There's no place like home. Thank god. A Night for Dying Tigers is a dark, heartfelt and ultimately revealing portrait of a family on the edge of disintegration.
Director:
Writer:
Awards:
- 7 nominations.
- See more »
Reviews:
Photos and Videos
Complete, Cast awaiting verification
| Jennifer Beals | ... |
Melanie
|
|
| Gil Bellows | ... |
Jack
|
|
| John Pyper-Ferguson | ... |
Russell
(as John Pyper Ferguson)
|
|
| Leah Gibson | ... |
Carly
|
|
| Kathleen Robertson | ... |
Jules
|
|
| Tygh Runyan | ... |
Patrick
|
|
| Lauren Lee Smith | ... |
Karen
|
|
| Jessica Heafey | ... |
Laney
|
|
| Sarah Lind | ... |
Amanda
|
|
| Viv Leacock | ... |
Matthew
|
|
| Agam Darshi | ... |
Debbie
|
|
| Laara Sadiq | ... |
Marlo
|
|
| Daniel Cudmore | ... |
Dave
|
|
| Andrea Stefancikova | ... |
Celine
(as Andrea Stefankicova)
|
|
 |
Lars Anderson | ... |
Icelandic Usher
|
|
|
Mark McConchie | ... |
Logan
|
| Jocelyne Loewen | ... |
Nurse
|
|
| Julian Paul | ... |
Dave's Friend
|
|
| Troy Mundle | ... |
Dave's Friend
|
|
|
|
Audrey Braun | ... |
Marlo's Daughter
|
|
|
Ashley Braun | ... |
Marlo's Daughter
|
| Rest of cast listed alphabetically: | |||
| Geoff Gustafson | ... |
Reporter (uncredited)
|
|
Directed by
| Terry Miles | ||
Written by
| Terry Miles | ... | (written by) |
Produced by
| Giuliana Bertuzzi | ... | executive producer |
| Lynne Carrow | ... | associate producer |
| Sidney Chiu | ... | producer |
| Kristine Cofsky | ... | co-producer |
| Katherine Hazen | ... | co-producer |
| Cameron McLellan | ... | co-producer |
| Terry Miles | ... | producer |
Music by
| Eiko Ishiwata | ... | (musical score) |
Cinematography by
| Lindsay George | ... | (cinematography) |
| Terry Miles | ... | (cinematography) |
Editing by
| Terry Miles | ||
Editorial Department
| Andrea Chlebak | ... | digital intermediate colorist |
| Monty Contractor | ... | digital intermediate technician |
| Chris Davies | ... | digital intermediate supervisor |
| Robert Egger | ... | digital intermediate supervisor (as Rob Egger) |
| Christopher Irwin | ... | digital intermediate technician |
| Curtis Staples | ... | digital intermediate producer |
| Alex Taylor | ... | digital intermediate technician |
| James Tocher | ... | digital intermediate producer |
Casting By
| Susan Taylor Brouse | ... | (as Sue Brouse) |
| Lynne Carrow | ||
Production Design by
| Cameron McLellan | ||
Art Direction by
| Cameron McLellan | ||
Set Decoration by
| Julie Stangeland | ||
Costume Design by
| Megan Leson | ||
Makeup Department
| Alyssa Satow | ... | hair stylist / makeup artist |
| Katie Satow | ... | hair stylist / makeup artist |
Second Unit Director or Assistant Director
| Sidney Chiu | ... | first assistant director |
| Katherine Hazen | ... | second assistant director |
Sound Department
| Dan Arrigo | ... | sound coordinator |
| Anke Bakker | ... | sound supervisor |
| Simon Bright | ... | boom operator |
| Jeff Davis | ... | sound effects editor |
| Peter Eliuk | ... | mix technician |
| Dean Giammarco | ... | re-recording mixer |
| Ian Jones | ... | boom operator |
| Tessa Kovach | ... | sound assistant |
| Maureen Murphy | ... | foley artist |
| Mark Noda | ... | production sound mixer |
| Bill Sheppard | ... | re-recording mixer |
| Gordon Sproule | ... | foley mixer |
| Elaine Stef | ... | foley assistant |
| Pete Wosniak | ... | boom operator |
| Bill Sheppard | ... | supervising sound editor (uncredited) |
Stunts
| Rick Moore | ... | stunt coordinator (uncredited) |
Camera and Electrical Department
| Cate Cameron | ... | still photographer (as Cate Cameron Photography) |
| Virgile Dean | ... | key grip (as Virgil Dean) |
| Lindsay George | ... | first assistant camera / gaffer |
