My Journey Through French Cinema (2016)
Voyage à travers le cinéma français (original title)Reference View | Change View
- Not Rated
- 3h 21min
- Documentary
- 12 Oct 2016 (France)
- Movie
Bertrand Tavernier's personal journey through French cinema, from films he enjoyed as a boy to his own early career, told through portraits of key creative figures.
Director:
Writer:
Awards:
- 1 win & 3 nominations.
- See more »
Photos and Videos
Cast
Bertrand Tavernier | ... |
Self
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François Truffaut | ... |
Self (archiveFootage)
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Jean-Paul Gaultier | ... |
Self (archiveFootage)
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Jean Renoir | ... |
Self (archiveFootage)
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Jean-Paul Le Chanois | ... |
Self (archiveFootage)
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Jean Gabin | ... |
Self (archiveFootage)
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Henri Decoin | ... |
Self (archiveFootage)
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Marcel Carné | ... |
Self (archiveFootage)
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Henri Jeanson | ... |
Self (archiveFootage)
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Alexandre Trauner | ... |
Self (archiveFootage)
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Joseph Kosma | ... |
Self (archiveFootage)
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Antoine Duhamel | ... |
Self (archiveFootage)
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Eddie Constantine | ... |
Self (archiveFootage)
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Michel Deville | ... |
Self (archiveFootage)
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Henri Langlois | ... |
Self (archiveFootage)
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Edmond T. Gréville | ... |
Self (archiveFootage)
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Jean-Pierre Melville | ... |
Self (archiveFootage)
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Jean-Paul Belmondo | ... |
Self (archiveFootage) (voice)
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Volker Schlöndorff | ... |
Self (archiveFootage)
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Claude Chabrol | ... |
Self (archiveFootage)
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Georges de Beauregard | ... |
Self (archiveFootage)
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Jean-Luc Godard | ... |
Self (archiveFootage)
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Pierre Schoendoerffer | ... |
Self (archiveFootage)
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Claude Sautet | ... |
Self (archiveFootage)
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Thierry Frémaux | ... |
Self
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Lino Ventura | ... |
Self (archiveFootage)
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José Giovanni | ... |
Self (archiveFootage)
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Michel Piccoli | ... |
Self (archiveFootage)
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Rest of cast listed alphabetically: | |||
Françoise Giroud | ... |
Self (archiveFootage)
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André Marcon | ... |
Récitant / Narrator (voice)
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René Tavernier | ... |
Self (archiveFootage)
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Directed by
Bertrand Tavernier |
Written by
Bertrand Tavernier | ... | (writer) |
Produced by
Frédéric Bourboulon | ... | producer |
Music by
Bruno Coulais |
Cinematography by
Jérôme Alméras | ||
Simon Beaufils | ||
Julien Pamart |
Editing by
Marie Deroudille | ||
Guy Lecorne |
Editorial Department
Juliette Alexandre | ... | assistant editor |
Niels Barroin | ... | colorist assist |
François Goderniaux | ... | titles designer |
Audrey Kleinclaus | ... | digital intermediate producer |
Alexis Roposte | ... | sales manager: Eclair |
Raymond Terrentin | ... | colorist |
Second Unit Director or Assistant Director
Emmanuelle Sterpin | ... | and researcher |
Sound Department
Jacques Descomps | ... | recorder |
Olivier Dô Hùu | ... | sound (as Olivier Do Huu) |
Fanny Weinzaepflen | ... | re-recording mixer |
Camera and Electrical Department
Camille Clément | ... | assistant camera |
Garance Garnier | ... | assistant camera |
Music Department
Philippe Laffont | ... | Music Recorder, Music Mixer |
Additional Crew
Stéphane Lerouge | ... | consultant |
Jean Ollé-Laprune | ... | consultant |
Production Companies
- Little Bear
- Gaumont (co-production)
- Pathé (co-production)
- Canal+ (participation)
- Ciné+ (participation)
- Society of Authors, Composers and Publishers of Music (SACEM) (participation)
- La Région Île-de-France (support)
- Centre national du cinéma et de l'image animée (CNC) (in partnership with)
Distributors
- Cohen Media Group (2016) (United States) (theatrical) (subtitled)
- Pathé (2016) (France) (theatrical)
- StudioCanal (2017) (United Kingdom) (theatrical) (subtitled)
- Cohen Media Group (2016) (United States)
- Midas Filmes (2017) (Portugal)
- Yleisradio (YLE) (2018) (Finland) (tv)
Special Effects
Other Companies
Storyline
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Parents Guide | View content advisory » |
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Additional Details
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Did You Know?
Trivia | Prologue: "Something unites Bertrand and me: We are both of the Liberation and of the Cinemathèque.---Jean-Luc Godard" See more » |
Movie Connections | Features Under the Roofs of Paris (1930). See more » |
Quotes |
Bertrand Tavernier:
"Dernier Atout" is a brilliant but minor film of Becker's. The real shock cam in seeing "Casque d'Or" at the Noctambule on Rue Champollion where I used to play hooky. I was staggered by the serene assurance with which Becker managed to create a tragic climate that he usually distilled with more restraint... Here the tragedy hits you frontally. What's striking is his formal and visual command, the narrative elegance, and the way this mastery never interferes with the emotion, never makes the work impersonal. It's a film in which you constantly feel the character's heartbeat. The mise en scène flexes emotion like you flex your muscles. See more » |