We love the feeling of discovery at the Toronto International Film Festival, and the captivating “Life And Nothing More” is one to put on your radar. And today we have the exclusive trailer for the film.
Directed by Antonio Mendez Esparza (“Aquí y allá“), the drama was shot using mostly non-professional actors across two-and-a-half years, and it follows a young African American family as they battle the realities of race, the legal system and social inequality against the backdrop of the U.S.
Continue reading Tiff Exclusive Trailer: ‘Life And Nothing More’ Faces The Future at The Playlist.
Directed by Antonio Mendez Esparza (“Aquí y allá“), the drama was shot using mostly non-professional actors across two-and-a-half years, and it follows a young African American family as they battle the realities of race, the legal system and social inequality against the backdrop of the U.S.
Continue reading Tiff Exclusive Trailer: ‘Life And Nothing More’ Faces The Future at The Playlist.
- 8/24/2017
- by Kevin Jagernauth
- The Playlist
“Life and Nothing More” is the next feature film by Spanish filmmaker and teacher Antonio Méndez Esparza, following his his debut film “Aquí y Allá,” which premiered at the Cannes Film Festival in 2012 where it won the Critic’s Week… Continue Reading →...
- 4/17/2017
- by shadowandact
- ShadowAndAct
Titles include Molly from British director Sally Potter (Ginger & Rosa) [pictured].Scroll down for full line-up
The 12 projects that will make up this year’s Holland Film Meeting Co-Production Platform (Sept 22-25) have been revealed and include titles from the UK, France and Germany among others.
Filmmakers this year include British filmmaker Sally Potter who will present her latest project, Molly.
Potter’s films include Oscar-nominated Orlando (1992), starring Tilda Swinton; Rage, which competed for Berlin’s Golden Bear in 2009; and her most recent feature, Ginger & Rosa (2012), which screened at Toronto and Iffr among other festivals.
Bulgaria’s Maya Vitkova is back at Hfm with upcoming project Love, following the success of her previous film Viktoria, which played in competition at Sundance and Iffr.
Serbian director Nikola Ležaić will present The Religion of Night Walks, his second feature length work after Tilva Ros, which was selected for Locarno and won the top prize at Sarajevo in 2010.
From Sweden, [link...
The 12 projects that will make up this year’s Holland Film Meeting Co-Production Platform (Sept 22-25) have been revealed and include titles from the UK, France and Germany among others.
Filmmakers this year include British filmmaker Sally Potter who will present her latest project, Molly.
Potter’s films include Oscar-nominated Orlando (1992), starring Tilda Swinton; Rage, which competed for Berlin’s Golden Bear in 2009; and her most recent feature, Ginger & Rosa (2012), which screened at Toronto and Iffr among other festivals.
Bulgaria’s Maya Vitkova is back at Hfm with upcoming project Love, following the success of her previous film Viktoria, which played in competition at Sundance and Iffr.
Serbian director Nikola Ležaić will present The Religion of Night Walks, his second feature length work after Tilva Ros, which was selected for Locarno and won the top prize at Sarajevo in 2010.
From Sweden, [link...
- 8/29/2016
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
A good four days after all hullabaloo of Thierry Frémaux’s Main Comp plus Un Certain Regard announcement takes hold the film world, it is the programming team lead by Artistic Director Charles Tesson that get to unwrap an approximate baker’s half-dozen gifts of their own. On the 21st, the selections for the 53rd edition of the Critics’ Week will be announced with the closing film to be held back for a later mention, and because our Cannes bound Ioncinema.com team comprised of Blake Williams, Nicholas Bell, and I (Eric Lavallee) are always up for the challenge in prognosticating what is easily the most futile festival guessing game of them all, we’ve gone ahead and listed eight films from first and second time feature filmmaker for the seven plus 2 or 3 special screening slots for the upcoming edition.
If we build off what Tesson et al. programmed in...
If we build off what Tesson et al. programmed in...
- 4/16/2014
- by IONCINEMA.com Contributing Writers
- IONCINEMA.com
In its first year, Cannes’ Cinéfondation’s Atelier invited projects from relative filmmaker unknowns such as Gerardo Naranjo (I’m Gonna Explode), Lisandro Alonso (Liverpool) and Aida Begic (Snow). Celebrating year number 10, this year’s group of fifteen that will benefit from Croisette meetings and future coin include the likes of Quebecer Guy Édoin (Marécages), Cannes Critics’ Week winner for Aquí y allá in filmmaker Antonio Méndez Esparza, and 2011 Camera d’Or winner Pablo Giorgelli (pictured above) who broke out with Las Acacias (review).
Invisible (Pablo Giorgelli, Argentina)
Territoria (Nora Martirosyan, Armenia)
Tabija (Igor Drljača, Bosnia)
Saudade (Antonio Méndez Esparza, Brazil)
Ville-Marie (Guy Édoin, Canada)
In the Shade of the Trees (Matías Rojas Valencia, Chile)
Ce sentiment de l’été (Mikhaël Hers, France)
Aliyushka (Adilkhan Yerzhanov, Kazakhstan)
The Darkness (Daniel Castro Zimbrón, Mexico)
White Sun (Deepak Rauniyar, Nepal)
To All Naked Men (Bassam Chekhes, Netherlands/Syria)
Oil on Water (Newton I. Aduaka,...
Invisible (Pablo Giorgelli, Argentina)
Territoria (Nora Martirosyan, Armenia)
Tabija (Igor Drljača, Bosnia)
Saudade (Antonio Méndez Esparza, Brazil)
Ville-Marie (Guy Édoin, Canada)
In the Shade of the Trees (Matías Rojas Valencia, Chile)
Ce sentiment de l’été (Mikhaël Hers, France)
Aliyushka (Adilkhan Yerzhanov, Kazakhstan)
The Darkness (Daniel Castro Zimbrón, Mexico)
White Sun (Deepak Rauniyar, Nepal)
To All Naked Men (Bassam Chekhes, Netherlands/Syria)
Oil on Water (Newton I. Aduaka,...
- 3/10/2014
- by Eric Lavallee
- IONCINEMA.com
Aquí y Allá (“Here and There”) is a film about home and separation; of returning to where you left and trying to reintegrate with a life that has, for all intents and purposes, gone on without you. Dreams and opportunities; responsibility and consequence; hope and fear–these are all central not only to the film, but to the day-to-day life of every human being around the world. As such, Aquí y Allá exceeds the admittedly weighty (and very touching) premise of Mexican emigration to the U.S.–and all the tensions and the void that can come of it–to strike a relatable chord regardless of …...
- 12/21/2012
- by Billy Brennan
- Filmmaker Magazine-Director Interviews
This weekly column is intended to provide reviews of nearly every new release, including films on VOD (and in certain cases some studio releases). Specifics release dates and locations follow each review. This week's reviews are all written by Indiewire critic Eric Kohn.Reviews This Week: "Amour" "Aquí y Allá" "Barbara" "The Impossible" "On the Road" "Not Fade Away" "This Is Forty" "Zero Dark Thirty" *** "Amour" Few directors focus on dark, existentially dreadful scenarios with the consistency of the great Austrian filmmaker Michael Haneke. Although not exactly heartwarming, "Amour" has a more contained vision of human relationships than Haneke's previous films without sacrificing its bleak foundation. It's his most conventional movie about death -- and the most...
- 12/20/2012
- by Eric Kohn
- Indiewire
A look back at 2012 reveals an undeniable fact, it has been a great year for Latino film. Sundance started the year off strong with films like Aurora Guerrero’s sweet and tender Mosquita y Mari and Marialy Rivas’ rambunctious Joven y Alocada (Young & Wild). Gina Rodriguez broke out in Filly Brown, as a rapper who needs to make it big so she can raise money to get her mom out of jail. In the film, Jenni Rivera played the part of Filly’s mom in her first, and sadly last, movie role.
