The 2024 Cannes Film Festival is underway with Quentin Dupieux’s The Second Act starring Léa Seydoux and Louis Garrel serving as the opening-night film.
This year’s lineup includes major Hollywood premieres like Furiosa: A Mad Max Saga starring Anya Taylor-Joy and Chris Hemsworth, Kevin Costner’s first film of a planned four-part series Horizon: An American Saga, Francis Coppola’s long-gestating Megalopolis, Yorgos Lanthimos’ Kinds of Kindness in a reteam with Emma Stone, Paul Schrader’s Oh, Canada and Andrea Arnold’s Bird to name a few.
They are joined by new films from stalwart auteurs including David Cronenberg, Jacques Audiard, Ali Abbasi, Jia Zhang-Ke, Christophe Honoré, Paolo Sorrentino, Gilles Lellouche, Mohammad Rasoulof, Michel Hazanavicius, Guy Maddin, Noémie Merlant and Oliver Stone.
Read all of Deadline’s takes below throughout the festival, which runs May 14-25. Click on the title to read the full review and keep checking back as we update the list.
This year’s lineup includes major Hollywood premieres like Furiosa: A Mad Max Saga starring Anya Taylor-Joy and Chris Hemsworth, Kevin Costner’s first film of a planned four-part series Horizon: An American Saga, Francis Coppola’s long-gestating Megalopolis, Yorgos Lanthimos’ Kinds of Kindness in a reteam with Emma Stone, Paul Schrader’s Oh, Canada and Andrea Arnold’s Bird to name a few.
They are joined by new films from stalwart auteurs including David Cronenberg, Jacques Audiard, Ali Abbasi, Jia Zhang-Ke, Christophe Honoré, Paolo Sorrentino, Gilles Lellouche, Mohammad Rasoulof, Michel Hazanavicius, Guy Maddin, Noémie Merlant and Oliver Stone.
Read all of Deadline’s takes below throughout the festival, which runs May 14-25. Click on the title to read the full review and keep checking back as we update the list.
- 5/24/2024
- by Pete Hammond, Joe Utichi, Damon Wise, Stephanie Bunbury and Valerie Complex
- Deadline Film + TV
Is Messi’s reign as cinema’s current top dog over?
The Palm Dog — Cannes’ annual celebration of on-screen canine performances which was last year won by the blue-eyed border collie from “Anatomy of a Fall,” the first step in a dramatic bound toward furry fame — has crowned a new champion.
The 2024 Palm Dog, presented at a special event on May 24, has been given to Kodi, the senior stray at the heart of acclaimed Swiss-French comedy “Dog on Trial.” The Un Certain Regard title from director and star Laetitia Dosch sees Kodi — believed to be a blonde Griffon cross — plays Cosmos, an aggressive pet who’s taken on as a client by a defense lawyer in story exploring the status of dogs in society. According to Palm Dog founder Toby Rose, Kodi is nearing his 10th birthday and will soon retire from acting, but bow-wows out having delivered a “fine four-legged swan song.
The Palm Dog — Cannes’ annual celebration of on-screen canine performances which was last year won by the blue-eyed border collie from “Anatomy of a Fall,” the first step in a dramatic bound toward furry fame — has crowned a new champion.
The 2024 Palm Dog, presented at a special event on May 24, has been given to Kodi, the senior stray at the heart of acclaimed Swiss-French comedy “Dog on Trial.” The Un Certain Regard title from director and star Laetitia Dosch sees Kodi — believed to be a blonde Griffon cross — plays Cosmos, an aggressive pet who’s taken on as a client by a defense lawyer in story exploring the status of dogs in society. According to Palm Dog founder Toby Rose, Kodi is nearing his 10th birthday and will soon retire from acting, but bow-wows out having delivered a “fine four-legged swan song.
- 5/24/2024
- by Alex Ritman
- Variety Film + TV
Few periods on the calendar mean more to cinephiles than the two weekends in May occupied by the Cannes Film Festival. Since its founding in 1946, the French festival has been a launchpad for some of the most artistically significant films of all time. The Palme d’Or is one of the most coveted film awards on the planet, and the festival’s ability to balance subversive arthouse work with major Hollywood premieres has led many to view it as the world’s most significant celebration of cinema.
The 2024 lineup featured a mix of buzzy premieres from New Hollywood titans like Francis Ford Coppola and Paul Schrader alongside exciting new works from emerging directors. Between the Main Competition, Un Certain Regard, special screenings, and sidebars like the Directors’ Fortnight and Critics’ Week, the onslaught of new films can be overwhelming for anyone who isn’t able to give the festival their 24/7 attention.
The 2024 lineup featured a mix of buzzy premieres from New Hollywood titans like Francis Ford Coppola and Paul Schrader alongside exciting new works from emerging directors. Between the Main Competition, Un Certain Regard, special screenings, and sidebars like the Directors’ Fortnight and Critics’ Week, the onslaught of new films can be overwhelming for anyone who isn’t able to give the festival their 24/7 attention.
- 5/23/2024
- by Christian Zilko
- Indiewire
The 77th edition of the Cannes Film Festival continues on Day 11 with the world premieres of The Seed of the Sacred Fig and The Most Precious of Cargoes.
As the festival comes to a close in anticipation of tomorrow’s awards ceremony, legendary filmmaker George Lucas will be honored with the prestigious Honorary Palme d’Or on the stage of the Grand Théâtre Lumière during the Closing Ceremony on Saturday, May 25.
The Jury, chaired by director Greta Gerwig will be tasked with awarding the Palme d’Or to one of the 22 films in the Competition.
Related: ‘Megalopolis’ Cannes Film Festival Premiere Photos: Francis Ford Coppola, Adam Driver, Shia Labeouf, Aubrey Plaza & More
The jury includes Turkish screenwriter and photographer Ebru Ceylan, American actress Lily Gladstone, French actress Eva Green and Lebanese director and screenwriter Nadine Labaki, as well as Spanish director and screenwriter Juan Antonio Bayona, Italian actor Pierfrancisco Favino,...
As the festival comes to a close in anticipation of tomorrow’s awards ceremony, legendary filmmaker George Lucas will be honored with the prestigious Honorary Palme d’Or on the stage of the Grand Théâtre Lumière during the Closing Ceremony on Saturday, May 25.
The Jury, chaired by director Greta Gerwig will be tasked with awarding the Palme d’Or to one of the 22 films in the Competition.
Related: ‘Megalopolis’ Cannes Film Festival Premiere Photos: Francis Ford Coppola, Adam Driver, Shia Labeouf, Aubrey Plaza & More
The jury includes Turkish screenwriter and photographer Ebru Ceylan, American actress Lily Gladstone, French actress Eva Green and Lebanese director and screenwriter Nadine Labaki, as well as Spanish director and screenwriter Juan Antonio Bayona, Italian actor Pierfrancisco Favino,...
- 5/23/2024
- by Robert Lang
- Deadline Film + TV
Illustrations by Maddie Fischer.For more Cannes 2024 coverage, subscribe to the Weekly Edit newsletter.The Second Act.There is a filmmaker who makes movies that are above all conceptual, with the story but a brittle skeleton barely holding the thing together. He makes at least one movie a year, all under 90 minutes, all modestly casual affairs with various doses of drollness; and all feature a philosophical premise or metaphysical quandary at their core. He writes, directs, shoots, and edits the films himself. Dissenters tend to think he isn’t funny and that all his movies are tedious and basically the same; fans, of course, hold the opposite opinion. He opened the Cannes Film Festival this year, but despite what you may assume, this filmmaker isn’t Hong Sang-soo; rather, it’s Quentin Dupieux, who also shares with Hong a cinema of welcome brevity and levity. These might be the reasons...
- 5/23/2024
- MUBI
The Cannes Film Festival is many things: A prestigious platform for the best of world cinema, a massive industry event where film acquisitions get made, a testament to the French film industry’s classism and rampant sexual abuse. But more than anything, it’s one of the world’s greatest photo opps.
Sure, sure, everyone wants the Palme D’or. But even more people would kill to get seen on the iconic Cannes red carpet, and get their picture snapped by the hordes of press that camp on the Croisette. Some of the world’s most glamorous and beautiful celebrities can be seen on the steps outside the Palais des Festivals et des Congrès every year posing for the cameras, and while it’s not quite the fashion moment that the Met Gala is, it still offers a great opportunity for us pleebs to gawk at some particularly shiny stars in all of their finery.
Sure, sure, everyone wants the Palme D’or. But even more people would kill to get seen on the iconic Cannes red carpet, and get their picture snapped by the hordes of press that camp on the Croisette. Some of the world’s most glamorous and beautiful celebrities can be seen on the steps outside the Palais des Festivals et des Congrès every year posing for the cameras, and while it’s not quite the fashion moment that the Met Gala is, it still offers a great opportunity for us pleebs to gawk at some particularly shiny stars in all of their finery.
