Karen Pirie (TV Series)
The Distant Echo: Part 2 (2022)
Full Cast & Crew
Directed by
Gareth Bryn |
Writing Credits (in alphabetical order)
Emer Kenny | ... | (writer) |
Val McDermid | ... | (novel) |
Cast (in credits order)
Produced by
Elizabeth Binns | ... | head of production |
Derek Donohoe | ... | line producer |
Simon Heath | ... | executive producer |
Huw Kennair-Jones | ... | producer |
Emer Kenny | ... | executive producer |
Clare Kerr | ... | producer |
Emma Luffingham | ... | story producer |
Val McDermid | ... | executive producer |
Priscilla Parish | ... | Development Executive Producer |
Music by
Stephanie Taylor |
Cinematography by
Ryan Kernaghan |
Editing by
Ben McKinstrie |
Casting By
Dan Jackson |
Production Design by
Mark Leese |
Art Direction by
Ayden Millar |
Costume Design by
Lesley Abernethy |
Makeup Department
Mia Currie | ... | makeup and hair trainee |
Laura Hill | ... | makeup designer |
Production Management
Beth Court | ... | post production coordinator |
Penny Davies | ... | production manager |
Richard Thomson | ... | unit manager |
Second Unit Director or Assistant Director
Stuart Cadenhead | ... | first assistant director: second unit |
Adrian Mead | ... | 2nd unit director |
Fay Selby | ... | first assistant director |
Art Department
Louise Charity | ... | petty cash buyer |
Kenny Daniel | ... | props |
Ammie Jay Johnstone | ... | production buyer |
Ursule Kerbedyte | ... | scenic artist |
Rachel Neill | ... | art department assistant |
Lizzie Watts | ... | assistant production buyer |
Heather Winship | ... | standby props |
Chris Edwards | ... | props (uncredited) |
Sound Department
Heather Andrews | ... | sound designer / sound effects editor |
Peter Burgis | ... | foley artist |
John Cobban | ... | re-recording mixer |
Albrecht Ihlenburg | ... | foley mixer |
Michael Lindsay | ... | 2nd assistant sound |
Maxwell MacRae | ... | foley mixer |
Zander Mavor | ... | dialogue editor |
Tristan Rose | ... | adr recordist |
Jaime Sotelo | ... | second unit boom operator |
Franziska Treutler | ... | foley artist |
Special Effects by
John Schoonraad | ... | special effects: sfx stunt dummy |
Visual Effects by
Nathan Gibson | ... | visual effects artist |
Camera and Electrical Department
Paul Bates | ... | best boy |
Fraser Boland | ... | camera trainee |
Fraser Boyd | ... | grip assistant |
George Brannigan Jnr | ... | electrician |
David Hutchison | ... | a camera focus puller |
Delilah Niel | ... | camera trainee |
Colin Price | ... | best boy |
Karl Roche | ... | key grip |
David van der Zanden | ... | second assistant camera |
Costume and Wardrobe Department
Ali Bremner | ... | costume standby |
Robbie Brown | ... | costume assistant / costumer |
Clara Mullen | ... | Costume Trainee |
Editorial Department
Nathan Gibson | ... | on-line editor |
Imara Lenders | ... | assistant editor |
Ross MacRae | ... | post production supervisor |
Kurt Williams | ... | colorist |
Location Management
Rhian Howells | ... | assistant location manager |
Barry Laird | ... | location manager |
Sophia Louise McDermott | ... | location assistant (credit only) |
Alex Mason | ... | location assistant (uncredited) |
Music Department
Sue Crawshaw | ... | music supervisor |
Paul Golding | ... | score mixer |
Script and Continuity Department
Moira Byrne | ... | script supervisor |
Urszula Kocol | ... | second unit script supervisor (uncredited) |
Additional Crew
Celeste Carrigan | ... | assistant production coordinator |
Cameron Iris Fletcher | ... | Covid Assistant |
Richard Morrison | ... | main title sequence designer |
Dean Wares | ... | main title sequence designer |