There was also a strong Latin American presence at Cannes this past summer, boasting films from Mexico, Brazil, Uruguay, and Argentina. It might as well have been called Mexi-Cannes, with Mexican films winning awards across all main sections of the festival. Carlos Reygadas was honored as the Best Director for his controversial film Post Tenebras Lux, despite having received boos at its premiere screening. The prize for the Critics’ Week section went to Aquí y Allá (Here and There) and Después de Lucía (After Lucia) won the top prize for Un Certain Regard.
It’s been an especially favorable year for Chilean cinema. The New York Film Festival, in its 50th edition this past Fall, included three highly anticipated films by Pablo Larraín, Valeria Sarmiento, and the late Raúl Ruiz. And Chile continued to outshine the rest of the region by winning two top spots at the Festival Internacional de Nuevo Cine Latino de La Habana (the Havana Film Festival) just a few days ago. Pablo Larraín’s No, starring Gael Garcia Bernal, won the First Coral Prize. It’s a brilliant take on the real life story of an advertising campaign that ousted General Pinochet from power during a shining moment in Chilean politics. Violeta se fue a los cielos (Violeta Went To Heaven), a biopic about internationally famous Violeta de la Parra, a Chilean singer, songwriter, and poet won the Second Prize.
Whether it was at Cannes, Sundance, or countless other festivals, Latino films were winning award after award this year and even getting distribution (albeit usually in limited release). With the flurry of activity surrounding the region’s filmmaking, it can be hard to keep up with it all. Thankfully, there are professionals who get paid to keep track of what movies are receiving accolades, have the most buzz, and got picked up for distribution. LatinoBuzz went straight to the experts, film programmers, to ask, “What’s your top 5 Latino films of 2012?”
Carlos Gutierrez, Co-Founder and Director of Cinema Tropical
In no particular order, a list of five Latin American films that made it to Us screens in the past year (some of them are a couple of years old), which I highly recommend.
De Jueves a Domingo (Thursday Till Sunday), Director: Dominga Sotomayor, Chile
O Som ao Redor (Neighboring Sounds), Director: Kleber Mendonça Filho, Brazil
El Estudiante, Director: Santiago Mitre, Argentina
El Velador, Director: Natalia Almada, Mexico
El Lugar Más Pequeño (The Tiniest Place), Director: Tatiana Huezo, Mexico/El Salvador
Juan Caceres, Director of Programming at the New York International Latino Film Festival
Mosquita y Mari is a gorgeous film full of heart. Marialy Rivas (Director of Joven y Alocada) is an incredibly exciting new voice in Latin American cinema. She's fearless and full of love. I'm a huge fan of Lucy Mulloy (Director of Una Noche). She draws these wonderful performances from non-professional actors. A natural at using the lens to tell a story. In Las Malas Intenciones Fatima Buntinx plays the lead perfectly. Andres Wood made a beautiful film called 'Machuca', that captured the soul of Chile in the 70's and he does the same with a bio-pic of Violeta Parra, a folk singer who was a part of 'La Nueva Canción Chilena'.
Mosquita y Mari, Director: Aurora Guerrero, USA
Joven y Alocada (Young and Wild), Director: Marialy Rivas, Chile
Una Noche, Director: Lucy Mulloy, Cuba
Violeta Se Fue A Los Cielos (Violeta Went to Heaven), Director: Andrés Wood, Chile
Las Malas Intenciones (The Bad Intentions), Director: Rosario García-Montero, Perú
Christine Davila, Programming Associate at Sundance Film Festival
There are way too many Latino films and not enough coverage on American Latino films so with that -- mine are going to be strictly American Latino films.
Los Chidos, Director: Omar Rodriguez-Lopez, USA/Mexico
Mosquita y Mari, Director: Aurora Guerrero, USA
Elliot Loves, Director: Terracino, USA
Aquí y Allá (Here and There), Director: Antonio Méndez Esparza, USA/Spain/Mexico
Love, Concord, Director: Gustavo Guardado, USA
Lisa Franek, Artistic Director at the San Diego Latino Film Festival
Just 5?? That's tough! In Filly Brown, Gina Rodriguez turns in a great performance, and I expect to see more great things from her very soon. No, I saw at Cannes, and it was fascinating, especially in contrast to Larraín's previous (amazing) films. La Hora Cero has unforgettable scenes and characters! La Mujer de Ivan has amazing acting, and I believe Maria de Los Angeles Garcia is definitely a talent to watch. Reportero is also fantastic.
La Mujer de Iván, Director: Francisca Silva, Chile
No, Director: Pablo Larraín, Chile/France/USA
La Hora Cero, Director: Diego Velasco, Venezuela
Reportero, Director: Bernardo Ruiz, USA/Mexico
Filly Brown, Directors: Youssef Delara, Michael D. Olmos, USA
Marcela Goglio, Programmer for Latinbeat at The Film Society of Lincoln Center
Las Acacias, Director: Pablo Giorgelli, Argentina
As Cançoes (Songs), Director: Eduardo Coutinho, Brazil
Unfinished Spaces, Directors: Alyssa Nahmias & Benjamin Murray, USA
O Som ao Redor (Neighboring Sounds), Director: Kleber Mendonça Filho, Brazil
Aquí y Allá (Here and There), Director: Antonio Méndez Esparza, USA/Spain/Mexico
Pepe Vargas, Executive Director of the International Latino Cultural Center and Chicago Latino Film Festival
Not an easy task to come up with 5 titles - there are so many good movies.
La Piel que Habito (The Skin I Live In)
Director: Pedro Almodóvar, Spain
Salvando al Soldado Pérez, (Saving Private Perez)
Director: Beto Gómez, Mexico
Un Cuento Chino (Chinese Take-Out)
Director: Sebastián Borensztein, Argentina/Spain
Lobos de Arga (Game of Werewolves)
Director: Juan Martínez Moreno, Spain
Mariachi Gringo
Director: Tom Gustafson, USA/Mexico
Amalia Cordova, Coordinator of the Latin American Program at the Film and Video Center of the Smithsonian National Museum of the American Indian
Granito, Director: Pamela Yates, USA/Guatemala/Spain
Desterro Guarani, Directors: Patricia Ferreira y Ariel Duarte Ortega, Brazil
Violeta Se Fue A Los Cielos (Violeta Went to Heaven), Director: Andrés Wood, Chile
5 x Favela – Agora por nós Mesmos (5 x Favela, Now by Ourselves), Directors: Manaíra Carneiro, Wagner Novais, Cacau Amaral, Rodrigo Felha, Luciano Vidigal, Cadu Barcelos, and Luciana Bezerra, Brazil
Un Cuento Chino (Chinese Take-Out), Director: Sebastián Borensztein, Argentina/Spain
Written by Juan Caceres and Vanessa Erazo, LatinoBuzz is a weekly feature on SydneysBuzz that highlights Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow @LatinoBuzz on twitter.
There was also a strong Latin American presence at Cannes this past summer, boasting films from Mexico, Brazil, Uruguay, and Argentina. It might as well have been called Mexi-Cannes, with Mexican films winning awards across all main sections of the festival. Carlos Reygadas was honored as the Best Director for his controversial film Post Tenebras Lux, despite having received boos at its premiere screening. The prize for the Critics’ Week section went to Aquí y Allá (Here and There) and Después de Lucía (After Lucia) won the top prize for Un Certain Regard.
It’s been an especially favorable year for Chilean cinema. The New York Film Festival, in its 50th edition this past Fall, included three highly anticipated films by Pablo Larraín, Valeria Sarmiento, and the late Raúl Ruiz. And Chile continued to outshine the rest of the region by winning two top spots at the Festival Internacional de Nuevo Cine Latino de La Habana (the Havana Film Festival) just a few days ago. Pablo Larraín’s No, starring Gael Garcia Bernal, won the First Coral Prize. It’s a brilliant take on the real life story of an advertising campaign that ousted General Pinochet from power during a shining moment in Chilean politics. Violeta se fue a los cielos (Violeta Went To Heaven), a biopic about internationally famous Violeta de la Parra, a Chilean singer, songwriter, and poet won the Second Prize.
