The Cannes Film Festival is nearing its conclusion, with plenty of films making a splash on the starry Croisette on the French Riviera. However, one studio executive tells Variety, “There aren’t many Oscar-buzzy titles to be excited about, not even in the international feature space.”
This year’s main competition jury, led by president Greta Gerwig and including J.A. Bayona, Ebru Ceylan, Pierfrancesco Favino, Lily Gladstone, Eva Green, Hirokazu Kore-eda, Nadine Labaki and Omar Sy, will name its winners on Saturday.
It was looking like a foregone conclusion that the Palme d’Or win would be bestowed upon Jacques Audiard’s Spanish-language musical “Emilia Pérez,” starring Zoe Saldaña, Selena Gomez, and Karla Sofía Gascón, which was picked up by Netflix. However, on Friday, Mohammad Rasoulof’s “The Seed of the Sacred Fig” garnered the most enthusiastic reactions on social media from attendees and the longest-standing ovation at 12 minutes. One awards publicist says,...
This year’s main competition jury, led by president Greta Gerwig and including J.A. Bayona, Ebru Ceylan, Pierfrancesco Favino, Lily Gladstone, Eva Green, Hirokazu Kore-eda, Nadine Labaki and Omar Sy, will name its winners on Saturday.
It was looking like a foregone conclusion that the Palme d’Or win would be bestowed upon Jacques Audiard’s Spanish-language musical “Emilia Pérez,” starring Zoe Saldaña, Selena Gomez, and Karla Sofía Gascón, which was picked up by Netflix. However, on Friday, Mohammad Rasoulof’s “The Seed of the Sacred Fig” garnered the most enthusiastic reactions on social media from attendees and the longest-standing ovation at 12 minutes. One awards publicist says,...
- 5/24/2024
- by Clayton Davis
- Variety Film + TV
A searing historical drama set in mid-19th century Bologna, and a TIFF award winning coming-of-age story open in limited release. The fascination with female conductors continues in doc Maestra. Netflix starts a small run with Richard Linklater comedy Hit Man. A24’s I Saw TV Glow is steady on under 400 screens. Evil Does Not Exist from Sideshow/Janus Films pops up to 138 runs.
Marco Bellocchio’s Kidnapped: The Abduction of Edgardo Mortara, which premiered at Cannes a year ago (see Deadline review) opens in NYC at Film at Lincoln Center and the Quad Cinema, expanding to LA and top 10 markets next week. Based on the true story of a six-year-old Jewish boy in Bologna abducted in 1858 by the all-powerful Catholic Church and its menacing grand inquisitor in the city after a former housekeeper’s dubious claim to have secretly baptized him as a baby.
He was rushed secretly to...
Marco Bellocchio’s Kidnapped: The Abduction of Edgardo Mortara, which premiered at Cannes a year ago (see Deadline review) opens in NYC at Film at Lincoln Center and the Quad Cinema, expanding to LA and top 10 markets next week. Based on the true story of a six-year-old Jewish boy in Bologna abducted in 1858 by the all-powerful Catholic Church and its menacing grand inquisitor in the city after a former housekeeper’s dubious claim to have secretly baptized him as a baby.
He was rushed secretly to...
- 5/24/2024
- by Jill Goldsmith
- Deadline Film + TV
Criterion and Janus Films have acquired four of auteur Michael Haneke’s never before seen catalog titles that have been restored in 4K by Les Films du Losange, it was revealed at the Cannes Film Festival.
Initially produced and shot for Austria’s TV Orf, the four titles were directed by Haneke between 1976 and 1993. This is the first time these films have been restored and brought to the rest of the world. Les Films du Losange cleared the rights and restored the films, with the support of the Austrian Film Institute. Haneke led the restorations himself.
The titles include 1979 pair “Lemmings Tale 1: Arcadia” that follows the coming-of-age of teenagers in a small town in Austria in the fall of 1959 and “Lemmings Tale 2: Injuries” that follows the same characters 20 years later.
