On trial in 1975 for three robberies, plus a fourth in which he’s accused of also killing two people, Pierre Goldman (Arieh Worthalter) makes his opening statement, explaining that he’s declining to call any character witnesses because he wants to be judged on the facts rather than emotional appeals. “I will stand before you in my sole innocence,” he declares, “without the pomp or theatricality” that normally accrue themselves to trials, “which disgust me.” This is very funny given that what follows is a true-story courtroom drama of nonstop rhetorical flourishes and screaming matches between opposing counsels, witnesses, the jury […]
The post Cannes 2023: The Goldman Case, The Delinquents first appeared on Filmmaker Magazine.
The post Cannes 2023: The Goldman Case, The Delinquents first appeared on Filmmaker Magazine.
- 5/19/2023
- by Vadim Rizov
- Filmmaker Magazine - Blog
On trial in 1975 for three robberies, plus a fourth in which he’s accused of also killing two people, Pierre Goldman (Arieh Worthalter) makes his opening statement, explaining that he’s declining to call any character witnesses because he wants to be judged on the facts rather than emotional appeals. “I will stand before you in my sole innocence,” he declares, “without the pomp or theatricality” that normally accrue themselves to trials, “which disgust me.” This is very funny given that what follows is a true-story courtroom drama of nonstop rhetorical flourishes and screaming matches between opposing counsels, witnesses, the jury […]
The post Cannes 2023: The Goldman Case, The Delinquents first appeared on Filmmaker Magazine.
The post Cannes 2023: The Goldman Case, The Delinquents first appeared on Filmmaker Magazine.
- 5/19/2023
- by Vadim Rizov
- Filmmaker Magazine-Director Interviews
All the films opening the sections at this year’s political event are French for the first time in many years.
Glamour and gripes are poised to collide this year as Cannes kicks off in the most French way imaginable with French films opening every section for the first time in many years – from Maiwenn’s Jeanne Du Barry to The Animal Kingdom in Un Certain Regard, The Goldman Case in Directors’ Fortnight and Ama Gloria at Critics’ Week – and protests from labour unions threatening to spill over onto the Croisette.
Despite a ban on protests during the festival by the city of Cannes,...
Glamour and gripes are poised to collide this year as Cannes kicks off in the most French way imaginable with French films opening every section for the first time in many years – from Maiwenn’s Jeanne Du Barry to The Animal Kingdom in Un Certain Regard, The Goldman Case in Directors’ Fortnight and Ama Gloria at Critics’ Week – and protests from labour unions threatening to spill over onto the Croisette.
Despite a ban on protests during the festival by the city of Cannes,...
- 5/16/2023
- by Rebecca Leffler
- ScreenDaily
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