Der kanadische Regisseur Matthew Rankin ist für sein Drama „Universal Language“ mit dem Publikumspreis der Quinzaine des Cinéastes ausgezeichnet worden, mit dem in diesem Jahr erstmals auf dem Festival de Cannes ein Publikumspreis vergeben wurde.
Publikumspreisgewinner der Quinzaine des Cinéastes: „Universal Language“ von Matthew Rankin (Credit: Quinzaine des Cinéastes)
In diesem Jahr wurde im Rahmen der Quinzaine des Cinéastes der erste Publikumspreis auf dem Festival de Cannes verliehen. Die mit 7.500 Euro dotierte und von der Chantal Akerman Foundation gestiftete Auszeichnung ging an den kanadischen Regisseur Matthew Rankin für sein persisch- und französischsprachiges Drama „Universal Language“.
In seinem Drama verknüpft Rankin die Geschichten mehrerer Charaktere miteinander: die Grundschüler Negin und Nazgol, die im Eis eine höhere Geldsumme finden und versuchen, an sie ran zu kommen, Massoud, der eine Gruppe Touristen durch Winnipeg führt und Matthew, der seinen bedeutungslosen Job in einem Büro der Regierung von Quebec kündigt und sich auf eine...
Publikumspreisgewinner der Quinzaine des Cinéastes: „Universal Language“ von Matthew Rankin (Credit: Quinzaine des Cinéastes)
In diesem Jahr wurde im Rahmen der Quinzaine des Cinéastes der erste Publikumspreis auf dem Festival de Cannes verliehen. Die mit 7.500 Euro dotierte und von der Chantal Akerman Foundation gestiftete Auszeichnung ging an den kanadischen Regisseur Matthew Rankin für sein persisch- und französischsprachiges Drama „Universal Language“.
In seinem Drama verknüpft Rankin die Geschichten mehrerer Charaktere miteinander: die Grundschüler Negin und Nazgol, die im Eis eine höhere Geldsumme finden und versuchen, an sie ran zu kommen, Massoud, der eine Gruppe Touristen durch Winnipeg führt und Matthew, der seinen bedeutungslosen Job in einem Büro der Regierung von Quebec kündigt und sich auf eine...
- 5/24/2024
- by Jochen Müller
- Spot - Media & Film
Matthew Rankin’s Universal Language and late French director Sophie Fillieres’ This Life Of Mine both won prizes in the Cannes Directors’ Fortnight sidebar.
Rankin’s second feature Universal Language took the first-ever Audience Award in the section, which came with a €7,500 cash prize sponsored by the Chantal Akerman Foundation. It is the first audience award across the major Cannes sections, with no audience prizes given in the Official Selection or Critics’ Week sections.
The Persian- and French-language film is a comedy in which various storylines intertwine, including two women trying to retrieve some frozen cash; a tour guide leading...
Rankin’s second feature Universal Language took the first-ever Audience Award in the section, which came with a €7,500 cash prize sponsored by the Chantal Akerman Foundation. It is the first audience award across the major Cannes sections, with no audience prizes given in the Official Selection or Critics’ Week sections.
The Persian- and French-language film is a comedy in which various storylines intertwine, including two women trying to retrieve some frozen cash; a tour guide leading...
- 5/23/2024
- ScreenDaily
Universal Language from director Matthew Rankin has won the first-ever Chantal Akerman award, an audience prize presented to the best film in the Directors’ Fortnight section of the Cannes film festival.
The prize is named after the Belgian auteur, who died in 2015, director of Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, which was voted the greatest film of all time by the latest Sight and Sound critics poll.
Professionals and industry attendees, as well as ordinary moviegoers, picked Rankin’s experimental drama, a surrealistic tribute to Persian cinema, as the best film in the Cannes sidebar this year. The prize comes with €7,500 ($8,100) in prize money from the Chantal Akerman Foundation. Best Friend Forever is handling sales on Universal Language.
