With the ongoing discussions about Donald Trump wanting to construct a wall between Mexico and the Unites States, Sam Wainwright Douglas’ latest documentary, “Through the Repellent Fence: A Land Art Film,” is more relevant than ever.
The film follows Postcommodity, an interdisciplinary arts collective comprised of Raven Chacon, Cristóbal Martinez and Kade L. Twist, who put land art in a tribal context. The group bring together a community to construct the Repellent Fence, a two-mile long ephemeral monument “stitching” together the Us and Mexico. The documentary shows how in 2015 they were helped by people on both sides of the border to install a series of 26 huge inflatable spheres emblazoned with an insignia known as the “open eye” that has existed in Indigenous cultures from South America to Canada for thousands of years.
Read More: ‘Midsummer in Newtown’ Exclusive Clip: Documentary Explores a Shakespearean Production In The Aftermath of Sandy Hook...
The film follows Postcommodity, an interdisciplinary arts collective comprised of Raven Chacon, Cristóbal Martinez and Kade L. Twist, who put land art in a tribal context. The group bring together a community to construct the Repellent Fence, a two-mile long ephemeral monument “stitching” together the Us and Mexico. The documentary shows how in 2015 they were helped by people on both sides of the border to install a series of 26 huge inflatable spheres emblazoned with an insignia known as the “open eye” that has existed in Indigenous cultures from South America to Canada for thousands of years.
Read More: ‘Midsummer in Newtown’ Exclusive Clip: Documentary Explores a Shakespearean Production In The Aftermath of Sandy Hook...
- 1/30/2017
- by Liz Calvario
- Indiewire
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