The only thing wrong with daring! Media's "Style", easy to overlook, is director Kendo's pompous and condescending remarks on the BTS short subject included on the DVD. The main feature gives the egomaniac a chance to really strut his stuff in one of his very best releases from the label.
Using a color scheme emphasizing red and black, often with a nearly black & white image dotted with red lipstick and costuming, he creates five sensusous vignettes starring strictly Continental porn talent. His penchant for repeating shots and editing shots from unrelated vignettes into other segments (like flashbacks and flash-forwards) is quite effective here.
Among the best scenes and players are Amabella, hot, hot hot in her turn, and the always reliable Cathy Heaven winning breast in show honors. One actress is left out of the opening credits, since Antonya only is shown in cutaways masturbating with a big dildo, not getting a boy/girl scene of her own.
Very important to the success of the film is the nostalgic library music score, including many romantic ballads and quite different from the usually pretentious, "modern" ominous music Kendo usually applies to his pantomime, dreary art exercises;
Yes, the man has style, and would probably still be in demand as director if his prolific output were always up to the level of this particular show.
Using a color scheme emphasizing red and black, often with a nearly black & white image dotted with red lipstick and costuming, he creates five sensusous vignettes starring strictly Continental porn talent. His penchant for repeating shots and editing shots from unrelated vignettes into other segments (like flashbacks and flash-forwards) is quite effective here.
Among the best scenes and players are Amabella, hot, hot hot in her turn, and the always reliable Cathy Heaven winning breast in show honors. One actress is left out of the opening credits, since Antonya only is shown in cutaways masturbating with a big dildo, not getting a boy/girl scene of her own.
Very important to the success of the film is the nostalgic library music score, including many romantic ballads and quite different from the usually pretentious, "modern" ominous music Kendo usually applies to his pantomime, dreary art exercises;
Yes, the man has style, and would probably still be in demand as director if his prolific output were always up to the level of this particular show.