In “Three Paths to the Lake” (1976), Elisabeth Matrei comes to Klagenfurt, in Austria, to vacation with her widowed father.
Initially produced and shot for Austria’s TV Orf, the four titles were directed by Haneke between 1976 and 1993. This is the first time these films have been restored and brought to the rest of the world. Les Films du Losange cleared the rights and restored the films, with the support of the Austrian Film Institute. Haneke led the restorations himself.
The titles include 1979 pair “Lemmings Tale 1: Arcadia” that follows the coming-of-age of teenagers in a small town in Austria in the fall of 1959 and “Lemmings Tale 2: Injuries” that follows the same characters 20 years later.
In “Three Paths to the Lake” (1976), Elisabeth Matrei comes to Klagenfurt, in Austria, to vacation with her widowed father.
- 5/23/2024
- by Naman Ramachandran
- Variety Film + TV
“Kingdom of the Planet of the Apes” (Disney) opened to $56.5 million, slightly above pre-opening projections, which is encouraging after “The Fall Guy” (Universal) last week. That’s a relief to theaters that hope summer releases meet their potential and buffer what is expected to be a major drop in revenues versus last year.
20th Century Fox released “Planet of the Apes” in 1968. For an old franchise, this is one that still has plenty of life: The “Kingdom of the Planet of the Apes” opening matched the last “Planet of the Apes” installment in 2017 (albeit when tickets cost 15 percent less). Speaking of old franchises, it also beat the $55 million opening of the 2021 Bond entry “No Time to Die.” Disappointing B Cinemascore aside, “Kingdom of the Planet of the Apes” seems poised for a solid run.
The opening for “Kingdom of the Planet of the Apes” doubled that of “The Fall Guy...
20th Century Fox released “Planet of the Apes” in 1968. For an old franchise, this is one that still has plenty of life: The “Kingdom of the Planet of the Apes” opening matched the last “Planet of the Apes” installment in 2017 (albeit when tickets cost 15 percent less). Speaking of old franchises, it also beat the $55 million opening of the 2021 Bond entry “No Time to Die.” Disappointing B Cinemascore aside, “Kingdom of the Planet of the Apes” seems poised for a solid run.
The opening for “Kingdom of the Planet of the Apes” doubled that of “The Fall Guy...
- 5/12/2024
- by Tom Brueggemann
- Indiewire
With ”The Fall Guy” (Universal), summer 2024 box office didn’t kick off; it just sort of happened. It opened to $28.5 million, a 52 percent drop from last year with “Guardians of the Galaxy Vol. 3.” Hopefully, that will be the last precipitous weekend drop (aside from the inevitable “Barbie”/”Oppenheimer” July weekend of $310 million).
This $76 million domestic weekend is bad, but “The Fall Guy” shortfall is worse. Estimates were broad, but worst-case scenarios predicted $30 million. The Ryan Gosling action rom-com had all the earmarks of audience appeal. Whatever its possible limitations — and a $130 million budget — that’s a terrible look to start the summer.
Despite good reviews, Gosling’s momentum, director David Leitch’s proven box office success, the usually lucrative playdate, and a decent A- Cinemascore, “The Fall Guy” opened to only a little more than $3 million above “Civil War” (A24), April’s best opener.
“The Kingdom of the Planet...
This $76 million domestic weekend is bad, but “The Fall Guy” shortfall is worse. Estimates were broad, but worst-case scenarios predicted $30 million. The Ryan Gosling action rom-com had all the earmarks of audience appeal. Whatever its possible limitations — and a $130 million budget — that’s a terrible look to start the summer.
Despite good reviews, Gosling’s momentum, director David Leitch’s proven box office success, the usually lucrative playdate, and a decent A- Cinemascore, “The Fall Guy” opened to only a little more than $3 million above “Civil War” (A24), April’s best opener.
“The Kingdom of the Planet...
