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Bastar The Naxal Story (2024) : Movie Review -

This Atrociously Brutal Film on Maoism Is Not For Weak-Hearted People

Bastar The Naxal Story Review: After the success of The Kerala Story, director Sudipto Sen brings another hard-hitting film, Bastar The Naxal Story. Based on Maoism and the apprehensions they created in Bastar, the movie takes you into a brutal and violent world of terrorists, nationalists, and communists. This kind of filmmaking isn't very common in India or Bollywood, like it has been in Western countries since the 1920s. The French, German, and Hollywood film industries have done well and have been appreciated even with their propaganda films just because they went atrociously real and cruel with the graphical violence and verbal speeches in their movies. Why can't Bollywood attempt the same now? Sudipto Sen seems to have been inspired by this question, and he is here to give you an answer. The Kerala Story was dumb but hard-hitting. Here, Bastar is not dumb, and it is more brutal than The Kerala Story.

As we know, the film is based on the Naxalite-Maoist insurgency in the Bastar district of Chhattisgarh. IPS officer Neerja (Adah Sharma) wants to finish maoism and naxalism in Bastar, which has been eating nationalism in our country since 1967. She is expecting a baby but still won't stop at nothing, as the fight against naxalism is bigger than her personal joy. Neerja has to fight government officials, politicians, leftists, the media, JNU activists, and the entire ecosystem that's standing against her and the country. Of course, it's not an easy job. The rest of the film follows her journey as she takes several CRPF jawans, cops, and a few locals whose lives have been affected by Maoists over the years.

You can't wave India's flag in India-that's totally crap. But that's the reality of Bastar. Not just Bastar, but many Maoist places in India. This movie introduces you to disturbing facts that might shatter your sense of socialism. A big salute to Sudipto Sen for showing the guts to make a film that may be indigestible to many, especially leftists. You really need the guts to speak on communism, maoism, Laal Salaam, government, leftists, liberals, and even mentio Maoist organisations from Russia, China, and other Asian countries. It doesn't matter if CBFC has removed a word like "JNU," which has a very important role here in this film. Nevertheless, the expressive anger and outburst took care of the entire "idea" without mentioning the name. The film has some unbearable scenes of violence and killing that aren't watchable for weak-hearted people. You need a stomach-no, you need balls-to watch this movie, or else you might leave the theatre midway.

Adah Sharma starts off in rocket-fire mode, and that bindass dialogue delivery really wins you over. As the screenplay tries to become dramatic, using her pregnancy as a tool for melodramatic music, the character also loses some of its charm. Afterwards, it's a mid-show until she reaches the high point of that speech. Even that speech has a bad screenplay setup. It just looked like the scenes were created only to give her a chance to make that speech. I mean, you can't just walk out of a judicial inquiry. Indira has done well, and so has Yashpal Sharma. He really walked away with one of the most gutsy dialogues in the film. Vijay Krishna, Shilpa Shukla, Raima Sen, Anangsha Biswas, Subrat Datta, Kishore Kadam, and others have been decent in their roles.

The camera work in Bastar is really nice, as Ragul Dharuman handles the camera carefully in those forest shots. However, some close-ups aren't captured well. Dev Rao Jadhav edited the film very nicely and made a gripping tale within 2 hours. There is not a moment to look away. It's that tight. And what brutalism! Really close to cannibalism. Bishakh Jyoti's music doesn't help much, but Vande Veeram is really a painful song to watch (as a homage to martyrs). Vipul Amrutlal Shah has produced a film that many yellow-hearted people wouldn't have dared to make, so kudos for that. However, the film drags a little in the last quarter to lose well-built momentum. Sudipto Sen has really come a long way from The Kerala Story, as this one needed extra cruelty and truculentness, and he gave it all. It's just that we can't help but get disturbed by the graphical violence of the film, even if it's true. As a whole, Bastar The Naxal Story is a hard-hitting tale, but it misses a few points here and there.

RATING - 5/10*

"Bastar: The Naxal Story" is not for the faint-hearted. Director Sudipto Sen, known for his bold storytelling, delivers yet another hard-hitting narrative in Bastar. Following the success of his previous venture, "The Kerala Story," this time Sudipto didn't deliver his best but managed to dive deep into the complex and brutal world of Maoism in the Bastar region. The film grips you with its unflinching portrayal of terrorism, nationalism, and communism.

