During the role-playing of a fight between the boys on the street, Rosati physically entered the game and ended up on the ground. The accident caused a dislocated shoulder but he did not report it to the insurance company so as not to interrupt the shooting. For the rest of the work he always wore a jacket and tie and never moved his right arm. The group said that at times he seemed more serious, like a psychoanalyst than a psychodramatist.
When Rosati presents the Neapolitan actress Rosalia Maggio to the Americanist Fernanda Pivano, who has come to visit him on the set, Rosalia with her Spontaneity, embraces Pivano with enthusiasm and immediately calls her "Ferdinanda!" or rather "Ferdinà!". In the photos taken by the two women sitting next to each other at the Teatro Carignano, Pivano is pale and seems uncomfortable. Aldo Carotenuto comments: "These two women are like Naples and Turin for Italy: the people and the bourgeoisie. The Mother and the Lady. Life and Form. "
The cameramen's involvement during the psychodrama increased over the course of the program until one of them left the camera and entered the scene to express his emotions.