In A Little Love Package, Vienna’s institutions, people, buildings, and overlapping epochs make for a stiff drink: a bright, effervescent, lightly intoxicating film easily downed in one. The director is Gastón Solnicki, a nicely ruminative Buenos Aires filmmaker whose make-it-up-as-you-go approach allows his films to meander. Solnicki’s work has a playful spirit: it’s episodic both in form and content, though never amorphous; and he moves between narrative, documentary, still imagery, and immersive sound with seamless élan. Forged in lockdown, Love Package is a breezy collage of meteorites and cigarettes; cheese and boiled eggs, and how best to make them. But at heart it’s about how eras end, what they leave behind, and how new ones begin.
Solnicki’s previous film, Introduction to the Dark, was his first based in Vienna; it opened with images of the Prater amusement park, where Harry Lime once tallied the merits of Switzerland.
Solnicki’s previous film, Introduction to the Dark, was his first based in Vienna; it opened with images of the Prater amusement park, where Harry Lime once tallied the merits of Switzerland.
- 8/19/2022
- by Rory O'Connor
- The Film Stage
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