The first half opens with a chilling sequence depicting the Maoist leader Lanka's merciless act of chopping a man into pieces for hoisting the Indian flag. This sets the tone for the relentless brutality that unfolds throughout the narrative. The use of intense visuals ensures that sensitive viewers are left disturbed. The script is taut, the dialogue delivery is sharp, and the cinematography & editing work seamlessly to create a gripping narrative. From the harrowing depiction of the 2010 massacre of 76 CRPF Jawans in Dantewada to the chilling portrayal of Indian university students celebrating the atrocity, every frame is meticulously crafted to evoke a visceral response from the audience.

It is coupled with stellar performances, particularly from Adah Sharma, who showcases remarkable growth as a performer, and Vijay Krishna, whose portrayal of the menacing Maoist leader Lanka Reddy leaves a lasting impact. Supporting performances from Shilpa Shukla, Yashpal Sharma, and Indira Tiwari further elevate the film, with each actor delivering praise-worthy performances. Indira Tiwari, in particular, shines as she effortlessly navigates through a range of emotions, showcasing her versatility as a performer.

Direction 3/5 Acting 3.5/5 Dialogues 3.5/5 Story 3.5/5 Screenplay 3/5.

Director Sudipto Sen strikes again with another hard subject of Bastar where Naxal story is being described. The story of this film is itself more complicated than any other thing in India. It takes guts to touch this kind of topic and to present in this kind of format takes really guts and this director take this challenge and it is definitely appreciated.

After massive kerala story success I had high hopes from this one yes in some parts director has done total justice to the story and the exceution but there are lots of things which is unexplained and unjustified in the film.

Talking about the story/screenplay movie sticks to its words in keeping the story as real as possible but screenplay dips in several parts and many aspects just come from the middle only except they should start from the beginning.

Cinematography is too dull and the colour grading is very bad I don't know why they keep this low. Are they having budget issue or any other things no idea but cinematography is really bad. Character development is very weak because you cannot connect with a single character properly because there are some major scenes happening and yet sometimes you can't feel the pain at all.

Talking about the performance ADAH SHARMA superb performance by her though she could've been more better but still she is really good as well as the rest of the cast.

Overall Bastar story is definitely hard hitting in some parts but as keeping all the aspects BASTAR is a complete misfire which can be more better if it had proper character development & srceenplay execution....

Bastar: The Naxal Story

Chilling Depiction Of Hidden Reality.., which deserves an audience & support.

The story is set in *Bastar district of Chhattisgarh,* where Naxalism still flourishes in the lush forests.

A hard-hitting crime drama, with moments that surely shake you.

The brutality shown in the movie may unsettle some people...., kids may find thozz scenes distressing..!!

Adah Sharma's performance once again shines brilliantly, adding depth to the film.

One must Watch it before it gets banned..!! 👍👍

Everyone should know the true story and Homicides by Naxalites in Chhattisgarh ...!!

An absolute must watch film for the today's youth. It's a gut wrenching display of an ugly, violent agenda at work, smack dab in the middle of the country. Whether arts, media or educational institutions, this movie shows the depth of the rot, having been infested with their people and ideology.

Some parts of the movie are hard to watch. But they must be shown in its entirety to showcase the hardships citizens of such areas face on a daily basis. Their lives have been stolen by a cabal of maniacal people with a rabid ideology. The lead actress has again given a stellar performance, with a script worthy of her talent. This movie is dedicated to all the soldiers who have been fighting this war and have helped keep the country safe.

The film is beautifully made with good acting. However many atrocities of the terrorists have not been revealed (maybe they were worried about the time constraints). They could have increased the length maybe by 15-30 minutes and would have included the beginning of this so called "rebellion" and how they brainwash the youth into joining it. That's why a 9/10.

Don't read those nonsensical reviews by these self proclaimed reviewers because their truth has also been revealed in this movie.

A must watch for all. It will clear all your doubts about how these self proclaimed (and to be honest bought by money) professors justify atrocities to common people like us. And if not for some honest officers how we could all end up destroying our motherland.

What I can say about the movie , these days some producers , directors are trying to select controversial subject by assuming to make bag full of money, oh sir that is not possible always , it's a over exogerrate story of naxals and just the story told in a one sided way, you can see the bad acting of ada Sharma and she is not at all fit to her character, direction is good but the issue is with story telling, too harsh and difficult to diget the cruality shown in the film , this seems to be based on the 2010 incident where 76 CRPF Jawans were killed in Dantewada district of Chhattisgarh and cruality of naxals , but on the name of original incident its too much exogerrated, hence 1 star from me , I could have given 0 star as well but provison is not there.