- 5/22/2024
- by Wilson Chapman
- Indiewire
Quentin Dupieux’s new film The Second Act (Le deuxième acte) opened the 77th edition of the Cannes International Film Festival. It’s noteworthy that it’s a Netflix co-production and, although this could mean that Dupieux eventually reaches many more people, there’s nothing to worry about in the sense that his cinema remains very peculiar. Likewise, Dupieux continues a prolific and high-quality streak, which includes recent titles such as Incredible But True (Incroyable mais vrai), Smoking Causes Coughing (Fumer fait tousser) and Yannick. At the beginning of The Second Act we see friends David (Louis Garrel) and Willy (Raphaël Quenard) walking together and chatting about a peculiar proposal: David wants Willy to help him get rid of a woman who has been trying to seduce him for...
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[Read the whole post on screenanarchy.com...]...
- 5/22/2024
- Screen Anarchy
Illustrations by Maddie Fischer.For more Cannes 2024 coverage, subscribe to the Weekly Edit newsletter.In a welcome twist, the most pressing questions I heard on my way to Cannes this year didn’t concern the festival lineups but events that seemed to transcend them. In the days leading up to the opening night, Sous les écrans la dèche, a collective of festival workers, announced it would be striking over salary increases and unemployment benefits; as I type, the strikes haven’t materialized, nor has the rumored list of new sexual abuse allegations about men in the French film industry. “Last year, as you know, we had some polemics,” artistic director Thierry Frémaux told the press on the eve of the fest, hinting at the decision to open the 2023 edition with Maïwenn’s Jeanne du Barry, a film that would have been forgotten a lot faster than it was had it...
- 5/21/2024
- MUBI
Illustrations by Maddie Fischer.As part of our Cannes 2024 coverage, we invited critics, filmmakers, and programmers to give their first impressions of the festival. Sign up for the Weekly Edit to receive exclusive reports from the Croisette straight to your inbox.Giovanni Marchini CamiaThe reconstruction of Napoléon, as seen by Abel Gance, was the first film to play at this year’s festival—after the Berlinale’s TinyHouse, this is symbolism at its most ready-made. Impossible to watch this inordinately glorious, inordinately chauvinistic film at Cannes without thinking of Thierry Frémaux, the festival world’s very own Napoleon, the man everyone loves to hate. As rumors of an impending labor strike and #MeToo bombshell crescendoed ahead of that evening’s opening ceremony, no image could have been more fitting than Napoleon braving a furious storm on a rickety fishing boat, a French flag fashioned into a sail as his only lifeline.
- 5/17/2024
- MUBI
Neon has taken North American rights to Arthur Harari’s upcoming French feature The Unknown (L’Inconnue) starring Léa Seydoux and will release the film in the US and Canada in 2026.
The film, whose plot is also unknown and being kept under wraps, is produced by France’s bathysphere and co-produced by Pathé which is kicking off international sales in Cannes.
It is the third feature for Harari who is fresh off an Oscar win for co-writing Anatomy Of A Fall with Justine Triet and whose second feature Onoda: 10,000 Nights In The Jungle opened Un Certain Regard at Cannes...
The film, whose plot is also unknown and being kept under wraps, is produced by France’s bathysphere and co-produced by Pathé which is kicking off international sales in Cannes.
It is the third feature for Harari who is fresh off an Oscar win for co-writing Anatomy Of A Fall with Justine Triet and whose second feature Onoda: 10,000 Nights In The Jungle opened Un Certain Regard at Cannes...
- 5/17/2024
- ScreenDaily
Neon has taken North American rights to Arthur Harari’s upcoming French feature The Unknown (L’Inconnue) starring Léa Seydoux and will release the film in the US and Canada in 2026.
The film, whose plot is also unknown and being kept under wraps, is produced by France’s bathysphere and co-produced by Pathé who is kicking off international sales in Cannes.
It is the third feature for Harari who is fresh off an Oscar win for co-writing Anatomy Of A Fall with Justine Triet and whose second feature Onoda: 10,000 Nights In The Jungle opened Un Certain Regard at Cannes...
The film, whose plot is also unknown and being kept under wraps, is produced by France’s bathysphere and co-produced by Pathé who is kicking off international sales in Cannes.
It is the third feature for Harari who is fresh off an Oscar win for co-writing Anatomy Of A Fall with Justine Triet and whose second feature Onoda: 10,000 Nights In The Jungle opened Un Certain Regard at Cannes...
- 5/17/2024
- ScreenDaily
Neon is plunging into the great unknown with Léa Seydoux and filmmaker Arthur Harari. The indie outfit has landed North American rights to The Unknown, and appropriate for its title, its logline is currently unknown.
But Harari’s pedigree may offer some clues. Harari earned acclaim as the screenwriter of Anatomy of a Fall, which Neon landed out of Cannes before it went on to win the Palme d’Or and later the original screenplay Oscar. Harari previously worked with Anatomy Director Justine Triet on the Cannes title Sibyl (2019). As a writer-director, he is also known for Onoda: 10,000 Nights in the Jungle, which opened Un Certain Regard at Cannes in 2021 and went on to win the original screenplay César.
Seydoux is at Cannes with The Second Act and is coming off a role in Dune: Part 2, while Neon is at the fest with Red Rocket director Sean Baker’s latest feature,...
But Harari’s pedigree may offer some clues. Harari earned acclaim as the screenwriter of Anatomy of a Fall, which Neon landed out of Cannes before it went on to win the Palme d’Or and later the original screenplay Oscar. Harari previously worked with Anatomy Director Justine Triet on the Cannes title Sibyl (2019). As a writer-director, he is also known for Onoda: 10,000 Nights in the Jungle, which opened Un Certain Regard at Cannes in 2021 and went on to win the original screenplay César.
Seydoux is at Cannes with The Second Act and is coming off a role in Dune: Part 2, while Neon is at the fest with Red Rocket director Sean Baker’s latest feature,...
- 5/17/2024
- by Aaron Couch
- The Hollywood Reporter - Movie News
Reflecting the breadth of Mediawan CEO Pierre-Antoine Capton’s vast network and friendships, an impressive roster of film industry players flocked to celebrate him as he received Variety‘s International Visionary Award at the Cannes Film Festival on Thursday.
Attendees included CAA’s co-chairman and CEO Bryan Lourd, who said a few words about Capton on stage, as well as AGC Studios’ Stuart Ford, SPC’s Tom Bernard, Netflix’s Larry Tanz and Pauline Dauvin, and Mediawan executives including Elisabeth d’Arvieu and Justine Planchon. The event also gathered star producers within Mediawan’s galaxy, from Hugo Selignac (Chi-Fou-Mi) to Dimitri Rassam (Chapter 2), Matthias Weber (2425 Films) and Federica Sainte-Rose (Blue Morning Pictures), and entertainment attorney Elsa Huisman. There were also leaders from the various streamers, such as Sahar Baghery and Thomas Dubois from Amazon Prime Video in France and Anne-Gabrielle Dauba-Pantanacce from Netflix, among others.
The Variety award coincides...
Attendees included CAA’s co-chairman and CEO Bryan Lourd, who said a few words about Capton on stage, as well as AGC Studios’ Stuart Ford, SPC’s Tom Bernard, Netflix’s Larry Tanz and Pauline Dauvin, and Mediawan executives including Elisabeth d’Arvieu and Justine Planchon. The event also gathered star producers within Mediawan’s galaxy, from Hugo Selignac (Chi-Fou-Mi) to Dimitri Rassam (Chapter 2), Matthias Weber (2425 Films) and Federica Sainte-Rose (Blue Morning Pictures), and entertainment attorney Elsa Huisman. There were also leaders from the various streamers, such as Sahar Baghery and Thomas Dubois from Amazon Prime Video in France and Anne-Gabrielle Dauba-Pantanacce from Netflix, among others.
The Variety award coincides...
- 5/17/2024
- by Elsa Keslassy
- Variety Film + TV
Greta Gerwig is making history one after another! Having broken several records with Barbie, including the biggest opening weekend for a female-directed film, Greta Gerwig becomes the first American female director to serve as jury president at the 77th Cannes Film Festival.
Not only that, but at 40, she became the youngest person to take on the role since Sofia Loren, who was 31 in 1966.
As the head of this year’s competition jury, it is only fitting that Greta Gerwig puts her best fashion foot forward on the red carpet, choosing to wear stunning designer ensembles from Armani, Saint Laurent, and Maison Margiela.
Greta Gerwig, the main competition jury president, stuns in designer ensembles at the 77th Annual Cannes Film Festival (Credit: Pa Images / INSTARimages / Dave Bedrosian / Future Image / Cover Images)
The 2024 Cannes Film Festival Jury
As with the previous years, jurors for this year were chosen from a diverse range...