Arthouse cinema group the Europa Cinema Label gave its top prize in the Directors’ Fortnight section to Jonas Trueba’s debut The Other Way Around, an anti-romantic comedy about a young Spanish...
The prize is named after the Belgian auteur, who died in 2015, director of Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, which was voted the greatest film of all time by the latest Sight and Sound critics poll.
Professionals and industry attendees, as well as ordinary moviegoers, picked Rankin’s experimental drama, a surrealistic tribute to Persian cinema, as the best film in the Cannes sidebar this year. The prize comes with €7,500 ($8,100) in prize money from the Chantal Akerman Foundation. Best Friend Forever is handling sales on Universal Language.
Arthouse cinema group the Europa Cinema Label gave its top prize in the Directors’ Fortnight section to Jonas Trueba’s debut The Other Way Around, an anti-romantic comedy about a young Spanish...
- 5/23/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Canadian director Matthew Rankin’s Persian and French-language drama Universal Language has won the inaugural Audience Award of Directors’ Fortnight.
This is the first official prize launched by Directors’ Fortnight which does not have a jury. The €7,500 cash award, is also the first audience award to be launched in Cannes, across the Official Selection and the parallel sections.
It is being sponsored by the Chantal Akerman Foundation, which preserves the legacy of the director who retained strong ties with Directors’ Fortnight throughout her career, after screening breakthrough film Jeanne Dielman, 23 quai du Commerce – 1080 Brussel in the section in 1975.
Described as taking place “somewhere between Tehran and Winnipeg”, Universal Language intertwines multiple characters.
Gradeschoolers Negin and Nazgol find a sum of money frozen in the winter ice and try to claim it, while Massoud leads a group of befuddled tourists through the monuments and historic sites of Winnipeg and Matthew quits...
This is the first official prize launched by Directors’ Fortnight which does not have a jury. The €7,500 cash award, is also the first audience award to be launched in Cannes, across the Official Selection and the parallel sections.
It is being sponsored by the Chantal Akerman Foundation, which preserves the legacy of the director who retained strong ties with Directors’ Fortnight throughout her career, after screening breakthrough film Jeanne Dielman, 23 quai du Commerce – 1080 Brussel in the section in 1975.
Described as taking place “somewhere between Tehran and Winnipeg”, Universal Language intertwines multiple characters.
Gradeschoolers Negin and Nazgol find a sum of money frozen in the winter ice and try to claim it, while Massoud leads a group of befuddled tourists through the monuments and historic sites of Winnipeg and Matthew quits...
- 5/23/2024
- by Melanie Goodfellow
- Deadline Film + TV
The dogged pursuit of the relationship unicorn that is the good break-up informs the wit and winking wisdom of Jonás Trueba’s “The Other Way Around,” a delightful showcase for the Spanish director’s lithe, airy style, here accented with glistening strands of Madrileño meta-melancholy. A hip, popular twosome decide to call it quits after 14 years, cuing a very funny yet properly grown-up portrait of the ideal couple trying to smoothe, and even to celebrate, their transition into ideal exes. It’s the celebration aspect that will prove their undoing. If the good breakup is rare, the joyous breakup is completely mythical.
Filmmaker Ale (Itsaso Arana) and her actor boyfriend of 14 years Alex (Vito Sanz) have decided — mutually, they insist — to pack their bags for Splitsville. They lie in the dark in their still-shared bed with a poignant politeness recognizable to anyone who has similarly ended a longterm relationship prior to canceling a longterm lease.
Filmmaker Ale (Itsaso Arana) and her actor boyfriend of 14 years Alex (Vito Sanz) have decided — mutually, they insist — to pack their bags for Splitsville. They lie in the dark in their still-shared bed with a poignant politeness recognizable to anyone who has similarly ended a longterm relationship prior to canceling a longterm lease.
