Auction director/screenwriter Pascal Bonitzer at The Metropolitan Museum of Art in New York exhibition Look Again: European Paintings 1300–1800 Photo: Anne Katrin Titze
On the afternoon of the Rendez-Vous with French Cinema première in New York of Auction, starring Alex Lutz and Louise Chevillotte with Léa Drucker and Olivier Rabourdin of Catherine Breillat’s incomparably daring Last Summer, the director/screenwriter joined me at The Metropolitan Museum of Art to check out Women Dressing Women at the Anna Wintour Costume Institute, before we strolled through the visionary exhibition Look Again: European Paintings 1300–1800.
Inês de Medeiros with Laurence Côte in Jacques Rivette’s La Bande Des Quatre, co-written with Pascal Bonitzer and Christine Laurent
In the second installment with the prolific and acclaimed director, screenwriter, actor, and former film critic for Cahiers du Cinéma, we discuss working again with Laurence Côte (seen as Ginette Kolinka in Olivier Dahan’s all-embracing portrait [film id=41673]Simone: Woman Of.
On the afternoon of the Rendez-Vous with French Cinema première in New York of Auction, starring Alex Lutz and Louise Chevillotte with Léa Drucker and Olivier Rabourdin of Catherine Breillat’s incomparably daring Last Summer, the director/screenwriter joined me at The Metropolitan Museum of Art to check out Women Dressing Women at the Anna Wintour Costume Institute, before we strolled through the visionary exhibition Look Again: European Paintings 1300–1800.
Inês de Medeiros with Laurence Côte in Jacques Rivette’s La Bande Des Quatre, co-written with Pascal Bonitzer and Christine Laurent
In the second installment with the prolific and acclaimed director, screenwriter, actor, and former film critic for Cahiers du Cinéma, we discuss working again with Laurence Côte (seen as Ginette Kolinka in Olivier Dahan’s all-embracing portrait [film id=41673]Simone: Woman Of.
- 3/7/2024
- by Anne-Katrin Titze
- eyeforfilm.co.uk
“Woman Of…,” Malgorzata Szumowska and Michal Englert’s pioneering trans drama, has been sold by Memento International across Europe.
Set against the landscape of the Polish transformation from communism to capitalism, “Woman Of” stars Małgorzata Hajewska-Krzysztofik as Aniela Wesoły. “Woman Of…” spans 45 years of Aniela’s life as she aspires to find personal liberty as a trans woman and faces hardships in marriage and parenthood, strained family relations and complicated attitudes in her environment.
The movie has been acquired for Italy (I Wonder), France (UFO), Germany (Salzgeber), Austria (Filmladen), Spain (Karma), Benelux and Israel (Cinemien), Switzerland (Xenix), Sweden (Lucky Dogs), Greece (Cinobo), Ukraine (Arthouse Traffic) and Czech Republic and Slovakia (Film Europe).
Discussions are ongoing in other territories including the U.K. and Scandinavia. North American sales are handled by Anonymous Content and Memento International. The film will be released in Poland by Next Films and is set for March...
Set against the landscape of the Polish transformation from communism to capitalism, “Woman Of” stars Małgorzata Hajewska-Krzysztofik as Aniela Wesoły. “Woman Of…” spans 45 years of Aniela’s life as she aspires to find personal liberty as a trans woman and faces hardships in marriage and parenthood, strained family relations and complicated attitudes in her environment.
The movie has been acquired for Italy (I Wonder), France (UFO), Germany (Salzgeber), Austria (Filmladen), Spain (Karma), Benelux and Israel (Cinemien), Switzerland (Xenix), Sweden (Lucky Dogs), Greece (Cinobo), Ukraine (Arthouse Traffic) and Czech Republic and Slovakia (Film Europe).
Discussions are ongoing in other territories including the U.K. and Scandinavia. North American sales are handled by Anonymous Content and Memento International. The film will be released in Poland by Next Films and is set for March...
