The lead girl psychiatrist did a good job. The other actors are terrible. They couldn't find better actors. Premise was pretty good just poor execution
6 Reviews
Good Premise
peculyer19 April 2020
Are you kidding with this trash
gustheaffen27 January 2020
Wow I thought I'd seen a lot of bad movies but this definitely ends up in the top 5. Acting was beyond horrible. Story was boring and comical. The dialogue content was so unnatural and juvenile. Of course Amazon has this as a highly rated horror movie. A high school film club could have done better.
Awful
shawn_r_evans7 February 2020
Solid psychological thriller with a few slasher touches
kannibalcorpsegrinder28 March 2020
After a woman escapes from a maniac, a man and his wife befriend her and try to help her piece her past together, but the more they come to know about her past being trapped in a crawlspace by a maniacal killer the more they connect her experiences with a string of child-abduction cases in the area and the truth behind it all.
Overall, this here wasn't all that bad of an effort. Among the more enjoyable aspects here is the fact that the setup here involving the surviving girls' psychologically-deteriorating mental state as a result of the escape. Realistically showing the form of trauma and abuse that would normally affect someone in her condition, she's quiet, shy and reserved about the experience where she doesn't quite understand social norms or how to blend into everyday conversations in a casual sense. With the little flashes we get involving the Western character appearing to her to draw the experiences of the past back out into her psyche, this aspect of the film scores rather nicely and has a lot to like. The other enjoyable element here is the final resolution of everything and how the events tie themselves together. With all the different plot-points and little clues to what's going on that gets dropped about her past through the stories she tells her, the revelations brought up about her during the role-playing game and finally the screenwriting sessions that bring about the real revelation of the truth behind all the various plotlines going on. The ensuing race to free the kidnapped victim lost to everyone else in the heat of the moment gives this a nice bit of urgency and action alongside the darker psychological torment that arises here in the finale, giving this one enough to like to hold it up over it's few minor flaws. This one does have a few problems. The fact that there's plenty of useless and time-wasting filler here drags the pacing of this one down considerably, featuring all sorts of scenes here from the endless round of catch-up once the sheriff arrives to welcome them back to the meet-up with the friends playing the fantasy-game in the store. These scenes serve a fine sense of plot setup yet come off rather clumsily and obviously there to stretch out the padding in the film to beef up the running time that barely stretches over an hour as it is. This is the sort of effort that needed more of an introduction into the killers' work and what happened to the missing kids that's going on in the story rather than what's going on here with the other sources at play in the storyline. The other problem here is the seemingly random and chaotic storyline that jumps around to various points and plotlines that jump in at random points for no reason. The general setup here, featuring the slowly unveiling reveals about her troubled history with the individuals in town to the talks with the agent and his wife's involvement in psychoanalyzing the residents and then introducing their martial issue on top of it out of nowhere, there's so much going on here that it's incredibly scattershot and discordant. That's especially troubling with the way this one never makes it clear what's going on, tending to feature random jump-cuts or points of view that could be a dream or a fantasy or something and it's not very clear at all. These here are the film's most troubling efforts.
Rated Unrated/R: Graphic Language and Violence.