Many viewers tend to approach this film through a political lens, yet it encompasses much more than that. With a compelling storyline that captivates the audience and delivers both intense action and thrilling moments, it offers a multifaceted experience. Adah Sharma's performance once again shines brilliantly, adding depth to the film.

The director Sudipto Sen's ingenious approach in presenting facts through the storyline is truly remarkable .A movie with gripping action sequences and a satirical edge that guarantees value for money entertainment.

Even if one isn't deeply involved in politics, they can still find enjoyment in this movie.

WATCH THIS MOVIE AT YOUR OWN RISK.

SO MUCH OF VIOLENCE AND BRUTALITY

INSPIRARION FROM ACTUAL EVENT THIS MOVIE DELVES INTO NAXEL MENACE IN STATE OF CHHATTISGARD SHOCASING THE EXTRAORDINARY EFFORTS OF A SINGLE POLICE OFFICER

STORY TOPIC WAS GOOD BUT AT SOME POINT MOVIE WAS BORING

MOVIE WAS NOT THAT MUCH ENGAGING

FOR ME THE MOVIE IS AVERAGE I WILL GIVE 3/5 STARS

SHOCKING THINK WAS THAT THE FILM HAS EARNED ONLY 50 LAKHS AT IT'S OPENING (DAY 1) COLLECTION.

CAST & CREW

DIRECTED

SUDIPTO SEN

PRODUCER

VIPUL AMRUTLAL SHAH

STARS

ADAH SHARMA, INDIRA TIWARI, VIJAY KRISHNA, SHILPA SHUKLA, YASHPAL SHARMA, SUBRAT DUTT AND RAIMA SEN.

Even they didn't study about the incidents.they mentioned the incidents but could not show them properly. Especially the role of CRPF which they plays in Chhattisgarh. CRPF is a very elite force and playing a important role for counter Naxal in chattisgarh but in this movie a very weak role has been shown of them,the incident of 64 soldiers, which has been shown in a completely wrong manner, what actually happened was exactly different. It is the responsibility of the film makers not to mislead the audience by displaying facts incorrectly.

3 stars are given by me only for Aadha Sharma's acting.

The movie dwells through the ground level issues of Maoism in Chattisgarh. It sheds light on how the nexus between the ruling government and Maoist leaders actually disrupted the working of SPOs and CRPF. It stays focused with the plot. However it may seem like a one sided story. The movie would have been better if it would have maintained balance by also showing why there are comrades with Maoists.

IG of Bastar is charged with suppression of Maoism which is apparently prevalent in the area in the period of 2010. A nexus between writers , educationists, universities and ruling party then in India creates hurdles for the system devised by the IG along with SPOs and camps. The brutalities of maoists is shown crisply with also mention of how international Mao movement funds this movement. The move is onesided. The critical viewpoint of Maoist is India is forgotten! If not for this last point , I recommended the movie completely.

Must watch excellent work of art by director sudipto sen. Un pararrel acting by unknown star cast. Every bit is full with suspense and detail wise presented. Lead role actress miss adha did her role no less that a male dominant actor.

I was in doubt that the movie would work for me or not out of maidaan yodha I selected this movie.i am very happy to see the atrocities caused by communism and that time government in power.

It takes guts to make such a movie with no big star cast. Where story is the main focus.

I request please watch this movie over yodha your money won't be wasted for sure. Thats all.

Mind blowing movie and must watch for younger generation to learn about the breaking India forces acting to destroy the country. The movie has exposed the ongoing battle going on in tribal areas for restoring democracy. The suffering of tribals in India has been revealed in this movie and the work done by the government and police is highlighted. It is must watch to see the corruption in judiciary, media , bureaucracy and how it is harming the country from within. The director, producer and actors deserve accolades for touching this sensitive topic and covering it in a very professional manner.

"Bastar" is a cinematic gem that delves deep into the heart of India's tribal heartland, offering viewers a profound narrative beautifully intertwined with the raw, untouched beauty of its setting. This film, distinguished by its authentic portrayal, powerful performances, and masterful direction, stands as a testament to the power of storytelling that resonates with both heart and mind.

