Amid massive nervousness about the future of movies, the American Film Market opens its 40th edition Wednesday at the Loews Santa Monica Beach Hotel. The market runs through Nov. 13.
Southern California weather will deliver sunshine for the 7,000-plus attendees. And organizers of the Afm — the Independent Film and Television Alliance — sent out a message last week that Santa Monica was far away from the wildfires that hit Southern California during the last week of October.
“We would like to assure you that there are no fires in Santa Monica,” Afm said in a message. “Some media have referred to fires in the ‘Santa Monica Mountains.’ This mountain range is actually in Los Angeles, miles from Santa Monica. There is no threat to the Santa Monica business area.”
However reassuring that message may have been, it probably did little to soothe the nerves of an industry that’s seen Disney devour 21st Century Fox,...
Southern California weather will deliver sunshine for the 7,000-plus attendees. And organizers of the Afm — the Independent Film and Television Alliance — sent out a message last week that Santa Monica was far away from the wildfires that hit Southern California during the last week of October.
“We would like to assure you that there are no fires in Santa Monica,” Afm said in a message. “Some media have referred to fires in the ‘Santa Monica Mountains.’ This mountain range is actually in Los Angeles, miles from Santa Monica. There is no threat to the Santa Monica business area.”
However reassuring that message may have been, it probably did little to soothe the nerves of an industry that’s seen Disney devour 21st Century Fox,...
- 11/6/2019
- by Dave McNary
- Variety Film + TV
Just when you think modern cinema has exploited the found-footage conceit from every conceivable angle, along comes a tragicomic mockumentary tracing Bosnia’s recent war-ravaged history via the travails of a young French film crew getting to the root of a reincarnated identity crisis. Aude Léa Rapin’s first narrative feature “Heroes Don’t Die” is nothing if not novel, passing its elaborate concept through a range of genre possibilities — from droll road movie to post-war trauma study to metaphysical ghost story — without settling on one in the course of 85 minutes. Yet this amount of fussing over its final form means the film’s own characters never quite come into focus, making it hard to invest much belief in their wilfully absurd meta-movie: The final result is a curio at best, given flashes of human dimension by the ever-reliable Adèle Haenel as the project’s forbearing director.
For Haenel, “Heroes...
For Haenel, “Heroes...
- 5/21/2019
- by Guy Lodge
- Variety Film + TV
The Fosters actor Christopher Meyer and Jalyn Hall, who stars in CW’s new series All American, have been cast in the Netflix drama All Day and a Night, written and directed by Black Panther scribe Joe Robert Cole. The pic stars Moonlight breakout Ashton Sanders as Jah, a young man who committed a homicide and is facing just that. The drama is seen through his Pov as he deals with the repercussions of his actions. Hall will play the younger version of Jah, and Meyer is Lamark, Jah’s best friend. Nina Jacobson and Brad Simpson of Color Force and Jared Ian Goldman are producing. Meyer is currently appearing on the fourth season of Showtime’s The Affair, while Hall can next be seen in Universal’s The House With a Clock in Its Walls. Meyer is repped by Pantheon, Stride Management, and attorney Chris Abramson. Hall is also...
- 8/6/2018
- by Amanda N'Duka
- Deadline Film + TV
Every week, IndieWire asks a select handful of film critics two questions and publishes the results on Monday.
Last weekend saw the release of “Solo: A Star Wars Story,” a movie that at least one critic maintains is salvaged by the introduction of a brilliant new droid. On that note, what — or who? — is the greatest of all movie robots?
Charles Bramesco (@intothecrevasse), Freelance for The Guardian, Vulture, The New York Times
The only reasonable answer is Robby the Robot from “Forbidden Planet.” A trailblazer for android-kind, he was the first instance of a bag of bolts that actually had personality, charm, a sense of fully-formed character. In the sublime B-movie take on “The Tempest” that gave him his debut (he’d go on to appear as a sort of all-purpose robot in later imitators), Robby functions as a Caliban-type figure, both engrossed by and distrustful of his own Cartesian awareness.
Last weekend saw the release of “Solo: A Star Wars Story,” a movie that at least one critic maintains is salvaged by the introduction of a brilliant new droid. On that note, what — or who? — is the greatest of all movie robots?
Charles Bramesco (@intothecrevasse), Freelance for The Guardian, Vulture, The New York Times
The only reasonable answer is Robby the Robot from “Forbidden Planet.” A trailblazer for android-kind, he was the first instance of a bag of bolts that actually had personality, charm, a sense of fully-formed character. In the sublime B-movie take on “The Tempest” that gave him his debut (he’d go on to appear as a sort of all-purpose robot in later imitators), Robby functions as a Caliban-type figure, both engrossed by and distrustful of his own Cartesian awareness.
- 5/29/2018
- by David Ehrlich
- Indiewire
Chilean filmmaker Sebastián Lelio is wasting no time getting his next project into theaters — or at least distributor Bleecker Street isn’t. Just over a month after his last film, A Fantastic Woman, took the Oscar for Best Foreign Language Film, his latest, Disobedience with Rachel McAdams and Rachel Weisz rolls into theaters, only days after its Tribeca Film Festival bow. The film joins a pretty packed lineup of new Specialties that will go head to head with Disney’s sure-fire Avengers installment. Sundance Selects is rolling out French filmmaker Claire Denis’ Let the Sunshine In with Juliette Binoche, one of a few foreign-language offerings this weekend including Grasshopper Films’ drama Ava by Sadaf Foroughi. Shout! Studios is opening The House of Tomorrow by Peter Livolsi with Asa Butterfield, Nick Offerman and Ellen Burstyn in several markets, while Cleopatra Films is opening Daniel Jerome Gill’s music-romance, Modern Life is Rubbish.
- 4/26/2018
- by Brian Brooks
- Deadline Film + TV
If the purpose of festivals is to showcase groundbreaking creators and their ideas, it’s no wonder Iranian debut “Ava“ has garnered awards and praise on its journey through North America. The assured feature from director Sadaf Foroughi impressed at Tiff, picking up the Fipresci Discovery Prize, and now it’s poised for even more success after its New York debut at New Directors/New Films.
