- (Herself): I don't think of myself as being avant-garde, I think of myself working in a time in history in which that is what's going on and I'm certainly affected by it. There's a climate that allows me to exist within it.
- (Himself): I am laden with expressionism. I am laden with anger and discontent and social commentary.
- (Himself): I don't take a stand on how I feel. I'm presenting a political work without committing my own point of view. Trying to balance this abstraction, trying to give the audience the time, the breath to make their own decisions and to entertain their eyes and mind and they're going through this process. That's my latest contribution in this line of political art, socially conscious art.
- (Herself): I'm working on material that I would definitely define as performance art, not choreography and not theatre. It's an Artuad combination of light, sound, set, costume, text and movement.
- (Herself): I don't believe in movements, I don't believe in the reality of there being movements. I think that it's an organizational idea to create movements. I think it is from the outside or from a critic or academic standpoint.
- (Herself): Intimacy is a very human need and yet one of the major human fears. Intimacy seems to be that which we desire very deeply and yet which seems to be very hard to attain. And the vulnerability of it is something I wish to work with.