Not only that, but at 40, she became the youngest person to take on the role since Sofia Loren, who was 31 in 1966.
As the head of this year’s competition jury, it is only fitting that Greta Gerwig puts her best fashion foot forward on the red carpet, choosing to wear stunning designer ensembles from Armani, Saint Laurent, and Maison Margiela.
Greta Gerwig, the main competition jury president, stuns in designer ensembles at the 77th Annual Cannes Film Festival (Credit: Pa Images / INSTARimages / Dave Bedrosian / Future Image / Cover Images)
The 2024 Cannes Film Festival Jury
As with the previous years, jurors for this year were chosen from a diverse range...
- 5/16/2024
- by Anne De Guia
- Your Next Shoes
This year’s Cannes Film Festival should prove particularly festive for Mediawan Pictures managing director Elisabeth d’Arvieu. With five in-house productions premiering in the official selection and another in Critics’ Week, the exec and her team will hit the Croisette with cause for celebration.
As an ardent cinephile, she bolstered an extracurricular passion for movies while getting an Mba from Baruch College in New York. She still takes in a film a day.
The Cannes celebration promises to start early for Mediawan, kicking off with Quentin Dupieux’s festival opener “The Second Act,” then Palme d’Or contending Hearts” from Gilles Lellouche and Kirill Serebrennikov’s “Limonov: The Ballad of Eddie,” the epic “The Count of Monte-Cristo” screening out of competition and Un Certain Regard player “Le Royaume” from
emerging talent Julien Colonna.
When taken as a whole, the strong showing nicely reflects the group’s wider ambitions, from...
As an ardent cinephile, she bolstered an extracurricular passion for movies while getting an Mba from Baruch College in New York. She still takes in a film a day.
The Cannes celebration promises to start early for Mediawan, kicking off with Quentin Dupieux’s festival opener “The Second Act,” then Palme d’Or contending Hearts” from Gilles Lellouche and Kirill Serebrennikov’s “Limonov: The Ballad of Eddie,” the epic “The Count of Monte-Cristo” screening out of competition and Un Certain Regard player “Le Royaume” from
emerging talent Julien Colonna.
When taken as a whole, the strong showing nicely reflects the group’s wider ambitions, from...
- 5/16/2024
- by Elsa Keslassy and Ben Croll
- Variety Film + TV
The usual Cannes opening night ritual — introduce the jury and its president (auteur Greta Gerwig) who will weigh in on 22 competition titles — was co-opted by the larger-than-life presence of Meryl Streep, resplendent in white. She graciously accepted the Palme d’Or from a sincere Juliette Binoche, resplendent in red, who wrote her heartfelt tribute from one artist to another.
“You changed how women are portrayed,” Binoche said, crying. The two actresses were well-matched. And the black tie audience at the Palais gave Streep a lengthy, sustained ovation, which clearly both delighted and embarrassed her. She pretended to leave.
That ovation repeated Wednesday at the packed Salle Debussy, as Streep, a little worse for wear after debating the merits of Quentin Dupieux’s acting comedy “The Second Act” at the Cannes after-party, answered questions from Didier Allouch. “I didn’t go to bed until 3 talking about the amazing film,” she said.
“You changed how women are portrayed,” Binoche said, crying. The two actresses were well-matched. And the black tie audience at the Palais gave Streep a lengthy, sustained ovation, which clearly both delighted and embarrassed her. She pretended to leave.
That ovation repeated Wednesday at the packed Salle Debussy, as Streep, a little worse for wear after debating the merits of Quentin Dupieux’s acting comedy “The Second Act” at the Cannes after-party, answered questions from Didier Allouch. “I didn’t go to bed until 3 talking about the amazing film,” she said.
- 5/15/2024
- by Anne Thompson
- Indiewire
Cannes Film Festival officials are notoriously strict when it comes to enforcing protocols for black-tie ensembles on guests before they are allowed to ascend the iconic Palais steps. However, at Tuesday’s glamorous opening night ceremony, one guest managed to sneak by security on four legs sporting nothing but a coat of fur. But at least he nailed the black-and-white part.
Messi the dog — an awards season sensation following a breakout turn in Justine Triet’s Palme d’Or-winning Anatomy of a Fall — made a splash on the red carpet last night by strolling in front of photographers and lapping up loads of attention ahead of appearances by Meryl Streep, jury president Greta Gerwig, Jane Fonda, Juliette Binoche and the cast of the opening night film The Second Act.
It marked a triumphant return for the Border Collie who won last year’s Palm Dog trophy, and yet another buzzworthy...
Messi the dog — an awards season sensation following a breakout turn in Justine Triet’s Palme d’Or-winning Anatomy of a Fall — made a splash on the red carpet last night by strolling in front of photographers and lapping up loads of attention ahead of appearances by Meryl Streep, jury president Greta Gerwig, Jane Fonda, Juliette Binoche and the cast of the opening night film The Second Act.
It marked a triumphant return for the Border Collie who won last year’s Palm Dog trophy, and yet another buzzworthy...
- 5/15/2024
- by Chris Gardner
- The Hollywood Reporter - Movie News
Léa Seydoux with her The Second Act co-star Raphaël Quenard Photo: Richard Mowe Léa Seydoux, the star of The Second Act, Quentin Dupieux’s Cannes Film Festival opening film, considers herself fortunate at the start of her career not to have been subjected to the kind of inappropriate behaviour suffered by some of her contemporaries.
At a media gathering after last night’s world premiere in the 77th edition of the festival the one-time James Bond girl confessed: “I’ve been a very fortunate person as an actress. From the beginning I worked with people who respected me - more or less. It’s difficult to compare, however, as some women were really victims and went through a very serious experience.”
Having emerged relatively unscathed she sensed that her stature and standing had protected her. “When you’re a young actress, you are vulnerable,” she said.
Director Quentin Dupieux treats...
At a media gathering after last night’s world premiere in the 77th edition of the festival the one-time James Bond girl confessed: “I’ve been a very fortunate person as an actress. From the beginning I worked with people who respected me - more or less. It’s difficult to compare, however, as some women were really victims and went through a very serious experience.”
Having emerged relatively unscathed she sensed that her stature and standing had protected her. “When you’re a young actress, you are vulnerable,” she said.
Director Quentin Dupieux treats...
- 5/15/2024
- by Richard Mowe
- eyeforfilm.co.uk
by Cláudio Alves
Léa Seydoux and Vincent Lindon in The Second Act.
Another year, another edition of the Cannes at Home miniseries, specially made to combat cinephile Fomo for those of us not at the French Riviera. For the next week or so, let's explore the filmographies of directors in competition. However, since the festival opened with the latest Quentin Dupieux project, it seems fitting to start our at-home festival by considering the auteur's career and the oddball creations that have made him something of a king of weirdness within contemporary French cinema. Not that such status comes with guaranteed acclaim. The opposite is true, with Dupieux's cinema caught in perpetual polemic, each work more divisive than what came before.
Such is the case with The Second Act, where the director proposes a comedy on the absurdities of making an AI-based film. Not even Léa Seydoux, Louis Garrel, Vincent Lindon,...
Léa Seydoux and Vincent Lindon in The Second Act.
Another year, another edition of the Cannes at Home miniseries, specially made to combat cinephile Fomo for those of us not at the French Riviera. For the next week or so, let's explore the filmographies of directors in competition. However, since the festival opened with the latest Quentin Dupieux project, it seems fitting to start our at-home festival by considering the auteur's career and the oddball creations that have made him something of a king of weirdness within contemporary French cinema. Not that such status comes with guaranteed acclaim. The opposite is true, with Dupieux's cinema caught in perpetual polemic, each work more divisive than what came before.
Such is the case with The Second Act, where the director proposes a comedy on the absurdities of making an AI-based film. Not even Léa Seydoux, Louis Garrel, Vincent Lindon,...
- 5/15/2024
- by Cláudio Alves
- FilmExperience
After she won the 2021 Palme d’Or for Titane, in a which a sociopathic stripper becomes a serial killer and has sex with muscle cars, Julia Ducournau was effusive in her gratitude to the Cannes Film Festival. “Thank you for calling for more diversity in our experiences of film and our lives,” she said. “Thank you for letting in the monsters.”
Titane was only her second movie; the first, Raw, made its humble debut in Critics’ Week, but it was recognizably the work of the same artist, being a tender coming of age story about a veterinary student who discovers that she comes from a long line of cannibals.
Although Cannes has a long way to go in terms of gender parity, the festival has been quick to tap into the new wave of female-directed horror that has sprung up in the wake of Jennifer Kent’s The Babadook 10 years ago.
