Directed by
| Robert Chuter | ||
Writing Credits (in alphabetical order)
| Julia Britton | ... | (based on a play by) |
| Angus Brown | ... | (written by) |
Cast (in credits order)
Produced by
| Julia Britton | ... | executive producer |
| Robert Chuter | ... | co-producer / producer |
| Anthony Coe | ... | executive producer |
| John Harvie Morris | ... | co-producer |
| Suzanne Opitz | ... | executive producer |
| Chris Pender | ... | co-producer / producer (as Christopher Pender) |
| Richard Phillips | ... | line producer |
| Andrew Potts | ... | executive producer |
Music by
| Andrew Bishop | ||
Cinematography by
| Michael Schoell | ||
Editing by
| Sasha Dylan Bell | ||
Production Design by
| Emma Wicks | ||
Art Direction by
| Raphael Kilpatrick | ||
Costume Design by
| Alban Farrawell | ||
Makeup Department
| Harriet Gallon | ... | hair assistant / makeup assistant |
| Anita Guastella | ... | hair assistant / makeup assistant |
| Charlene Hyde | ... | makeup & hair dept head |
| Luciana Rose | ... | hair assistant / makeup assistant |
| Mia Kate Russell | ... | makeup & hair designer |
| Rachel Taylor | ... | hair assistant / makeup assistant |
Production Management
| Stephan Latsch | ... | unit manager |
| David Leadbetter | ... | production manager |
Second Unit Director or Assistant Director
| Karolina Berkell | ... | third assistant director (as Karolina Berkell-Kirk) |
Art Department
| Matthew Caminiti | ... | graphic designer |
| Tierney MacGregor | ... | stand-by props |
Sound Department
| Chris Bond | ... | boom operator |
| Steven Bond | ... | sound recordist |
| Milo Fisher | ... | adr assistant |
| Jeff May | ... | adr assistant |
| Peregrine Sellick | ... | boom operator |
Visual Effects by
| Tobi Edwards | ... | visual effects artist |
Camera and Electrical Department
| Greg Bachurski | ... | additional stills photographer |
| Jeremy Blincoe | ... | still photographer |
| Dan Farmer | ... | camera assistant & focus puller |
| Toyah Knaggs | ... | clapper & split operator |
| Suzanne Opitz | ... | Additional stills photographer |
| Chris Parkinson | ... | gaffer |
| Rudi Siira | ... | camera assistant & focus puller |
| Shaun Vance | ... | lighting best boy |
| Simon Zagami | ... | key grip |
Casting Department
| Karolina Berkell | ... | extras casting (as Karolina Berkell-Kirk) |
Costume and Wardrobe Department
| Beth Child | ... | costume assistant |
Editorial Department
| Michael William Edwards | ... | assistant editor |
| Marc Opitz | ... | trailer editor |
| David Pagliarini Baldini | ... | assistant editor (as David Baldini) |
| Alan Woodruff | ... | teaser editor |
| Peter Worland | ... | additional editor |
Location Management
| Olivia Lewis | ... | location scout (as Olivia Shore) |
Script and Continuity Department
| Lisa Dethridge | ... | script editor |
| Rebekah Salami | ... | continuity (as Rebekka Salmi) |
Additional Crew
| Julia Adams | ... | company legal services |
| Janni Alexander | ... | production accountant |
| Laurie Fish | ... | additional grip |
| Drew Hobbs | ... | grip best boy |
| Tom Holt | ... | third electrics |
| Isolde Leuckenhausen | ... | legal services |
| Marc Opitz | ... | production coordinator |
| Tony Petani | ... | legal services |
| Nicholas Pullen | ... | legal services |
| Sullivan Stapleton | ... | dolly grip |
| Andrea Wookey | ... | legal services |
