Directed by
| John Bolton | ||
Produced by
| John Bolton | ... | producer |
Music by
| Jennifer Butler | ||
| Jordan Nobles | ||
Cinematography by
| Dikran Yazedjian | ... | director of photography |
Editing by
| Carmen Pollard | ||
Art Direction by
| Roxana Chapela | ||
| Fernanda Gutierrez | ||
Makeup Department
| Darci Jackson | ... | key hair stylist / key makeup artist |
Production Management
| Les Lukacs | ... | post-production supervisor |
| Paul Patrick Quinn | ... | executive in charge of post-production (as Paul Quinn) |
Second Unit Director or Assistant Director
| Julia Bettencourt | ... | first assistant director |
| Ronnie Bugay | ... | second assistant director |
Art Department
| Cristobal Ballesta | ... | assistant art director |
| Mark Diokno | ... | storyboard artist |
Sound Department
| Tony Gort | ... | sound designer |
| James Schoening | ... | location sound |
Visual Effects by
| Chris Boettcher | ... | Smoke artist |
Camera and Electrical Department
| Mark Allan | ... | second assistant camera |
| Vince Arvidson | ... | camera operator |
| Adam Epp | ... | grip |
| Christopher C. Fisher | ... | dolly grip (as Chris Fisher) |
| Mischa Haman-Dass | ... | first assistant camera |
| Paolo Malo | ... | grip (as Christian Malo) |
| Wayne Robinson | ... | camera trainee / digital imaging technician |
| Stacey Schmidt | ... | stills |
| Glenn Taylor | ... | jib operator |
| Gerrit Van Woudenberg | ... | grip (as Gerrit von Woudenberg) |
| Jan Wolff | ... | grip |
Editorial Department
| Jim Finn | ... | operations manager |
| Michael Sullivant | ... | colourist |
Location Management
| Simon Cicak | ... | location manager |
Music Department
| Hal Beckett | ... | music producer |
| Vince Renaud | ... | music recordist and mixer |
| Sheldon Zaharko | ... | assistant engineer |