- 5/5/2024
- by Tom Brueggemann
- Indiewire
Exhibitor convention CinemaCon starts tomorrow in Las Vegas, and it would be great to kick off with happy box office news. That’s not the case with surprisingly weak results for two fresh titles, “Monkey Man” (Universal) and “The First Omen” (Disney). They brought the weekend total lower than expected and suggested an already-weak April could slide toward a worst-case scenario.
“Godzilla x Kong: The New Empire” (Warner Bros.) repeated as #1 in its second week, more than tripling the take for #2, Dev Patel’s “Monkey Man.” The franchise’s 60 percent drop isn’t bad, given an opening weekend that included Good Friday and the Easter holidays. It’s grossed $135 million U.S./Canada in 10 days.
After March revitalized the concept of franchises and sequels as an essential part of the distribution ecosystem, the hope was April would demonstrate continued audience interest in lower-budgeted original titles — as evidenced earlier this year...
“Godzilla x Kong: The New Empire” (Warner Bros.) repeated as #1 in its second week, more than tripling the take for #2, Dev Patel’s “Monkey Man.” The franchise’s 60 percent drop isn’t bad, given an opening weekend that included Good Friday and the Easter holidays. It’s grossed $135 million U.S./Canada in 10 days.
After March revitalized the concept of franchises and sequels as an essential part of the distribution ecosystem, the hope was April would demonstrate continued audience interest in lower-budgeted original titles — as evidenced earlier this year...
- 4/7/2024
- by Tom Brueggemann
- Indiewire
Animated feature will premiere in January in the Rotterdam Film Festival’s Bright Future section
Warsaw-based sales outfit New Europe Film Sales has taken on international sales for the upcoming English-language dystopian animation Schirkoa: In Lies We Trust by Ishan Shukla, with Anonymous Content will co-repping for North America.
Ishan Shukla’s debut will world premiere in January in the Rotterdam Film Festival’s Bright Future section, aimed at up-and-coming filmmakers with innovative, original and daring work.
The animated feature is based on the short film Schirkoa, which was also repped by New Europe and played at more than 120 international film festivals and won 33 awards,...
Warsaw-based sales outfit New Europe Film Sales has taken on international sales for the upcoming English-language dystopian animation Schirkoa: In Lies We Trust by Ishan Shukla, with Anonymous Content will co-repping for North America.
Ishan Shukla’s debut will world premiere in January in the Rotterdam Film Festival’s Bright Future section, aimed at up-and-coming filmmakers with innovative, original and daring work.
The animated feature is based on the short film Schirkoa, which was also repped by New Europe and played at more than 120 international film festivals and won 33 awards,...
- 11/23/2023
- by Tim Dams
- ScreenDaily
Netflix is finally opening the doors to the newly restored Egyptian Theatre in Hollywood this week, and in a first-look preview ahead of its November 9 reopening, the streamer and its partner, the nonprofit American Cinematheque, highlighted some of the enhancements and a screening schedule through the end of 2023.
The Egyptian will reopen on Nov. 9 with a sold-out screening of David Fincher’s “The Killer,” followed by a Q&a with the director. Throughout November it will showcase a 70mm series that includes titles like Jacques Tati’s “Playtime,” Stanley Kubrick’s “Spartacus,” and Paul Thomas Anderson’s “Boogie Nights.”
Announced today were December screenings for “Days of Heaven,” “L’amour Fou,” “Don’t Look Now,” “Imitation of Life,” “Lone Star,” “It’s a Wonderful Life,” and a new Netflix film for good measure: a 70mm screening of Zack Snyder’s upcoming “Rebel Moon — Part One: A Child of Fire.”
The screenings of...
The Egyptian will reopen on Nov. 9 with a sold-out screening of David Fincher’s “The Killer,” followed by a Q&a with the director. Throughout November it will showcase a 70mm series that includes titles like Jacques Tati’s “Playtime,” Stanley Kubrick’s “Spartacus,” and Paul Thomas Anderson’s “Boogie Nights.”