- 5/23/2024
- by Jessica Kiang
- Variety Film + TV
“The Other Way Around” from Spanish director Jonás Trueba has won the Europa Cinemas Label for best European film in the Directors’ Fortnight section at this year’s Cannes Film Festival.
The film turns on Ale (Itsaso Arana – who co-wrote the screenplay with Trueba) and Alex (Vito Sanz), who have been together for 15 years. Now, though, the duo is ready to split, but not without throwing a hell of a fiesta to celebrate their time together.
“The idea of a ‘separation party’ can be scary, but I just kept hearing about it,” Trueba told Variety in a recent interview. “I even suggested it to a friend of mine, but every time, people’s faces just drop. You can see fear creeping in. It’s crazy and silly, and at the same time, it could be something beautiful. It’s a great idea for a film, if not for real life.
The film turns on Ale (Itsaso Arana – who co-wrote the screenplay with Trueba) and Alex (Vito Sanz), who have been together for 15 years. Now, though, the duo is ready to split, but not without throwing a hell of a fiesta to celebrate their time together.
“The idea of a ‘separation party’ can be scary, but I just kept hearing about it,” Trueba told Variety in a recent interview. “I even suggested it to a friend of mine, but every time, people’s faces just drop. You can see fear creeping in. It’s crazy and silly, and at the same time, it could be something beautiful. It’s a great idea for a film, if not for real life.
- 5/23/2024
- by Jamie Lang
- Variety Film + TV
Jonas Trueba’s The Other Way Around has received the Europa Cinemas Label as best European film in Cannes Directors’ Fortnight.
The comedy-drama – which has the Spanish title Volveréis – was selected by a jury of four exhibitors from the Europa Cinemas network.
An eighth feature for Spanish filmmaker Trueba, The Other Way Around follows a couple who decide to throw a party to celebrate their separation after 15 years as a couple.
The jury said, “Humorous and cleverly written, the film’s circular structure manifests generosity of spirit in its inspiring look at human relationships. It is a pleasing beacon of positivity,...
The comedy-drama – which has the Spanish title Volveréis – was selected by a jury of four exhibitors from the Europa Cinemas network.
An eighth feature for Spanish filmmaker Trueba, The Other Way Around follows a couple who decide to throw a party to celebrate their separation after 15 years as a couple.
The jury said, “Humorous and cleverly written, the film’s circular structure manifests generosity of spirit in its inspiring look at human relationships. It is a pleasing beacon of positivity,...
- 5/23/2024
- ScreenDaily
Spanish director Jonás Trueba’s The Other Way Around (Volveréis) has won the Europa Cinemas Label as Best European film in Cannes Directors’ Fortnight.
The prize is judged by four members of the Europa Cinema network representing independent exhibitors operating 3,121 screens across Europe. Under the prize, the film will receive the support of these cinemas as it goes on release.
This year’s jury omprised Louise Casey Conneally; Maarja Krass; Rémi Labé and Tamara Visković.
“Jonás Trueba’s well-crafted and nuanced film has an unusual premise – it tells the story of a couple who embrace a novel ritual. Prior to their separation, they elect to celebrate their 15-year relationship with a party,” read their statement.
“Humorous and cleverly written, the film’s circular structure manifests generosity of spirit in its inspiring look at human relationships.
The prize is judged by four members of the Europa Cinema network representing independent exhibitors operating 3,121 screens across Europe. Under the prize, the film will receive the support of these cinemas as it goes on release.
This year’s jury omprised Louise Casey Conneally; Maarja Krass; Rémi Labé and Tamara Visković.
“Jonás Trueba’s well-crafted and nuanced film has an unusual premise – it tells the story of a couple who embrace a novel ritual. Prior to their separation, they elect to celebrate their 15-year relationship with a party,” read their statement.
“Humorous and cleverly written, the film’s circular structure manifests generosity of spirit in its inspiring look at human relationships.