Overall, this here wasn't all that bad of an effort. Among the more enjoyable aspects here is the fact that the setup here involving the surviving girls' psychologically-deteriorating mental state as a result of the escape. Realistically showing the form of trauma and abuse that would normally affect someone in her condition, she's quiet, shy and reserved about the experience where she doesn't quite understand social norms or how to blend into everyday conversations in a casual sense. With the little flashes we get involving the Western character appearing to her to draw the experiences of the past back out into her psyche, this aspect of the film scores rather nicely and has a lot to like. The other enjoyable element here is the final resolution of everything and how the events tie themselves together. With all the different plot-points and little clues to what's going on that gets dropped about her past through the stories she tells her, the revelations brought up about her during the role-playing game and finally the screenwriting sessions that bring about the real revelation of the truth behind all the various plotlines going on. The ensuing race to free the kidnapped victim lost to everyone else in the heat of the moment gives this a nice bit of urgency and action alongside the darker psychological torment that arises here in the finale, giving this one enough to like to hold it up over it's few minor flaws. This one does have a few problems. The fact that there's plenty of useless and time-wasting filler here drags the pacing of this one down considerably, featuring all sorts of scenes here from the endless round of catch-up once the sheriff arrives to welcome them back to the meet-up with the friends playing the fantasy-game in the store. These scenes serve a fine sense of plot setup yet come off rather clumsily and obviously there to stretch out the padding in the film to beef up the running time that barely stretches over an hour as it is. This is the sort of effort that needed more of an introduction into the killers' work and what happened to the missing kids that's going on in the story rather than what's going on here with the other sources at play in the storyline. The other problem here is the seemingly random and chaotic storyline that jumps around to various points and plotlines that jump in at random points for no reason. The general setup here, featuring the slowly unveiling reveals about her troubled history with the individuals in town to the talks with the agent and his wife's involvement in psychoanalyzing the residents and then introducing their martial issue on top of it out of nowhere, there's so much going on here that it's incredibly scattershot and discordant. That's especially troubling with the way this one never makes it clear what's going on, tending to feature random jump-cuts or points of view that could be a dream or a fantasy or something and it's not very clear at all. These here are the film's most troubling efforts.
Rated Unrated/R: Graphic Language and Violence.
Neat little movie
Woodyanders28 January 2021
Warning: Spoilers
Jill (a fine and affecting performance by Erin R. Ryan) attempts to get on with her life after she manages to escape from a notorious serial killer. Therapist Kristen (an appealing portrayal by Joni Durian) tries to help out while Kristen's struggling screenwriter husband Johnny (nicely played to the jerky hilt by John Bradley Hambrick) complicates things by using Jill's experiences as material for his latest script.
Writer/director John Oak Dalton relates the absorbing story at a measured pace, takes time to flesh out the characters, makes good use of the rural small town locations, maintains a low-key thoughtful tone throughout, and astutely captures the severe emotional and psychological damage wrought by traumatic events. The sound acting keeps this movie humming, with especially praiseworthy work from Ryan, Dorian, and Tom Cherry as amiable cop Woody. Henrique Couto's evocative cinematography rates as another substantial plus. Worth a watch.
Writer/director John Oak Dalton relates the absorbing story at a measured pace, takes time to flesh out the characters, makes good use of the rural small town locations, maintains a low-key thoughtful tone throughout, and astutely captures the severe emotional and psychological damage wrought by traumatic events. The sound acting keeps this movie humming, with especially praiseworthy work from Ryan, Dorian, and Tom Cherry as amiable cop Woody. Henrique Couto's evocative cinematography rates as another substantial plus. Worth a watch.
Fantastic Film
basque5150-600-43482431 December 2022
I just watched "The Girl In The Crawlspace" and it was really good. In the beginning, it looked really cheap. It did. But I love indie films so that's not an instant strike. So I kept watching.
It's a solid thriller, but also works as a weird sort of drama. You meet this cast of characters that really have nothing to do with the film. 20 percent of the movie is about a RPG group. But while these characters don't have anything to do with the plot, they build up the backstory of the main characters when they interact. The drug addict boyfriend can't find an NA meeting (or doesn't really want to), so he just games all day long. It's weird and wacky and it works.
Overall, it's a well done thriller and I recommend giving it a watch.
It's a solid thriller, but also works as a weird sort of drama. You meet this cast of characters that really have nothing to do with the film. 20 percent of the movie is about a RPG group. But while these characters don't have anything to do with the plot, they build up the backstory of the main characters when they interact. The drug addict boyfriend can't find an NA meeting (or doesn't really want to), so he just games all day long. It's weird and wacky and it works.
Overall, it's a well done thriller and I recommend giving it a watch.
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