- 4/10/2018
- by Lena Wilson
- The Playlist
"Who's this boy who waits for you everyday?" Grasshopper Films has released an official Us trailer for a rebellious drama titled Ava, from Iran, the feature debut of filmmaker Sadaf Foroughi. Deemed "exquisite" and "spellbinding," the film premiered at the Toronto Film Festival last year, and stopped by the Göteborg Film Festival, Portland Film Festival, and New Directors/New Films earlier this year. Ava tells the story of Ava, played by Mahour Jabbari, a high school girl in Iran. Her life becomes more complicated after her mother catches her in an act of rebellion. The cast includes Bahar Noohian, Vahid Aghapoor, Parnian Akhtari, Sarah Alimoradi, Mona Ghiasi, and Houman Hoursan. Rebel, young Ava! This looks great. Impressive cinematography, to go with an inspiring story of fierce independence in the face of oppression. Here's the official Us trailer (+ poster) for Sadaf Foroughi's Ava, direct from Grasshopper's YouTube: Based on her own adolescent experiences,...
- 4/5/2018
- by Alex Billington
- firstshowing.net
“Bpm” triumphed at the César Awards, taking home the prizes for Best Film, Best Original Screenplay, Best Supporting Actor (Antoine Reinartz), Best Male Newcomer (Nahuel Pérez Biscayart), Best Original Score, and Best Editing. Robin Campillo’s drama about AIDS activists in Paris also won the Grand Prix at last year’s Cannes Film Festival, but wasn’t nominated for the Academy Award for Best Foreign-Language Film — a snub that was met with some controversy.
Andrey Zvyagintsev’s “Loveless,” which is nominated for the Oscar, won the equivalent award. Albert Dupontel’s “Au revoir là-haut” also had a big night, taking Best Director, Best Actress (Jeanne Balibar), and three other prizes. Full list of winners:
Best Film
“Bpm,” Robin Campillo
“Au revoir là-haut,” Albert Dupontel
“Barbara,” Mathieu Amalric
“Le Brio,” Yvan Attal
“Patients,” Grand Corps Malade, Mehdi Idir
“Petit Paysan,” Hubert Charuel
“C’est La Vie,” Eric Tolédano, Olivier Nakache
Best Director
Robin Campillo,...
Andrey Zvyagintsev’s “Loveless,” which is nominated for the Oscar, won the equivalent award. Albert Dupontel’s “Au revoir là-haut” also had a big night, taking Best Director, Best Actress (Jeanne Balibar), and three other prizes. Full list of winners:
Best Film
“Bpm,” Robin Campillo
“Au revoir là-haut,” Albert Dupontel
“Barbara,” Mathieu Amalric
“Le Brio,” Yvan Attal
“Patients,” Grand Corps Malade, Mehdi Idir
“Petit Paysan,” Hubert Charuel
“C’est La Vie,” Eric Tolédano, Olivier Nakache
Best Director
Robin Campillo,...
- 3/2/2018
- by Michael Nordine
- Indiewire
Chicago – In the last seven years, the work of Iranian director Asghar Farhadi has emerged internationally. His Oscar-winning film “A Separation” (2011) and “The Salesman” (2016) has launched his set-in-Iran films to a wider audience. The Gene Siskel Film Center in Chicago has been highlighting the country’s cinema for years, and they present the 28th Festival of Films from Iran through March 1st, 2018.
Eight films will be shown throughout the month-long program, including “Ava,” “24 Frames,” “Disappearance,” “Negar,” “Tehran Taboo,” and ‘Waiting for Kiarostami.” For more information about the festival and the films, including tickets, click here.
’Ava’ is Part of the 28th Festival of Films from Iran at the Gene Siskel Film Center
Photo credit: SiskelFilmCenter.org
The Gene Siskel Film Center is part of the School of the Art Institute in Chicago, and presents film festival celebrations (including the Black Harvest Film Festival every August), restorations, cutting edge new...
Eight films will be shown throughout the month-long program, including “Ava,” “24 Frames,” “Disappearance,” “Negar,” “Tehran Taboo,” and ‘Waiting for Kiarostami.” For more information about the festival and the films, including tickets, click here.
’Ava’ is Part of the 28th Festival of Films from Iran at the Gene Siskel Film Center
Photo credit: SiskelFilmCenter.org
The Gene Siskel Film Center is part of the School of the Art Institute in Chicago, and presents film festival celebrations (including the Black Harvest Film Festival every August), restorations, cutting edge new...
- 2/6/2018
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Panelists disagree on the possibilities offrered by deals with streaming giants.
Source: Iffr
Reality Check day one.
The European film market is an increasingly challenging environment due to a surplus of content, but is the disruption caused by deep-pocketed SVoD companies such as Netflix and Amazon helping or hindering the industry?
That question regularly entered discussion during the first day of Reality Check, International Film Festival Rotterdam’s new conference exploring the transforming landscape of film distribution.
It’s not news that a surplus of film content is flooding the European market, but the industry continues to be challenged by the sheer number of releases. In France, up to 700 films were released in cinemas in 2017. The number in the UK was close to 900.
“The problem is the volume of films that are being programmed. Does every film belong in the cinema?” asked Bobby Allen, senior vice president of content at arthouse steaming service Mubi, who was hosting...
Source: Iffr
Reality Check day one.
The European film market is an increasingly challenging environment due to a surplus of content, but is the disruption caused by deep-pocketed SVoD companies such as Netflix and Amazon helping or hindering the industry?
That question regularly entered discussion during the first day of Reality Check, International Film Festival Rotterdam’s new conference exploring the transforming landscape of film distribution.
It’s not news that a surplus of film content is flooding the European market, but the industry continues to be challenged by the sheer number of releases. In France, up to 700 films were released in cinemas in 2017. The number in the UK was close to 900.
“The problem is the volume of films that are being programmed. Does every film belong in the cinema?” asked Bobby Allen, senior vice president of content at arthouse steaming service Mubi, who was hosting...
- 1/29/2018
- by Tom Grater
- ScreenDaily
Sneak Peek new images from the "Agents of S.H.I.E.L.D." episode "Past Life", written by DJ Doyle and directed by Eric Laneuville, airing February 2, 2018 on ABC:
"...'S.H.I.E.L.D.' has one final chance to return to our timeline, but their actions may have deadly consequences..."
Episode guest stars include Jeff Ward as 'Deke', Eve Harlow as 'Tess', Dominic Rains as 'Kasius', Florence Faivre as 'Sinara', Joel Stoffer as 'Enoch', Max E. Williams as 'Tye', Coy Stewart as 'Flint', Tunisha Hubbard as 'Ava', Ryan R. Moos as 'Kree' doctor, Luke Massy as 'Hek-Sel' and Jay Hunter as 'Kree' watch commander.
