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DFischer
Reviews
Traffik (1989)
Comparison to Hollywood Remake
Compared to the acclaimed Hollywood remake, this film is less flashy but much stronger at providing an overall picture of the drug problem. The remake loses the most interesting of the three plot threads, that of a farmer whose meager livelihood depends on drugs as a paying cash crop and whose increased involvement with the drug trade in an effort to better himself destroys himself and his family. Additionally, the story of the daughter's addiction goes into the problems not only of withdrawal but the high likelihood of relapse. This original miniseries makes good use of the additional time to go into the issues more thoroughly and remains stronger meat on this controversial subject.
Yûsei ôji (1959)
Putrid Kiddie Fodder
Aimed strictly at the kiddie matinee crowd, this film features beak-nosed evil aliens who travel in a spaceship spaced like a trussed up turkey or chicken, while the hero never tires of endlessly proclaiming that the evil aliens' weapons cannot harm him (and indeed they don't, though that doesn't stop the bad guys from repeatedly attempting it again and again). The film also features one of the most pathetic giant monsters of any Japanese film, a hefty Japanese man in a sloppily put together mask, who guards the evil invaders' home planet. Instantly forgettable, but prime MST3K fodder.
Yûsei ôji (1959)
Putrid Kiddie Fodder
Aimed strictly at the kiddie matinee crowd, this film features beak-nosed evil aliens who travel in a spaceship spaced like a trussed up turkey or chicken, while the hero never tires of endlessly proclaiming that the evil aliens' weapons cannot harm him (and indeed they don't, though that doesn't stop the bad guys from repeatedly attempting it again and again). The film also features one of the most pathetic giant monsters of any Japanese film, a hefty Japanese man in a sloppily put together mask, who guards the evil invaders' home planet. Instantly forgettable, but prime MST3K fodder.