From left: 50 Cent, Megan Fox, Dolph Lundgren, Jacob Scipio, and Andy Garcia in Expen4ablesPhoto: Lionsgate
Less of a deconstruction of ’80s action movie machismo and more a whole-hearted embrace of cinema’s bygone bombastic era, The Expendables franchise has varied drastically in quality throughout its 13-year existence. The...
Less of a deconstruction of ’80s action movie machismo and more a whole-hearted embrace of cinema’s bygone bombastic era, The Expendables franchise has varied drastically in quality throughout its 13-year existence. The...
- 9/21/2023
- by Courtney Howard
- avclub.com
The SXSW Sydney festival has set a 75-film screening schedule for its first edition. The selection skews heavily towards music, but is also distinctly international.
Headline titles include re-edited Talking Heads concert film “Stop Making Sense,” “Hot Potato: The Story of The Wiggles,” an exploration of iconic Australian musical act The Wiggles; drill rap documentary “Onefour: Against All Odds,” directed by Gabriel Gasparinatos; and the widely-acclaimed “Ryuichi Sakamoto: Opus,” directed by Neo Sora.
“The first ever SXSW Sydney Screen Festival aims to platform the most exciting new voices, new forms and new ways of creating on screen. We hope to inspire our audiences and industry, by unwrapping the future of screen innovation as it emerges,” said Ghita Loebenstein, the festival’s head of screen. “Like our Austin counterparts, our festival presents global programming from leading creators, and our unique offer is this distinctive Asia Pacific lens. We also thematically lean...
Headline titles include re-edited Talking Heads concert film “Stop Making Sense,” “Hot Potato: The Story of The Wiggles,” an exploration of iconic Australian musical act The Wiggles; drill rap documentary “Onefour: Against All Odds,” directed by Gabriel Gasparinatos; and the widely-acclaimed “Ryuichi Sakamoto: Opus,” directed by Neo Sora.
“The first ever SXSW Sydney Screen Festival aims to platform the most exciting new voices, new forms and new ways of creating on screen. We hope to inspire our audiences and industry, by unwrapping the future of screen innovation as it emerges,” said Ghita Loebenstein, the festival’s head of screen. “Like our Austin counterparts, our festival presents global programming from leading creators, and our unique offer is this distinctive Asia Pacific lens. We also thematically lean...
- 9/21/2023
- by Patrick Frater
- Variety Film + TV
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