Click the images to enlarge...
"...'S.H.I.E.L.D.' has one final chance to return to our timeline, but their actions may have deadly consequences..."
Episode guest stars include Jeff Ward as 'Deke', Eve Harlow as 'Tess', Dominic Rains as 'Kasius', Florence Faivre as 'Sinara', Joel Stoffer as 'Enoch', Max E. Williams as 'Tye', Coy Stewart as 'Flint', Tunisha Hubbard as 'Ava', Ryan R. Moos as 'Kree' doctor, Luke Massy as 'Hek-Sel' and Jay Hunter as 'Kree' watch commander.
Click the images to enlarge...
- 1/17/2018
- by Michael Stevens
- SneakPeek
The 2018 Canadian Screen Awards nominations were announced Tuesday, and the series “Anne” and film “Ava” came away with the most nods. Related: Margaret Atwood To Be Honoured At 2018 Canadian Screen Awards In Toronto In the TV categories, “Anne” received an impressive 13 nominations, with “Cardinal” and “Kim’s Convenience” following close behind with 12 each.
- 1/16/2018
- by Corey Atad
- ET Canada
Sneak Peek more new footage, plus images from the "Agents of S.H.I.E.L.D." episode "Fun and Games", written by Brent Fletcher and directed by Clark Gregg, airing January 5, 2018 on ABC:
"....with the life of 'Daisy' on the line...
"...an unexpected friend attempts to rescue her..."
"Marvel's Agents of S.H.I.E.L.D." stars Clark Gregg as 'Agent Phil Coulson', Ming-Na Wen as 'Agent Melinda May', Chloe Bennet as 'Daisy Johnson'...
...Iain De Caestecker as 'Agent Leo Fitz', Elizabeth Henstridge as 'Agent Jemma Simmons', Henry Simmons as 'Agent Alphonso "Mack" MacKenzie' and Natalia Cordova-Buckley as 'Elena "Yo-Yo" Rodriguez'. Guest stars include Eve Harlow as 'Tess', Dominic Rains as 'Kasius', Florence Faivre as 'Sinara', Joel Stoffer as 'Enoch', Coy Stewart as 'Flint', Pruitt Taylor Vince as 'Grill', Tunisha Hubbard as 'Ava', Erika Ervin as 'Lady Karaba',...
"....with the life of 'Daisy' on the line...
"...an unexpected friend attempts to rescue her..."
"Marvel's Agents of S.H.I.E.L.D." stars Clark Gregg as 'Agent Phil Coulson', Ming-Na Wen as 'Agent Melinda May', Chloe Bennet as 'Daisy Johnson'...
...Iain De Caestecker as 'Agent Leo Fitz', Elizabeth Henstridge as 'Agent Jemma Simmons', Henry Simmons as 'Agent Alphonso "Mack" MacKenzie' and Natalia Cordova-Buckley as 'Elena "Yo-Yo" Rodriguez'. Guest stars include Eve Harlow as 'Tess', Dominic Rains as 'Kasius', Florence Faivre as 'Sinara', Joel Stoffer as 'Enoch', Coy Stewart as 'Flint', Pruitt Taylor Vince as 'Grill', Tunisha Hubbard as 'Ava', Erika Ervin as 'Lady Karaba',...
- 1/5/2018
- by Michael Stevens
- SneakPeek
Sneak Peek new images from the Upcoming "Agents of S.H.I.E.L.D." episode "Together or Not at All", written by Matt Owens and directed by Brad Turner, airing January 12, 2018 on ABC:
"...just as the team reunites, they become prey to an undefeated 'Kree' warrior who is bent on destroying them all..."
Episode guest stars include Jeff Ward as 'Deke', Dominic Rains as 'Kasius', Florence Faivre as 'Sinara', Joel Stoffer as 'Enoch', Coy Stewart as 'Flint', Tunisha Hubbard as 'Ava', Willow Hale as 'The Seer', Jay Hunter as 'watch commander', Isaac C. Singleton Jr. as 'The Vicar', Samuel Roukin as 'Faulnak', Remington Hoffman as 'Maston-Dar' and Shon Lange as a 'guard'.
"Marvel's Agents of S.H.I.E.L.D." is broadcast in 720 Progressive (720P), ABC's selected HDTV format with 5.1 channel surround sound.
Click the images to enlarge...
"...just as the team reunites, they become prey to an undefeated 'Kree' warrior who is bent on destroying them all..."
Episode guest stars include Jeff Ward as 'Deke', Dominic Rains as 'Kasius', Florence Faivre as 'Sinara', Joel Stoffer as 'Enoch', Coy Stewart as 'Flint', Tunisha Hubbard as 'Ava', Willow Hale as 'The Seer', Jay Hunter as 'watch commander', Isaac C. Singleton Jr. as 'The Vicar', Samuel Roukin as 'Faulnak', Remington Hoffman as 'Maston-Dar' and Shon Lange as a 'guard'.
"Marvel's Agents of S.H.I.E.L.D." is broadcast in 720 Progressive (720P), ABC's selected HDTV format with 5.1 channel surround sound.
Click the images to enlarge...
- 12/23/2017
- by Michael Stevens
- SneakPeek
Sneak Peek new images from the "Agents of S.H.I.E.L.D." episode "Fun and Games", written by Brent Fletcher and directed by Clark Gregg, airing January 5, 2018 on ABC:
"....with the life of 'Daisy' on the line...
"...an unexpected friend attempts to rescue her..."
"Marvel’s Agents of S.H.I.E.L.D." stars Clark Gregg as 'Agent Phil Coulson', Ming-Na Wen as 'Agent Melinda May', Chloe Bennet as 'Daisy Johnson', Iain De Caestecker as 'Agent Leo Fitz', Elizabeth Henstridge as 'Agent Jemma Simmons', Henry Simmons as 'Agent Alphonso "Mack" MacKenzie' and Natalia Cordova-Buckley as 'Elena "Yo-Yo" Rodriguez'. Guest stars include Eve Harlow as 'Tess', Dominic Rains as 'Kasius', Florence Faivre as 'Sinara', Joel Stoffer as 'Enoch', Coy Stewart as 'Flint', Pruitt Taylor Vince as 'Grill', Tunisha Hubbard as 'Ava', Erika Ervin as 'Lady Karaba', Patrick Fabian as 'Ponarian',...
