Whilst trying to reignite their relationship at a remote cottage, Dave and Abi are stalked by a terrifying secret.Whilst trying to reignite their relationship at a remote cottage, Dave and Abi are stalked by a terrifying secret.Whilst trying to reignite their relationship at a remote cottage, Dave and Abi are stalked by a terrifying secret.
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Storyline
Did you know
- TriviaThe cottage used for the majority of the scenes is an actual holiday cottage named Lovejoys Mill in Belchamp Water so you can actually go and stay on the 'set' if you choose.
- GoofsAt 1:10, the 'blood' and injuries to her face look like smeared caramel.
- Crazy creditsEvery care was taken so that nothing living (or fictitious) was harmed during the filming. "No animals or werewolves were harmed in the making of this film"
- SoundtracksLove Me Forever
Written by Ian Dench, Elizabeth Jerjian and Leon Paul Palmen
Copyright holders are Ian Dench, Elizabeth Jerjian and Leon Paul Palmen (2016)
Performed by Elizsabeth
Featured review
Borderline X
I'm surprised that this isn't X-rated. This only gets 3 stars because of the music playing during... THAT scene. It made me laugh way too hard at that part.
Unfortunately, the renderings took away from my enjoyment of the rest of the movie. This feels more like an experiment in film making than a horror movie. This movie needed more practical effects and more monster, and less time spent with the unrelatable characters.
The scene transitions (both timing and method) also felt as if they contributed toward a narrative that works better on paper than on the screen. This might even work a bit better on a stage (ignore the sexual parts...) than on the screen. The screenwriter should be sure to properly adapt to the medium being used to portray the story. This is probably the producers' fault as well when they were assembling the final narrative after shooting.
In short: relate the soundtrack to the action, make the characters relatable, use proper practical effects (see listings in the trivia/goofs/continuity/anachronisms), and write for the screen.
Unfortunately, the renderings took away from my enjoyment of the rest of the movie. This feels more like an experiment in film making than a horror movie. This movie needed more practical effects and more monster, and less time spent with the unrelatable characters.
The scene transitions (both timing and method) also felt as if they contributed toward a narrative that works better on paper than on the screen. This might even work a bit better on a stage (ignore the sexual parts...) than on the screen. The screenwriter should be sure to properly adapt to the medium being used to portray the story. This is probably the producers' fault as well when they were assembling the final narrative after shooting.
In short: relate the soundtrack to the action, make the characters relatable, use proper practical effects (see listings in the trivia/goofs/continuity/anachronisms), and write for the screen.
helpful•00
- xaxiobrandish
- Jan 30, 2023
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Carnivore: O Lobisomem de Londres
- Filming locations
- Belchamp Hall, Belchamp Walter, Essex, England, UK(Cottage in the Woods)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $3,800,000 (estimated)
- Runtime1 hour 22 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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Top Gap
By what name was Carnivore: Werewolf of London (2017) officially released in Canada in English?
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