The demand for original television programming is sky-rocketing and doesn’t appear to be coming down any time soon. From the explosion of subscription services like Netflix and Hulu, to websites and brands looking to step into the original content game, to the continued expansion of scripted and unscripted programming on dozens of cable channels, outlets are desperately looking for original content that can stand-out in the abundance of programming now available to consumers.
Out of this demand has emerged a new way for creatives to break into TV: the Dyi pilot. Instead of writing a spec and trying to break into TV the old fashion way, content creators are following the path independent filmmakers and shooting low budget pilots that serve as proofs of concept for a hungry TV industry hoping to find the next “High Maintenance.”
Read More: SeriesFest – There’s a Diy Way to Break into TV...
Out of this demand has emerged a new way for creatives to break into TV: the Dyi pilot. Instead of writing a spec and trying to break into TV the old fashion way, content creators are following the path independent filmmakers and shooting low budget pilots that serve as proofs of concept for a hungry TV industry hoping to find the next “High Maintenance.”
Read More: SeriesFest – There’s a Diy Way to Break into TV...
- 6/27/2016
- by Chris O'Falt and Sarah Colvin
- Indiewire
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