Doctor Who: The Abominable Snowmen (TV Mini Series)
Episode #1.6 (2022)
Full Cast & Crew
Directed by
| Gerald Blake | ... | (original director) |
| Chloe Grech | ... | (co-director) |
| Gary Russell | ... | (co-director) |
Writing Credits (in alphabetical order)
| Mervyn Haisman | ... | (writer) |
| Henry Lincoln | ... | (writer) |
Cast (in credits order)
| Patrick Troughton | ... | Dr. Who (archive sound) | |
| Rest of cast listed alphabetically: | |||
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David Baron | ... | Ralpachan (archive sound) |
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David Grey | ... | Rinchen (archive sound) |
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Tony Harwood | ... | Yeti (archive sound) |
| Frazer Hines | ... | Jamie (archive sound) | |
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John Hogan | ... | Yeti (archive sound) |
| Norman Jones | ... | Khrisong (archive sound) | |
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Richard Kerley | ... | Yeti (archive sound) |
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Raymond Llewellyn | ... | Sapan (archive sound) |
| Charles Morgan | ... | Abbot Songsten (archive sound) | |
| Wolfe Morris | ... | Master Padmasambhava (archive sound) | |
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David Spenser | ... | Thomni (archive sound) |
| Deborah Watling | ... | Victoria (archive sound) | |
| Jack Watling | ... | Edward Travers (archive sound) | |
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Reg Whitehead | ... | Yeti (archive sound) |
Produced by
| Chloe Grech | ... | producer |
| Jason Haigh-Ellery | ... | executive producer |
| Innes Lloyd | ... | original producer |
| Russell Minton | ... | executive producer |
| Mark B. Oliver | ... | executive producer |
| Gary Russell | ... | executive producer / producer |
| Damian Shanahan | ... | associate producer |
Art Department
| Prashanta Bose | ... | background supervisor |
| Sudip Chanda | ... | CGI background artist |
| Sandip Dutta | ... | design supervisor |
| Lalit Karnel | ... | CGI background artist |
| Luke Marcatili | ... | original character designer |
| Souvik Modak | ... | CGI background artist |
| Ioan Morris | ... | concept designer |
| Naishriti Saroha | ... | design supervisor |
| Satendre Singh | ... | background supervisor |
Sound Department
| Mark Ayres | ... | sound restoration & mastering |
Visual Effects by
| David Devjak | ... | head of post-production |
| Chris Downey | ... | compositor |
| Conor Hodder | ... | technical director |
| Prashant Kumar | ... | studio head: Digitoonz |
| Mickey Puglisi | ... | compositor |
| Matt Umney | ... | 3D modelling |
| Hannah Lyn Walker | ... | compositor |
Animation Department
| Ayan Banerjee | ... | animation director |
| Madhumita Bera | ... | project coordinator |
| Bidhu Bhushan | ... | rig supervisor |
| Raghav Khurana | ... | pre-composition supervisor |
| Keshav Kumar | ... | pre-composition supervisor |
| Mantosh Kumar | ... | head of production: Digitoonz |
| Shashikant Kumar | ... | pre-composition supervisor |
| Vikas Kumar | ... | CEO: Digitoonz |
| Biman Mohanta | ... | animatic supervisor |
| Souvik Nandi | ... | animation supervisor |
| Goopal Nath | ... | rig supervisor |
| Abhishek Singh | ... | rig coordinator |
| Ranjit Singh | ... | pre-composition supervisor |
| Rajib Tala | ... | animation supervisor |
Music Department
| Ron Grainer | ... | title music |
Script and Continuity Department
| Mark B. Oliver | ... | script supervisor |
Additional Crew
| Adam Boys | ... | post-production co-ordinator |
| Rob Ritchie | ... | opening titles |
| Robert Ritchie | ... | opening titles |
Thanks
| Richard Bignell | ... | special thanks |
| Lee Binding | ... | special thanks |
| Neetu Choudhary | ... | special thanks |
| Peter Crocker | ... | special thanks |
| Selina Fenech | ... | special thanks |
| Martin Geraghty | ... | special thanks |
| Toby Hadoke | ... | special thanks |
| Derek Handley | ... | special thanks |
| Paul Hembury | ... | special thanks |
| Clayton Hickman | ... | special thanks |
| Khushboo Kumari | ... | special thanks |
| Pete McTighe | ... | special thanks |
| Daniel Pham | ... | special thanks |
| Andrew Pixley | ... | special thanks |
| Joshua Reh | ... | special thanks |
| Gavin Rymill | ... | special thanks |
| Adrian Salmon | ... | special thanks |
| Jim Sangster | ... | special thanks |
| Richard Starkings | ... | special thanks |
| Graham Strong | ... | thanks |
| Peter Ware | ... | special thanks |