- 5/23/2024
- by Melanie Goodfellow
- Deadline Film + TV
Few periods on the calendar mean more to cinephiles than the two weekends in May occupied by the Cannes Film Festival. Since its founding in 1946, the French festival has been a launchpad for some of the most artistically significant films of all time. The Palme d’Or is one of the most coveted film awards on the planet, and the festival’s ability to balance subversive arthouse work with major Hollywood premieres has led many to view it as the world’s most significant celebration of cinema.
The 2024 lineup featured a mix of buzzy premieres from New Hollywood titans like Francis Ford Coppola and Paul Schrader alongside exciting new works from emerging directors. Between the Main Competition, Un Certain Regard, special screenings, and sidebars like the Directors’ Fortnight and Critics’ Week, the onslaught of new films can be overwhelming for anyone who isn’t able to give the festival their 24/7 attention.
The 2024 lineup featured a mix of buzzy premieres from New Hollywood titans like Francis Ford Coppola and Paul Schrader alongside exciting new works from emerging directors. Between the Main Competition, Un Certain Regard, special screenings, and sidebars like the Directors’ Fortnight and Critics’ Week, the onslaught of new films can be overwhelming for anyone who isn’t able to give the festival their 24/7 attention.
- 5/23/2024
- by Christian Zilko
- Indiewire
Breaking Up is Hard To Do: Trueba Reinvents Couple Goals
Gloriously reminding us that we are doomed to repeat the same existential mundane experiences, in an
amuse bouche format with winks to Danish philosopher Sören Kierkegaard and relationship woe cinema that was Ingmar Bergman, Spanish filmmaker Jonás Trueba reshuffles the deck of (tarot) cards that is couplehood in the highly creative relationship comedy concept adorned with some meta cinema references. Reworking with the very likeable screen pairing thesps of Itsaso Arana and Vito San (also featured in Trueba’s previous number The August Virgin), The Other Way Around (which goes by the title Volveréis – which means “you will return” in Spanish) is a Kinder Surprise for how life imitates art, and how the couple-hood we see on screen might just be mordant live example of what is le passé composé.…...
Gloriously reminding us that we are doomed to repeat the same existential mundane experiences, in an
amuse bouche format with winks to Danish philosopher Sören Kierkegaard and relationship woe cinema that was Ingmar Bergman, Spanish filmmaker Jonás Trueba reshuffles the deck of (tarot) cards that is couplehood in the highly creative relationship comedy concept adorned with some meta cinema references. Reworking with the very likeable screen pairing thesps of Itsaso Arana and Vito San (also featured in Trueba’s previous number The August Virgin), The Other Way Around (which goes by the title Volveréis – which means “you will return” in Spanish) is a Kinder Surprise for how life imitates art, and how the couple-hood we see on screen might just be mordant live example of what is le passé composé.…...
- 5/20/2024
- by Eric Lavallée
- IONCINEMA.com
“Annie Hall” changed the game in being a cautionary tale about a couple that conspicuously doesn’t last, while at the same time an enduring case for the wonder and necessity of romance. “The Other Way Around” is a similarly wacky subversion of the rom-com theme in that its central couple, successful millennial director Ale (Itsaso Arana) and actor Alex (Vito Sanz), cheerfully announce to their friends and loved ones that they’re breaking up. A big party will mark the occasion and duly end the relationship — which, their friends remind them, has gone on forever (more than a decade). The only people who think this is a sane idea is Ale and Alex. Not even Ale’s father(played by director Jonás Trueba’s real-life father, Fernando) can fathom it, although it was originally his idea. The concept seems to be born out of a kind of 90s stand-up...
- 5/20/2024
- by Adam Solomons
- Indiewire
Spanish director Jonás Trueba wants you to celebrate the endings, not just the beginnings.
That includes the demise of a serious relationship, because Ale and Alex (Itsaso Arana and Vito Sanz) have been together for 15 years. Now, they want only two things: to go their separate ways and to have a proper fiesta.