**Acting Brilliance ..meow power blessings for adah sharma.

Central to the film's success is Adah Sharma, whose portrayal of a cop, inspired by a real-life figure, is nothing short of spectacular. Her performance is imbued with an intensity and authenticity that captivates the audience, bringing depth and nuance to her character. Sharma's role is a challenging blend of strength and vulnerability, which she navigates with remarkable finesse, showcasing her vast range of emotions and acting prowess. The supporting cast, too, deserves accolades for their performances, which add richness to the narrative, portraying the diverse tapestry of Bastar's society with authenticity and depth.

**Directional Mastery :- Sudipto Sen's direction in "Bastar" is a clear reflection of his visionary filmmaking style, characterized by a nuanced understanding of the cultural and socio-political landscape of Bastar. His storytelling is not just visually stunning but also emotionally stirring, offering a narrative that is as enlightening as it is entertaining. Sen's ability to weave complex socio-political themes into a captivating storyline showcases his exceptional talent and sensitivity as a filmmaker, making "Bastar" a compelling watch that stays with you long after the credits roll.

**Cinematic Excellence:** The cinematography of "Bastar" is a standout, with its breathtaking visuals that capture the essence of the region's lush landscapes and the emotive depth of its characters. Every frame is a canvas, painting the story's emotions and the natural beauty of Bastar in vivid detail. The film's visual storytelling is both informative and aesthetically mesmerizing, enhancing the narrative's authenticity and emotional impact.

**Authenticity in Production Design:** The makeup and costuming in the film are meticulously crafted, resonating with the authenticity of the tribal communities depicted. This attention to detail ensures that the audience is fully immersed in the world of Bastar, with characters that look and feel rooted in their environment, thereby enriching the film's overall authenticity and storytelling prowess.

**Skillful Editing:** The editing of "Bastar" is skillfully executed, maintaining a seamless flow that keeps the audience engaged throughout. It adeptly balances the intricate plotlines and the emotional heft of the film, ensuring that the pacing is tight yet allows the audience to absorb the narrative's depth fully.

**Aural Landscape:** The background score of "Bastar" is another highlight, with its beautifully composed pieces that perfectly complement the film's narrative arcs. The music enhances the emotional gravity of each scene, enriching the viewer's experience and elevating the film's impact.

**A Tribute to Unsung Heroes:** "Bastar" serves as a tribute to the unsung heroes of India, particularly the dedicated law enforcement officers in remote areas. The film's portrayal of these committed individuals resonates with a sense of realism, admiration, and respect, showcasing their sacrifices and the complex challenges they face.

**Why You Should Watch "Bastar":** "Bastar" is more than just a movie; it's an experience that melds gripping storytelling with significant socio-cultural insights. The film invites audiences to explore a seldom-seen part of India, depicted with an authenticity and emotional depth that is both rare and moving. The performances, particularly by Adah Sharma, are exceptional, bringing the characters to life with a realism and intensity that is truly captivating.

This film is a must-watch for its compelling narrative, stunning cinematography, powerful performances, and the way it skillfully intertwines individual stories with broader socio-political themes. It's a film that not only entertains but also enlightens, making viewers ponder long after they leave the cinema. "Bastar" is a standout piece of cinema that deserves to be celebrated for its artistry, storytelling, and the powerful message it carries. It's a film that combines the best of cinematic craft with storytelling that touches the soul, making it a significant addition to the landscape of Indian cinema.

Amazing cinematic film based on the true reality of naxal movement and it's horrific crimes committed against common Indians and our army which is based on political propaganda and vested interest of foreign powers that kept India backward and away from development.

I would seriously urge the young artistic generation to watch this and encourage others to do the same as this film might get banned across states for reasons known to everyone .

I also like Adal Sharma's acting , she has come a long way from 1929 and her acting skills have been getting better and better with each passing film . Her last film Kerala story was as amazing as this one and I wish her and the full team of Bastar a great box office success.

In the heart of Chhattisgarh lies a region that echoes with the footsteps of revolutionaries and the cries of the oppressed. *Bastar: The Naxal Story*, directed by Sudipto Sen, plunges us into this tumultuous landscape, where ideologies clash, lives hang in the balance, and hope flickers like a distant star.

Drawing inspiration from actual events, the film paints a vivid canvas of the Naxal menace. It centers around Neerja Madhavan (played by Adah Sharma), an unyielding IPS officer tasked with quelling the Naxal rebellion. The movie opens in a courtroom, where government officials and Naxal representatives engage in a legal battle-a microcosm of the larger conflict that engulfs the state.

