Summer Cummings opted for a soft-core approach in this second volume of her Fetish Fairy tales series for producer/camera woman Elizabeth Starr. Big, big breasts spoken here.
And that's a good thing, since Summer and just as huge Kandi Cox, Taylor St. Claire and pin-up model Dahlia Dark (in a rare appearance) only go topless, with not even full nudity here. So the sex is merely getting smothered with big boobs, a pastime dating back to '70s soft-core cult figure Chesty Morgan, who even made a Fellini flick (Casanova) but was left on the cutting room floor by the maestro.
It's all about domination, as the gals abuse professional masochists from Starr's troupe. As is her wont, Summer also gets to absorb punishment, with slapping, verbal abuse and many a clothespin applied by the amazing Kandi Cox. All sorts of perverse activity is included, even a Fellini- esque (made eternally famous in La Dolce Vita) pony-boy sequence in which Taylor rides on a saddle on the back of Rod Long, occasioning several bloopers shown on the DVD.
Not for the general public, but interesting extremism from Summer & Starr. Somewhere along the way Cummings lost sight of her screenplay, as the lousy ending contradicts the costume ball premise, and in fact as auteur she fails to include anything from the fairy tale (no Grand Ball, no pumpkin, horses or even fairy godmother) except a fetish-sized high- heeled glass slipper.
And that's a good thing, since Summer and just as huge Kandi Cox, Taylor St. Claire and pin-up model Dahlia Dark (in a rare appearance) only go topless, with not even full nudity here. So the sex is merely getting smothered with big boobs, a pastime dating back to '70s soft-core cult figure Chesty Morgan, who even made a Fellini flick (Casanova) but was left on the cutting room floor by the maestro.
It's all about domination, as the gals abuse professional masochists from Starr's troupe. As is her wont, Summer also gets to absorb punishment, with slapping, verbal abuse and many a clothespin applied by the amazing Kandi Cox. All sorts of perverse activity is included, even a Fellini- esque (made eternally famous in La Dolce Vita) pony-boy sequence in which Taylor rides on a saddle on the back of Rod Long, occasioning several bloopers shown on the DVD.
Not for the general public, but interesting extremism from Summer & Starr. Somewhere along the way Cummings lost sight of her screenplay, as the lousy ending contradicts the costume ball premise, and in fact as auteur she fails to include anything from the fairy tale (no Grand Ball, no pumpkin, horses or even fairy godmother) except a fetish-sized high- heeled glass slipper.