| Clint Johnson | ... | digital imaging technician |
| Alex Kuchera | ... | grip |
| Terry Miles | ... | camera operator |
| Greg Milton | ... | grip |
| Tyler Olson | ... | grip |
| Michael Orthner | ... | grip |
| Jim Wagner | ... | lamp operator |
| Chris Wayatt | ... | key grip |
Casting Department
| Kara Eide | ... | casting assistant |
Costume and Wardrobe Department
| Cheryl Irwin | ... | costume assistant |
| Valeria Maichen | ... | costume assistant (as Valerie Maichen) |
Location Management
| Cameron McLellan | ... | location manager |
Script and Continuity Department
| Luke Bradshaw | ... | script supervisor |
Additional Crew
| Kristine Cofsky | ... | craft service / first aid / key production assistant |
| Katherine Hazen | ... | production coordinator |
| Elizabeth Mueller | ... | production accounting |
| Denis Walz | ... | production legal counsel |
| Suzanne Cheriton | ... | publicist (uncredited) |
| Krista Johnston | ... | clearances (uncredited) |
| Meghan Stickney | ... | insurance broker (uncredited) |
Thanks
| Tim Brown | ... | extra special thanks: Joker Films |
| John Dippong | ... | extra special thanks: Telefilm Canada |
| Murray Gibson | ... | extra special thanks |
| Kim Hsu Guise | ... | extra special thanks: Telefilm Canada |
| Kelly Haigh | ... | extra special thanks |
| Bill Hurst | ... | extra special thanks: Telefilm Canada |
| Viviane McConkey | ... | extra special thanks: Telefilm Canada |
| Rikia Saddy | ... | extra special thanks |
Production Companies
- Cinemanovel Films (presents)
- Téléfilm Canada (produced with the participation of)
Distributors
- Ablo (2010) (United States)
- Breakthrough Entertainment (2010) (World-wide)
- Eagle Films (2010) (Lebanon)
- Epcott (2010) (Japan) (DVD)
- GameWizz Digital Entertainment (2010) (Australia)
- Macron (2010) (Russia) (tv)
- Maple Pictures (2010) (Canada)
- MediAsia (2010) (World-wide) (tv)
- Medyavizyon (2010) (Turkey) (tv)
- Netflix (2010) (United States) (video)
- Pinnacle Films (2012) (Australia) (DVD)
- Ster-Kinekor Pictures (2010) (South Africa)
Special Effects
Other Companies
- SKYLAB Services (digital imaging)
- Blushing Designs (wardrobe: Jennifer Beal)
- DBC Sound (post-production audio)
- Front Row Insurance Brokers (production insurance)
- Inspired Cinema (production equipment)
- Reel Appetites (catering by)
- SKYLAB Services (digital intermediate)
- The Research House Clearance Services (script clearance)
- William F. White International (production equipment)
Storyline
| Plot Summary |
In 24 short hours, Jack goes to prison for five years. Tonight, for the first time since the sudden death of their parents one year earlier, the family is summoned to their ancestral home for Jack's farewell dinner. What begins as a civil, if not joyful, reunion filled with food, drink, and acerbic conversation, quickly devolves into a morally questionable whirlwind of regret, reversals, and revelations. As they duke it out in a half-savage half-civilized fashion, these characters, and the truths behind their long history of conflict and tragedy, are slowly and surprisingly revealed. Written by Terry Miles |
| Plot Keywords | |
| Genres | |
| Parents Guide | Add content advisory for parents » |
| Certification |
Additional Details
| Also Known As |
|
| Runtime |
|
| Country | |
| Language | |
| Color | |
| Filming Locations |
Box Office
| Budget | CAD500,000 (estimated) |
Did You Know?
| Goofs | The fresh bird dropping marks on Jack's car windshield are in a different pattern when seen from the inside of the car as opposed to the outside. See more » |
| Movie Connections | References Bambi (1942). See more » |
| Soundtracks | Alone At The Pier See more » |