Titane was only her second movie; the first, Raw, made its humble debut in Critics’ Week, but it was recognizably the work of the same artist, being a tender coming of age story about a veterinary student who discovers that she comes from a long line of cannibals.
Although Cannes has a long way to go in terms of gender parity, the festival has been quick to tap into the new wave of female-directed horror that has sprung up in the wake of Jennifer Kent’s The Babadook 10 years ago.
- 5/15/2024
- by Damon Wise
- Deadline Film + TV
Three-time Oscar winner Meryl Streep revealed her admiration for actresses who move into production having achieved fame on the big screen in an onstage conversation Wednesday at the Cannes Film Festival.
“There are so many women are producing for themselves and I’m so in awe of the ones who have done that. Reese [Witherspoon] and Nicole [Kidman], Natalie Portman. Everybody has their own production company,” she said.
“I have a production company of babies and that’s what I’ve produced, but I didn’t ever want to get phone calls after seven o’clock at night. So, I never did that. I’m in awe of people who do that. There are only so many hours in the day,”’ said Streep, who had highlighted earlier that she was a mother of four, and grandmother of five.
Streep was speaking to a packed Debussy Theatre in Cannes, where she was the...
“There are so many women are producing for themselves and I’m so in awe of the ones who have done that. Reese [Witherspoon] and Nicole [Kidman], Natalie Portman. Everybody has their own production company,” she said.
“I have a production company of babies and that’s what I’ve produced, but I didn’t ever want to get phone calls after seven o’clock at night. So, I never did that. I’m in awe of people who do that. There are only so many hours in the day,”’ said Streep, who had highlighted earlier that she was a mother of four, and grandmother of five.
Streep was speaking to a packed Debussy Theatre in Cannes, where she was the...
- 5/15/2024
- by Melanie Goodfellow
- Deadline Film + TV
Cannes regular Léa Seydoux joined playful press conference for fest opener The Second Act, where talk occasionally turned serious as the actress was peppered with several questions from the international press about her thoughts on the #MeToo era.
“I have been a very fortunate person as an actress. At the beginning of my career, I worked with people who respected me, more or less,” said Seydoux. “Some women were really victims. But in my case, I can’t compare with someone women who really went through and experienced very serious things.”
#MeToo is a contentious issue in France, where the perception is the entertainment industry has been slow to evolve. Seydoux has previously spoken about challenging conditions on Blue is the Warmest Color, her 2013 Palme d’Or winner that landed her international fame, and featured a 7-minute lesbian sex scene that took 10 days to shoot, while the film involved upwards...
“I have been a very fortunate person as an actress. At the beginning of my career, I worked with people who respected me, more or less,” said Seydoux. “Some women were really victims. But in my case, I can’t compare with someone women who really went through and experienced very serious things.”
#MeToo is a contentious issue in France, where the perception is the entertainment industry has been slow to evolve. Seydoux has previously spoken about challenging conditions on Blue is the Warmest Color, her 2013 Palme d’Or winner that landed her international fame, and featured a 7-minute lesbian sex scene that took 10 days to shoot, while the film involved upwards...
- 5/15/2024
- by Aaron Couch
- The Hollywood Reporter - Movie News
In Quentin Dupieux’s new satirical comedy The Second Act, which kicked off the Cannes Film Festival on Tuesday night, the pic takes poke at myriad culture wars, including France’s latest #MeToo movement. Asked front and center about her take on the latest wave, the pic’s star Léa Seydoux said “It’s a wonderful thing that women are speaking out. It’s about high time they did.”
“This change has been taking place. The film also plays with this idea. It also talks about very current events, and this movement where women are now speaking out and that was a fundamental importance of that change to take place,” said the 007 actress.
“I see there’s been a change, we’ve moved on,” said Seydoux, who came up as a young actress in the biz.
Later expounding, the actress emphasized the changes she’s seen in the industry due...
“This change has been taking place. The film also plays with this idea. It also talks about very current events, and this movement where women are now speaking out and that was a fundamental importance of that change to take place,” said the 007 actress.
“I see there’s been a change, we’ve moved on,” said Seydoux, who came up as a young actress in the biz.
Later expounding, the actress emphasized the changes she’s seen in the industry due...
- 5/15/2024
- by Anthony D'Alessandro
- Deadline Film + TV
Léa Seydoux addressed France’s growing #MeToo movement at the Cannes Film Festival press conference for Quentin Dupieux’s comedy “The Second Act,” which opened the fest on Tuesday night.
“It’s a wonderful thing that women are now speaking out. Things are clearly changing and it was high time it did,” she said. “I have the impression that this change has indeed taken place. The film also plays with this idea, it also talks about very current events and this movement, where women are now speaking out, and that was of fundamental importance for this change to take place.”
Seydoux continued, “#MeToo is very important. It’s a very serious issue. However, I think it is also necessary to be able to talk about it with humor. In the film, this is highlighted in a very funny way.”
Addressing the impact of #MeToo on the way actresses are treated on set,...
“It’s a wonderful thing that women are now speaking out. Things are clearly changing and it was high time it did,” she said. “I have the impression that this change has indeed taken place. The film also plays with this idea, it also talks about very current events and this movement, where women are now speaking out, and that was of fundamental importance for this change to take place.”
Seydoux continued, “#MeToo is very important. It’s a very serious issue. However, I think it is also necessary to be able to talk about it with humor. In the film, this is highlighted in a very funny way.”
Addressing the impact of #MeToo on the way actresses are treated on set,...
- 5/15/2024
- by Ellise Shafer and Elsa Keslassy
- Variety Film + TV
Judith Godrèche has been a regular on the Cannes red carpet for close to 30 years for her performances in films such as Patrice Leconte’s 1996 Palme d’Or contender Ridicule and Un Certain Regard cycling drama The Climb in 2019.
The popular French actress-turned-director touches down this edition with a work of her own: the short film Moi Aussi.
Shot under the radar in Paris in March and gathering 1,000 victims of sexual abuse, the work world premieres as part of the opening ceremony of Cannes Un Certain Regard on Wednesday.
Related: Cannes Film Festival 2024 In Photos: Opening Ceremony & ‘The Second Act’ World Premiere
There is no bigger disruptive force in French cinema right now than Godrèche, who has been at the forefront of triggering a new era of #MeToo in France, a country that has been notoriously slow to tackle sexism, sexual violence and harassment.
The short film follows in the...
The popular French actress-turned-director touches down this edition with a work of her own: the short film Moi Aussi.
Shot under the radar in Paris in March and gathering 1,000 victims of sexual abuse, the work world premieres as part of the opening ceremony of Cannes Un Certain Regard on Wednesday.
Related: Cannes Film Festival 2024 In Photos: Opening Ceremony & ‘The Second Act’ World Premiere
There is no bigger disruptive force in French cinema right now than Godrèche, who has been at the forefront of triggering a new era of #MeToo in France, a country that has been notoriously slow to tackle sexism, sexual violence and harassment.
The short film follows in the...
- 5/15/2024
- by Melanie Goodfellow
- Deadline Film + TV
Heidi Klum graced the 2024 Cannes Film Festival on Tuesday, May 14, adding her signature glamour to the annual prestigious event at the Palais des Festivals in Cannes, France.
The 77th Annual Cannes Film Festival
The renowned Annual Cannes Film Festival is a global platform for premiering new films, drawing worldwide attention. Commencing May 14 and extending through May 25, the event attracts various stars to the stunning French Riviera for a series of highly anticipated premieres.
Among the notable films featured this year are Kinds of Kindness, Oh, Canada, The Apprentice, Megalopolis, and Furiosa. Anticipated appearances include A-listers such as Emma Stone, Selena Gomez, Cate Blanchett, and Uma Thurman, who are expected to grace the event to promote their upcoming projects.
Heidi Klum graces the red carpet at the 77th Annual Cannes Film Festival in a stunning red Saiid Kobeisy gown, exuding confidence and elegance (Credit: Pa Images / INSTARimages)
The festival’s opening...
The 77th Annual Cannes Film Festival
The renowned Annual Cannes Film Festival is a global platform for premiering new films, drawing worldwide attention. Commencing May 14 and extending through May 25, the event attracts various stars to the stunning French Riviera for a series of highly anticipated premieres.
Among the notable films featured this year are Kinds of Kindness, Oh, Canada, The Apprentice, Megalopolis, and Furiosa. Anticipated appearances include A-listers such as Emma Stone, Selena Gomez, Cate Blanchett, and Uma Thurman, who are expected to grace the event to promote their upcoming projects.
Heidi Klum graces the red carpet at the 77th Annual Cannes Film Festival in a stunning red Saiid Kobeisy gown, exuding confidence and elegance (Credit: Pa Images / INSTARimages)
The festival’s opening...