The film deftly weaves together two narratives. First, there's Neerja's relentless pursuit to dismantle the Naxal network. She mobilizes Special Police Officers (SPOs) and the state-run militia, Salwa Judum, to curb their influence. Her determination is unwavering, even as danger lurks around every corner.

Parallel to Neerja's story is that of Ratna (Indira Tiwari), a tribal woman seeking vengeance. Her husband fell victim to Lanka Reddy (Vijay Krishna), a notorious Naxalite. Ratna transforms herself into an SPO, driven by a fierce desire for retribution. Her journey intertwines with Neerja's, as they navigate treacherous terrain together.

The film's strength lies in its realism. Characters, inspired by real individuals, populate the screen. Their names may be altered, but their struggles mirror those faced by countless others. The gritty atmosphere keeps audiences on edge, especially during scenes where the 'influential elite' offer clandestine support to the Naxalites.

Yet, *Bastar* isn't without its flaws. While it engages viewers for most of its duration, a deeper exploration of the political landscape could have elevated the narrative. The box office success of *The Kerala Story* now shifts the spotlight to Chhattisgarh's Naxal insurgency. However, the film merely scratches the surface of the complex web of ideologies, leaving us yearning for more.

Director Sudipto Sen compensates for the screenplay's occasional weaknesses with skillful storytelling. His portrayal of events is both gripping and gut-wrenching. Be forewarned, though-there are moments that will test your resolve. The absence of central control hubs like Delhi and Raipur is a significant oversight. In a narrative of this nature, understanding the behind-the-scenes operations becomes crucial.

Visually, the film captures the rugged beauty of Bastar-the dense forests, the crimson sunsets, and the tension that hangs in the air. The haunting background score adds to the film's intensity, though at times, it threatens to overpower the dialogue.

*Neerja Madhavan*, with her steely resolve, anchors the film. Adah Sharma portrays her with conviction, embodying the complexities of a woman torn between duty and personal demons. Indira Tiwari's Ratna is equally compelling, her transformation from grief-stricken widow to fierce warrior resonating deeply.

In the end, *Bastar: The Naxal Story* is more than a film-it's a stark reminder of the insidious nature of ideological conflict and its far-reaching consequences. As the credits roll, we're left pondering the thin line between heroism and tragedy, hope and despair, in a land where shadows dance to the rhythm of revolution.

Based on the real-life incidents of Naxals in Chattisgarh - The Bastar rebellion broke out in 1910 in present day Chattisgarh.

The financial base of the Naxalites is diverse because the organisation finances itself from a series of sources. The mining industry is known to be a profitable financial source for the Naxalites, as they tend to tax about 3% of the profits from each mining company that operates in the areas under Naxal control.

Q. What was the main worry of people of Bastar?

When the colonial government proposed to reserve two-thirds of the forest in 1905, and stop shifting cultivation, hunting and collection of forest produce, the people of Bastar were very worried.

As a fervent follower of narratives that delve deep into the human condition, "Bastar - The Nacal Story" is a revelation like no other. From its inception to the closing credits, this documentary masterfully pulls back the veil on the harsh realities lurking beneath the surface.

The filmmakers' unflinching commitment to portraying the raw truth is evident in every frame. Instead of sugarcoating or sensationalizing, they choose to confront the audience with the stark brutality faced by the inhabitants of Bastar. The authenticity of each scene grips your heart and refuses to let go, leaving an indelible mark on your conscience.

What truly sets "Bastar - The Nacal Story" apart is its unwavering dedication to showcasing the untold stories, the silenced voices, and the overlooked struggles. Through powerful imagery and poignant interviews, it exposes the layers of oppression, exploitation, and violence that have plagued the region for far too long.

Furthermore, the documentary's ability to humanize its subjects is unparalleled. By highlighting the resilience, courage, and hope amidst the chaos, it transcends mere storytelling and becomes a testament to the strength of the human spirit.

In a world where superficiality often reigns supreme, "Bastar - The Nacal Story" serves as a poignant reminder of the power of truth-telling. It challenges us to confront uncomfortable truths, to question the status quo, and to strive for a better, more equitable future.

In conclusion, "Bastar - The Nacal Story" earns every bit of its 10-star rating. It is a cinematic masterpiece that not only entertains but also educates, enlightens, and empowers. This is essential viewing for anyone seeking to understand the harsh realities of our world and the resilience of the human soul.

Truly an eye opener.b It's a ctually a fantastic movie based on the real incidends and it also exposes corruption in different parts of our system.

