Directed by
| Jesse Armstrong | ||
Writing Credits (in alphabetical order)
| Jesse Armstrong | ... | (writer) |
Cast
 |
Charlie Clark | ... | Forbsey |
|
|
Sion Davies | ... | Gwyn |
|
|
Maxine Evans | ... | Marianne |
|
|
Joe Heard | ... | Jamie |
|
|
Alice Kerrigan | ... | Caz |
| James Puddephatt | ... | Les | |
Produced by
| Katherine Butler | ... | executive producer |
| Kate Crowther | ... | producer |
| Lizzie Francke | ... | executive producer |
| Andrew McLintock | ... | post production producer |
| Derrin Schlesinger | ... | executive producer |
| Eva Yates | ... | executive producer |
Cinematography by
| Mattias Nyberg | ||
Editing by
| Mark Davies | ||
Casting By
| Nadira Seecoomar | ||
Production Design by
| Sarah Finlay | ||
Costume Design by
| Jo Thompson | ||
Makeup Department
| Stephanie Moelbeck | ... | makeup artist |
| Caroline Parker | ... | makeup artist |
| Gilly Popham | ... | makeup designer |
Production Management
| Sarah Howells | ... | production manager |
| Barry Ryan | ... | head of production |
Second Unit Director or Assistant Director
| Hannah Green | ... | second assistant director |
| Elaine Mackenzie | ... | first assistant director |
Art Department
| Caroline Barton | ... | assistant art director |
Sound Department
| Adam Armitage | ... | sound effects editor |
| Stuart Bagshaw | ... | foley editor |
| Alexander Fielding | ... | adr mixer (as Alex Fielding) |
| Nigel Heath | ... | re-recording mixer |
| Sarah Howe | ... | boom operator |
| Jules Jackson | ... | audio producer (as Jules Zabbar) |
| Keith Partridge | ... | foley recordist |
| Alex Sawyer | ... | dialogue editor |
| Barnaby Smyth | ... | foley artist |
| Michael Lee Taylor | ... | sound mixer |
Visual Effects by
| Adam Armitage | ... | fx editor |
| Mark Chapman | ... | online vfx editor |
| Tim Greenwood | ... | online vfx operator |
| Andrew McLintock | ... | visual effects producer |
| Catherine Pavitt | ... | visual effects coordinator |
Stunts
| Andy Bennett | ... | stunt coordinator |
Camera and Electrical Department
| Doug Walshe Aco | ... | steadicam operator (as Doug Walshe) |
| Silvio Bersani | ... | focus puller |
| Sean Kisch | ... | assistant camera |
| Alex Swinfen | ... | dit |
| Frank Usher | ... | gaffer |
Costume and Wardrobe Department
| Emma Rees | ... | costume supervisor |
Editorial Department
| Rob Cooper | ... | on-line editor |
| Steve Green | ... | assistant editor |
| Edwin Metternich | ... | grade |
| Mandy Miller | ... | post-production paperwork |
Location Management
| Jodi Moore | ... | location manager |
| Saskia Whinney | ... | location manager |
Music Department
| Lucy Bright | ... | music supervisor |
Script and Continuity Department
| Tony Roche | ... | script editor |
| Rebecca Rycroft | ... | script supervisor |
Additional Crew
| Erick Ausaru Kwashie | ... | runner (as Erick Gbewonyo) |
| Peter Balm | ... | business and commercial executive |
| Geraldine Ditano | ... | production accountant |
| Lizzie Francke | ... | senior development and production executive: BFI |
| Marcia Mantack | ... | runner |
| Alex Marshall | ... | head of business and commercial |
| Cat Marshall | ... | production assistant: Warp Films |
| Dan McNichol | ... | Film4 business affairs |
| Donnchadh McNicholl | ... | legal and business affairs: Film4 |
| Mattias Nyberg | ... | director of photography |
| Warren Orchard | ... | stills photographer |
| Jodie Orme | ... | BFI business affairs |
| Niall Shamma | ... | finance director |
| Alex Swinfen | ... | dit |
Thanks
| Abe Armstrong | ... | thanks |
| Annie Armstrong | ... | thanks |
| Sam Bain | ... | thanks |
| Peter Carlton | ... | thanks |
| Alice Greenland | ... | thanks |
| Milly Jenkins | ... | thanks |
| Andrew Newman | ... | thanks |
| Robert Popper | ... | thanks |
| Simon Whalley | ... | thanks |