"....with the life of 'Daisy' on the line...
"...an unexpected friend attempts to rescue her..."
"Marvel’s Agents of S.H.I.E.L.D." stars Clark Gregg as 'Agent Phil Coulson', Ming-Na Wen as 'Agent Melinda May', Chloe Bennet as 'Daisy Johnson', Iain De Caestecker as 'Agent Leo Fitz', Elizabeth Henstridge as 'Agent Jemma Simmons', Henry Simmons as 'Agent Alphonso "Mack" MacKenzie' and Natalia Cordova-Buckley as 'Elena "Yo-Yo" Rodriguez'. Guest stars include Eve Harlow as 'Tess', Dominic Rains as 'Kasius', Florence Faivre as 'Sinara', Joel Stoffer as 'Enoch', Coy Stewart as 'Flint', Pruitt Taylor Vince as 'Grill', Tunisha Hubbard as 'Ava', Erika Ervin as 'Lady Karaba', Patrick Fabian as 'Ponarian',...
- 12/19/2017
- by Michael Stevens
- SneakPeek
The American Film Institute (AFI) has announced the films that will be featured in their New Auteurs and American Independents sections at the upcoming AFI Fest 2017 presented by Audi. Selections include a number of lauded features from around the festival circuit, including Cannes offerings like “I Am Not a Witch,” SXSW favorites like “Gemini” and “Mr. Roosevelt,” the Sundance breakout “Thoroughbreds,” and Joseph Kahn’s Toronto Midnight Madness favorite “Bodied,” among others.
Highlighting first- and second-time feature film directors, New Auteurs is designed as the festival’s platform for upcoming filmmakers from all over the world to showcase their new films. This year, the section includes 11 films, nine of which come from female directors. Similarly, AFI Fest’s American Independents section aims to represent the best of this year’s independent filmmaking. Pushing boundaries of form and content across narrative and documentary cinema, this section includes 11 films from both fresh...
Highlighting first- and second-time feature film directors, New Auteurs is designed as the festival’s platform for upcoming filmmakers from all over the world to showcase their new films. This year, the section includes 11 films, nine of which come from female directors. Similarly, AFI Fest’s American Independents section aims to represent the best of this year’s independent filmmaking. Pushing boundaries of form and content across narrative and documentary cinema, this section includes 11 films from both fresh...
- 10/16/2017
- by Kate Erbland
- Indiewire
Festival brass unveil Rising Stars, Telefilm Canada Pitch This! finallists, and more.
Mary Harron, Kim Nguyen (both pictured above), Ingrid Veninger, and Denis Côté are among the familiar names in the 26-strong Canadian Features slate that Toronto International Film Festival programmers unveiled on Wednesday.
The selection comprises the highest number of feature directorial debutants and films from Western Canada in recent years. More than 30% of the titles are by first-time feature directors.
Festival brass also announced Short Cuts, Tiff Cinematheque, Rising Stars, Telefilm Canada Pitch This! finallists, and the recipient of the 2017 Len Blum Residency.
The 42nd Toronto International Film Festival runs from September 7-17.
Canadian Features
“It is exciting to see a new wave of Canadian first-time feature directors play with genres and take risks,” Tiff senior programmer Steve Gravestock said. “This year’s line-up has a truly international feel to it, too, with a number of features shot all over the globe — something that also...
Mary Harron, Kim Nguyen (both pictured above), Ingrid Veninger, and Denis Côté are among the familiar names in the 26-strong Canadian Features slate that Toronto International Film Festival programmers unveiled on Wednesday.
The selection comprises the highest number of feature directorial debutants and films from Western Canada in recent years. More than 30% of the titles are by first-time feature directors.
Festival brass also announced Short Cuts, Tiff Cinematheque, Rising Stars, Telefilm Canada Pitch This! finallists, and the recipient of the 2017 Len Blum Residency.
The 42nd Toronto International Film Festival runs from September 7-17.
Canadian Features
“It is exciting to see a new wave of Canadian first-time feature directors play with genres and take risks,” Tiff senior programmer Steve Gravestock said. “This year’s line-up has a truly international feel to it, too, with a number of features shot all over the globe — something that also...
- 8/9/2017
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
At this year’s Toronto International Film Festival, the annual event will pay tribute to its home country with a number of options that span the past, present, and future of Canadian creativity. Per usual, the fest has unveiled a slew of titles that will make up its Canadian feature slate — 26 in all — with an eye towards advancing not only established Canadian filmmakers, but rising stars as well.
This year’s Canadian lineup boasts one of the highest numbers of feature directorial debuts ever, as well as one of the highest numbers of films from Western Canada in recent years. Over 30% of the titles have a first-time feature director, while seven out of nine are Tiff alumni.
Read More:tiff’s Platform Selection: How the Festival’s Buzziest Slate is Pivoting After Launching ‘Moonlight’
“It is exciting to see a new wave of Canadian first-time feature directors play with genres and take risks,...
This year’s Canadian lineup boasts one of the highest numbers of feature directorial debuts ever, as well as one of the highest numbers of films from Western Canada in recent years. Over 30% of the titles have a first-time feature director, while seven out of nine are Tiff alumni.
Read More:tiff’s Platform Selection: How the Festival’s Buzziest Slate is Pivoting After Launching ‘Moonlight’
“It is exciting to see a new wave of Canadian first-time feature directors play with genres and take risks,...
- 8/9/2017
- by Kate Erbland
- Indiewire
Michael Haneke’s Happy End also among titles in non-competitive strand.
The Sarajevo International Film Festival (August 11-18) has unveiled the line-up for its Kinoscope programme, with 17 titles competing.
The non-competitive strand, which first launched in 2012, selects titles from around the globe and excludes territories featured in the main competition.
Among this year’s cohort are major titles to have competed at Cannes including the Palme d’Or-winner The Square, Michael Haneke’s latest feature Happy End and Andrey Zvyagintsev’s well-received Loveless.
Fellipe Gamarano Barbosa’s Gabriel And The Mountain, Léonor Serraille’s Montparnasse Bienvenüe, Chloé Zhao’s The Rider and Valeska Grisebach’s Western are also included.
The 2017 Kinoscope Line-up
Ava
France, 2017, 105 min.
Director: Léa Mysius
Gabriel And The Mountain / Gabriel E A Montanha
Brazil, France, 2017, 127 min.