- 11/6/2023
- by Elsa Keslassy
- Variety Film + TV
"I feel this pull to the other side." Memento International has unveiled an early promo trailer for the Polish film called Woman of..., originally known as Kobieta z... in Polish (which is also a direct translation to Woman Of). The film initially premiered at the 2023 Venice Film Festival a few weeks ago, playing in the Main Competition. It was one of my favorite films of the festival, and I wrote a positive review of it to bring some extra attention to it. The film tells the entire life story of a trans woman named Aniela, starting from her young life as a boy growing up in Poland during their transition away from communist rule, through her own coming out and eventual life as a woman. Małgorzata Hajewska-Krzysztofik stars as Aniela, with a cast including Joanna Kulig (seen in Cold War), Bogumila Bajor, and Mateusz Wieclawek. This is a rather odd...
- 9/29/2023
- by Alex Billington
- firstshowing.net
Last year, Anna Kendrick starred in Mary Nighy’s disquieting drama of abuse Alice, Darling. The actress played a woman undone by her partner’s psychological manipulations, pulling from her own experiences in an abusive relationship to shape the character. Her performance — sensitive, gripping — sustained the film’s atmosphere of dread.
In Woman of the Hour, Kendrick builds on the work she started in Alice, Darling — but now she is also behind the camera for this unnerving dramatization of serial killer Rodney Alcala’s appearance on a dating game show while in the midst of his murder spree. Woman of the Hour, which premiered at TIFF before its Netflix acquisition, is an ambitious attempt to subvert true-crime genre expectations by giving voice to the survivors and victims of Alcala’s rampage.
The film experiments with time jumps and perspective shifts to create an impressionistic portrait of the murders. Its action kicks off in 1977 with Rodney,...
In Woman of the Hour, Kendrick builds on the work she started in Alice, Darling — but now she is also behind the camera for this unnerving dramatization of serial killer Rodney Alcala’s appearance on a dating game show while in the midst of his murder spree. Woman of the Hour, which premiered at TIFF before its Netflix acquisition, is an ambitious attempt to subvert true-crime genre expectations by giving voice to the survivors and victims of Alcala’s rampage.
The film experiments with time jumps and perspective shifts to create an impressionistic portrait of the murders. Its action kicks off in 1977 with Rodney,...
- 9/12/2023
- by Lovia Gyarkye
- The Hollywood Reporter - Movie News
Exclusive: In the first major acquisition deal on the ground here at the Toronto Film Festlval, Netflix is closing on Woman of the Hour, the fact-based thriller that marks the directing debut of Anna Kendrick. We’re hearing the deal is for around $11 million.
While some festival-bound pictures signed SAG-AFTRA Interim Agreements so cast members could make the trip, many didn’t. That’s because signatories especially streamers would not make quick deals on films when they are battling both WGA and SAG-AFTRA on a new deal. Woman of the Hour did not sign the Ia, which is why this deal happened in the first weekend of the festival.
Pic tells the stranger-than-fiction story of a young woman who actually won a date on The Dating Game with a man who turned out to be a notorious serial killer. Rodney Alcala was convicted or murdering at least eight women,...
While some festival-bound pictures signed SAG-AFTRA Interim Agreements so cast members could make the trip, many didn’t. That’s because signatories especially streamers would not make quick deals on films when they are battling both WGA and SAG-AFTRA on a new deal. Woman of the Hour did not sign the Ia, which is why this deal happened in the first weekend of the festival.
Pic tells the stranger-than-fiction story of a young woman who actually won a date on The Dating Game with a man who turned out to be a notorious serial killer. Rodney Alcala was convicted or murdering at least eight women,...
- 9/11/2023
- by Mike Fleming Jr
- Deadline Film + TV
Seated before a photo of filmmaker Sarah Moldoror, panelists at this year’s Women in Film roundtable shared strategies for greater industry parity, while reflecting on recent successes and standstills in that ongoing pursuit. Variety has been give access to the video of the panel discussion.