“The idea of a ‘separation party’ can be scary, but I just kept hearing about it. I even suggested it to a friend of mine, but every time, people’s faces just drop. You can see fear creeping in. It’s crazy and silly, and at the same time, it could be something beautiful. It’s a great idea for a film, if not for real-life.”
In “The Other Way Around,” premiering at Cannes’ Directors’ Fortnight, the couple in question still has a lot of affection for each other.
“It’s a love story, but another kind of love story,...
That includes the demise of a serious relationship, because Ale and Alex (Itsaso Arana and Vito Sanz) have been together for 15 years. Now, they want only two things: to go their separate ways and to have a proper fiesta.
“The idea of a ‘separation party’ can be scary, but I just kept hearing about it. I even suggested it to a friend of mine, but every time, people’s faces just drop. You can see fear creeping in. It’s crazy and silly, and at the same time, it could be something beautiful. It’s a great idea for a film, if not for real-life.”
In “The Other Way Around,” premiering at Cannes’ Directors’ Fortnight, the couple in question still has a lot of affection for each other.
“It’s a love story, but another kind of love story,...
- 5/18/2024
- by Marta Balaga
- Variety Film + TV
New films by Julio Medem, Alejandro Amenábar, Alberto Rodríguez, Isaki Lacuesta, Jonas Trueba and Oliver Laxe join a brace of smart thrillers in a rich Cannes lineup from Spain.
“8,” (Julio Medem)
Medem returns towhat he does best: a love story transcending time and space and a poetic critique of recent history, according to sales agent Latido Films. “Fariña’s” Javier Rey and “La Mesías” Ana Rujus star as the lovers. Morena Films produces.
Sales: Latido
“As Neves,” (Sonia Méndez)
After a magic mushroom-fueled party, teens in a snowbound Galician village discover one of them is missing. The film was well-received at the Malaga festival.
Sales: Begin Again Films
“Barren Land,” (Albert Pintó)
From a director on “Money Heist” and “Berlin,” this suspense thriller captures how the drug trade devastates friendships and lives in Andalusía’s Cádiz. Film sports a great cast: Luis Zahera (“The Beasts”), Karra Elejalde (“While at War...
“8,” (Julio Medem)
Medem returns towhat he does best: a love story transcending time and space and a poetic critique of recent history, according to sales agent Latido Films. “Fariña’s” Javier Rey and “La Mesías” Ana Rujus star as the lovers. Morena Films produces.
Sales: Latido
“As Neves,” (Sonia Méndez)
After a magic mushroom-fueled party, teens in a snowbound Galician village discover one of them is missing. The film was well-received at the Malaga festival.
Sales: Begin Again Films
“Barren Land,” (Albert Pintó)
From a director on “Money Heist” and “Berlin,” this suspense thriller captures how the drug trade devastates friendships and lives in Andalusía’s Cádiz. Film sports a great cast: Luis Zahera (“The Beasts”), Karra Elejalde (“While at War...
- 5/15/2024
- by John Hopewell
- Variety Film + TV
French producer Sylvie Pialat will replace Spanish director Rogrigo Sorogoyen as Cannes Critics’ Week president.
“Due to personal circumstances, and much to our regret, Rodrigo Sorogoyen has had to step down as president of the jury for the 63rd Semaine de la Critique,” Critics’ Week said on Saturday (May 11).
The 11th-hour changeover will also see French filmmaker Iris Kaltenback join the jury alongside previously announced members Rwandan actress Eliane Umuhire, Belgian director of photography Virginie Surdej, and Canadian journalist and film critic Ben Croll.
Pialat was originally on the jury, and will now act as the group’s president.
Pialat...
“Due to personal circumstances, and much to our regret, Rodrigo Sorogoyen has had to step down as president of the jury for the 63rd Semaine de la Critique,” Critics’ Week said on Saturday (May 11).
