★★★☆☆ Jewish-French director Radu Mihaileanu offers up his exploration of the patriarchal problems of traditional Islamic society in comedy drama The Source (La Source des Demmes, 2011). Set in an unnamed village, women are forced by their husbands to fetch water from a treacherous well upon the mountain side. When the friend of headstrong Leila (Leïla Bekhti) miscarries as a result of a fall on the path, she decides to lead the women of the village in a 'love strike' to express their discontent.
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- 5/17/2012
- by CineVue
- CineVue
Three titles that should receive a lot of attention in this year's fest are: Jorge Michel Grau's contempo cannibal film to break out We Are What We Are (see pic), and Johannes Stjärne Nilsson's Sound of Noise – a high risk film because it mixes genres together like someone grabbing whole bunch of leftovers from the fridge. - The kings of the Croisette – Wild Bunch have got titles coming out of all orifices that they just supplied the fest with the last minute addition of Ken Loach's Route Irish. Earlier in the year they had one of the best comedies of the year in Four Lions play in Sundance (which has yet to be picked up for the North American market) and the steamy Rome in Room should fog up the Market Screenings. Three titles that should receive a lot of attention in this year's fest are:...
- 5/13/2010
- IONCINEMA.com
The kings of the Croisette – Wild Bunch have got titles coming out of all orifices that they just supplied the fest with the last minute addition of Ken Loach's Route Irish. Earlier in the year they had one of the best comedies of the year in Four Lions play in Sundance (which has yet to be picked up for the North American market) and the steamy Rome in Room should fog up the Market Screenings. Three titles that should receive a lot of attention in this year's fest are: Jorge Michel Grau's contempo cannibal film to break out We Are What We Are (see pic), and Johannes Stjärne Nilsson's Sound of Noise – a high risk film because it mixes genres together like someone grabbing whole bunch of leftovers from the fridge. Already causing a stir is the social commentary docu film by agitator Sabina Guzzanti – Italian politicians beware.
- 5/12/2010
- IONCINEMA.com
It's a wrap! The Martin Gropius Bau is empty and the final pickups follow. This is a work in progress and readers are invited and welcome to contribute. Presales have returned in reaction to the reduced number of finished films on offer over the past two markets. Presales applies across the board from Us to French and even Italian films. English language films are increasingly coming out of the major non English language territories but local product is impacting sales on Us films internationally. Business was quickly wrapped up but it was done with a healthy number of buys reported. Lower prices have become accepted but the market must have product as this event proved.
Adriana Chiesa has licensed Federico Moccia’s teen trilogy to Savor to Spain. The first title, Sorry If I Love You (Scusa Ma Ti Chiamo Amore) grossed $27m when released by Medusa on 600 prints in Italy.
Adriana Chiesa has licensed Federico Moccia’s teen trilogy to Savor to Spain. The first title, Sorry If I Love You (Scusa Ma Ti Chiamo Amore) grossed $27m when released by Medusa on 600 prints in Italy.
- 3/9/2010
- by Sydney
- Sydney's Buzz
Until women reach a 50-50 parity with men directors, my mission continues to count the women directors in upcoming and recent film festivals (and an occasional informal glance at what’s selling in the markets). Women’s films in Berlin reflect women’s place in the world both in content and in the numbers of women represented as directors, producers, writers, etc. John Cooper of Sundance stresses the increasing and possibly 50-50 parity of women producers, but I am looking at the directors. As March is Women’s History Month (and all the other months are Men’s History Month according to Gloria Steinem’s L.A. Times Article of March 4, 2010) this blog is in honor of all women everywhere.
Congratulations to Kathryn Bigelow for winning the Academy Awards for Best Director and Best Picture. La Times puts into perspective the fact that the Best Director Oscar went to Kathryn Bigelow...
Congratulations to Kathryn Bigelow for winning the Academy Awards for Best Director and Best Picture. La Times puts into perspective the fact that the Best Director Oscar went to Kathryn Bigelow...
- 3/8/2010
- by Sydney
- Sydney's Buzz
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