Organized by Magaajyia Silberfeld and Winta Ghebre, and moderated by journalist and filmmaker Rahmatou Keïta, the Venice Film Festival roundtable brought together filmmakers Malgorzata Szumowska (“Woman Of”), Gina Kim (whose 3D-360 doc “Comfortless” screens in Venice Immersive), and Leila Basma (director of the Horizons-selected short “Sea Salt”), alongside set decorator Brandi Kalish (“The Killer”).
Moderator Rahmatou Keïta stressed the need for historical memory and for a greater degree of focus in order to prevent real gains from slipping into PR lip service. Keïta made mention of the equality charter signed at the 2018 Cannes Film Festival before caustically pointing out that five years prior,...
Organized by Magaajyia Silberfeld and Winta Ghebre, and moderated by journalist and filmmaker Rahmatou Keïta, the Venice Film Festival roundtable brought together filmmakers Malgorzata Szumowska (“Woman Of”), Gina Kim (whose 3D-360 doc “Comfortless” screens in Venice Immersive), and Leila Basma (director of the Horizons-selected short “Sea Salt”), alongside set decorator Brandi Kalish (“The Killer”).
Moderator Rahmatou Keïta stressed the need for historical memory and for a greater degree of focus in order to prevent real gains from slipping into PR lip service. Keïta made mention of the equality charter signed at the 2018 Cannes Film Festival before caustically pointing out that five years prior,...
- 9/9/2023
- by Ben Croll
- Variety Film + TV
With her enigmatically titled Woman Of… (Kobieta z..), Malgorzata Szumowska returns from the magical satire of Never Gonna Snow Again to trenchant social realism, recounting a journey lasting half a lifetime, of sacrifice, sorrow and resilience.
Written and directed in collaboration with regular cinematographer and creative partner Michal Englert, this is a rare close-up of an older trans woman making tough choices in a majority Catholic country that remains legislatively and socially hostile. The film’s compassionate gaze and stirring performances make it an illuminating window into gender recognition in an unaccommodating environment.
Like many dramas focused on a highly specific community and developed out of extensive interviews, Woman Of… doesn’t entirely escape the feel of a representational project that ticks all the required boxes in a not entirely seamless narrative. However, that doesn’t make it any less sincere or moving, not only in the principal character’s...
Written and directed in collaboration with regular cinematographer and creative partner Michal Englert, this is a rare close-up of an older trans woman making tough choices in a majority Catholic country that remains legislatively and socially hostile. The film’s compassionate gaze and stirring performances make it an illuminating window into gender recognition in an unaccommodating environment.
Like many dramas focused on a highly specific community and developed out of extensive interviews, Woman Of… doesn’t entirely escape the feel of a representational project that ticks all the required boxes in a not entirely seamless narrative. However, that doesn’t make it any less sincere or moving, not only in the principal character’s...
- 9/8/2023
- by David Rooney
- The Hollywood Reporter - Movie News
The first real clue comes when Andrzej is called up for national service and, standing in front of the army medics in his underwear, refuses to take his socks off. His toenails were painted blue, he tells his mates cheerfully a couple of years later, as if it were a joke. But it isn’t a joke; it is the most serious thing in his life. He is waving a flag at the time; they are in the bloom of the Solidarity movement and the promise of a new world, when it feels like anything goes.
But it isn’t quite like that, either. Poland will soon find its conservative heart. An occasional magazine article about newly recognized gender dysphoria may pop up. The internet is full of sex sites offering new combinations, even if that doesn’t quite chime with what Andrzej, who has a beloved wife and children,...
But it isn’t quite like that, either. Poland will soon find its conservative heart. An occasional magazine article about newly recognized gender dysphoria may pop up. The internet is full of sex sites offering new combinations, even if that doesn’t quite chime with what Andrzej, who has a beloved wife and children,...