- 5/15/2024
- by Florie Mae Malapit
- Your Next Shoes
Quentin Dupieux returns with The Second Act, a playfully dour satire on the film industry that sees the French absurdist delve further into the apocalyptic mood and gallows humor of his recent Yannick. The Cannes opener stars some of the biggest names in the French film world as heightened versions of themselves: actors working on a film within the film (and perhaps a film within that), a conceit that allows them to break the fourth wall, basically winking at the audience conspiratorially while taking passing shots at themselves and some of the hands that feed them. It’s all in good fun, of course. It’s also quite inside baseball––not that that mattered at the premiere, though you do have to wonder how it might resonate going forward.
Selected to raise the curtain on the world’s most prestigious film festival, The Second Act rolled moments after the opening ceremony closed,...
Selected to raise the curtain on the world’s most prestigious film festival, The Second Act rolled moments after the opening ceremony closed,...
- 5/15/2024
- by Rory O'Connor
- The Film Stage
The Art of Saying Nothing: Dupieux Deconstructs Cinema
Had Luis Bunuel approached conveying the reality of cinema produced by artificial intelligence, there may have been some similarities with what Quentin Dupieux is doing in his latest feature, Le Deuxième Acte (The Second Act). Of course, ironically, it is a film which doesn’t technically feature anything resembling a second act, and much like Dupieux’s previous films, actively disrupts notions of coherence or linear expectation. Such is the generally the blessing and curse of the perennial Dupieux, who seems to operating at the same frantic pace of someone like Rainer Werner Fassbinder, only with less of a success rate considering his strict adherence to an absurdism which suggests his films are probably more entertaining for those who made them than an audience trying to grasp at his intentions.…...
Had Luis Bunuel approached conveying the reality of cinema produced by artificial intelligence, there may have been some similarities with what Quentin Dupieux is doing in his latest feature, Le Deuxième Acte (The Second Act). Of course, ironically, it is a film which doesn’t technically feature anything resembling a second act, and much like Dupieux’s previous films, actively disrupts notions of coherence or linear expectation. Such is the generally the blessing and curse of the perennial Dupieux, who seems to operating at the same frantic pace of someone like Rainer Werner Fassbinder, only with less of a success rate considering his strict adherence to an absurdism which suggests his films are probably more entertaining for those who made them than an audience trying to grasp at his intentions.…...
- 5/14/2024
- by Nicholas Bell
- IONCINEMA.com
It could have been hopelessly self-indulgent but Quentin Dupieux’s anarchic and quirky sense of humour finds full flavour in this amusing “appetiser” which still leaves you hankering after a full meal.
Better that than overstaying its welcome as his cast play around with the foibles and artifice of their craft as they are gathered together to make a romantic comedy.
The collective view is that they are making a pretty dire production and to liven things up they keep interrupting the shoot to voice their own grievances against each other, the script and the unseen director who keeps shouting, “Cut!”
Most of the film unfurls in a roadside pub called The Second Act, presided over by the lumbering barkeeper (played by Manuel Guillot).
Working out where the play-acting stops and the “real” action begins is enough to keep you on the edge of interest...
Better that than overstaying its welcome as his cast play around with the foibles and artifice of their craft as they are gathered together to make a romantic comedy.
The collective view is that they are making a pretty dire production and to liven things up they keep interrupting the shoot to voice their own grievances against each other, the script and the unseen director who keeps shouting, “Cut!”
Most of the film unfurls in a roadside pub called The Second Act, presided over by the lumbering barkeeper (played by Manuel Guillot).
Working out where the play-acting stops and the “real” action begins is enough to keep you on the edge of interest...
- 5/14/2024
- by Richard Mowe
- eyeforfilm.co.uk
The stormy clouds outside the Palais might have dampened some spirits as the credits rolled on the opening night film of the 77th Cannes Film Festival. Or maybe it was the movie itself.
“The Second Act,” Quentin Dupieux’s talky French comedy about the making of the first movie directed by AI, mustered a lukewarm 3.5-minute standing ovation on Tuesday night in Cannes.
Dupieux attedned the premiere along with his French cast of Léa Seydoux, Louis Garrel, Vincent Lindon and Raphaël Quenard. The four actors all politely stood as a camera quickly passed by through the tepid applause.
In the meta film, these French stars play actors making a romantic comedy they know is pointless, as it’s the first movie written and directed by AI. In the opening scenes, we learn that Florence (Seydoux) wants to take things to the next level with David (Garrel), but he is no...
“The Second Act,” Quentin Dupieux’s talky French comedy about the making of the first movie directed by AI, mustered a lukewarm 3.5-minute standing ovation on Tuesday night in Cannes.
Dupieux attedned the premiere along with his French cast of Léa Seydoux, Louis Garrel, Vincent Lindon and Raphaël Quenard. The four actors all politely stood as a camera quickly passed by through the tepid applause.
In the meta film, these French stars play actors making a romantic comedy they know is pointless, as it’s the first movie written and directed by AI. In the opening scenes, we learn that Florence (Seydoux) wants to take things to the next level with David (Garrel), but he is no...
- 5/14/2024
- by Ramin Setoodeh and Ellise Shafer
- Variety Film + TV
Cannes film festival
With help from an A-list cast, Dupieux brings his customary mischief to an amiable tale of imposture and role play
Cannes can always do worse than choose a comedy for its opening gala, and the festival is off to an amiable, entertaining start. Quentin Dupieux brings the wackiness onstream with this cheerfully mischievous, unrepentantly facetious fourth-wall-badgering sketch. It’s a sprightly meta gag, a movie about a movie, or perhaps a movie about a movie about a movie – or perhaps just a movie, full stop, whose point is to claim that reality as we experience it inside and outside the cinema is unitary despite the levels of imposture and role-play we bring to it. It is all just one unbroken skein of experience like the endless dolly-track (the temporary rail that lets the camera move smoothly) that Dupieux finally shows us.
There are plenty of laugh lines,...
With help from an A-list cast, Dupieux brings his customary mischief to an amiable tale of imposture and role play
Cannes can always do worse than choose a comedy for its opening gala, and the festival is off to an amiable, entertaining start. Quentin Dupieux brings the wackiness onstream with this cheerfully mischievous, unrepentantly facetious fourth-wall-badgering sketch. It’s a sprightly meta gag, a movie about a movie, or perhaps a movie about a movie about a movie – or perhaps just a movie, full stop, whose point is to claim that reality as we experience it inside and outside the cinema is unitary despite the levels of imposture and role-play we bring to it. It is all just one unbroken skein of experience like the endless dolly-track (the temporary rail that lets the camera move smoothly) that Dupieux finally shows us.
There are plenty of laugh lines,...
- 5/14/2024
- by Peter Bradshaw
- The Guardian - Film News
Something has subtly shifted in Quentin Dupieux’s perspective, leaving the one-man-band of French cinema a rather different auteur than the anti-comedy punk that nearly stumbled onto the festival stage so many years ago. Chalk it up to maturity or to an impressive professional rise — reaching new highs this year with the opening slot at the Cannes Film Festival — but the director’s tone has softened and his targets have shifted, even as his working methods (and working ethic) remain set-in-stone.
Like a distant Gallic cousin to Wes Anderson and Hong Sang-soo (now there are two names you rarely see together), Dupieux has connected a distinctive voice into a well-honed system built for productivity, allowing him to write-direct-shoot-edit-and-score a new film every year. And sometimes, he finds time for two.
Within the past twelve months, he’s brought films “Yannick” and “Daaaaaalí!” to Locarno and Venice, and now steps into...
Like a distant Gallic cousin to Wes Anderson and Hong Sang-soo (now there are two names you rarely see together), Dupieux has connected a distinctive voice into a well-honed system built for productivity, allowing him to write-direct-shoot-edit-and-score a new film every year. And sometimes, he finds time for two.
Within the past twelve months, he’s brought films “Yannick” and “Daaaaaalí!” to Locarno and Venice, and now steps into...
- 5/14/2024
- by Ben Croll
- Indiewire
Updated with ovation for The Second Act: The Cannes Film Festival opened Tuesday evening with a joyously female vibe as Meryl Streep received the Honorary Palme d’Or from an emotional Juliette Binoche and Greta Gerwig became the first female U.S. director to serve as jury president across its 77 editions.
The ceremony at the Palais led into the festival’s opening-night film The Second Act from Quentin Dupieux. The French pic, starring Léa Seydoux and Louis Garrel, received a lukewarm 3-minute, 46-second standing ovation from the audience.
Earlier, resplendent in a long sequin gown, Gerwig said she was still coming to terms with the fact that she was presiding over the Cannes jury.
“I hardly know what to say… This is holy to me; art is sacred, film is sacred… I cannot believe that I’m getting the chance to spend 10 days in this house of worship.”