Director: Fellipe Gamarano Barbosa
A Ghost Story
USA, 2017, 93 min.
Director: David Lowery
Godspeed / Yi Lu Shun Feng
Taiwan, 2016, 111 min.
Director: Mong-Hong Chung
Happy End
France, Austria, Germany...
The Sarajevo International Film Festival (August 11-18) has unveiled the line-up for its Kinoscope programme, with 17 titles competing.
The non-competitive strand, which first launched in 2012, selects titles from around the globe and excludes territories featured in the main competition.
Among this year’s cohort are major titles to have competed at Cannes including the Palme d’Or-winner The Square, Michael Haneke’s latest feature Happy End and Andrey Zvyagintsev’s well-received Loveless.
Fellipe Gamarano Barbosa’s Gabriel And The Mountain, Léonor Serraille’s Montparnasse Bienvenüe, Chloé Zhao’s The Rider and Valeska Grisebach’s Western are also included.
The 2017 Kinoscope Line-up
Ava
France, 2017, 105 min.
Director: Léa Mysius
Gabriel And The Mountain / Gabriel E A Montanha
Brazil, France, 2017, 127 min.
Director: Fellipe Gamarano Barbosa
A Ghost Story
USA, 2017, 93 min.
Director: David Lowery
Godspeed / Yi Lu Shun Feng
Taiwan, 2016, 111 min.
Director: Mong-Hong Chung
Happy End
France, Austria, Germany...
- 7/25/2017
- ScreenDaily
'Good Time' with Robert Pattinson: All but completely bypassed at the Cannes Film Festival, Ben and Joshua Safdie's crime thriller – co-written by Joshua Safdie and Ronald Bronstein – may turn out to be a key contender in various categories next awards season. Bypassed Palme d'Or contenders (See previous post re: Cannes winners Diane Kruger & Sofia Coppola's Oscar chances.) The Cannes Film Festival has historically been both U.S.- and eurocentric. In other words, filmmaking from other countries in the Americas, Africa, Asia, and the Pacific tend to be ignored either at the awards ceremony or at the very outset – in other words, they don't even get the chance to compete for the Palme d'Or. This year was no different, with a mere two non-u.S., non-European productions (or co-productions) among the 19 films in the Official Competition: Naomi Kawase's Japanese romantic drama Radiance and Hong Sang-soo's South Korean romantic drama The Day After. Both came out empty-handed. Among the other movies that failed to win any of the Official Competition awards, several may have a shot in some category or other come Oscar time. Notably: The socially conscious family drama Happy End, produced by veteran Margaret Ménégoz (Pauline at the Beach, Europa Europa) and a Sony Pictures Classics release in North America. Dir.: Michael Haneke. Cast: Isabelle Huppert. Jean-Louis Trintignant. Mathieu Kassovitz. The mix of time-bending mystery and family drama Wonderstruck, a Roadside Attractions / Amazon Studios release (on Oct. 20) in the U.S. Dir.: Todd Haynes. Cast: Julianne Moore. Millicent Simmonds. Cory Michael Smith. The crime drama Good Time, an A24 release (on Aug. 11) in the U.S. Dir.: Ben and Joshua Safdie. Cast: Robert Pattinson. Jennifer Jason Leigh. Barkhad Abdi. Cannes non-win doesn't mean weaker Oscar chances It's good to remember that the lack of a Cannes Film Festival win doesn't necessarily reduce a film's, a director's, a screenwriter's, or a performer's Oscar chances. Case in point: last year's Cannes Best Actress “loser” Isabelle Huppert for Elle. Here are a few other recent examples of Cannes non-winners in specific categories that went on to receive Oscar nods: Carol (2015), Best Actress (Cate Blanchett) nominee. Two Days, One Night / Deux jours, une nuit (2014), Best Actress (Marion Cotillard) nominee. The Great Beauty / La grande bellezza (2013), Best Foreign Language Film winner. The Hunt / Jagten (2012), Best Foreign Language Film nominee (at the 2013 Academy Awards). The Artist (2011), Best Picture and Best Director (Michel Hazanavicius) Oscar winner. And here's a special case: Amour leading lady and 2012 Best Actress Oscar nominee Emmanuelle Riva could not have won the Best Actress Award at Cannes, as current festival rules prevent Palme d'Or winners from taking home any other Official Competition awards. In other words, Isabelle Huppert (again), Julianne Moore, and Robert Pattinson – and their respective films – could theoretically remain strong Oscar contenders despite the absence of Cannes Film Festival Official Competition victories. Mohammad Rasoulof and Leslie Caron among other notable Cannes winners Besides those already mentioned in this article, notable winners at the 2017 Cannes Film Festival include: Mohammad Rasoulof's A Man of Integrity. Having infuriated Iran's theocracy, in 2010 Rasoulof was sentenced to a year in prison following accusations of “filming without a permit.” He has been out on bail. In 2011, Rasoulof won the Un Certain Regard sidebar's Best Director Award for Goodbye. Two years later, his Un Certain Regard entry Manuscripts Don't Burn won the International Film Critics' Fipresci Prize. Veteran Leslie Caron and her 17-year-old pet rescue dog Tchi Tchi shared the Palm DogManitarian Award for their work in the British television series The Durrells in Corfu / The Durrells. Caron, who will be turning 86 on July 1, made her film debut in Vincente Minnelli's 1951 musical An American in Paris – that year's Best Picture Academy Award winner. She would be shortlisted twice for the Best Actress Oscar: Lili (1953) and The L-Shaped Room (1963). Last year, she was the subject of Larry Weinstein's documentary Leslie Caron: The Reluctant Star and will next be seen in Thomas Brunot's short The Perfect Age. Faces Places / Visages, villages, which offers a tour of the French countryside, won Cannes' Golden Eye Award for Best Documentary. The directors are veteran Agnès Varda (Cléo from 5 to 7, Vagabond), who turned 89 on May 30, and photographer/muralist Jr. Faces Places is supposed to be Varda's swan song, following a career spanning more than six decades. Her 2008 César-winning documentary The Beaches of Agnès was one of the 15 semi-finalists for the Best Documentary Feature Oscar. See below a comprehensive list of the 2017 Cannes Film Festival winners. Leslie Caron in 'The Durrells in Corfu.' TV series a.k.a. 