Whether it was at Cannes, Sundance, or countless other festivals, Latino films were winning award after award this year and even getting distribution (albeit usually in limited release). With the flurry of activity surrounding the region’s filmmaking, it can be hard to keep up with it all. Thankfully, there are professionals who get paid to keep track of what movies are receiving accolades, have the most buzz, and got picked up for distribution. LatinoBuzz went straight to the experts, film programmers, to ask, “What’s your top 5 Latino films of 2012?”
Carlos Gutierrez, Co-Founder and Director of Cinema Tropical
In no particular order, a list of five Latin American films that made it to Us screens in the past year (some of them are a couple of years old), which I highly recommend.
De Jueves a Domingo (Thursday Till Sunday), Director: Dominga Sotomayor, Chile
O Som ao Redor (Neighboring Sounds), Director: Kleber Mendonça Filho, Brazil
El Estudiante, Director: Santiago Mitre, Argentina
El Velador, Director: Natalia Almada, Mexico
El Lugar Más Pequeño (The Tiniest Place), Director: Tatiana Huezo, Mexico/El Salvador
Juan Caceres, Director of Programming at the New York International Latino Film Festival
Mosquita y Mari is a gorgeous film full of heart. Marialy Rivas (Director of Joven y Alocada) is an incredibly exciting new voice in Latin American cinema. She's fearless and full of love. I'm a huge fan of Lucy Mulloy (Director of Una Noche). She draws these wonderful performances from non-professional actors. A natural at using the lens to tell a story. In Las Malas Intenciones Fatima Buntinx plays the lead perfectly. Andres Wood made a beautiful film called 'Machuca', that captured the soul of Chile in the 70's and he does the same with a bio-pic of Violeta Parra, a folk singer who was a part of 'La Nueva Canción Chilena'.
Mosquita y Mari, Director: Aurora Guerrero, USA
Joven y Alocada (Young and Wild), Director: Marialy Rivas, Chile
Una Noche, Director: Lucy Mulloy, Cuba
Violeta Se Fue A Los Cielos (Violeta Went to Heaven), Director: Andrés Wood, Chile
Las Malas Intenciones (The Bad Intentions), Director: Rosario García-Montero, Perú
Christine Davila, Programming Associate at Sundance Film Festival
There are way too many Latino films and not enough coverage on American Latino films so with that -- mine are going to be strictly American Latino films.
Los Chidos, Director: Omar Rodriguez-Lopez, USA/Mexico
Mosquita y Mari, Director: Aurora Guerrero, USA
Elliot Loves, Director: Terracino, USA
Aquí y Allá (Here and There), Director: Antonio Méndez Esparza, USA/Spain/Mexico
Love, Concord, Director: Gustavo Guardado, USA
Lisa Franek, Artistic Director at the San Diego Latino Film Festival
Just 5?? That's tough! In Filly Brown, Gina Rodriguez turns in a great performance, and I expect to see more great things from her very soon. No, I saw at Cannes, and it was fascinating, especially in contrast to Larraín's previous (amazing) films. La Hora Cero has unforgettable scenes and characters! La Mujer de Ivan has amazing acting, and I believe Maria de Los Angeles Garcia is definitely a talent to watch. Reportero is also fantastic.
La Mujer de Iván, Director: Francisca Silva, Chile
No, Director: Pablo Larraín, Chile/France/USA
La Hora Cero, Director: Diego Velasco, Venezuela
Reportero, Director: Bernardo Ruiz, USA/Mexico
Filly Brown, Directors: Youssef Delara, Michael D. Olmos, USA
Marcela Goglio, Programmer for Latinbeat at The Film Society of Lincoln Center
Las Acacias, Director: Pablo Giorgelli, Argentina
As Cançoes (Songs), Director: Eduardo Coutinho, Brazil
Unfinished Spaces, Directors: Alyssa Nahmias & Benjamin Murray, USA
O Som ao Redor (Neighboring Sounds), Director: Kleber Mendonça Filho, Brazil
Aquí y Allá (Here and There), Director: Antonio Méndez Esparza, USA/Spain/Mexico
Pepe Vargas, Executive Director of the International Latino Cultural Center and Chicago Latino Film Festival
Not an easy task to come up with 5 titles - there are so many good movies.
La Piel que Habito (The Skin I Live In)
Director: Pedro Almodóvar, Spain
Salvando al Soldado Pérez, (Saving Private Perez)
Director: Beto Gómez, Mexico
Un Cuento Chino (Chinese Take-Out)
Director: Sebastián Borensztein, Argentina/Spain
Lobos de Arga (Game of Werewolves)
Director: Juan Martínez Moreno, Spain
Mariachi Gringo
Director: Tom Gustafson, USA/Mexico
Amalia Cordova, Coordinator of the Latin American Program at the Film and Video Center of the Smithsonian National Museum of the American Indian
Granito, Director: Pamela Yates, USA/Guatemala/Spain
Desterro Guarani, Directors: Patricia Ferreira y Ariel Duarte Ortega, Brazil
Violeta Se Fue A Los Cielos (Violeta Went to Heaven), Director: Andrés Wood, Chile
5 x Favela – Agora por nós Mesmos (5 x Favela, Now by Ourselves), Directors: Manaíra Carneiro, Wagner Novais, Cacau Amaral, Rodrigo Felha, Luciano Vidigal, Cadu Barcelos, and Luciana Bezerra, Brazil
Un Cuento Chino (Chinese Take-Out), Director: Sebastián Borensztein, Argentina/Spain
Written by Juan Caceres and Vanessa Erazo, LatinoBuzz is a weekly feature on SydneysBuzz that highlights Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow @LatinoBuzz on twitter.
- 12/19/2012
- by Vanessa Erazo
- Sydney's Buzz
Last night, New York played host to the 22nd annual Gotham Awards, honouring some of the year’s finest independent feature films, and a strong part of the awards season that we’re currently in the midst of.
Having debuted at Cannes earlier in the year, followed by a record-breaking release in the spring, Wes Anderson’s Moonrise Kingdom has taken home the top prize, winning Best Feature at last night’s awards.
As a huge fan of both the film and Anderson, himself, I couldn’t be happier with the result.
Starring Mark Ruplass, Emily Blunt, and Rosemarie DeWitt, Lynn Shelton’s Your Sister’s Sister fought off very strong competition – including Moonrise Kingdom, David O. Russell’s Silver Linings Playbook, and Colin Trevorrow’s Safety Not Guaranteed – to win Best Ensemble Performance.
And the critically acclaimed Beasts of the Southern Wild took home two awards, earning Benh Zeitlin the Breakthrough Director award,...
Having debuted at Cannes earlier in the year, followed by a record-breaking release in the spring, Wes Anderson’s Moonrise Kingdom has taken home the top prize, winning Best Feature at last night’s awards.
As a huge fan of both the film and Anderson, himself, I couldn’t be happier with the result.
Starring Mark Ruplass, Emily Blunt, and Rosemarie DeWitt, Lynn Shelton’s Your Sister’s Sister fought off very strong competition – including Moonrise Kingdom, David O. Russell’s Silver Linings Playbook, and Colin Trevorrow’s Safety Not Guaranteed – to win Best Ensemble Performance.
And the critically acclaimed Beasts of the Southern Wild took home two awards, earning Benh Zeitlin the Breakthrough Director award,...
- 11/27/2012
- by Kenji Lloyd
- HeyUGuys.co.uk
In the battle of the Andersons, it was Wes who beat P.T for Best Feature at the 2012 Gotham Awards. Moonrise Kingdom would go 1 for 2 as Lynn Shelton’s Your Sister’s Sister easily among the year’s the best, for its natural, on-screen chemistry was handsomely awarded the Best Ensemble Performance prize. Making it an almost all Sundance Film Festival takes Gotham kind of year, in the Best Film Not Playing at a Theater Near You it’s Terence Nance’s An Oversimplification of Her Beauty which gets an extra boost for theatrical play. Pic was produced by Andrew Corkin who is lining up Jim Mickle’s We Are What We Are for festival play next year.