- 9/8/2023
- by Stephanie Bunbury
- Deadline Film + TV
Trans women are women, deserving of all the respect and rights of their cis counterparts. That reality is conveyed poignantly in “Woman Of,” from Polish directors Małgorzata Szumowska and Michał Englert, a sprawling, lyrical, and sensitive journey of a woman becoming her true self.
While it occasionally bags at the seams, spending time meandering down inconsequential tangents bereft of purpose, the film’s characters are acted with such nuanced specificity that even at two hours and 20 minutes, “Woman Of” is a never-tiring portrait of gender and sexuality told across 45 years of Poland. We begin in the 1970s and move through communism, independence, and Covid, but society still largely languishes in the bureaucratic hell that awaits Polish LGBTQ+ people seeking lives without discrimination, to marry who they please, or to be legally recognized for their gender.
Aniela Wesoly, or Andrej as her parents named her, has spent her whole life in...
While it occasionally bags at the seams, spending time meandering down inconsequential tangents bereft of purpose, the film’s characters are acted with such nuanced specificity that even at two hours and 20 minutes, “Woman Of” is a never-tiring portrait of gender and sexuality told across 45 years of Poland. We begin in the 1970s and move through communism, independence, and Covid, but society still largely languishes in the bureaucratic hell that awaits Polish LGBTQ+ people seeking lives without discrimination, to marry who they please, or to be legally recognized for their gender.
Aniela Wesoly, or Andrej as her parents named her, has spent her whole life in...
- 9/8/2023
- by Leila Latif
- Indiewire
Polish director Malgorzata Szumowska and Michal Englert’s transgender drama Women Of world premieres in Competition at the Venice Film Festival on Friday.
As ever the filmmaking team – who have been working together for more than two decades on titles such as Mug, In The Name Of and French-language drama Elles – are pushing boundaries in their native Poland.
Set against the backdrop of the country’s transition from communism to capitalism, Woman Of follows protagonist Aniela Wesoły across the course of 45 years as she seeks to live freely as a trans woman in a small provincial town.
The film charts Wesoly’s journey with her wife, as the couple navigate her transition in an environment where it is neither recognized nor accepted.
“We’ve been thinking about this for a long time. The first impulse was 20 years ago when Michal [who is also a cinematographer] filmed one of the first [transition] surgeries,” says Szumowska.
“But there...
As ever the filmmaking team – who have been working together for more than two decades on titles such as Mug, In The Name Of and French-language drama Elles – are pushing boundaries in their native Poland.
Set against the backdrop of the country’s transition from communism to capitalism, Woman Of follows protagonist Aniela Wesoły across the course of 45 years as she seeks to live freely as a trans woman in a small provincial town.
The film charts Wesoly’s journey with her wife, as the couple navigate her transition in an environment where it is neither recognized nor accepted.
“We’ve been thinking about this for a long time. The first impulse was 20 years ago when Michal [who is also a cinematographer] filmed one of the first [transition] surgeries,” says Szumowska.
“But there...
- 9/8/2023
- by Melanie Goodfellow
- Deadline Film + TV
The fall festival circuit features a powerhouse lineup of Polish cinema that showcases an industry in full stride, with hard-hitting topical dramas, award-season hopefuls and potential box-office breakouts highlighting the strength and diversity of filmmaking in a country with a storied cinematic history.
Among the hotly anticipated premieres at this week’s Toronto Film Festival is “The Peasants,” a lavish, hand-painted animated feature from the filmmaking team behind Oscar nominee and box-office sensation “Loving Vincent.” Meanwhile, three-time Oscar nominee Agnieszka Holland will be on hand for the North American premiere of “Green Border,” her searing portrayal of Europe’s refugee crisis that just bowed in competition at the Venice Film Festival.
Also on the Lido, two-time Berlin Silver Bear winner Małgorzata Szumowska and Michał Englert are vying for the Golden Lion with “Woman Of,” their decades-spanning portrait of a transgender Polish woman on a journey of self-discovery.
