Reviews

After airing two episodes that were more drama than comedy, this installment of the series veers into sitcom territory with the addition of a very noticeable laugh track. Unfortunately, the laughter feels out-of-place at times since its obvious the script wasn't originally intended for canned laughs. The focus of the episode is Mike Brady's campaign for city council and his battle against a blackmail attempt orchestrated by his opponent's shady campaign manager.

I've never really gotten into animated features, not even the Disney classics. In fact, I once walked out of a screening of "Fantasia" due to boredom. (sorry Disney fans!) But I stumbled upon a showing of "Up" on premium cable and found myself watching it all the way through. That is a first for me!

The look of the film is awesome, the music is wonderful, the story is touching and the plot actually kept me involved and interested. Pixar created a world that moved me and actually made me forget I was watching animation.

There seems to be a difference of opinion here on IMDb about whether "Up" is worthy of all the praise it has received. Suffice it to say, for an animated film to grab a viewer like me and keep me watching until the final credits...well, it sure did something right!

I have to admit it...I like Monty Woolley. You can count on the old curmudgeon to make any movie worth watching, Woolley is definitely one of the classic screen's best scene stealers!

In "The Pied Piper" Woolley plays an Englishman who is visiting France when the Germans invade in 1940. Realizing his place is back home, he packs up and begins his trek to England...but with the unwelcome addition of 2 French children (Roddy McDowall and Peggy Ann Garner) whose parents fear for their safety in Nazi-occupied France.

But what should be a relatively easy journey turns into a nightmare, as French civilization crumbles around them. Every time Woolley and his companions face a crisis, another desperate child joins the group, until he finds himself the leader of quite a menagerie.

Others in the cast include Anne Baxter as "Nicole," who helps Wooley outsmart the German occupiers and Otto Preminger as "Major Diesson," the ranking Nazi who also finds he has use for Woolley and his children.

"The Pied Piper" doesn't shy away from the grim realities of war and the suffering it imposes on everyone, both young and old. One can only imagine the impact this film had on moviegoers in 1942. The film was released just 7 months after Pearl Harbor.

"They Drive By Night" is difficult to find (as are many pre World War II British titles) but well worth the effort. What starts out as a standard crime drama takes a startling turn into horror in the final reel.

Ernest Thesiger (best known as Dr.Pretorius in 1935's "Bride of Frankenstein") adds the most interesting element to the film and to share any more would ruin the fun.

Emlyn Williams as ex-con Shorty Matthews carries the film. Pity this poor fellow...he has the worst luck in the world. Upon release from prison, his intention is to return to the arms of his girlfriend. Unfortunately, someone has murdered her that very day. Naturally, police think he is the killer.

Shorty takes to the road, hitchhiking rides with truck drivers, hoping to stay free long enough for the police to find the real killer. One of the uncredited stars of this film has to be rain! The constant pouring rain accentuates Shorty's troubles as he tries to clear his name and (excuse the pun) adds buckets of atmosphere to the movie.

Don't confuse the British "They Drive by Night" with the later US version starring Humphrey Bogart. The only thing they have in common is the presence of truck drivers.

While Loretta Young and Don Ameche get top billing, there is no question that the real star of "Ramona" is the "new perfected technicolor" as the film's poster declared in 1936. The film was the 4th to be shot in the "perfected" 3-strip color process.

"Ramona" does looks beautiful. Its the slow-moving plot that really does the film in. I've seen travelogues from the period that have more to hold a viewer's attention. Basically, the story revolves around a taboo romance between Young (a beautiful Spanish girl) and Ameche (the friendly Indian). The most interesting aspect of the plot is the fact that the white settlers are portrayed as the villains, grabbing the land and possessions of the peaceful Indians...an unusually politically correct position for a mid 1930's movie.

If you're a fan of Loretta Young, Don Ameche, or beautiful technicolor, "Ramona" is worth a look...at least once. Repeat viewings could be painful.

After watching "Moonlight and Pretzels" you'll probably understand why Universal was known for its horror films and not its musicals in the 1930's.

This has to be one of the most unusual musicals ever made, mainly due to several bizarre songs that have to be heard to be believed! There's an entire production number about getting up and going to work. Or how about the 1929 stock market crash set to music? And let's not forget the title tune "Moonlight and Pretzels" complete with flowing beer and wiener dogs.

The plot line is simple: songwriter hits it big on Broadway, decides to turn producer, then fights the money men to keep control of his show. Add a little love story and the plot is complete. If you've seen Warner's "42nd Street" you've seen it already.

The film was actually shot at New York's Astoria Studios by Universal cameraman Karl Freund, better remembered for "The Mummy" and "Mad Love." Leo Carillo gets top billing, but he doesn't even show up until the movie is half over. The only recognizable face to today's viewers would be William Frawley (Fred Mertz on "I Love Lucy") and he appears in a supporting role. Mary Brian and Roger Pryor star in the leading roles, but both have been nearly forgotten.

This one is difficult to see, not having been shown on television since the late 1950's. But if you ever run across a screening of "Moonlight and Pretzels" enjoy it for what it is: a strange musical morsel from Universal's early years.

During his life Jack Benny often joked about the poor quality of many of his films, but "Charley's Aunt" doesn't deserve such criticism. This "drag" comedy never drags!

Benny's humor, perhaps a bit subdued for today's audiences, nevertheless shines in "Charley's Aunt." It doesn't hurt that he's in drag for a good part of the movie...A man in a dress can always be counted on for a few laughs!

But the basic story is amusing in itself, with Benny (broadly!) impersonating a maiden aunt and chaperoning for his buddies and their girlfriends. Naturally, there are a couple of older gentlemen who take a fancy to the "aunt" adding more complications to the story.

"Charle's Aunt" is rarely shown on television, but worth a look if you happen to stumble upon it.

"Remember Last Night?" is a movie relic from an era when Hollywood stars held a drink in one hand and a cigarette in the other. (in this case, MANY drinks...)

Director James Whale (best remembered for "Frankenstein" and "Bride of Frankenstein") opens his film with the wildest alcohol-drenched party ever put on celluloid. The plot thickens the next morning when one of the partygoers is found dead..and no one can recall anything about the previous evening (hence the title of the movie!) Robert Young and Constance Cummings star as the upper-class ringleaders of the pickled partiers with Edward Arnold playing the frustrated detective trying to solve the case.

Poking fun at excessive drinking would never fly in today's politically correct world, but in 1935 James Whale pulled it off flawlessly!

Look past the implausible storyline and you'll discover a romantic gem of a film that doesn't deserve its obscurity.

Sandy Dennis stars as Sara, a woman who is described as "temporary," since she is suffering from an undisclosed terminal ailment (perhaps the same one that killed Ali MacGraw a couple of years later in "Love Story"). Sara takes in new man each month, part of her plan to help as many flawed males as she can during her limited time. Anthony Newley is her project for November. Newley also sings the haunting title song.

If you're looking for a romance with a fresh angle, seek out "Sweet November"--but don't forget the tissues.

While its age is showing, "Iron Man" may be worth spending just over a hour of your time mainly because of the participation of 2 major names in film history: Jean Harlow (in a very early role) and Tod Browning (who directed "Dracula"). Just don't expect anything special. View the "Iron Man" as a relic of Hollywood's early years when sound was new and (mercifully) running times were short.