Directed by
| Phyllis Ellis | ||
Writing Credits (in alphabetical order)
| Phyllis Ellis | ||
Cast
| Matt Schichter | ... | Bill Hurst | |
Produced by
| Phyllis Ellis | ... | co-producer |
| Howard Fraiberg | ... | executive producer / producer |
| Jane Jankovic | ... | executive producer |
| Cheryl Dillard Staurulakis | ... | executive producer |
Music by
| Aaron Davis | ||
| Tuku | ||
Cinematography by
| Iris Ng | ||
Editing by
| Eugene Weis | ||
Sound Department
| Patrick Duvoisin | ... | location sound |
| Jason Hopfner | ... | location sound |
| Deanna Marano | ... | sound effects editor |
| Hunn Nguyen | ... | location sound |
| Mathias Onken | ... | location sound |
| Mary Wong | ... | location sound |
Visual Effects by
| Charlie Shekter | ... | Motion Graphics Designer |
Camera and Electrical Department
| Ishmael Azeli | ... | additional camera |
| Elana Emer | ... | additional camera |
| Brian Kelly | ... | additional camera |
| Wes Legge | ... | additional camera |
| Stephen Matter | ... | additional camera |
| Amanda McGrady | ... | additional camera |
| Robin Mir | ... | assistant camera |
| John Tran | ... | additional camera |
Editorial Department
| Tiffany Beaudin | ... | additional editor |
| Erin McLaughlin | ... | post-production coordinator (as Erin Ellen McLaughlin) |
| Daniel Shulkin | ... | assistant editor |
| Set Shuter | ... | colorist |
Additional Crew
| Jessica Joy Wise | ... | Additional Archival Research |
| Judy Ruzylo | ... | archivist |
| Charlie Shekter | ... | motion graphics |