The Naxal Story. Based on Maoism and the apprehensions they created in Bastar, the movie takes you into a brutal and violent world of terrorists, nationalists, and communists. This kind of filmmaking isn't very common in India or Bollywood, like it has been in Western countries since the 1920s.

The film is based on the Naxalite-Maoist insurgency in the Bastar district of Chhattisgarh. IPS officer Neerja (Adah Sharma) wants to finish maoism and naxalism in Bastar, which has been eating nationalism in our country since 1967.

From the beginning the movie is fast paced. Those who have been following Naxal history in India can easily relate to incidents depicted in the movie. The movie brought out the linkages between the linkage between the Naxals, Left-liberals, Academicians, media quite well. The fact that money play a big role in the continued existence of the naxal movement has been pointed out quite well. The most telling aspect of the movie was the violence that naxals are capable of. About a decade ago, India Today magazine brought out an issue related to Red corridor where it said substantial geographical areas within Indian territory were in the control of Naxals. Ten years ago it was not even possible to release such a movie.

The Naxalites fighting in the forests and the urban Naxalites sitting in the cities are the same, who have also formed an alliance with Pakistan-backed Islamic terrorism in India. The way this topic has been raised in the film is commendable. In one scene, an alleged defender of human rights, a leftist writer, a leftist teacher, a leftist lawyer, a Lashkar-e-Taiba terrorist, an LTTE commander, a ULFA Maoist and the foreign leftists who send them help from abroad are sitting at a table and planning to break India into 36 pieces. Making plans. The film appears to deliver 100 percent of the message it wants to convey. Only a few minor shortcomings were seen as exaggeration, like the CRPF commander from the combat area directly calling the country's Home Minister in Delhi for help, this would be called an exaggeration. But this can be ignored.

A great story telling to watch who expose the naxalism in chattisgarh, india... If i tell anything about the story it would be a spoiler The story takes brutal scenes to remind us how bad naxalism is. This film expose the maoist ideology,the cast were good all actors performance wast top notch, after the kerala story vipul shah has come up with another masterpiece real life incident based movie to the audience,this movie looks like a great successor of the kerala story.

We should support this kind of movie that is based on real life and has a great story telling.

So if you haven't watched it then you must do it.

Great work has been done by the team. Everyone in the film have performed well.

The thrill and seriousness over really sensitive and painful topic has been maintained in the film.

What we read in news about chattisgarh and naxalites this film will give you deep dive.

The pain of the villagers and democracy has been truly depicted in the film.

Power of IPS has been truly justified by Adha character.

Great story telling and direction. Excellent script writing.

Judicial trail also support the story line and seriousness.

Also how much this problem has been rooted in the country.

How the funding and support they are getting.

Must watch movie.

Bastar movie is a eye-opening, awakening. It make you to feel helplessness of tribals who are continuously threatened by Naxals. The amount of violence and its brutality will shatter the idea of Naxals as a tribal empowering movement.

Congratulations to SUDIPTO SEN sir @sudiptoSENtlm and VIPUL SHAH sir for excellent direction , content and cinematography. Adah Sharma ma'am @adah_sharma looked like a real IPS officer. Her performance was marvellous especially during action sequence and verbal dispute with home minister. Her role will motivate many to become IPS to fight against Naxals.

All other cast membered performed great like Yashpal Sharma sir, Indira Tiwari ma'am.

Story connect the case against urban naxals to situation in Bastar. It show brutal tortures against innocent tribals , recruitment techniques of naxals. It also mention about funding mechanism of naxals through network of NGOs and international networks.

It discuss in detail how academia and some left wing youth organisation are collaborating with Left Wing Extremist in fighting war against Indian State and constitution. How in some universities martyrdom of 76 CRPF Bravehearts was celebrated as big victory.

Movie help one in realizing the gravity of this NAXAL problem and how important is to eradicate it completely.

Based on several real life incidents in the district of Bastar. Keeps you engaged for a whole 2 hours. Many violent scenes, but it's a must to show it to show the raw brutality of Naxalites. The movie is to shake awake anyone who is unaware of the evils of or sleeping in the fantasies of communism.

Ada Sharma has done a decent job of playing the main character of an IPS officer. Other characters have also done their roles well. Cinematography and music is also good. One big difference in modern and old movies on sensitive socio-political issues is that former movies used to be like art movies. Modern movies are have much more life. The support of the leftist intellectual system in keeping the conflict alive has also been shown.

One thing they could have done better was explaining the history and origins of Naxalism in India.