Requiem for a Killer (2011)
Requiem pour une tueuse (original title)Reference View | Change View
- 1h 31min
- Thriller
- 23 Feb 2011 (France)
- Movie
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Cast
Mélanie Laurent | ... |
Lucrèce
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Clovis Cornillac | ... |
Rico
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Tchéky Karyo | ... |
l'Arménien
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Xavier Gallais | ... |
Xavier de Ferrières
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Christopher Stills | ... |
Alexander Child
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Corrado Invernizzi | ... |
Vittorio Biamonte
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Michel Fau | ... |
Le chef d'orchestre
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Frédérique Tirmont | ... |
La colonel
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Johan Leysen | ... |
Van Kummant
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Julie Fuchs | ... |
Olga Babayova
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Geoffrey Bateman | ... |
Le PDG British Oil
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Philippe Morier-Genoud | ... |
Le prêtre
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Jean-Claude Dreyfus | ... |
Le maitre de chant
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Julien Israël | ... |
Seymour
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Bruno Flender | ... |
Ottmar
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Michel Bouis | ... |
Le remplaçant d'Ottmar
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Conrad Cecil | ... |
L'ingénieur British Oil
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Clara Ruscon | ... |
La fille de Lucrèce
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Stefane Mellino | ... |
Le deuxième guitariste
(as Stéfane Melliono)
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Pascal Mottier | ... |
Le barman
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Ophélie Koering | ... |
La Percussioniste
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Florian Westphal | ... |
Tyler Edwards
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Rest of cast listed alphabetically: | |||
Mickaël Sabah | ... |
Flic équipe Seymour
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Directed by
Jérôme Le Gris |
Written by
Jérôme Le Gris | ... | (written by) |
Produced by
Thierry Muscat | ... | line producer |
Alain Terzian | ... | producer |
Music by
Jiri Heger | ||
Anne-Sophie Versnaeyen | ||
Régis Vogëlène |
Cinematography by
Antoine Monod |
Editing by
Claire Fieschi |
Editorial Department
Sophia Del-Vecchio | ... | digital conformation |
Maud Dubois | ... | first assistant editor |
Clément Guégan | ... | digital conformation |
Casting By
Gérard Moulévrier |
Production Design by
Maamar Ech-Cheikh | ||
Pascale Tillou | ... | (production administrator) |
Art Direction by
Eric Bourges |
Set Decoration by
Jimena Esteve |
Costume Design by
Catherine Rigault |
Makeup Department
Frédéric Birault | ... | hair stylist |
Carine Cabral | ... | makeup designer |
Reynald Desbant | ... | hair stylist |
Magalie Dumas | ... | additional make up artist |
Stéphanie Guillon | ... | key makeup artist |
Frédéric Marin | ... | makeup artist |
Production Management
Aurélia Bono | ... | assistant unit manager |
Isabelle Gautier | ... | unit manager |
Thierry Muscat | ... | production manager |
Elisa Touraine | ... | assistant location manager |
Second Unit Director or Assistant Director
Jean-Louis Frémont | ... | first assistant director |
Fanny Goineau | ... | additional assistant director |
Monika Lorena Alfonso Mendoza | ... | second assistant director |
Carole Schmidlin | ... | third assistant director |
Caroline Vandenbussche | ... | additional assistant director: crowd |
Art Department
Gilles Graziano | ... | computer graphic designer |
Bruno Perdrigeat | ... | art department clearances |
Nicolas Raffy | ... | property master |
Yann Vuillet-a-Ciles | ... | ripper |
Sound Department
Christophe Bourreau | ... | foley artist |
Laurent Cercleux | ... | boom operator |
Emmanuel Croset | ... | re-recording mixer |
Anne Gibourg | ... | dialogue editor |
Cyrille Lauwerier | ... | adr mixer |
Guillaume Le Braz | ... | sound (as Guillaume Le Bras) |
Nicolas Provost | ... | additional sound mixer |
Samuel Rouillard | ... | sound assistant |
Hubert Teissedre | ... | foley engineer |
Olivier Walczak | ... | supervising sound editor |
Sébastien Wera | ... | foley editor |
Visual Effects by
Gaëlle Bossis | ... | digital compositor |
Berengere Dominguez | ... | visual effects supervisor |
François Ferracci | ... | title designer: main titles |
Delphine Garrelis | ... | digital compositor |
Gilles Graziano | ... | matte painter |
Thibault Martegani | ... | digital compositor |
Serge Miot | ... | digital artist: main titles |
Charlotte Quemy | ... | restoration supervisor |
Jean-Francois Theault | ... | vfx lead artist |
Olivier Veau | ... | digital compositor |
Stunts
Michel Bouis | ... | stunts |
Camera and Electrical Department
Andy Achard | ... | grip |
Kiên Beauvois | ... | additional grip |