The...
The ceremony at the Palais led into the festival’s opening-night film The Second Act from Quentin Dupieux. The French pic, starring Léa Seydoux and Louis Garrel, received a lukewarm 3-minute, 46-second standing ovation from the audience.
Earlier, resplendent in a long sequin gown, Gerwig said she was still coming to terms with the fact that she was presiding over the Cannes jury.
“I hardly know what to say… This is holy to me; art is sacred, film is sacred… I cannot believe that I’m getting the chance to spend 10 days in this house of worship.”
The...
- 5/14/2024
- by Melanie Goodfellow and Nancy Tartaglione
- Deadline Film + TV
Cannes Film Festival kicked off its 77th edition with opening night film The Second Act, an apt title for the French event that kicked off with clear skies and a festive mood after days of looming strikes, #MeToo rumours and a high tension geopolitical landscape.
General delegate Thierry Fremaux set the tone for the evening by walking casually to the Lumiere theatre with microphone in hand with a simple “good evening everyone - Quentin Dupieux” as the director and his starry cast including Lea Seydoux and Louis Garrel took their seats.
French actress Camille Cottin emceed the evening with a blend of humour and sarcasm,...
General delegate Thierry Fremaux set the tone for the evening by walking casually to the Lumiere theatre with microphone in hand with a simple “good evening everyone - Quentin Dupieux” as the director and his starry cast including Lea Seydoux and Louis Garrel took their seats.
French actress Camille Cottin emceed the evening with a blend of humour and sarcasm,...
- 5/14/2024
- ScreenDaily
Who let the dog out?
The Cannes Film Festival red carpet is notoriously strict about its black-tie dress code (one man in a blue tuxedo who committed the fashion travesty of wearing white socks was almost turned away). But on Tuesday night, France welcomed a national hero to the opening night of the 77th edition — Messi, the four-legged scene-stealer from last year’s Palme d’Or winner “Anatomy of a Fall.”
The canine phenom helped brighten things up even as dark clouds gathered over the Palais des Festivals, site of Cannes’ biggest premieres. Despite the foreboding weather and light drizzle, Lily Gladstone, Greta Gerwig, Omar Sy, Jane Fonda, Juliette Binoche and other stars added some glamour and sparkle to the evening.
Photos: See the best red carpet looks.
But the gloomy skies mirrored the film business’s state of mind as the most famous celebration of cinema begins its 11-day marathon of premieres,...
The Cannes Film Festival red carpet is notoriously strict about its black-tie dress code (one man in a blue tuxedo who committed the fashion travesty of wearing white socks was almost turned away). But on Tuesday night, France welcomed a national hero to the opening night of the 77th edition — Messi, the four-legged scene-stealer from last year’s Palme d’Or winner “Anatomy of a Fall.”
The canine phenom helped brighten things up even as dark clouds gathered over the Palais des Festivals, site of Cannes’ biggest premieres. Despite the foreboding weather and light drizzle, Lily Gladstone, Greta Gerwig, Omar Sy, Jane Fonda, Juliette Binoche and other stars added some glamour and sparkle to the evening.
Photos: See the best red carpet looks.
But the gloomy skies mirrored the film business’s state of mind as the most famous celebration of cinema begins its 11-day marathon of premieres,...
- 5/14/2024
- by Brent Lang and Ramin Setoodeh
- Variety Film + TV
The 77th edition of the Cannes Film Festival is officially underway in the South of France as A-listers, auteurs and America’s most revered actress, Meryl Streep, converged at the Palais’ Grand Theatre Lumiere on Tuesday for a typically glamorous opening ceremony.
The anticipation was as thick as the clouds in the sky on Tuesday as rain was not the only threat hanging over the start of this year’s festival. From a possible strike and a fresh #MeToo discussion in France to the ongoing conflict in Gaza, festival officials have faced many questions in the days and hours leading up to Tuesday night. During his annual kick-off press conference, festival boss Thierry Fremaux sidestepped looming issues and tried to center the main attraction and the core mission of delivering world-class cinema. “We are trying to have a festival without these polemics,” he said, encouraging people (particularly the press) to...
The anticipation was as thick as the clouds in the sky on Tuesday as rain was not the only threat hanging over the start of this year’s festival. From a possible strike and a fresh #MeToo discussion in France to the ongoing conflict in Gaza, festival officials have faced many questions in the days and hours leading up to Tuesday night. During his annual kick-off press conference, festival boss Thierry Fremaux sidestepped looming issues and tried to center the main attraction and the core mission of delivering world-class cinema. “We are trying to have a festival without these polemics,” he said, encouraging people (particularly the press) to...
- 5/14/2024
- by Chris Gardner
- The Hollywood Reporter - Movie News
These auteurs are ready for their close-up.
When Quentin Dupieux’s comedy about an ill-fated film set, “The Second Act,” opened the Cannes Film Festival May 14, it will be just one of several movies about filmmaking and filmmakers to touch down on the Croisette. After all, directors Christophe Honoré, Paul Schrader and Josh Mond are among the other prominent filmmakers who are ready to premiere semi-autobiographical stories.
Honoré’s in-competition comedy, “Marcello Mio,” casts Chiara Mastroianni as a version of herself who — after a director compares her to her late father, Marcello Mastroianni — dresses in drag and takes on his identity. Schrader’s in-competition drama, “Oh, Canada,” focuses on a documentary filmmaker (Richard Gere) telling his life story in a doc. Mond’s drama “It Doesn’t Matter” follows two friends chronicling their lives on video. Leos Carax’s 40-minute “C’est pas moi” is partly a self-portrait, with footage from his films and life.
When Quentin Dupieux’s comedy about an ill-fated film set, “The Second Act,” opened the Cannes Film Festival May 14, it will be just one of several movies about filmmaking and filmmakers to touch down on the Croisette. After all, directors Christophe Honoré, Paul Schrader and Josh Mond are among the other prominent filmmakers who are ready to premiere semi-autobiographical stories.
Honoré’s in-competition comedy, “Marcello Mio,” casts Chiara Mastroianni as a version of herself who — after a director compares her to her late father, Marcello Mastroianni — dresses in drag and takes on his identity. Schrader’s in-competition drama, “Oh, Canada,” focuses on a documentary filmmaker (Richard Gere) telling his life story in a doc. Mond’s drama “It Doesn’t Matter” follows two friends chronicling their lives on video. Leos Carax’s 40-minute “C’est pas moi” is partly a self-portrait, with footage from his films and life.
- 5/14/2024
- by Gregg Goldstein
- Variety Film + TV
Et voilà, The Second Act, a bubbly apéritif to open this year’s Cannes Film Festival, and the latest bit of mischief from Quentin Dupieux, the Loki of the French cinematic universe. Dupieux turns out a film roughly once a year, featuring protagonists ranging from a rogue rubber tire cruising the highway for victims to a giant fly captured by a couple of petty crooks who try to turn it into a sideshow attraction. Each wacky new romp brings new fans into the tent and, on the evidence of his recent cast lists, entices more big-name actors to run away and join his circus.
So roll up here to see Bond girl Léa Seydoux, the baggy-eyed veteran Vincent Lindon and the usually smoldering Louis Garrel along with a troupe of faces familiar to Dupieux’s audience. The three of them play actors shooting what appears to be an especially banal rom-com.
So roll up here to see Bond girl Léa Seydoux, the baggy-eyed veteran Vincent Lindon and the usually smoldering Louis Garrel along with a troupe of faces familiar to Dupieux’s audience. The three of them play actors shooting what appears to be an especially banal rom-com.
- 5/14/2024
- by Stephanie Bunbury
- Deadline Film + TV
The stars are out on the Croisette for the 77th Cannes Film Festival, sporting their best looks on the red carpet. Already donning her resort wear best at the first Jury Call photo shoot was Hollywood icon Meryl Streep, who will receive the honorary Palme d’Or on the opening night of the Cannes Film Festival.
This year’s President, Greta Gerwig, will be joined by an illustrious jury that includes Lily Gladstone Eva Green Omar Sy Ebru Ceylan (who co-wrote the 2014 Palme d’Or winner “Winter Sleep”), “Capernaum” director Nadine Labaki, “Society of the Snow” director Juan Antonio Bayona, Italian actor Pierfrancesco Favino and “Shoplifters” director Kore-eda Hirokazu.
The list of star-studded premieres includes George Miller’s “Furiosa: A Mad Max Saga” which stars Anya Taylor-Joy and Chris Hemsworth. Oscar-winner Yorgos Lanthimos will debut his next film, “Kinds of Kindness,” starring Emma Stone, Willem Dafoe and Margaret Qualley on the Croisette.
