Recently, the venerable porn label Adam & Eve (one of the oldest surviving companies in the Adult biz) has been turning nostalgically to directors from its past for new product: Ernest Greene, Will Ryder and Luc Ryder. This lame lesbian comedy was made by Andre Madness, a journeyman cameraman/director whose career peaked (sort of) over a decade ago with the label's big-budget "Rawhide II".
This one is rather condescending, making fun of horror movie cliches, a sort of satire that's been done to death for decades, certainly far, far better in the series "Scream" and "Scary Movie".
Nothing much happens here other than routine lesbian XXX segments that are executed on the level of random Girlsway scenes. Opening segment is set in a haunted house in 1984, with the footage slightly & artificially deteriorated to have an "old movie print look", same gimmick Madness used in his lousy spoof of a spoof "Grindhouse XXX".
Kira Noir (with her big new boobs on display) and an underage-looking (until she strips naked, that is) newcomer Lizzie Love crash the house and end up fatally meeting a lovely ghost (another newcomer, Victoria Sunshine), while mysteriously (due to poor scripting) turning into ghosts themselves.
Rest of the show is set in our present day, with a randomly cast Pristine Edge playing a porn movie director, who seemingly is a crew of one, shooting "movies" on her phone, this one titled "Bodacious Bodies". Even this is contradicted in the script when her actresses Ana Foxxx and May Farrell chat about their film crew, when not affecting stereotyped Valley Girl personas consumed with their social media followers.
New girls are acting out the roles of the 1984 dead girls and end up meeting them, not in the flesh but rather ectoplasm.
The six actresses on the payroll have mix and match sex scenes, and I found it moderately interesting that the casting made the notion of "interracial sex" seem quite archaic, as half the cast is Black.
Unfortunately, Andre fails to make any of this the slightest bit interesting, yielding a product that has no laughs, no real scares and strictly mechanical girl/girl sex.
This one is rather condescending, making fun of horror movie cliches, a sort of satire that's been done to death for decades, certainly far, far better in the series "Scream" and "Scary Movie".
Nothing much happens here other than routine lesbian XXX segments that are executed on the level of random Girlsway scenes. Opening segment is set in a haunted house in 1984, with the footage slightly & artificially deteriorated to have an "old movie print look", same gimmick Madness used in his lousy spoof of a spoof "Grindhouse XXX".
Kira Noir (with her big new boobs on display) and an underage-looking (until she strips naked, that is) newcomer Lizzie Love crash the house and end up fatally meeting a lovely ghost (another newcomer, Victoria Sunshine), while mysteriously (due to poor scripting) turning into ghosts themselves.
Rest of the show is set in our present day, with a randomly cast Pristine Edge playing a porn movie director, who seemingly is a crew of one, shooting "movies" on her phone, this one titled "Bodacious Bodies". Even this is contradicted in the script when her actresses Ana Foxxx and May Farrell chat about their film crew, when not affecting stereotyped Valley Girl personas consumed with their social media followers.
New girls are acting out the roles of the 1984 dead girls and end up meeting them, not in the flesh but rather ectoplasm.
The six actresses on the payroll have mix and match sex scenes, and I found it moderately interesting that the casting made the notion of "interracial sex" seem quite archaic, as half the cast is Black.
Unfortunately, Andre fails to make any of this the slightest bit interesting, yielding a product that has no laughs, no real scares and strictly mechanical girl/girl sex.