The 11th-hour changeover will also see French filmmaker Iris Kaltenback join the jury alongside previously announced members Rwandan actress Eliane Umuhire, Belgian director of photography Virginie Surdej, and Canadian journalist and film critic Ben Croll.
Pialat was originally on the jury, and will now act as the group’s president.
Pialat...
- 5/11/2024
- ScreenDaily
Memento International has boarded “Gazer,” the debut feature of American filmmaker Ryan J. Sloan which will world premiere at Cannes Directors’ Fortnight.
Set in New Jersey, the paranoia thriller stars Ariella Mastroianni as Frankie, a young mother with a rare degenerative brain condition called dyschronometria. Struggling to perceive time, she uses cassette tapes for guidance and is unable to find steady work with her condition. When a mysterious woman offers her a risky job, she takes it, unaware of the dark consequences that await.
Sloan, who is from New Jersey and previously worked as electrician, pays tribute to New Hollywood’s great masters by revisiting the mystery thriller genre in “Gazer.” Lensed in 16mm stock, the film follows a magnetic character played by Ariella Mastroianni, who stars opposite Marcia Debonis, Renee Gagner, Jack Alberts and Grant Schumacher.
“‘Gazer’ is a redemption story derailed by a revenge story, following flawed characters...
Set in New Jersey, the paranoia thriller stars Ariella Mastroianni as Frankie, a young mother with a rare degenerative brain condition called dyschronometria. Struggling to perceive time, she uses cassette tapes for guidance and is unable to find steady work with her condition. When a mysterious woman offers her a risky job, she takes it, unaware of the dark consequences that await.
Sloan, who is from New Jersey and previously worked as electrician, pays tribute to New Hollywood’s great masters by revisiting the mystery thriller genre in “Gazer.” Lensed in 16mm stock, the film follows a magnetic character played by Ariella Mastroianni, who stars opposite Marcia Debonis, Renee Gagner, Jack Alberts and Grant Schumacher.
“‘Gazer’ is a redemption story derailed by a revenge story, following flawed characters...
- 5/2/2024
- by Elsa Keslassy
- Variety Film + TV
Memento International has boarded “The Ugly Stepsister,” the ambitious feature debut of Norwegian director Emilie Blichfeldt. The company will kick off sales at this year’s Cannes.
Combining comedy and horror, the film is a daring and unexpected take on the world-famous tale, seen through the eyes of the Cinderella’s stepsister, Elvira.
The gory film follows Elvira as she battles to compete with her insanely beautiful stepsister in a kingdom where beauty is a brutal business. She will go to any lengths to catch the prince’s eye.
“The Ugly Stepsister” is produced by Maria Ekerhovd in Norway for Mer Film, and is co-produced by Lizette Jonjic for Zentropa Sweden (“Another Round”), Mariusz Włodarski for Poland’s Lava Films (“The Girl With The Needle”), Theis Nørgaard for Denmark’s Motor (“The Dead Don’t Hurt”), Zefyr and Film i Väst. With support from the Norwegian Film Institute, the Polish Cash...
Combining comedy and horror, the film is a daring and unexpected take on the world-famous tale, seen through the eyes of the Cinderella’s stepsister, Elvira.
The gory film follows Elvira as she battles to compete with her insanely beautiful stepsister in a kingdom where beauty is a brutal business. She will go to any lengths to catch the prince’s eye.
“The Ugly Stepsister” is produced by Maria Ekerhovd in Norway for Mer Film, and is co-produced by Lizette Jonjic for Zentropa Sweden (“Another Round”), Mariusz Włodarski for Poland’s Lava Films (“The Girl With The Needle”), Theis Nørgaard for Denmark’s Motor (“The Dead Don’t Hurt”), Zefyr and Film i Väst. With support from the Norwegian Film Institute, the Polish Cash...
- 4/29/2024
- by Elsa Keslassy
- Variety Film + TV
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