This year’s President, Greta Gerwig, will be joined by an illustrious jury that includes Lily Gladstone Eva Green Omar Sy Ebru Ceylan (who co-wrote the 2014 Palme d’Or winner “Winter Sleep”), “Capernaum” director Nadine Labaki, “Society of the Snow” director Juan Antonio Bayona, Italian actor Pierfrancesco Favino and “Shoplifters” director Kore-eda Hirokazu.
The list of star-studded premieres includes George Miller’s “Furiosa: A Mad Max Saga” which stars Anya Taylor-Joy and Chris Hemsworth. Oscar-winner Yorgos Lanthimos will debut his next film, “Kinds of Kindness,” starring Emma Stone, Willem Dafoe and Margaret Qualley on the Croisette.
- 5/14/2024
- by Meredith Woerner
- Variety Film + TV
In France, the concept of irony is referred to as “deuxième degré” (second degree), where the “premier degré” is the literal or surface meaning, which can be twisted as audiences read an entirely different, often contrary meaning into the material. But the game doesn’t necessarily stop there. There is also “troisième degré,” “quatrième degré” and so on, as deep as you want to go.
For absurdist trickster Quentin Dupieux (whose films “Deerskin” and “Rubber” have found a cult following), “The Second Act” presents a frivolous fun-house mirror, in which actors Léa Seydoux, Louis Garrel, Vincent Lindon and Raphaël Quenard play actors playing actors in a pointless romantic comedy. They all know they’re making a bad movie, and one by one, they keep interrupting the shoot to air their personal grievances. But that’s only the beginning in a slender meta-textual doodle selected to kick off the 2024 Cannes Film Festival.
For absurdist trickster Quentin Dupieux (whose films “Deerskin” and “Rubber” have found a cult following), “The Second Act” presents a frivolous fun-house mirror, in which actors Léa Seydoux, Louis Garrel, Vincent Lindon and Raphaël Quenard play actors playing actors in a pointless romantic comedy. They all know they’re making a bad movie, and one by one, they keep interrupting the shoot to air their personal grievances. But that’s only the beginning in a slender meta-textual doodle selected to kick off the 2024 Cannes Film Festival.
- 5/14/2024
- by Peter Debruge
- Variety Film + TV
Cannes Competition jury president Greta Gerwig addressed freelance festival workers considering a strike, saying “I support labour movements.”
“I hope that the festival workers can form an agreement that is good for them and supports them and supports the festival,” said Gerwig, responding to a question from Screen about what message she has for the freelance group.
French collective Sous les ecrans la deche (Broke Behind The Screens) is preparing to protest labour reforms that would cut their unemployment indemnities.
A representative for the group told Screen it was awaiting a meeting between the Cnc and the Cultural Ministry during...
“I hope that the festival workers can form an agreement that is good for them and supports them and supports the festival,” said Gerwig, responding to a question from Screen about what message she has for the freelance group.
French collective Sous les ecrans la deche (Broke Behind The Screens) is preparing to protest labour reforms that would cut their unemployment indemnities.
A representative for the group told Screen it was awaiting a meeting between the Cnc and the Cultural Ministry during...
- 5/14/2024
- ScreenDaily
Jury duty began Tuesday, May 14 for this year’s Cannes Film Festival competition panelists, led by president Greta Gerwig, the billion-dollar filmmaker behind “Barbie.”
Omar Sy, Eva Green, Lily Gladstone, Pierfrancesco Favino, Hirokazu Kore-eda, J.A. Bayona, Nadine Labaki, and Ebru Ceylan, along with Gerwig, convened at the Palais des Festivals for the annual opening day press conference. Tonight’s festival launches with the world premiere of Quentin Dupieux’s “The Second Act.” The jury will discuss, debate, and deliberate on films including Paul Schrader’s “Oh, Canada,” Francis Ford Coppola’s “Megalopolis,” Andrea Arnold’s “Bird,” Yorgos Lanthimos’ “Kinds of Kindness,” and more.
But the 77th edition of the global leading film festival is on edge right now as Cannes stares down two major scandals plaguing the Croisette and the French film industry at large. There’s a looming potential strike from a labor collective calling itself Sous les écrans la dèch,...
Omar Sy, Eva Green, Lily Gladstone, Pierfrancesco Favino, Hirokazu Kore-eda, J.A. Bayona, Nadine Labaki, and Ebru Ceylan, along with Gerwig, convened at the Palais des Festivals for the annual opening day press conference. Tonight’s festival launches with the world premiere of Quentin Dupieux’s “The Second Act.” The jury will discuss, debate, and deliberate on films including Paul Schrader’s “Oh, Canada,” Francis Ford Coppola’s “Megalopolis,” Andrea Arnold’s “Bird,” Yorgos Lanthimos’ “Kinds of Kindness,” and more.
But the 77th edition of the global leading film festival is on edge right now as Cannes stares down two major scandals plaguing the Croisette and the French film industry at large. There’s a looming potential strike from a labor collective calling itself Sous les écrans la dèch,...
- 5/14/2024
- by Ryan Lattanzio
- Indiewire
Greta Gerwig addressed the growing #MeToo movement in France at the jury press conference on opening day of this year’s Cannes Film Festival.
“I think people in the community of movies telling us stories and trying to change things for the better is only good,” Gerwig said when asked how she felt about #MeToo-related rumors swirling ahead of the festival. “I have seen substantive change in the American film community, and I think it’s important that we continue to expand that conversation. So I think it’s only moving everything in the correct direction to keep those lines of communication open.”
Gerwig is serving as the president of this year’s competition jury, which will be awarding the prestigious Palme d’Or at the end of the 11-day festival that kicks off on Tuesday night. The jury is comprised of Spanish filmmaker J. A. Bayona, Turkish actress and screenwriter Ebru Ceylan,...
“I think people in the community of movies telling us stories and trying to change things for the better is only good,” Gerwig said when asked how she felt about #MeToo-related rumors swirling ahead of the festival. “I have seen substantive change in the American film community, and I think it’s important that we continue to expand that conversation. So I think it’s only moving everything in the correct direction to keep those lines of communication open.”
Gerwig is serving as the president of this year’s competition jury, which will be awarding the prestigious Palme d’Or at the end of the 11-day festival that kicks off on Tuesday night. The jury is comprised of Spanish filmmaker J. A. Bayona, Turkish actress and screenwriter Ebru Ceylan,...
- 5/14/2024
- by Matt Donnelly, Tatiana Siegel and Ellise Shafer
- Variety Film + TV
Arthouse streamer Mubi has snatched up Andrea Arnold’s Bird for the U.K. and Ireland ahead of the film’s world premiere in competition in Cannes.
Barry Keoghan, Franz Rogowski, Nykiya Adams, and Jason Buda co-star in the new drama from the American Honey and Red Road director. The film follows a 12-year-old who lives with her brother and single dad in a squat in North Kent. As she approaches puberty she seeks attention and adventure elsewhere.
Bird was produced by Tessa Ross, Juliette Howell and Lee Groombridge for House Productions (The Iron Claw, The Wonder).
Cornerstone is handling international sales for Bird and is co-repping U.S. rights with CAA Media Finance.
Recent Mubi releases include Sofia Coppola’s Priscilla, Wim Wender’s Perfect Days, Molly Manning Walker’s How to Have Sex, and Aki Kaurismäki’s Fallen Leaves, all festival hits. The streamer’s upcoming slate includes Levan Akin’s Crossing,...
Barry Keoghan, Franz Rogowski, Nykiya Adams, and Jason Buda co-star in the new drama from the American Honey and Red Road director. The film follows a 12-year-old who lives with her brother and single dad in a squat in North Kent. As she approaches puberty she seeks attention and adventure elsewhere.
Bird was produced by Tessa Ross, Juliette Howell and Lee Groombridge for House Productions (The Iron Claw, The Wonder).
Cornerstone is handling international sales for Bird and is co-repping U.S. rights with CAA Media Finance.
Recent Mubi releases include Sofia Coppola’s Priscilla, Wim Wender’s Perfect Days, Molly Manning Walker’s How to Have Sex, and Aki Kaurismäki’s Fallen Leaves, all festival hits. The streamer’s upcoming slate includes Levan Akin’s Crossing,...
- 5/14/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Rolling out the red carpet at the Cannes Film Festival where #MeToo controversies threaten to cause disruption. Photo: Courtesy of Cannes Film Festival Festival director Thierry Frémaux on the eve of the Festival: 'This year we decided to host a festival without polemics to make sure that the main interest for us all to be here is cinema' Photo: Richard Mowe Ahead of tonight’s official opening of the Cannes Film Festival with Quentin Dupieux’s wacky comedy The Second Act, Festival director Thierry Frémaux held his traditional pre-match kick-off media gathering yesterday (13 May) at which he addressed concerns in particular the #MeToo murmurings and how they might affect the festival.
