Directed by
| Samantha Scott | ||
Writing Credits
| William Brandt | ... | (written by) |
Cast (in credits order)
| Edwin Wright | ... | Jeremy | |
| Frank Whitten | ... | Frederick | |
 |
Elizabeth McRae | ... | Cynthia |
Produced by
| Vanessa Alexander | ... | executive producer |
| Lisa Schulz | ... | producer |
Music by
| Sean Donnelly | ||
Cinematography by
| Dale Elena McCready | ... | (as Dale McCready) |
Editing by
| Nicola Smith | ... | (as Nic Smith) |
Production Design by
| Brett Schwieters | ||
Makeup Department
| Bianca Calis | ... | makeup |
Production Management
| Brian Scadden | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Sophie Calver | ... | first assistant director |
Sound Department
| Amy Barber | ... | audio engineer |
| John Boswell | ... | re-recording mixer |
| Fred Enholmer | ... | boom operator |
| Deb Frame | ... | foley artist |
| Gilbert Lake | ... | re-recording mixer |
| John Neill | ... | sound manager |
| Mark Williams | ... | boom operator |
Camera and Electrical Department
| Paul Eversden | ... | gaffer (as Paul Eversdon) |
| Troy Finan | ... | lighting assistant |
| Simon Hawkins | ... | grip |
| Alicia Hudson | ... | clapper loader |
| Gary Illingworth | ... | grip assistant |
| Spencer Locke-Bonney | ... | best boy |
| Reiner Schoenbrum | ... | rostrum camera (as Reiner Schoenbrunn) |
| Gaysorn Thavat | ... | focus puller |
Costume and Wardrobe Department
| Fiona Schwieters | ... | wardrobe |
Editorial Department
| Niki Hini | ... | assistant editor |
| Lynne Reed | ... | grading |
Location Management
| Mike Holloway | ... | location scout |
| Karen Ingman | ... | location manager |
Script and Continuity Department
| Kathe Calis | ... | continuity |
Additional Crew
| Wynter Blathwayt | ... | titles |
| Wendy Dahlberg | ... | runner |
| Wesley Dowdell | ... | runner |
| Tina McLaren | ... | unit |
| Gayle Munro | ... | production accountant |
| Missy Rika | ... | unit |
| Gillian Stewart | ... | unit |
| Sue Thompson | ... | general manager: The Film Unit |