The camera pans from left to right, and people gather, as if pulled by a magnet, to look into its lens.
I've seen, oh, a hundred of these simple panorama shots, and it's always the background details that draw my eye: the big sign proclaiming "Credit Lyonnaisse", the one man not dressed in black, but a costume that, in America, would proclaim he is a musician in a brass band that plays in the park on Sunday afternoons. Other than that, it's just people, staring curiously at the camera.
I've seen, oh, a hundred of these simple panorama shots, and it's always the background details that draw my eye: the big sign proclaiming "Credit Lyonnaisse", the one man not dressed in black, but a costume that, in America, would proclaim he is a musician in a brass band that plays in the park on Sunday afternoons. Other than that, it's just people, staring curiously at the camera.