The heavy favorite in all categories combined was Beasts of the Southern Wild‘s Benh Zeitlin as Best Breakthrough Director and Audience award, while in the Breakthrough Actor category, it’s Emayatzy Corinealdi...
The heavy favorite in all categories combined was Beasts of the Southern Wild‘s Benh Zeitlin as Best Breakthrough Director and Audience award, while in the Breakthrough Actor category, it’s Emayatzy Corinealdi...
- 11/27/2012
- by Eric Lavallee
- IONCINEMA.com
The Independent Feature Project’s Gotham Awards were dished out tonight at Cipriani Wall Street, celebrating the best of independent film. The awards are being hosted by Mike Birbiglia, who is up for a Breakthrough Actor Award for Sleepwalk With Me. Hate to say it, but he seemed to sleepwalk through his opening monologue, though it’s kind of a Gotham Award tradition to see awkward openings of the show. Keep refreshing as we add winners. Breakthrough Director: Benh Zeitlin won for Beasts of the Southern Wild. The other nominees were Zal Batmanglij for Sound of My Voice Brian M. Cassidy and Melanie Shatzky for Francine Jason Cortlund and Julia Halperin for Now, Forager Antonio Méndez Esparza for Aquí y Allá (Here and There) Gotham Independence Film Audience Award Winner: Artifact: the documentary directed by Bartholomew Cubbins beat out nominees that included Beasts of the Southern Wild, which Jared Leto...
- 11/27/2012
- by MIKE FLEMING JR.
- Deadline
The 2012 Gotham Awards were handed out Monday, November 26th in New York City. Here's a complete list of the night's winners and nominees. Best Feature "Bernie" "The Loneliest Planet" "The Master" "Middle of Nowhere" "Moonrise Kingdom" - Winner Best Documentary "Detropia" "How to Survive a Plague" - Winner "Marina Abramovic: The Artist is Present" "Room 237" "The Waiting Room" Best Ensemble Performance "Bernie" "Moonrise Kingdom" "Safety Not Guaranteed" "Silver Linings Playbook" "Your Sister's Sister" - Winner Breakthrough Director Antonio Méndez Esparza, "Aquí y Allá (Here and There)" Benh Zeitlin, "Beasts of the Southern Wild" - Winner Brian M. Cassidey, Melanie...
- 11/27/2012
- by Gregory Ellwood
- Hitfix
The American Film Market (Afm®) and AFI Fest presented by Audi join forces and introduce a new AFI Fest screening program at this year’s market. Three AFI Fest films seeking international sales representation will be screened today, starting at 9:00 am. The program was jointly announced by Jonathan Wolf, Afm Managing Director and Jacqueline Lyanga, Director, AFI Fest.
The three festival titles that have been selected by AFI Fest to screen at Afm are: Here And There (AquÍ Y AllÁ) from writer/director Antonio Méndez Esparza (9:00 a.m. screening); Nairobi Half Life from director David Tosh Gitonga (11:30 a.m. screening); and Starlet from co-writer/director Sean Baker (2:30 p.m. screening).
“This was a natural progression in our long partnership with AFI Fest and provides these filmmakers an invaluable opportunity to screen for the world’s top sales agents,” said Wolf.
"The new screening program at the Afm has so much potential. It is going to give our AFI Fest filmmakers a chance to bring their films to the market to find representation; it's going to get their films directly in front of sales agents and buyers, and we hope that it will ultimately help these films get distributed internationally,” said Lyanga.
Afm and AFI Fest provide the only concurrent festival-market event in North America, connecting both art and commerce. The alliance affords films that are represented and/or screening at the market and festival unmatched marketing exposure. The partnership also provides AFI Fest filmmakers who visit Afm access to key decision makers from more than 400 of the world’s leading production and distribution companies.
A total of 27 films screening at AFI Fest will also be represented at this year’s Afm.
11 AFI Fest films will screen at Afm, including ABCs Of Death (Magnolia Pictures); Antiviral (IFC Films/TF1 International); Come Out And Play (Cananá Films); Ginger And Rosa (The Match Factory); John Dies At The End (Magnolia Pictures); Kon-tiki (Media Plan PR/HanWay Films); Quartet(HanWay Films); Simon Killer (IFC Films/ Fortissimo Films); and Zaytoun (Pathé International).
16 additional festival selections will be represented at Afm including: A Royal Affair (Magnolia Pictures); Berberian Sound Studio (IFC Films/The Match Factory); Beyond The Hills (IFC Films); Caesar Must Die (Adopt Films, LLC/Rai Trade); Eat Sleep Die (The Yellow Affair); Here Comes The Devil (Mpi Media Group); Holy Motors (Indomina); In Another Country (Kino Lorber); In The Fog (Strand Releasing/The Match Factory); Kid (Media Luna New Films); Pieta (Finecut); Tabu (Adopt Films, LLC); The Hunt (Magnolia Pictures); The Impossible (Summit Entertainment); The Most Fun I’Ve Ever Had With My Pants On (Continental Media); and War Witch (Tribeca Enterprises/Films Distribution).
About the Afm
The business of independent motion picture production and distribution reaches its peak every year at the American Film Market, Oct. 31 – Nov. 7, 2012. The global film industry converges in Santa Monica for eight days of deal-making on films in every stage of development and production, as well as screenings, conferences, networking and parties.
With 8,000 industry leaders from more than 70 countries, 700 screenings and the industry’s largest Conference Series, Afm is the pivotal destination for independent filmmakers, directors, distributors, financiers, industry executives, producers, talent, writers, the international media and all those who provide services to the worldwide motion picture industry.
The Afm is produced by the Independent Film & Television Alliance®, the global trade association of the independent motion picture and television industry and the voice and advocate for the Independents worldwide. Visit www.AmericanFilmMarket.com and www.Ifta-online.org for more information.
About AFI Fest presented by Audi
The American Film Institute’s annual celebration of artistic excellence, AFI Fest presented by Audi brings the audience and the entertainment community together to explore the year in global cinema through the new works of film masters, moving image icons and breakthrough talents, and it is the only film festival of its stature that is free to the public. AFI Fest mixes nightly red carpet galas of Hollywood films with new auteur works from around the world, ensuring that an extraordinary array of foreign filmmaker voices is heard. Launching awards season each year, AFI Fest offers a crucial avenue of exposure to the entertainment community, while providing audiences with the very best of global cinema, right in the center of the movie-making capital of the world.
Celebrating its 26th year as a program of the American Film Institute, the festival has paid tribute to numerous influential filmmakers and artists over the years, including Pedro Almodóvar and David Lynch as Guest Artistic Directors, and has screened scores of films that have produced Oscar® nominations and wins including, most recently, The Artist and A Separation.
AFI Fest 2012 presented by Audi will take place November 1 through 8 in the heart of Hollywood. AFI Fest is the only Fiapf-accredited film festival in the United States, and The Academy of Motion Picture Arts and Sciences recognizes AFI Fest as a qualifying festival for the Short Films category for the annual Academy Awards®.
Additional information about AFI Fest is available at AFI.com/Afifest. Connect with AFI Fest at facebook.com/Afifest,twitter.com/Afifest and youtube.com/Afifest.
The three festival titles that have been selected by AFI Fest to screen at Afm are: Here And There (AquÍ Y AllÁ) from writer/director Antonio Méndez Esparza (9:00 a.m. screening); Nairobi Half Life from director David Tosh Gitonga (11:30 a.m. screening); and Starlet from co-writer/director Sean Baker (2:30 p.m. screening).
“This was a natural progression in our long partnership with AFI Fest and provides these filmmakers an invaluable opportunity to screen for the world’s top sales agents,” said Wolf.
"The new screening program at the Afm has so much potential. It is going to give our AFI Fest filmmakers a chance to bring their films to the market to find representation; it's going to get their films directly in front of sales agents and buyers, and we hope that it will ultimately help these films get distributed internationally,” said Lyanga.
