The 11th annual Coney Island Film Festival, running Sept. 23-25, offers an exquisite blend of freak show, burlesque and cinematic oddities, featuring movies about reformed gang members, unwitting superheroes, rock ‘n’ roll heaven and tons and tons of short films.
The fest opens with the portrait of a real-life Coney Island badass, Keith Suber, a reformed gang member who now teaches kids that violence isn’t the solution to their problems in the documentary The Last Immortal, directed by Charles Denson.
However, the highlight of the festival — in Bad Lit: The Journal of Underground Film’s opinion — is the headbangin’ documentary Heavy Metal Picnic by Jeff Krulik and John Heyn, which beautifully relives the glory days of ’80s era rock ‘n’ roll Maryland in all its raucous glory. Featuring footage from an outrageous backwoods farm concert and a reunion among its (slightly) more mature participants. Read the official Bad Lit documentary review here.
The fest opens with the portrait of a real-life Coney Island badass, Keith Suber, a reformed gang member who now teaches kids that violence isn’t the solution to their problems in the documentary The Last Immortal, directed by Charles Denson.
However, the highlight of the festival — in Bad Lit: The Journal of Underground Film’s opinion — is the headbangin’ documentary Heavy Metal Picnic by Jeff Krulik and John Heyn, which beautifully relives the glory days of ’80s era rock ‘n’ roll Maryland in all its raucous glory. Featuring footage from an outrageous backwoods farm concert and a reunion among its (slightly) more mature participants. Read the official Bad Lit documentary review here.
- 9/14/2011
- by Mike Everleth
- Underground Film Journal
It’s lucky 13 for the Boston Underground Film Festival as they celebrate their raucous 13th annual edition this year. Opening with the much buzzed about bloody feature film Hobo With a Shotgun starring Rutger Hauer and directed by Jason Eisener, the fest then barrels on for eight wild nights and days from March 24-31.
While there’s plenty of underground goodness from the U.S.A., this year Buff feels like it’s a much more international affair with several sick features from around the globe. There’s gory horror and quirky black comedy from Japan in the guise of Yoshihiro Nishimura’s Helldriver and Sion Sono’s Cold Fish; the Argentinian freak-out Phase7 by Nicolas Goldbart; David Blyth’s Wound is a psychological thriller from New Zealand; and Mark Hartley’s Machete Maidens Unleashed! is a look at Philippine exploitation cinema from the ’70s.
Stateside there’s Usama Alshaibi‘s Profane,...
While there’s plenty of underground goodness from the U.S.A., this year Buff feels like it’s a much more international affair with several sick features from around the globe. There’s gory horror and quirky black comedy from Japan in the guise of Yoshihiro Nishimura’s Helldriver and Sion Sono’s Cold Fish; the Argentinian freak-out Phase7 by Nicolas Goldbart; David Blyth’s Wound is a psychological thriller from New Zealand; and Mark Hartley’s Machete Maidens Unleashed! is a look at Philippine exploitation cinema from the ’70s.
Stateside there’s Usama Alshaibi‘s Profane,...
- 3/10/2011
- by Mike Everleth
- Underground Film Journal
The 7th annual Atlanta Underground Film Festival is like having four different fests crammed into an exhaustive three days on Aug. 27-29. It’s an outrageous underground fest, an animation festival, a documentary fest and a horror movie festival: The culmination of a month of fests run by Atlanta’s Festival League. There’s tons of short films, documentaries, features and more.
There’s lots of great stuff to recommend, too. On the last night of the fest, there will be a screening of Chris Hansen‘s second feature film, Endings, which tells the touching story of three people spending their last day on Earth together. The film was reviewed on Bad Lit a few months ago. On the short film front, there’s Loretta Hintz‘s wild lesbian bestiality (sort of) tale, The Sheep and the Ranch Hand and two films by the perpetually awesome Neil Ira Needleman, Meeskit...
There’s lots of great stuff to recommend, too. On the last night of the fest, there will be a screening of Chris Hansen‘s second feature film, Endings, which tells the touching story of three people spending their last day on Earth together. The film was reviewed on Bad Lit a few months ago. On the short film front, there’s Loretta Hintz‘s wild lesbian bestiality (sort of) tale, The Sheep and the Ranch Hand and two films by the perpetually awesome Neil Ira Needleman, Meeskit...
- 8/18/2010
- by Mike Everleth
- Underground Film Journal
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