize when they put up nothing and have nothing to lose. This episode ends with Benson, having confronted the prostitute mother so many times it's almost bullying, left to make a decision that finally makes her do more than lecture. The problem, of course, is the episode ends without resolving just what effect that has, which ordinarily would be a dramatic way to conclude but given how many times Benson and Stabler have pontificated, seems a true cop out.
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10/10
Correct decision
yazguloner3 July 2021
The episode starts with a pervert who sees religion and God between the legs of a woman.

Afterwards, she drags her with her womanhood. Good episode.

An episode that sees Olivia's maternal instinct and shows future signals about it.
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5/10
Saving souls
TheLittleSongbird11 May 2022
"Savior" is something of a polarising episode, with a mixed critical reception and strong opinions on all sides. Some found it powerful. Others found it too soapy and uninvolving. Season 11 did have a few great episodes previous to this, "Turmoil", "Perverted" and especially "Shadow", but did have misfires (including the previous episode "P. C.") as well. The case on paper didn't sound all that interesting, but the franchise has made frequently interesting episodes out of concepts that don't so was hoping this would be the same.

Unfortunately, it was not. While marginally better than "Anchor" and "P. C.", "Savior" is one of the weaker episodes of an inconsistent but not too bad season and to me one of the few to not really feel like an episode from 'Law and Order: Special Victims Unit'. "Savior" definitely has its good things and it does sadden me to be the dissenting voice here, but considering how brilliant 'Special Victims Unit' can really be at its best or close to it this should have been better.

Am going to start with the good. The production values are fine, have always liked the photography's intimacy and grit and the look of the show has come on a good deal over-time (and it was good to begin with). The music doesn't intrude and has a haunting quality, have not always remembered that the theme tune is easy to remember and holds up.

It was great to see Olivia's more maternal side, which sees a different side to her, and the ending is heart-wrenching. The acting is very good from the regulars, while Mischa Barton is affecting in her guest turn. Lee Tergesen does freaky so well, making much out of an underused cliche of a character. Delaney Williams sure has authority in the courtroom.

The story on the other hand didn't grab me. It spends far too much time on the plight of Gladys, which is little more than melodramatic soap-opera. Was expecting it to not be an easy watch and feel a lot of emotions watching this, but this was just too soapy and comes at the expense of the work of the SVU. The case itself is very slight, is badly lacking in momentum and is pretty predictable too. The episode is very investigation-light, and what there is is routine and not particularly illuminating or new. A couple of strands could have been better done, the power of attorney stuff was far too cruel and it was a mistake for the whole baby dilemma to be left as a loose end.

Moreover, the script was in serious need of a tweak. Too talk-heavy and over-heated and it was hard to ignore the contradiction concerning Stabler's line regarding the DNA, where the writers had clearly forgotten that "Perverted's" ending existed. Somehow it didn't feel like 'Special Victims Unit', with far too much of Gladys and with the investigative and legal stuff, so basically what the show and franchise are all about, being not used enough. The direction felt going through the motions like.

Bottom line, not terrible but could have been a lot better. 5/10.
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