Afm and AFI Fest provide the only concurrent festival-market event in North America, connecting both art and commerce. The alliance affords films that are represented and/or screening at the market and festival unmatched marketing exposure. The partnership also provides AFI Fest filmmakers who visit Afm access to key decision makers from more than 400 of the world’s leading production and distribution companies.
A total of 27 films screening at AFI Fest will also be represented at this year’s Afm.
11 AFI Fest films will screen at Afm, including ABCs Of Death (Magnolia Pictures); Antiviral (IFC Films/TF1 International); Come Out And Play (Cananá Films); Ginger And Rosa (The Match Factory); John Dies At The End (Magnolia Pictures); Kon-tiki (Media Plan PR/HanWay Films); Quartet(HanWay Films); Simon Killer (IFC Films/ Fortissimo Films); and Zaytoun (Pathé International).
16 additional festival selections will be represented at Afm including: A Royal Affair (Magnolia Pictures); Berberian Sound Studio (IFC Films/The Match Factory); Beyond The Hills (IFC Films); Caesar Must Die (Adopt Films, LLC/Rai Trade); Eat Sleep Die (The Yellow Affair); Here Comes The Devil (Mpi Media Group); Holy Motors (Indomina); In Another Country (Kino Lorber); In The Fog (Strand Releasing/The Match Factory); Kid (Media Luna New Films); Pieta (Finecut); Tabu (Adopt Films, LLC); The Hunt (Magnolia Pictures); The Impossible (Summit Entertainment); The Most Fun I’Ve Ever Had With My Pants On (Continental Media); and War Witch (Tribeca Enterprises/Films Distribution).
About the Afm
The business of independent motion picture production and distribution reaches its peak every year at the American Film Market, Oct. 31 – Nov. 7, 2012. The global film industry converges in Santa Monica for eight days of deal-making on films in every stage of development and production, as well as screenings, conferences, networking and parties.
With 8,000 industry leaders from more than 70 countries, 700 screenings and the industry’s largest Conference Series, Afm is the pivotal destination for independent filmmakers, directors, distributors, financiers, industry executives, producers, talent, writers, the international media and all those who provide services to the worldwide motion picture industry.
The Afm is produced by the Independent Film & Television Alliance®, the global trade association of the independent motion picture and television industry and the voice and advocate for the Independents worldwide. Visit www.AmericanFilmMarket.com and www.Ifta-online.org for more information.
About AFI Fest presented by Audi
The American Film Institute’s annual celebration of artistic excellence, AFI Fest presented by Audi brings the audience and the entertainment community together to explore the year in global cinema through the new works of film masters, moving image icons and breakthrough talents, and it is the only film festival of its stature that is free to the public. AFI Fest mixes nightly red carpet galas of Hollywood films with new auteur works from around the world, ensuring that an extraordinary array of foreign filmmaker voices is heard. Launching awards season each year, AFI Fest offers a crucial avenue of exposure to the entertainment community, while providing audiences with the very best of global cinema, right in the center of the movie-making capital of the world.
Celebrating its 26th year as a program of the American Film Institute, the festival has paid tribute to numerous influential filmmakers and artists over the years, including Pedro Almodóvar and David Lynch as Guest Artistic Directors, and has screened scores of films that have produced Oscar® nominations and wins including, most recently, The Artist and A Separation.
AFI Fest 2012 presented by Audi will take place November 1 through 8 in the heart of Hollywood. AFI Fest is the only Fiapf-accredited film festival in the United States, and The Academy of Motion Picture Arts and Sciences recognizes AFI Fest as a qualifying festival for the Short Films category for the annual Academy Awards®.
Additional information about AFI Fest is available at AFI.com/Afifest. Connect with AFI Fest at facebook.com/Afifest,twitter.com/Afifest and youtube.com/Afifest.
- 11/6/2012
- by Sydney Levine
- Sydney's Buzz
Antonio Mendez Esparza
Antonio Mendez Esparza’s first feature Aquí Y Allá was named the Best Film in International Competition for First Feature Film of Directors at the Mumbai Film Festival 2012. A documentation of the struggles, joys and challenges in the life of a family in Mexico, the film won the Critics Week Grand Prize at Cannes Film Festival 2012 and went on to screen at 50th New York Film Festival, 17th Busan International Film Festival and 56th BFI London Film Festival.
Antonio Mendez Esparza talks about his film with Anita Thomas
How did the idea of the film occur to you?
I did several short films, sort of related in a way, about love stories, different approaches to life of people in big cities and usually their characters were immigrants. In the last film Una Y Otra Vez I decided to cast non-actors and I met Pedro who eventually played the protagonist in the film.
Antonio Mendez Esparza’s first feature Aquí Y Allá was named the Best Film in International Competition for First Feature Film of Directors at the Mumbai Film Festival 2012. A documentation of the struggles, joys and challenges in the life of a family in Mexico, the film won the Critics Week Grand Prize at Cannes Film Festival 2012 and went on to screen at 50th New York Film Festival, 17th Busan International Film Festival and 56th BFI London Film Festival.
Antonio Mendez Esparza talks about his film with Anita Thomas
How did the idea of the film occur to you?
I did several short films, sort of related in a way, about love stories, different approaches to life of people in big cities and usually their characters were immigrants. In the last film Una Y Otra Vez I decided to cast non-actors and I met Pedro who eventually played the protagonist in the film.
- 10/26/2012
- by Anita Thomas
- DearCinema.com
Bernie, Middle of Nowhere, Moonrise Kingdom and Beasts of the Southern Wild each received a pair of nominations for the 22nd Gotham Independent Film Awards, but the big surprise has to be the Best Picture snub of Benh Zeitlin’s Sundance and Cannes winner. The jury of five favored Moonrise Kingdom, Bernie, Middle of Nowhere, The Loneliest Planet and The Master over other well-received truly indie titles such as Craig Zobel’s Compliance and James Ponsoldt’s Smashed. The awards will be handed out on November 26th.
Best Feature
Bernie
Richard Linklater, director; Richard Linklater, Ginger Sledge, Celine Rattray, Martin Shafer, Liz Glotzer, Matt Williams, David McFadzean, Judd Payne, Dete Meserve, producers (Millennium Entertainment)
The Loneliest Planet
Julia Loktev, director; Jay Van Hoy, Lars Knudsen, Helge Albers, Marie Therese Guirgis, producers (Sundance Selects)
The Master
Paul Thomas Anderson, director; Joanne Sellar, Daniel Lupi, Paul Thomas Anderson, Megan Ellison, producers (The...
Best Feature
Bernie
Richard Linklater, director; Richard Linklater, Ginger Sledge, Celine Rattray, Martin Shafer, Liz Glotzer, Matt Williams, David McFadzean, Judd Payne, Dete Meserve, producers (Millennium Entertainment)
The Loneliest Planet
Julia Loktev, director; Jay Van Hoy, Lars Knudsen, Helge Albers, Marie Therese Guirgis, producers (Sundance Selects)
The Master
Paul Thomas Anderson, director; Joanne Sellar, Daniel Lupi, Paul Thomas Anderson, Megan Ellison, producers (The...
- 10/18/2012
- by Eric Lavallee
- IONCINEMA.com
The Master, Bernie, and Moonrise Kingdom were nominated by the Gotham Independent Film Awards for Best Feature. One of the first major awards ceremonies of the Oscar season, the Gotham Independent Film Awards focus attention on worthy independent films and breakthrough performances. Mike Birbiglia, who was nominated for a Breakthough Actor award for his performance in Sleepwalk With Me, will also host the ceremony on Nov. 26.
Click below for complete nominations.
Best Feature
Bernie
The Loneliest Planet
The Master
Middle of Nowhere
Moonrise Kingdom
Best Documentary
Detropia
How to Survive a Plague
Marina Abramović: The Artist is Present
Room 237...
Click below for complete nominations.
Best Feature
Bernie
The Loneliest Planet
The Master
Middle of Nowhere
Moonrise Kingdom
Best Documentary
Detropia
How to Survive a Plague
Marina Abramović: The Artist is Present
Room 237...