Producer Klaudia Śmieja-Rostworowska,...
Among the hotly anticipated premieres at this week’s Toronto Film Festival is “The Peasants,” a lavish, hand-painted animated feature from the filmmaking team behind Oscar nominee and box-office sensation “Loving Vincent.” Meanwhile, three-time Oscar nominee Agnieszka Holland will be on hand for the North American premiere of “Green Border,” her searing portrayal of Europe’s refugee crisis that just bowed in competition at the Venice Film Festival.
Also on the Lido, two-time Berlin Silver Bear winner Małgorzata Szumowska and Michał Englert are vying for the Golden Lion with “Woman Of,” their decades-spanning portrait of a transgender Polish woman on a journey of self-discovery.
Producer Klaudia Śmieja-Rostworowska,...
- 9/8/2023
- by Christopher Vourlias
- Variety Film + TV
Memento International and Anonymous Content have boarded “Woman Of,” a bold Venice competition entry written and directed by Małgorzata Szumowska and Michał Englert. The film is a pioneering trans drama set in against the landscape of the Polish transformation from communism to capitalism.
“Woman Of” stars Małgorzata Hajewska-Krzysztofik as Aniela Wesoły, who lived more than half of her adult life in a provincial Polish town as a man. “Woman Of…” spans 45 years of the life of Aniela as she aspires to find personal liberty as a trans woman and faces hardships in marriage and parenthood, strained family relations and complicated attitudes in her environment.
“‘Woman Of’ is the result of many years of work, a film that tells a story of a mature trans woman living in Poland, who does not fit the social norms of a traditional family,” said Szumowska and Englert, who have been working on movies together for over 20 years.
“Woman Of” stars Małgorzata Hajewska-Krzysztofik as Aniela Wesoły, who lived more than half of her adult life in a provincial Polish town as a man. “Woman Of…” spans 45 years of the life of Aniela as she aspires to find personal liberty as a trans woman and faces hardships in marriage and parenthood, strained family relations and complicated attitudes in her environment.
“‘Woman Of’ is the result of many years of work, a film that tells a story of a mature trans woman living in Poland, who does not fit the social norms of a traditional family,” said Szumowska and Englert, who have been working on movies together for over 20 years.
- 8/25/2023
- by Elsa Keslassy
- Variety Film + TV
The Venice Film Festival revealed the lineup for its 80th edition Tuesday morning, and its Official Competition featured works by five women filmmakers, including Ava DuVernay, who makes history as the first African American woman in selection.
The selected films and filmmakers are Priscilla (Sofia Coppola), Origin (Ava DuVernay), The Green Border (Agnieszka Holland), Woman Of, and Holly (Fien Troch).
There are 23 films in Competition overall, meaning the fest falls far below any sort of gender parity mark. The festival said 32% of submissions this year were from women filmmakers against 66% from male filmmakers. 60 movies did not declare a gender. Nonetheless, DuVernay’s Origin will mark a significant landmark for Venice as the first film by an African American woman to play in Competition.
Related: Venice Lineup Will Generate Debate, Not Least For Inclusion Of Roman Polanski & Woody Allen; Latter Set To Attend Festival
The pic is...
The selected films and filmmakers are Priscilla (Sofia Coppola), Origin (Ava DuVernay), The Green Border (Agnieszka Holland), Woman Of, and Holly (Fien Troch).
There are 23 films in Competition overall, meaning the fest falls far below any sort of gender parity mark. The festival said 32% of submissions this year were from women filmmakers against 66% from male filmmakers. 60 movies did not declare a gender. Nonetheless, DuVernay’s Origin will mark a significant landmark for Venice as the first film by an African American woman to play in Competition.
Related: Venice Lineup Will Generate Debate, Not Least For Inclusion Of Roman Polanski & Woody Allen; Latter Set To Attend Festival
The pic is...
- 7/25/2023
- by Zac Ntim
- Deadline Film + TV
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