Directed by
| Reko Rennie | ||
Produced by
| Philippa Campey | ... | producer |
| Samantha Dinning | ... | producer |
Music by
| Deborah Cheetham | ... | (original composition) |
Cinematography by
| Bonnie Elliott | ... | director of photography |
| Carlo Zeccola | ... | (drone cinematography) |
Production Management
| Molly O'Connor | ... | production manager |
Second Unit Director or Assistant Director
| James Short | ... | 1st assistant director |
Visual Effects by
| Scott Zero | ... | vfx |
Camera and Electrical Department
| Chris Armstrong | ... | drone operator |
| Edward Barlow | ... | grip assistant |
| Matt Begg | ... | gaffer |
| Dion Caramalis | ... | grip assistant |
| Lisa Cushing | ... | 1st assistant camera |
| Crispian Hayler | ... | lighting assistant |
| Andrew Hechenberger | ... | lighting assistant |
| Peter MacDonnell | ... | grip |
| Justin McManus | ... | stills photographer |
| Alanna Raif | ... | second assistant camera |
| Carlo Zeccola | ... | camera operator |
Editorial Department
| Kale Elbourne | ... | assistant editor |
| Abe Wynen | ... | colourist |
Location Management
| Hugo Cran | ... | locations |
Music Department
| Deborah Cheetham | ... | performer |
| Melbourne Symphony Orchestra | ... | orchestra |
Additional Crew
| Kirrily Frigo | ... | On-Set Nurse |
| James Pipino | ... | Unit |