- 10/18/2012
- by Jeff Labrecque
- EW - Inside Movies
★★☆☆☆ Nobody would question the fact that Antonio Mendez Esperanza's Here and There (Aquí y Allá, 2012) raises some extremely important and relevant points about the challenges faced by Latin American migrant workers. Yet, even the most ardent fans of slow cinema may well find Esperanza's film a chore. The narrative follows protagonist Pedro, who has returned to his home village after a stint working menial jobs in the Us. Reunited with his family, which consists of wife Teresa and two daughters Lore and Heide, he sets about trying for form a band in an attempt to make extra money.
Read more »...
Read more »...
- 10/12/2012
- by CineVue UK
- CineVue
The New York Film Festival is celebrating its 50th birthday this year while at the same time saying goodbye to Richard Peña, who served as Program Director for the last 25 years. This year’s festival is packed with films from all over the world, bringing the best of the best from Cannes, Berlin, and other renowned festivals to a New York audience. Peña, who also teaches in the Film Department at Columbia University, has long championed Latin American cinema, in particular. After traveling in the region as a young undergrad he decided to focus his academic research on Latin America. Peña has gone on to not only spotlight Latino films in the classroom but also carved out a space, year after year, for Latino films to shine at the New York Film Festival. This year is no exception. Now in its second week, the fest has some exciting Latino premieres that will close out its 50th edition.
Here and There
Aquí y Allá | Antonio Méndez Esparza (2012)
Mexico/Spain/USA | Spanish with English subtitles | Format: Dcp | 110 minutes
Having won the top prize at the Critic’s Week sidebar at Cannes, this debut feature from Antonio Méndez Esparza looks at immigration from a different point of view--what happens when you go back? Pedro returns home to his family in Mexico after a stint working in New York. When he arrives he is surprised to see how different things look, how things have changed. He has little to say to his daughters and has to get to know his wife all over again. He feels detached, lonely, alienated. He feels distant from his family--and in parallel, the camera stays far away from the characters. In a series of long takes, conversations amongst family and friends are seen from a distance and the camera remains stationary. People walk in and out of scenes, have their backs turned to the camera, or are just too far away to see clearly. We rarely get a glimpse of those who talk and without close-ups of their faces--miss out on facial expressions and the nuances of the nonverbal. Just like Pedro--the audience, as a result of the camera work--has trouble emotionally connecting with the people on the screen.
No
Pablo Larraín (2012)
Chile/USA | Spanish with English subtitles | Format: Dcp | 110 minutes
Pablo Larraín and Gael García Bernal in person at both screenings and at the SoHo Apple Store on Thursday, October 11 as part of NyffLive.
“In 1988, in an effort to extend and legitimize its rule, the Chilean military junta announced it would hold a plebiscite to get the people’s permission to stay in power. Despite being given 15 minutes a day to plead its case on television, the anti-Pinochet opposition was divided and without a clear message. Enter Rene Saavedra, an ad man who, after a career pushing soft drinks and soap, sets out to sell Chileans on democracy and freedom.” Gael García Bernal (Y Tu Mama Tambien, Motorcycle Diaries) stars as Rene Saavedra. His performance is said to be the major reason behind the standing ovation it received at the Cannes Film Festival, its world premiere. It also was just announced as Chile’s entry for the Best Foreign Language Film Academy Award.
The Dead Man and Being Happy
El muerto y ser feliz | Javier Rebollo (2012)
Spain/Argentina/France | Spanish with English subtitles | Format: Dcp | 94 minutes
“For his third feature, the gifted Spanish director Javier Rebollo (Woman Without Piano) has decamped to Argentina and created a literate, screwball road movie that Borges surely would have loved. The “dead man” of the title is Santos (veteran Spanish screen star José Sacristán), a cancer-stricken hired killer who flees his Buenos Aires hospital bed and sets off on one last assignment. It is a journey that takes him through an interior Argentina rarely glimpsed in movies, from the Cordoba resort town of La Cumbrecita (with its disproportionate—and disconcerting—population of elderly Germans) to the northern province of Santiago del Estero. Along the way, Santos finds himself joined by Alejandra (the wonderful Roxana Blanco), an attractive middle-aged woman who impulsively jumps into his vintage Ford Falcon at a gas station and soon thwarts him from his intended path.”
Films from Portugal are often excluded from a discussion of Latin American or Latino films. But, in the same way that we include Brazilian films even though they are in Portuguese and Spanish films because of the country’s colonial ties to the Americas--i personally think that films from Portugal should also qualify as Latin American or Latino. Maybe, I’ll just start calling them Ibero-American films.
Tabu
Miguel Gomes (2012)
Portugal | Portuguese with English Subtitles | Format: 35mm | 118 minutes
“Shot in ephemeral black-and-white celluloid, Tabu is movie-as-dream—an evocation of irrational desires, extravagant coincidences, and cheesy nostalgia that nevertheless is grounded in serious feeling and beliefs, even anti-colonialist politics. There is a story, which is delightful to follow and in which the cart comes before the horse: the first half is set in contemporary Lisbon, the second, involving two of the same characters, in a Portuguese colony in the early 1960s. “Be My Baby” belted in Portuguese, a wandering crocodile, and a passionate, ill-advised coupling seen through gently moving mosquito netting make for addled movie magic.”
The Last Time I Saw Macao
A Última Vez Que Vi Macau | João Pedro Rodrigues, João Rui Guerra da Mata (2012)
Portugal/France | Portuguese with English Subtitles | 85 minutes
“This stunning amalgam of playful film noir and Chris Marker–like cine-essay from João Pedro Rodrigues (To Die Like a Man, Nyff 2009) and João Rui Guerra da Mata explores the psychic pull of the titular former Portuguese colony. After a spectacular opening scene, in which actress Cindy Scrash lip-synchs, as tigers pace behind her, to Jane Russell’s “You Kill Me”—from Josef von Sternberg’s Macao (1952), a key reference here—the film shifts to da Mata’s off-screen recollections of growing up in this gambling haven in the South China Sea.”
The New York Film Festival, presented by the Film Society of Lincoln Center, runs through October 14.
Written by Juan Caceres and Vanessa Erazo, LatinoBuzz is a weekly feature onSydneysBuzzthat highlights emerging and established Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow@LatinoBuzzon twitter.
Here and There
Aquí y Allá | Antonio Méndez Esparza (2012)
Mexico/Spain/USA | Spanish with English subtitles | Format: Dcp | 110 minutes
Having won the top prize at the Critic’s Week sidebar at Cannes, this debut feature from Antonio Méndez Esparza looks at immigration from a different point of view--what happens when you go back? Pedro returns home to his family in Mexico after a stint working in New York. When he arrives he is surprised to see how different things look, how things have changed. He has little to say to his daughters and has to get to know his wife all over again. He feels detached, lonely, alienated. He feels distant from his family--and in parallel, the camera stays far away from the characters. In a series of long takes, conversations amongst family and friends are seen from a distance and the camera remains stationary. People walk in and out of scenes, have their backs turned to the camera, or are just too far away to see clearly. We rarely get a glimpse of those who talk and without close-ups of their faces--miss out on facial expressions and the nuances of the nonverbal. Just like Pedro--the audience, as a result of the camera work--has trouble emotionally connecting with the people on the screen.
No
Pablo Larraín (2012)
Chile/USA | Spanish with English subtitles | Format: Dcp | 110 minutes
Pablo Larraín and Gael García Bernal in person at both screenings and at the SoHo Apple Store on Thursday, October 11 as part of NyffLive.
“In 1988, in an effort to extend and legitimize its rule, the Chilean military junta announced it would hold a plebiscite to get the people’s permission to stay in power. Despite being given 15 minutes a day to plead its case on television, the anti-Pinochet opposition was divided and without a clear message. Enter Rene Saavedra, an ad man who, after a career pushing soft drinks and soap, sets out to sell Chileans on democracy and freedom.” Gael García Bernal (Y Tu Mama Tambien, Motorcycle Diaries) stars as Rene Saavedra. His performance is said to be the major reason behind the standing ovation it received at the Cannes Film Festival, its world premiere. It also was just announced as Chile’s entry for the Best Foreign Language Film Academy Award.