Announced today were December screenings for “Days of Heaven,” “L’amour Fou,” “Don’t Look Now,” “Imitation of Life,” “Lone Star,” “It’s a Wonderful Life,” and a new Netflix film for good measure: a 70mm screening of Zack Snyder’s upcoming “Rebel Moon — Part One: A Child of Fire.”
The screenings of...
- 11/7/2023
- by Brian Welk
- Indiewire
Exclusive: New Europe Film Sales has boarded international sales on Northern Irish director Aislinn Clarke’s second feature Fréwaka ahead of the AFM, where it will unveil first footage.
The Irish and English-language production follows Clarke’s 2018 found footage horror The Devil’s Doorway, which was acquired by IFC for the U.S.
Billed as the first ever Irish-language horror, Fréwaka revolves around care worker Shoo, who is haunted by a personal tragedy.
Shoo is sent to a remote village to care for an agoraphobic woman, who fears both the neighbors and the Na Sídhe – sinister folkloric entities she believes abducted her decades before.
As the pair develop a deep connection, Shoo becomes consumed by the old woman’s paranoia, rituals, and superstitions, eventually confronting the horrors from her own past.
The title originates from the Irish word “fréamhacha”, meaning roots that are entwined underground.
The cast features Clare Monnelly (Moone...
The Irish and English-language production follows Clarke’s 2018 found footage horror The Devil’s Doorway, which was acquired by IFC for the U.S.
Billed as the first ever Irish-language horror, Fréwaka revolves around care worker Shoo, who is haunted by a personal tragedy.
Shoo is sent to a remote village to care for an agoraphobic woman, who fears both the neighbors and the Na Sídhe – sinister folkloric entities she believes abducted her decades before.
As the pair develop a deep connection, Shoo becomes consumed by the old woman’s paranoia, rituals, and superstitions, eventually confronting the horrors from her own past.
The title originates from the Irish word “fréamhacha”, meaning roots that are entwined underground.
The cast features Clare Monnelly (Moone...
- 10/20/2023
- by Melanie Goodfellow
- Deadline Film + TV
One of the pleasures of Telluride is watching a master auteur accept the Silver Medallion. Telluride Executive Director Julie Huntsinger was shocked to discover that in the 50 years of the festival, no Silver Medallion was ever awarded to German filmmaker Wim Wenders. So this year, he brought his two Cannes selections, 3D documentary “Anselm” (Sideshow and Janus) and Competition title “Perfect Days” (Neon), whose star Koji Yakusho (“Shall We Dance?”) won Best Actor at Cannes. Despite its German director, Japan has chosen to submit the film for the Oscar.
At Thursday night’s first tribute, Werner Herzog dug into his pocket to fish out the Silver Medallion, and placed it around his old friend’s neck. “The same time several years ago Tom Luddy put this on my neck,” said Herzog. “I kept thinking, ‘this is an injustice if you hadn’t received this medallion in 1978, and 1981, and 1995, and 2015.’ Because...
At Thursday night’s first tribute, Werner Herzog dug into his pocket to fish out the Silver Medallion, and placed it around his old friend’s neck. “The same time several years ago Tom Luddy put this on my neck,” said Herzog. “I kept thinking, ‘this is an injustice if you hadn’t received this medallion in 1978, and 1981, and 1995, and 2015.’ Because...
- 9/3/2023
- by Anne Thompson
- Indiewire
Kudos to anyone who predicted that domestic box office would hit the $4 billion goal cited at April’s CinemaCon. More amazing would be if anyone predicted how we would get there.
Show of hands for those who predicted Angel Studios’ “Sound of Freedom” would outgross Paramount’s “Mission: Impossible — Dead Reckoning Part One” and Disney’s “Indiana Jones and the Dial of Destiny” (Disney)?