With outspoken Meryl Streep due to be given a career achievement Palme d’Or as part of tonight’s opening ceremony and the UK’s similarly fearless Andrea Arnold due to be honoured by the Directors’ Fortnight as well...
With outspoken Meryl Streep due to be given a career achievement Palme d’Or as part of tonight’s opening ceremony and the UK’s similarly fearless Andrea Arnold due to be honoured by the Directors’ Fortnight as well...
- 5/14/2024
- by Richard Mowe
- eyeforfilm.co.uk
What to expect from Cannes 2024? The global selection offers critics plenty to write about — after all, this is the festival d’auteurs. But this year’s edition may be light on the red carpet glitz that lures celebrities to the Côte d’Azur for eye-popping photo memes and offshore yacht revels. Remember Madonna’s 1991 pointy Gaultier bustier? Elizabeth Taylor holding her white dog as “Cliffhanger” star Sylvester Stallone climbed the steps to meet her at the top? Such viral moments are what Cannes director Thierry Fremaux dreams of.
High-octane stars expected to hit the Palais photo gauntlet include two-time Oscar-winner Emma Stone, who stars in all three stories in competition title “Kinds of Kindness” (Searchlight), Yorgos Lanthimos’ edgy follow-up to $100-million grosser “Poor Things.” Anya Taylor-Joy and Chris Hemsworth will add some sizzle for out-of-competition prequel “Furiosa: A Mad Max Saga” (Warner Bros.), George Miller’s rollercoaster return after 2015’s Oscar-winning “Mad Max: Fury Road.
High-octane stars expected to hit the Palais photo gauntlet include two-time Oscar-winner Emma Stone, who stars in all three stories in competition title “Kinds of Kindness” (Searchlight), Yorgos Lanthimos’ edgy follow-up to $100-million grosser “Poor Things.” Anya Taylor-Joy and Chris Hemsworth will add some sizzle for out-of-competition prequel “Furiosa: A Mad Max Saga” (Warner Bros.), George Miller’s rollercoaster return after 2015’s Oscar-winning “Mad Max: Fury Road.
- 5/10/2024
- by Anne Thompson
- Indiewire
Nearly 300 film professionals from across Europe and the world have thrown their support behind a group calling for strike action to disrupt the upcoming Cannes film festival.
They have signed a petition backing the demands of a collective representing the interests of French film festival workers who claim changes to labor laws have put freelance workers in Cannes and other festivals in a “precarious” position, threatening their livelihood.
French actor Louis Garrell, who stars in Quentin Dupieux’s The Second Act, this year’s opening night film in Cannes, Portuguese director Miguel Gomes, whose latest feature, Grand Tour, will premiere in Cannes competition this year, actor/director Ariane Labed, whose directorial debut, September Says, is set to premiere in the festival’s Un Certain Regard section, and Japan’s Koji Yamamaura, whose new short film Extremely Short was picked for this year’s Directors’ Fortnight lineup, are among the signatories...
They have signed a petition backing the demands of a collective representing the interests of French film festival workers who claim changes to labor laws have put freelance workers in Cannes and other festivals in a “precarious” position, threatening their livelihood.
French actor Louis Garrell, who stars in Quentin Dupieux’s The Second Act, this year’s opening night film in Cannes, Portuguese director Miguel Gomes, whose latest feature, Grand Tour, will premiere in Cannes competition this year, actor/director Ariane Labed, whose directorial debut, September Says, is set to premiere in the festival’s Un Certain Regard section, and Japan’s Koji Yamamaura, whose new short film Extremely Short was picked for this year’s Directors’ Fortnight lineup, are among the signatories...
- 5/10/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Music Box Films has acquired U.S. distribution rights to “Daaaaaalí!,” the latest film by Quentin Dupieux whose upcoming movie “The Second Act” will world premiere on opening night at this year’s Cannes Film Festival.
A comedic and unpredictable tribute to Salvador Dalí, “Daaaaaalí!” premiered out of competition at the Venice Film Festival, followed by screenings at the BFI London Film Festival and Rotterdam.
In “Daaaaaalí!,” a French journalist repeatedly meets Dalí to begin an interview for a documentary film project that never starts shooting. Anaïs Demoustier stars as a journalist attempting to pin down the eccentric and elusive Salvador Dalí, who is played by five different actors, Edouard Baer, Jonathan Cohen, Gilles Lellouche, Pio Marmaï, and Didier Flamand.
Music Box Films will release “Daaaaaalí!” theatrically later this year with a home entertainment release to follow.
“We were thoroughly charmed by the playful, antic spirit of Quentin Dupieux’s film,...
A comedic and unpredictable tribute to Salvador Dalí, “Daaaaaalí!” premiered out of competition at the Venice Film Festival, followed by screenings at the BFI London Film Festival and Rotterdam.
In “Daaaaaalí!,” a French journalist repeatedly meets Dalí to begin an interview for a documentary film project that never starts shooting. Anaïs Demoustier stars as a journalist attempting to pin down the eccentric and elusive Salvador Dalí, who is played by five different actors, Edouard Baer, Jonathan Cohen, Gilles Lellouche, Pio Marmaï, and Didier Flamand.
Music Box Films will release “Daaaaaalí!” theatrically later this year with a home entertainment release to follow.
“We were thoroughly charmed by the playful, antic spirit of Quentin Dupieux’s film,...
- 5/2/2024
- by Elsa Keslassy
- Variety Film + TV
Meryl Streep is set to receive the highest honor at the Cannes 2024 ceremony.
The Oscar winner has been announced to be feted with the honorary Palme d’Or on the opening night of the 77th annual festival; Variety first reported the news. Streep has not been to Cannes in exactly 35 years, since winning best actress for 1989’s “Evil Angels a Cry in the Dark” directed by Fred Schepisi.
Michael Douglas received the opening ceremony honorary Palme d’Or award in 2023.
Streep’s career has ranged from Academy Award-nominated turns in dramas such as “Sophie’s Choice” to musicals like “Into the Woods.” Streep’s rom-com efforts have marked collaborations with Nancy Meyers and other iconic filmmakers. She most recently starred in Hulu series “Only Murders in the Building,” following her former “Big Little Lies” TV role. Streep was recently honored by the Academy Museum Gala in 2023 for her career achievements.
As previously announced,...
The Oscar winner has been announced to be feted with the honorary Palme d’Or on the opening night of the 77th annual festival; Variety first reported the news. Streep has not been to Cannes in exactly 35 years, since winning best actress for 1989’s “Evil Angels a Cry in the Dark” directed by Fred Schepisi.
Michael Douglas received the opening ceremony honorary Palme d’Or award in 2023.
Streep’s career has ranged from Academy Award-nominated turns in dramas such as “Sophie’s Choice” to musicals like “Into the Woods.” Streep’s rom-com efforts have marked collaborations with Nancy Meyers and other iconic filmmakers. She most recently starred in Hulu series “Only Murders in the Building,” following her former “Big Little Lies” TV role. Streep was recently honored by the Academy Museum Gala in 2023 for her career achievements.
As previously announced,...
- 5/2/2024
- by Samantha Bergeson
- Indiewire
Meryl Streep will receive the honorary Palme d’Or on the opening night of the 77th edition of Cannes Film Festival, Variety has learned.
Luring the Oscar winner is yet another feat for this Cannes edition, which will bring together a flurry Hollywood legends. Notably, George Lucas will receive the honorary Palme d’Or during the closing ceremony; Francis Ford Coppola’s “Megalopolis” and Paul Schrader’s “Oh, Canada” are playing in competition; and George Miller‘s “Furiosa: A Mad Max Saga” and Kevin Costner’s Western epic “Horizon, an American Saga” are playing out of competition. Streep will be also in good company at the festival with “Barbie” director Greta Gerwig serving as jury president. The pair worked together on “Little Women.”
The honorary tribute will mark Streep’s long-awaited return to Cannes after decades. It appears that her last trip to the festival dates back to Fred Schepisi...
Luring the Oscar winner is yet another feat for this Cannes edition, which will bring together a flurry Hollywood legends. Notably, George Lucas will receive the honorary Palme d’Or during the closing ceremony; Francis Ford Coppola’s “Megalopolis” and Paul Schrader’s “Oh, Canada” are playing in competition; and George Miller‘s “Furiosa: A Mad Max Saga” and Kevin Costner’s Western epic “Horizon, an American Saga” are playing out of competition. Streep will be also in good company at the festival with “Barbie” director Greta Gerwig serving as jury president. The pair worked together on “Little Women.”
The honorary tribute will mark Streep’s long-awaited return to Cannes after decades. It appears that her last trip to the festival dates back to Fred Schepisi...
- 5/2/2024
- by Elsa Keslassy
- Variety Film + TV
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