'The Durrells' earned the veteran two-time Best Actress Oscar nominee ('Lili,' 1953; 'The L-Shaped Room,' 1963) and her dog companion Tchi Tchi this year's Palm DogManitarian Award at the Cannes Film Festival. 2017 Cannes Film Festival winners Official Competition Palme d'Or: The Square (dir.: Ruben Östlund). Grand Prix: 120 Beats per Minute (dir.: Robin Campillo). Jury Prize: Loveless (dir.: Andrey Zvyagintsev). Best Screenplay (tie): The Killing of a Sacred Deer, Yorgos Lanthimos & Efthymis Filippou. You Were Never Really Here, Lynne Ramsay. Best Actress: Diane Kruger, In the Fade. Best Actor: Joaquin Phoenix, You Were Never Really Here. Best Director: Sofia Coppola, The Beguiled. Best Short Film: A Gentle Night (dir.: Qiu Yang). Short Film Special Mention: Katto (dir.: Teppo Airaksinen). Un Certain Regard Un Certain Regard Award: A Man of Integrity (dir.: Mohammad Rasoulof). Jury Prize: April's Daughter / Las hijas de abril (dir.: Michel Franco). Best Director: Taylor Sheridan, Wind River. Best Actress / Best Performance: Jasmine Trinca, Fortunata. Prize for Best Poetic Narrative: Barbara (dir.: Mathieu Amalric). International Film Critics' Fipresci Prize Official Competition: 120 Beats per Minute. Un Certain Regard: Closeness (dir.: Kantemir Balagov). Directors' Fortnight: The Nothing Factory / A Fábrica de Nada (dir.: Pedro Pinho). Directors' Fortnight / Quinzaine des Réalisateurs Prix Sacd (Société des Auteurs Compositeurs Dramatiques) (tie): Lover for a Day / L'amant d'un jour (dir.: Philippe Garrel). Let the Sunshine In / Un beau soleil intérieur (dir.: Claire Denis). C.I.C.A.E. Art Cinema Award: The Rider (dir.: Chloe Zhao). Europa Cinemas Label: A Ciambra (dir.: Jonas Carpignano). Prix Illy for Best Short Film: Back to Genoa City / Retour à Genoa City (dir.: Benoît Grimalt). Critics' Week Grand Prize: Makala (dir.: Emmanuel Gras). Visionary Award: Gabriel and the Mountain / Gabriel e a Montanha (dir.: Fellipe Barbosa). Gan Foundation Award for Distribution: Version Originale Condor, French distributor of Gabriel and the Mountain. Sacd Award: Léa Mysius, Ava. Discovery Award for Best Short Film: Los desheredados (dir.: Laura Ferrés). Canal+ Award for Best Short Film: The Best Fireworks Ever / Najpienkniejsze Fajerwerki Ever (dir.: Aleksandra Terpinska). Other Cannes Film Festival 2017 Awards 70th Anniversary prize: Nicole Kidman. Caméra d'Or for Best First Film: Montparnasse Bienvenue / Jeune femme (dir.: Léonor Serraille). Golden Eye Award for Best Documentary: Faces Places / Visages, Villages (dir.: Agnès Varda, Jr). Prize of the Ecumenical Jury: Radiance (dir.: Naomi Kawase). Queer Palm: 120 Beats per Minute. Queer Palm for Best Short Film: Islands / Les îles (dir.: Yann Gonzalez). Cannes Soundtrack Award for Best Composer: Daniel Lopatin, Good Time. Vulcan Prize for Artist Technicians: Josefin Åsberg, The Square. Kering Women in Motion Award: Isabelle Huppert. Palm Dog: Einstein the Dog for The Meyerowitz Stories (New and Selected). Palm DogManitarian Award: Leslie Caron and the dog Tchi Tchi for The Durrells in Corfu. Chopard Trophy for Male/Female Revelation: George MacKay and Anya Taylor-Joy. This article was originally published at Alt Film Guide (http://www.altfg.com/).
- 6/21/2017
- by Steph Mont.
- Alt Film Guide
Cannes Ends with…Awards — 3rd of 3
The heightened security with machine gun armed soldiers and policemen constantly patrolling was intensified after the Manchester Massacre. With a pall over the festival, one minute of silence was observed for the 22 murdered and flags hung at half-mast. In addition to that, the sudden death at 57 of the Busan Film Festival deputy director Kim Ji-seok and that of the James Bond star Roger Moore brought the film world into a new perspective as we join the larger world to face the random indications of human mortality. High security vs. cinema as a sanctuary of freedom is highlighted this year like no other time that I can recall in my 31 years here.President of the jury, Pedro Almodovar
But life does go on, the jury judges, the stars get press attention on the red carpet and the rest of us continue to wait patiently in...
The heightened security with machine gun armed soldiers and policemen constantly patrolling was intensified after the Manchester Massacre. With a pall over the festival, one minute of silence was observed for the 22 murdered and flags hung at half-mast. In addition to that, the sudden death at 57 of the Busan Film Festival deputy director Kim Ji-seok and that of the James Bond star Roger Moore brought the film world into a new perspective as we join the larger world to face the random indications of human mortality. High security vs. cinema as a sanctuary of freedom is highlighted this year like no other time that I can recall in my 31 years here.President of the jury, Pedro Almodovar
But life does go on, the jury judges, the stars get press attention on the red carpet and the rest of us continue to wait patiently in...
- 5/29/2017
- by Sydney Levine
- Sydney's Buzz
Girl Talk is a weekly look at women in film — past, present, and future.
As the 70th edition of the Cannes Film Festival comes to a close, the tide appears to be turning for women. With Sofia Coppola, Naomi Kawase, and Lynne Ramsay in this year’s competition, the lineup included more work from female filmmakers than almost any other year of the aughts, although that still worked out to just 15.8% of the 19-film competition slate. But beyond the numbers, things are changing.
Nicole Kidman, the unofficial queen of this year’s festival thanks to her turns in four of its most anticipated entries (two of which were directed by women), used her platform to call for more female filmmakers across the board. “Still only about four percent of women directed the major motion pictures of 2016,” she said at the press conference for Sofia Coppola’s “The Beguiled.” “That there says it all.
As the 70th edition of the Cannes Film Festival comes to a close, the tide appears to be turning for women. With Sofia Coppola, Naomi Kawase, and Lynne Ramsay in this year’s competition, the lineup included more work from female filmmakers than almost any other year of the aughts, although that still worked out to just 15.8% of the 19-film competition slate. But beyond the numbers, things are changing.