The Dead Man and Being Happy
El muerto y ser feliz | Javier Rebollo (2012)
Spain/Argentina/France | Spanish with English subtitles | Format: Dcp | 94 minutes
“For his third feature, the gifted Spanish director Javier Rebollo (Woman Without Piano) has decamped to Argentina and created a literate, screwball road movie that Borges surely would have loved. The “dead man” of the title is Santos (veteran Spanish screen star José Sacristán), a cancer-stricken hired killer who flees his Buenos Aires hospital bed and sets off on one last assignment. It is a journey that takes him through an interior Argentina rarely glimpsed in movies, from the Cordoba resort town of La Cumbrecita (with its disproportionate—and disconcerting—population of elderly Germans) to the northern province of Santiago del Estero. Along the way, Santos finds himself joined by Alejandra (the wonderful Roxana Blanco), an attractive middle-aged woman who impulsively jumps into his vintage Ford Falcon at a gas station and soon thwarts him from his intended path.”
Films from Portugal are often excluded from a discussion of Latin American or Latino films. But, in the same way that we include Brazilian films even though they are in Portuguese and Spanish films because of the country’s colonial ties to the Americas--i personally think that films from Portugal should also qualify as Latin American or Latino. Maybe, I’ll just start calling them Ibero-American films.
Tabu
Miguel Gomes (2012)
Portugal | Portuguese with English Subtitles | Format: 35mm | 118 minutes
“Shot in ephemeral black-and-white celluloid, Tabu is movie-as-dream—an evocation of irrational desires, extravagant coincidences, and cheesy nostalgia that nevertheless is grounded in serious feeling and beliefs, even anti-colonialist politics. There is a story, which is delightful to follow and in which the cart comes before the horse: the first half is set in contemporary Lisbon, the second, involving two of the same characters, in a Portuguese colony in the early 1960s. “Be My Baby” belted in Portuguese, a wandering crocodile, and a passionate, ill-advised coupling seen through gently moving mosquito netting make for addled movie magic.”
The Last Time I Saw Macao
A Última Vez Que Vi Macau | João Pedro Rodrigues, João Rui Guerra da Mata (2012)
Portugal/France | Portuguese with English Subtitles | 85 minutes
“This stunning amalgam of playful film noir and Chris Marker–like cine-essay from João Pedro Rodrigues (To Die Like a Man, Nyff 2009) and João Rui Guerra da Mata explores the psychic pull of the titular former Portuguese colony. After a spectacular opening scene, in which actress Cindy Scrash lip-synchs, as tigers pace behind her, to Jane Russell’s “You Kill Me”—from Josef von Sternberg’s Macao (1952), a key reference here—the film shifts to da Mata’s off-screen recollections of growing up in this gambling haven in the South China Sea.”
The New York Film Festival, presented by the Film Society of Lincoln Center, runs through October 14.
Written by Juan Caceres and Vanessa Erazo, LatinoBuzz is a weekly feature onSydneysBuzzthat highlights emerging and established Latino indie talent and upcoming trends in Latino film with the specific objective of presenting a broad range of Latino voices. Follow@LatinoBuzzon twitter.
- 10/10/2012
- by Vanessa Erazo
- Sydney's Buzz
From Palme d’Or winner “Amour” to the latest offerings from some of the biggest names of world cinema such as Alain Resnais, Abbas Kiarostami, Bernando Bertoluci, Manoel de Oliveira , Brillante Mendoza, Ken Loach, Jacques Audiard, 14th Mumbai Film Festival has a lot to offer to the filmbuffs.
The festival offers an exciting lineup of more than two hundred films, spread over about a dozen screen and seven days! To help our readers decide we’ve picked up the most talked about films from festival circuit.
14th Mff runs from October 18th-25th, 2012 at the National Centre for Performing Arts (Ncpa), and Inox, Nariman Point, Liberty Cinemas, Marine Lines as the main festival venues and Cinemax, Andheri and Cinemax Sion as the satellite venues.
To get delegate pass for the festival, you can register here:
1) Beast of the Southern Wild
Dir.: Benh Zeitlin (USA/ 2012 /Col./ 92’)
Section: International Competition for...
The festival offers an exciting lineup of more than two hundred films, spread over about a dozen screen and seven days! To help our readers decide we’ve picked up the most talked about films from festival circuit.
14th Mff runs from October 18th-25th, 2012 at the National Centre for Performing Arts (Ncpa), and Inox, Nariman Point, Liberty Cinemas, Marine Lines as the main festival venues and Cinemax, Andheri and Cinemax Sion as the satellite venues.
To get delegate pass for the festival, you can register here:
1) Beast of the Southern Wild
Dir.: Benh Zeitlin (USA/ 2012 /Col./ 92’)
Section: International Competition for...
- 9/27/2012
- by NewsDesk
- DearCinema.com
Montreal’s Festival Du Nouveau Cinema (10.10 – 10.21) announced their line-up today for their 41st edition and among the smorgasbord of subtitle offerings dating back to this year’s Rotterdam, Berlin, Cannes, Locarno, Venice and Tiff editions, we’re knee-deep in avant-garde world cinema from the established auteurs Assayas, Vinterberg, Ozon, Sang-Soo, Joao Pedro Rodriguez, Larrain, Loach, Reygadas, Ghobadi, Mungiu and Miguel Gomes. Heavy on offerings from Quebec and France, the fest also manages to offer a stellar snapshot of the up-and-comers from all corners of the globe. Among the notable titles in the (Competition category) International Selection we’ve got Pablo Berger’s Blancanieves, Ursula Meier’s Sister, Brian M. Cassidy and Melanie Shatzky’s Francine (which received its theatrical release earlier this month) and Rodrigo Plá’s La Demora. Loaded in Cannes items, the Special Presentations is the fest’s A-list selections (see filmmakers named above) and the one pic...
- 9/25/2012
- by Eric Lavallee
- IONCINEMA.com
Anand Gandhi’s “Ship of Theseus” and Musa Syeed’s “Valley of Saints” have been selected for the international first feature film competition of the 14th Mumbai Film Festival 2012.
Thirteen debut feature films from all over the world will compete for the Usd 200,000 cash awards of 14th Mumbai Film Festival.
Gandhi’s “Ship of Theseus” recently had its world premiere at Toronto International Film Festival in the City to City program dedicated to Mumbai. The film has also been selected for the BFI London Film Festival and Tokyo Film Festival.
Musa Syeed’s “Valley of Saints” won the world cinema audience award at the Sundance film festival in January this year. Earlier it had won Alfred P. Sloan Feature Film Production Award for his screenplay from the Sundance Institute. (here is a review and an interview with the director). The film has travelled to various film festivals such as Seattle,...
Thirteen debut feature films from all over the world will compete for the Usd 200,000 cash awards of 14th Mumbai Film Festival.
Gandhi’s “Ship of Theseus” recently had its world premiere at Toronto International Film Festival in the City to City program dedicated to Mumbai. The film has also been selected for the BFI London Film Festival and Tokyo Film Festival.
Musa Syeed’s “Valley of Saints” won the world cinema audience award at the Sundance film festival in January this year. Earlier it had won Alfred P. Sloan Feature Film Production Award for his screenplay from the Sundance Institute. (here is a review and an interview with the director). The film has travelled to various film festivals such as Seattle,...
- 9/24/2012
- by NewsDesk
- DearCinema.com
14th Mumbai Film Festival (Mff) announced its complete lineup today in a press conference. Mff will be held from October 18th to 25th at the National Centre for the Performing Arts (Ncpa) and Inox, Nariman Point, Liberty Cinemas, Marine Lines as the main festival venues and Cinemax, Andheri and Cinemax Sion as the satellite venues. Click here to watch trailers and highlights from the festival.