Eric Bialas | ... | b camera operator |
Justine Bourgade | ... | first assistant camera: second unit |
Alexandra Brixy | ... | first camera assistant: aerial unit |
Antoine Charveriat | ... | assistant camera |
William Corsin | ... | additional grip |
Pierre-Louis de Stefano | ... | grip |
Remi Epron | ... | aerial pilot & technician |
Jérôme Fabre | ... | electrician |
David Foquin | ... | second assistant camera |
Denis Garnier | ... | first assistant camera |
Etienne George | ... | still photographer |
Laurent Martin | ... | grip |
Guillaume Noël | ... | grip |
William O'Callaghan | ... | director of photography: second unit |
Laurent Usse | ... | key grip |
Thomas Walser | ... | additional electrician |
Colin Wandersman | ... | gaffer |
Casting Department
Morgane Peron | ... | extras casting assistant |
Alexandra Weyers | ... | extras casting |
Costume and Wardrobe Department
Chloe Bartonio | ... | set costumer |
Virginie Bluzat | ... | assistant costume designer |
Anne Kervran | ... | extra wardrobe |
Aurélie Rogemond | ... | costumer |
Location Management
Olivier Servanin | ... | location manager |
Music Department
Muriel Bérard | ... | piano |
Cecile Coutelier | ... | scoring protools engineer |
Amélie de Chassey | ... | music supervisor |
Manuel De Grange | ... | consultant: Conseil guitare pour Clovis Corniallac |
Delphine Galou | ... | singing voice for Mélanie Laurent |
Jiri Heger | ... | conductor / orchestrator |
Delphine Mathieu | ... | music supervisor |
Stefane Mellino | ... | consultant: Conseil guitare pour Clovis Corniallac (as Stéfane Melliono) |
Les Métaboles | ... | chorus |
Bergame Periaux | ... | music mixer |
Raphaël Pichon | ... | consultant: Conseils direction d'orchestre |
Pygmalion | ... | orchestra: Handel's Messiah |
Romain Rongier | ... | consultant: Conseil guitare pour Clovis Corniallac |
François-Xavier Roth | ... | consultant: Conseils direction d'orchestre |
Les Siècles | ... | orchestra |
Alexandre Tanguy | ... | music engineer |
Anne-Sophie Versnaeyen | ... | orchestrator |
Régis Vogëlène | ... | musician / piano |
Florian Westphal | ... | coach: Direction lyrique pour Chirstopher Stills |
Isabelle Zanotti | ... | vocal coach: pour Melanie Laurent |
Script and Continuity Department
Donatienne de Gorostarzu | ... | script supervisor |
Magali Frater | ... | additional script supervisor assistant |
Additional Crew
Stéphanie Acbard | ... | production trainee (as Stéphanie Cordet-Acbard) |
Laure Blaess | ... | production accountant |
Frédéric Cauvy | ... | weapons armorer |
Grégoory Malheiro | ... | press |
Dominique Segall | ... | press |
Caroline Vandenbussche | ... | production assistant |
Production Companies
- Alter Films (co-production)
- StudioCanal (co-production)
- France 2 Cinéma (co-production)
- Rhône-Alpes Cinéma (co-production)
- France Télévisions (participation)
- Canal+ (participation)
- CinéCinéma (participation)
- Banque Postale Image 4 (in association with)
Distributors
- StudioCanal (2011) (France) (theatrical)
- StudioCanal (2012) (Germany) (DVD)
- Transformer (2011) (Japan) (DVD)
Special Effects
Other Companies
- Cinésyl (grip and lighting equipment)
Storyline
Plot Summary |
Lucrèce is a contract killer in search of a new life. Specialized in the use of poisons and enamored with opera, she accepts a difficult, final hit in a castle in the heart of the Swiss Alps. Posing as a soprano, Lucrèce must perform on stage during the very prestigious Festival of Ermeux and slaughter one of her co-performers, British baritone Alexander Child, who recently bought a distillery in Scotland, and thus became the only obstacle to a strategic pipeline project with considerable financial ramifications. He just won a long legal battle against British Oil, who now has no other choice but to eliminate him. To complicate things, French counter-espionage learns of the hit and sends Rico, a reinstated former agent, to infiltrate the orchestra, unmask and terminate all who wish harm to Alexander Child. Rico has no information on the killer and has a lot of trouble identifying her amid a horde of suspicious characters: an obnoxious conductor, a particularly proud tenor and a strangely stressed festival director... Throughout rehearsals of Haendel's sublime Messiah, a breathless intrigue begins...and could end in a Requiem...for a killer! Written by Happy_Evil_Dude |
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Parents Guide | Add content advisory for parents » |
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Box Office
Budget | EUR8,459,177 (estimated) |
Opening Weekend France | EUR415,600, 27 Feb 2011 |
Did You Know?
Trivia | With this film, Jérôme Le Gris aimed to make a modern Alfred Hitchcock-style thriller. In particular the character of Lucrèce is supposed to be a take on the "Hitchcock Blonde" and the music aims to be similar to that of Bernard Herrmann. See more » |
Goofs | When in her bedroom, Lucrèce is heard tapping numerous keys on her macbook laptop, followed by the idiosyncratic noise of the macbook starting up. This noise is only produced when a macbook is powering up, which requires pushing only the 'on' button, which doesn't make a sound. See more » |
Soundtracks | Le Messie See more » |