Another show of hands for anyone who had even heard of “Sound of Freedom” before its July 4 release? That film’s too-weird-for-fiction success exemplifies the upheaval in audience response — and also represents why this $4B summer offers no easy blueprint.
Comscore, which can access films with unreported grosses and counts non-movie revenue from events like live performances, announced that theaters will reach $4 billion between the first Friday in May through Labor Day. Other sources suggest the number will fall within $25 million either way.
The achievement...
Show of hands for those who predicted Angel Studios’ “Sound of Freedom” would outgross Paramount’s “Mission: Impossible — Dead Reckoning Part One” and Disney’s “Indiana Jones and the Dial of Destiny” (Disney)?
Another show of hands for anyone who had even heard of “Sound of Freedom” before its July 4 release? That film’s too-weird-for-fiction success exemplifies the upheaval in audience response — and also represents why this $4B summer offers no easy blueprint.
Comscore, which can access films with unreported grosses and counts non-movie revenue from events like live performances, announced that theaters will reach $4 billion between the first Friday in May through Labor Day. Other sources suggest the number will fall within $25 million either way.
The achievement...
- 8/25/2023
- by Tom Brueggemann
- Indiewire
The 2022 cohort included several US-financed titles that would go on to become major awards contenders.
As this year’s Venice Film Festival prepares to kick off on August 30, Screen International looks at how 2022’s Competition titles fared at the global box office.
Scroll down for box office figures
The 2022 cohort included several US-financed titles that would go on to become major awards contenders, with Oscar best actor-winner The Whale the highest-grossing competition title with global takings of $54m. Its biggest international territory outside of North America was Mexico with $8.3m.
Next was nine-time Oscar nominee The Banshees Of Inisherin on $49m,...
As this year’s Venice Film Festival prepares to kick off on August 30, Screen International looks at how 2022’s Competition titles fared at the global box office.
Scroll down for box office figures
The 2022 cohort included several US-financed titles that would go on to become major awards contenders, with Oscar best actor-winner The Whale the highest-grossing competition title with global takings of $54m. Its biggest international territory outside of North America was Mexico with $8.3m.
Next was nine-time Oscar nominee The Banshees Of Inisherin on $49m,...
- 8/23/2023
- by Orlando Parfitt
- ScreenDaily
“Barbie” and “Oppenheimer” had fantastic second weekends of $93 million and $46.2 million, respectively. In an alternate universe, those sophomore takes would be respectable openings. Instead, 10 days in “Barbie” domestic is at $350 million and “Oppenheimer” is $174 million.
Add foreign and “Barbie” is already $774 million, well on her way to crossing $1 billion and beyond. “Oppenheimer” is $400 million. Combined, they should easily pass $2 billion.
“Oppenheimer”©Universal/Courtesy Everett Collection
This is fantastic news that could drive the summer to $4 billion, the magic number that exhibitors floated at April’s CinemaCon as a reasonable hope/best-case scenario. What the exhibitors didn’t predict, however, was a summer in which almost every franchise would fall short — sometimes, very short — of reasonable expectations. Two weeks ago, only an optimist would project as much as $3.6 million for the season.
Also unforeseen was the Barbenheimer effect and its ability to drive real excitement about going to the movies — followed...
Add foreign and “Barbie” is already $774 million, well on her way to crossing $1 billion and beyond. “Oppenheimer” is $400 million. Combined, they should easily pass $2 billion.
“Oppenheimer”©Universal/Courtesy Everett Collection
This is fantastic news that could drive the summer to $4 billion, the magic number that exhibitors floated at April’s CinemaCon as a reasonable hope/best-case scenario. What the exhibitors didn’t predict, however, was a summer in which almost every franchise would fall short — sometimes, very short — of reasonable expectations. Two weeks ago, only an optimist would project as much as $3.6 million for the season.
Also unforeseen was the Barbenheimer effect and its ability to drive real excitement about going to the movies — followed...
- 7/30/2023
- by Tom Brueggemann
- Indiewire
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