Nicole Kidman, the unofficial queen of this year’s festival thanks to her turns in four of its most anticipated entries (two of which were directed by women), used her platform to call for more female filmmakers across the board. “Still only about four percent of women directed the major motion pictures of 2016,” she said at the press conference for Sofia Coppola’s “The Beguiled.” “That there says it all.
- 5/26/2017
- by Kate Erbland
- Indiewire
Documentary scoops sidebar’s top prize.
The 2017 edition of Cannes Film Festival’s Critics’ Week strand has come to a close, with Emmanuel Gras’ documentary Makala [pictured] scooping the Grand Prize.
The film follows a Congolese peasant who dreams of a better life for his family. Les Films du Losange handle sales.
Screen’s review called it “an intimate, slow-building chronicle”.
The Critics’ Week Visionary Award was presented to Fellipe Gamarano Barbosa’s Gabriel And The Mountain. It also scooped the Gan Foundation Award for Distribution.
Barbosa’s second feature, after 2014’s Casa Grande, follows a young idealist on a journey to Africa who learns more than he bargains for at the top of Malawi’s Mount Mulanje. Films Boutique handles sales.
Screen’s review described the film as an “uplifting drama” with an “inescapably emotional air of authenticity”.
Further prizes were handed out to Léa Mysius, screenwriter of Ava (Sacd award), Laura Ferrés’ short film Los Desheredados (Discovery...
The 2017 edition of Cannes Film Festival’s Critics’ Week strand has come to a close, with Emmanuel Gras’ documentary Makala [pictured] scooping the Grand Prize.
The film follows a Congolese peasant who dreams of a better life for his family. Les Films du Losange handle sales.
Screen’s review called it “an intimate, slow-building chronicle”.
The Critics’ Week Visionary Award was presented to Fellipe Gamarano Barbosa’s Gabriel And The Mountain. It also scooped the Gan Foundation Award for Distribution.
Barbosa’s second feature, after 2014’s Casa Grande, follows a young idealist on a journey to Africa who learns more than he bargains for at the top of Malawi’s Mount Mulanje. Films Boutique handles sales.
Screen’s review described the film as an “uplifting drama” with an “inescapably emotional air of authenticity”.
Further prizes were handed out to Léa Mysius, screenwriter of Ava (Sacd award), Laura Ferrés’ short film Los Desheredados (Discovery...
- 5/26/2017
- by tom.grater@screendaily.com (Tom Grater)
- ScreenDaily
The top two awards at Cannes Critics Week went to “Makala,” the second documentary from Emmanuel Gras, and the Fellipe Gamarano Barbosa drama “Gabriel and the Mountain” on Thursday.
Read More: ‘Makala’ Review: Emmanuel Gras’ Critics’ Week Prizewinner Is a Labor of Love About Back-Breaking Labor
“Makala” is an intimate portrait of Kabwita Kasongo, a family man in the Congo who works in charcoal production. The film won the Nespresso Grand Prize, while “Gabriel and the Mountain” won the Visionary prize and Gan Foundation award. “Gabriel and the Mountain” follows a young man named Gabriel Buchmann who travels the world for a year before enrolling in college in the U.S., ultimately arriving in Kenya and reaching the top of Mount Mulanje, Malawi, “his last destination.” The film is based on the true story.
Léa Mysius’ “Ava,” the coming-of-age story about a young girl who goes blind, won the Sacd prize.
Read More: ‘Makala’ Review: Emmanuel Gras’ Critics’ Week Prizewinner Is a Labor of Love About Back-Breaking Labor
“Makala” is an intimate portrait of Kabwita Kasongo, a family man in the Congo who works in charcoal production. The film won the Nespresso Grand Prize, while “Gabriel and the Mountain” won the Visionary prize and Gan Foundation award. “Gabriel and the Mountain” follows a young man named Gabriel Buchmann who travels the world for a year before enrolling in college in the U.S., ultimately arriving in Kenya and reaching the top of Mount Mulanje, Malawi, “his last destination.” The film is based on the true story.
Léa Mysius’ “Ava,” the coming-of-age story about a young girl who goes blind, won the Sacd prize.
- 5/25/2017
- by Graham Winfrey
- Indiewire
Exclusive: French outfit also scores sales on The Teacher and The Third Wave.
French sales company Bac Films is reporting strong interest for French director Léa Mysius’s debut feature Ava [pictured], which premiered to packed theatres in Critics’ Week at this year’s Cannes Film Festival.
The title has sold to Australia and New Zealand (Madman Entertainment), China (Lemon Tree), Taiwan (Catchplay), Switzerland (Praesens), and Turkey (Filmarti).
Bac sales chief Gilles Sousa said there was strong interest from several other territories, notably Benelux, Germany and the Us.
The picture, which is in the running for Cannes Caméra d’Or as a first-time feature, stars rising French actress Laure Calamy as a teenager who is losing her sight and embarks on a momentous summer and steals a big black dog.
Other new Bac titles drawing buyers include Olivier Ayache-Vidal’s feel-good tale The Teacher starring Denis Podalydès as a teacher seconded to a tough school who strikes-up an unlikely...
French sales company Bac Films is reporting strong interest for French director Léa Mysius’s debut feature Ava [pictured], which premiered to packed theatres in Critics’ Week at this year’s Cannes Film Festival.
The title has sold to Australia and New Zealand (Madman Entertainment), China (Lemon Tree), Taiwan (Catchplay), Switzerland (Praesens), and Turkey (Filmarti).
Bac sales chief Gilles Sousa said there was strong interest from several other territories, notably Benelux, Germany and the Us.
The picture, which is in the running for Cannes Caméra d’Or as a first-time feature, stars rising French actress Laure Calamy as a teenager who is losing her sight and embarks on a momentous summer and steals a big black dog.
Other new Bac titles drawing buyers include Olivier Ayache-Vidal’s feel-good tale The Teacher starring Denis Podalydès as a teacher seconded to a tough school who strikes-up an unlikely...
- 5/23/2017
- ScreenDaily
Exclusive: French outfit also scores sales on The Teacher and The Third Wave.
French sales company Bac Films is reporting strong interest for French director Léa Mysius’s debut feature Ava [pictured], which premiered to packed theatres in Critics’ Week at this year’s Cannes Film Festival.
The title has sold to Australia and New Zealand (Madman Entertainment), China (Lemon Tree), Taiwan (Catchplay), Switzerland (Praesens), and Turkey (Filmarti).