Here is the complete list of films to be screened during the festival (October 18-25)
International Competition for the First Feature Films of Directors
1. From Tuesday To Tuesday (De Martes A Martes)
Dir.: Gustavo Fernandez Triviño (Argentina / 2012 / Col. / 111′)
2. The Last Elvis (El Último Elvis)
Dir.: Armando Bo (Argentina / 2012 / Col. / 91′)
3. The Sapphires
Dir.: Wayne Blair (Australia / 2012 / Col. / 103′)
4. The Wall (Die Wand)
Dir.: Julian Pölsler (Austria-Germany / 2012 / Col. / 108′)
5. Teddy Bear (10 timer til Paradis)
Dir.: Mads Matthiesen (Denmark / 2012 / Col. / 93′)
6. Augustine
Dir.: Alice Winccour (France / 2012 / Col.
Here is the complete list of films to be screened during the festival (October 18-25)
International Competition for the First Feature Films of Directors
1. From Tuesday To Tuesday (De Martes A Martes)
Dir.: Gustavo Fernandez Triviño (Argentina / 2012 / Col. / 111′)
2. The Last Elvis (El Último Elvis)
Dir.: Armando Bo (Argentina / 2012 / Col. / 91′)
3. The Sapphires
Dir.: Wayne Blair (Australia / 2012 / Col. / 103′)
4. The Wall (Die Wand)
Dir.: Julian Pölsler (Austria-Germany / 2012 / Col. / 108′)
5. Teddy Bear (10 timer til Paradis)
Dir.: Mads Matthiesen (Denmark / 2012 / Col. / 93′)
6. Augustine
Dir.: Alice Winccour (France / 2012 / Col.
- 9/24/2012
- by NewsDesk
- DearCinema.com
The New York Film Festival announced its full slate of films on Thursday, a line up of 32 titles that largely serves as a catch-all compendium of standouts from other international festivals like Cannes, Berlin, Venice, and Toronto.
Along with the previously announced opening night film (Ang Lee’s Life of Pi), centerpiece gala (David Chase’s Not Fade Away), and closing night film (Robert Zemeckis’ Flight) — all world premieres — the highlights of the festival include: Hyde Park on Hudson, starring Bill Murray as President Franklin D. Roosevelt; Ginger and Rosa, starring Elle Fanning as a girl growing up in 1962 London...
Along with the previously announced opening night film (Ang Lee’s Life of Pi), centerpiece gala (David Chase’s Not Fade Away), and closing night film (Robert Zemeckis’ Flight) — all world premieres — the highlights of the festival include: Hyde Park on Hudson, starring Bill Murray as President Franklin D. Roosevelt; Ginger and Rosa, starring Elle Fanning as a girl growing up in 1962 London...
- 8/17/2012
- by Adam B. Vary
- EW - Inside Movies
Amour
The Film Society of Lincoln Center announced today the main slate of selections for the 50th New York Film Festival (September 28-October 14) including such notable directors as Olivier Assayas, Noah Baumbach, Leos Carax, Brian De Palma, Michael Haneke, Abbas Kiarostami, Ang Lee, Cristian Mungiu, Sally Potter, Alain Resnais, Raul Ruiz and Robert Zemeckis.
Regarding the line up of 32 films comprising the main slate for the 50th anniversary of Nyff Richard Peña, Selection Committee Chair & Program Director of the Film Society of Lincoln Center, said, .The films making up the main slate of this year’s Nyff, have in common a general quality of fearlessness” that unites otherwise very disparate works. These are films that go all the way, works willing to take the risk or chance that by doing so they may be bringing audiences to places they might rather not go..
Award winners that will be presented for...
The Film Society of Lincoln Center announced today the main slate of selections for the 50th New York Film Festival (September 28-October 14) including such notable directors as Olivier Assayas, Noah Baumbach, Leos Carax, Brian De Palma, Michael Haneke, Abbas Kiarostami, Ang Lee, Cristian Mungiu, Sally Potter, Alain Resnais, Raul Ruiz and Robert Zemeckis.
Regarding the line up of 32 films comprising the main slate for the 50th anniversary of Nyff Richard Peña, Selection Committee Chair & Program Director of the Film Society of Lincoln Center, said, .The films making up the main slate of this year’s Nyff, have in common a general quality of fearlessness” that unites otherwise very disparate works. These are films that go all the way, works willing to take the risk or chance that by doing so they may be bringing audiences to places they might rather not go..
Award winners that will be presented for...
- 8/16/2012
- by Michelle McCue
- WeAreMovieGeeks.com
The 2012 New York Film Festival announced its main slate of movies Thursday. The 32 movies draw from a healthy mix of big named directors and indie favorites.
Films From Noah Baumbach ("Frances Ha"), Roger Michell ("Hyde Park on Hudson"), Michael Haneke ("Amour," which won the Palme d'Or at Cannes this year) and Abbas Kiarostami ("Like Someone in Love") were selected.
As previously announced, Ang Lee's "Life of Pi" will open the festival, David Chase's "Not Fade Away" is the Centerpiece Gala Selection and Robert Zemeckis' "Flight," starring Denzel Washington, will close the fortnight.
"Passion," Brian De Palma's widely anticipated film, will also screen at the Venice Film Festival, which runs from Aug. 29 to Sept. 8. A number of Nyff's selections actual make their bow at the Toronto International Film Festival, which begins Sept. 6.
Nyff runs Sept. 28 to Oct. 14. The full main-slate list of films is available below, direct from...
Films From Noah Baumbach ("Frances Ha"), Roger Michell ("Hyde Park on Hudson"), Michael Haneke ("Amour," which won the Palme d'Or at Cannes this year) and Abbas Kiarostami ("Like Someone in Love") were selected.
As previously announced, Ang Lee's "Life of Pi" will open the festival, David Chase's "Not Fade Away" is the Centerpiece Gala Selection and Robert Zemeckis' "Flight," starring Denzel Washington, will close the fortnight.
"Passion," Brian De Palma's widely anticipated film, will also screen at the Venice Film Festival, which runs from Aug. 29 to Sept. 8. A number of Nyff's selections actual make their bow at the Toronto International Film Festival, which begins Sept. 6.
Nyff runs Sept. 28 to Oct. 14. The full main-slate list of films is available below, direct from...
- 8/16/2012
- by Kia Makarechi
- Huffington Post
After Venice and Toronto unveiled their strong assembly of titles, the 50th annual New York Film Festival have released this year’s primary lineup. Short answer: We won’t be left out in the cold this fall.
Though not necessarily on the same massive scale as last year, the Film Society of Lincoln Center look to be offering some of world cinema’s finest options for 2012. The biggest title would, unquestionably, have to be Michael Haneke‘s Palme d’Or winner, Amour, while “the rest,” if you’re so callous as to call it that, include some of our favorite Cannes selections — including Abbas Kiarostami‘s Like Someone in Love, or Leos Carax‘s Holy Motors. Sure, maybe Beyond the Hills was a flat bore that didn’t live up to its director’s last effort, but at least I get to find out for myself.
Past those obvious picks,...
Though not necessarily on the same massive scale as last year, the Film Society of Lincoln Center look to be offering some of world cinema’s finest options for 2012. The biggest title would, unquestionably, have to be Michael Haneke‘s Palme d’Or winner, Amour, while “the rest,” if you’re so callous as to call it that, include some of our favorite Cannes selections — including Abbas Kiarostami‘s Like Someone in Love, or Leos Carax‘s Holy Motors. Sure, maybe Beyond the Hills was a flat bore that didn’t live up to its director’s last effort, but at least I get to find out for myself.
Past those obvious picks,...
- 8/16/2012
- by jpraup@gmail.com (thefilmstage.com)
- The Film Stage
Antonio Mendez Esparza's "Aqui y alla" has won the Grand Prize in the Critics Week section, which takes place simultaneously with the Cannes Film Festival. Organized by the French Syndicate of Cinema Critics, Critics Week is devoted to the up-and-coming directors' first and second films. "Aqui y alla" (left) centers on a man who returns to his village after years of working in the United States; according to the film's website, it is "a story about hope, and the memories and loss of what we leave behind." Three of the other six...
- 5/24/2012
- by Steve Pond
- The Wrap
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