64
Metascore
10 reviews · Provided by Metacritic.com
- 80EmpireEmpireA bold and uncompromising debut feature from a bright new directing team. There’s a question over whether it justifies its own misery, but if you care about homegrown cinema then you have to see it.
- 80Total FilmKevin HarleyTotal FilmKevin HarleyBlending the mythical resonances of The Searchers with lyricism and bristly realism, Wolfe’s harrowing, haunting dispatch from Brit-cinema’s undergrowth is strong meat: emphatic evidence of a bold talent’s arrival.
- 80Time Out LondonDave CalhounTime Out LondonDave CalhounCatch Me Daddy feels authentic and informed, but wears its research lightly and prefers to thrust us into the atmosphere of the moment rather than offer too much background or tie things up neatly.
- 80CineVuePatrick GambleCineVuePatrick GambleDespite falling into the occasional genre trap, every step of Catch Me Daddy points to a pair of filmmakers unafraid to make brave and interesting choices.
- 80The TelegraphRobbie CollinThe TelegraphRobbie CollinIn this wildly promising debut feature from the 36-year-old British filmmaker Daniel Wolfe, the landscape becomes a kind of holy sanctuary for two young lovers fleeing a murderous plot.
- 75The PlaylistOliver LytteltonThe PlaylistOliver LytteltonIt's an ambitious attempt to meld the kind of social realism that made the names of Andrea Arnold and Clio Barnard with a stripped-down genre thriller, an attempt that's only moderately successful, though it suggests Wolfe is a filmmaker of real promise.
- 70VarietyCharles GantVarietyCharles GantAlthough the film is never less than gripping, the story beats of the chase rely on a number of coincidental encounters, while the abundance of main characters and their unpredictable natures can make them seem a bit light on psychological investigation.
- 70The Hollywood ReporterStephen DaltonThe Hollywood ReporterStephen DaltonOver the long haul, the Wolfe brother never quite provide enough psychological and emotional ballast to flesh out their complex, conflicted characters. But these are minor flaws in an otherwise confident, gripping, highly charged debut.
- 60The GuardianPeter BradshawThe GuardianPeter BradshawOpinions will divide as to the film's final moments: some may find it all too much, and the film does not quite digest everything it wants to encompass. But there an energy and boldness in the debut work from Daniel Wolfe.
- 12Slant MagazineClayton DillardSlant MagazineClayton DillardThe film plods from one gruesome moment to the next, as if its mere aversion to optimism constitutes a philosophy.