Bac sales chief Gilles Sousa said there was strong interest from several other territories, notably Benelux, Germany and the Us.
The picture, which is in the running for Cannes Caméra d’Or as a first-time feature, stars rising French actress Laure Calamy as a teenager who is losing her sight and embarks on a momentous summer and steals a big black dog.
Other new Bac titles drawing buyers include Olivier Ayache-Vidal’s feel-good tale The Teacher starring Denis Podalydès as a teacher seconded to a tough school who strikes-up an unlikely...
French sales company Bac Films is reporting strong interest for French director Léa Mysius’s debut feature Ava [pictured], which premiered to packed theatres in Critics’ Week at this year’s Cannes Film Festival.
The title has sold to Australia and New Zealand (Madman Entertainment), China (Lemon Tree), Taiwan (Catchplay), Switzerland (Praesens), and Turkey (Filmarti).
Bac sales chief Gilles Sousa said there was strong interest from several other territories, notably Benelux, Germany and the Us.
The picture, which is in the running for Cannes Caméra d’Or as a first-time feature, stars rising French actress Laure Calamy as a teenager who is losing her sight and embarks on a momentous summer and steals a big black dog.
Other new Bac titles drawing buyers include Olivier Ayache-Vidal’s feel-good tale The Teacher starring Denis Podalydès as a teacher seconded to a tough school who strikes-up an unlikely...
- 5/23/2017
- ScreenDaily
A debut feature from Lea Mysius, who only graduated from Paris’ La Femis film school a few years ago, Ava is a sensual, accomplished but awkward study of teen female sexuality, told through the eyes of a headstrong 13-year-old protagonist Ava (impressive discovery Noee Abita) who’s about to go blind. After a captivating start, especially in its depiction of the fractious relationship between Ava and her single mother (Laure Calamy), the tinges of surrealism give way to outright weirdness, verging on the ridiculous, as Ava turns badass and goes on a third-act crime spree with her older boyfriend. Moreover, the depiction...
- 5/19/2017
- by Leslie Felperin
- The Hollywood Reporter - Movie News
Get in touch to send in cinephile news and discoveriesRECOMMENDED VIEWINGAs our team heads to France this week to bring you coverage of the Cannes Film Festival—and our Rushes goes on pause for a week or two—here are the latest trailers of the selection that have been released:An utterly delightful peek at Bruno Dumont's musical Jeannette: The Childhood of Joan of Arc.American indie directors Josh and Bennie Safdie get a big upgrade to the spotlight of the Competition in Cannes with Good Time, co-starring Robert Pattinson.The trailer for one of two Hong Sang-soo films at the festival, the Competition-selection The Day After......and the second Hong film, in Special Screenings and co-starring Isabelle Huppert, Claire's Camera. An obvious shoo-in for the Palm Dog award!Agnès Varda and Jr's Visages Villages, screening Out of Competition.Jacques Doillon's Rodin, starring Vincent Lindon, in Competition.Mathieu Amalric's Barbara,...
- 5/17/2017
- MUBI
The lineup for the 2017 Cannes Critics’ Week (La Semaine de la Critique) has been announced.Opening FILMSicilian Ghost Story (Fabio Grassadonia & Antonio Piazza)COMPETITIONLa familia (Gustavo Rondón Córdova)Los perros (Marcela Said)Oh Lucy! (Atsuko Hirayagani)Gabriel e a montanha (Felipe Gamarano Barbosa)Ava (Léa Mysius)Tehran Taboo (Ali Soozandeh)Makala (Emmanuel Gras)Special Feature SCREENINGSBloody Milk (Hubert Charuel)Une vie violente (Thierry de Peretti)Special Short SCREENINGSAfter School Knife Fight (Caroline Poggi & Jonathan Vinel)Coelho Mau (Carlos Conceição)Les îles (Yann Gonzales)Short & Medium-LENGTHSelva (Sofía Quirós Ubeda)Möbius (Sam Khun)Real Gods Require Blood (Moin Hussain)Jodilerks dela Cruz, Employee of the Month (Carlo Francisco Manatad)Los desheredados (Laura Ferrés)Ela - szkice na pożegnanie (Oliver Adam Kusio)Najpiękniejsze fajerwerki ever (Aleksandra Terpinska)Tesla: Lumière mondiale (Matthew Rankin)Les enfants partent à l'aube (Manon Coubia)Le visage (Salvatore Lista)Closing FILMBrigsby Bear (Dave McCary)...
- 4/26/2017
- MUBI
Mafia tale Sicilian Ghost Story to open sidebar, Sundance hit Brigsby Bear selected as closer.
Cannes Critics’ Week, devoted to first and second features as well as shorts, has unveiled the line-up of its 56th edition, running May 18-26.
Italian directors Fabio Grassadonia and Antonio Piazza will open the selection with their second feature Sicilian Ghost Story, a genre-mixing work following a teenage girl as she searches for the boy she loves after he is kidnapped by the Mafia.
It is inspired by the real-life tale of Giuseppe Di Matteo, the son of a former Mafia hitman-turned-informant, who was abducted in 1993.
Critics’ Week artistic director Charles Tesson described it as a “staggering crossover between cinema genres, combining politics, fantasy and terrible teen love.”
The directorial duo premiered their debut feature Salvo in competition in Critics’ Week in 2013, winning the €15,000 Nespresso Grand Prize.
The screenplay for Sicilian Ghost Story was developed at the Sundance Screenwriting Lab and went...
Cannes Critics’ Week, devoted to first and second features as well as shorts, has unveiled the line-up of its 56th edition, running May 18-26.
Italian directors Fabio Grassadonia and Antonio Piazza will open the selection with their second feature Sicilian Ghost Story, a genre-mixing work following a teenage girl as she searches for the boy she loves after he is kidnapped by the Mafia.
It is inspired by the real-life tale of Giuseppe Di Matteo, the son of a former Mafia hitman-turned-informant, who was abducted in 1993.
Critics’ Week artistic director Charles Tesson described it as a “staggering crossover between cinema genres, combining politics, fantasy and terrible teen love.”
The directorial duo premiered their debut feature Salvo in competition in Critics’ Week in 2013, winning the €15,000 Nespresso Grand Prize.
The screenplay for Sicilian Ghost Story was developed at the Sundance Screenwriting Lab and went...
- 4/21/2017
- ScreenDaily
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