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1/10
Really, truly, awful.
25 January 2013
Warning: Spoilers
I don't review many films on here. I'm only bothering to write about this one because I love movies, I love Independent Film and I love this part of the World...

There are now two very, very bad films called "U.F.O". The first was a straight to video thing a few years back with Chubby Brown and now there's this: Filmed just down the road from me in Derby and Allestree by self-styled triple-hyphenate Domininc Burns. (Well, he can certainly Produce - he got this made, after all - but he evidently knows nothing of Writing or Directing.) I have no idea if there's a market for this sort of thing - a sort of alien invasion action fantasy filtered through a lad mag' sensibility - but I suspect it didn't cost very much at all (I'd guess the "£2.5 Million" is either pure hyperbole or else no-one was getting very good value for money on this shoot) and will probably go into profit purely on worldwide TV sales alone (where the inclusion of Mr Van Damme - in a cameo that actually amounts to a series of downright eccentric inserts - isn't going to hurt).

Performances: 2/10 - Particular humiliation is heaped upon veterans Julian Glover and Sean Pertwee in cameos - both of whom should have known better.

Visuals: 2/10 (One of those is for remembering to take the lens cap off) There are a lot of them: Usually shot and cut in such a confusing manner as to confound the Viewer. Many of those shots which aren't on shakeycam are composed in such an odd style that one can only assume Burns was trying - and failing - to emulate European-Period Welles (who also didn't have any money, but at least knew how to make films.) Script: 1/10 - Really very bad indeed. Construction-wise, it's all over the place with far too long spent on set-up (that is ultimately wasted), and long stretches with either too much or too little (but never just the right amount of) exposition. Dialogue is fairly standard Ladspeak, in that there is so much pointless swearing that Principles sound as though they're living with Tourettes; and what are intended (one imagines) as witty one-liners are either so laboured as to simply not work or delivered so poorly as to just lie there and die.

On the plus side, at least I can take consolation in the fact that the breakdown of society that will inevitably follow an attack from space will mainly involve a handful of extras charging around the Park Farm shopping centre and not really doing much damage at all.

There are a lot of these things appearing right now - I suspect that the cheapness and availability of digital technology has a lot to do with it - Cheapjack horrors (how many amateur zombie flicks have we see over the past few years?), comedies (everyone wants to have the next Sean of the Dead) and thrillers made by people who have seen a lot of movies, but probably not enough good ones. I guess it's just the 21st Century equivalent of Grindhouse.

An hour and a half of my life I'll never get back.
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Pearl Harbor (2001)
The absolute pits.
18 September 2002
Warning: Spoilers
(Contains spoilers)

Another hilarious rewriting of history for the childlike American audience!Aside from the small matter of Eagle Squadron (a legendarily-inept outfit) taking part in the Battle of Britain,and then the nice Germans considerately allowing an enemy pilot to go back to America(!),there's the by-numbers script,the woeful performances,the poor makeup (did FDR have quite so much rubber glued to his face?) and the glossy,soulless digital effects work in the battle.

My own personal favourite sequence-having seen it shortly after 9/11-is where Alec Baldwin seems to advise pilots caught in crippled bombers behind enemy lines to fly into buildings!

The veterans of Pearl Harbor deserved better.
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9/11 (2002 TV Movie)
The brothers must be thanking their lucky stars...
13 September 2002
As if the attack footage seen on the day weren't bad enough,now we must endure this documentary,heavily glitzed-up for the American audience (surely the talking heads were scripted and rehearsed? Surely we didn't need De Niro attaching himself to the events yet again?),and edited (ruthlessly,I expect) to play as much like a feature film as possible.

I don't know of the filmmaking brothers' background,but I'll suspect they might have passed through the world unnoticed if it weren't for being in the right place at the right time on that day.

I just hope they didn't make as much money out of it as I fear they may have,and I trust that,also,one day American viewers will be able to watch grown up documentaries.
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From Hell (2001)
From Hollywood...
12 June 2002
Nonsense from beginning to end.Johnny Depp's miscasting,from being the wrong age to having the wrong accent (Abberline was born in Dorset) wasn't helped at all by the insane fictionalising of his life and the case.

Abberline was a happily-married family man.He was a fine detective operating within a culture of shoddy and morally dubious policework.There's no record of his being a junkie.He died in 1929,aged 86.

The flights of fancy in the case shown are too numerous to mention.A few points:

There's no evidence that the victims knew one another.

The "Royal Jack" theory has been disproven many times over.

The "pentagram" story falls apart if one actually tries marking the murder sites on a street map.

Sir William Gull,by 1888,was almost entirely incapacitated by a severe stroke.(And he didn't die in the asylum following a lobotomy!)

Sir Charles Warren resigned prior to the final murder.

There's precious little evidence that the killer had anything but the most rudimentary anatomical evidence.

Etc,etc,etc...

Once again,we get Hollywood using its financial muscle to produce such a lavish version of events that unquestioning audiences will accept it as soothe and the subject will be off limits to other filmmakers for years to come.

What a great shame.
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Will the nay-sayers just lighten up?
24 February 2002
Okay,it's not King Lear,and Messrs Davis and Modine are surely the least charismatic actors since the cast of Thunderbirds,but it's big,stupid fun with a veritable checklist of things any pirate yarn should have (treasure-check-segmented map-check-raffish hero-check-spunky heroine-check-hissable villain-check-slimy naval types-check,etc),done on the biggest possible scale.

And it is,after all,no more nor less than good,saturday matinee ripping stuff.

And my little boy loves it.

So there.
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Will you Americans just stop WHINING!?
7 February 2002
Yet another movie asking us to feel sorry for a powerful nation who wade into a situation that's way out of their depth and far beyond their understanding. I was appalled at the portrayal of Somalis as a nameless,faceless black horde and horrified that a once-fine filmmaker like Ridley Scott (though,admittedly,that hasn't been for some time) should sell out to such a degree-becoming flagwaver to a morally bankrupt revision of history.
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Absolutely Horrible...
13 February 2001
I just saw this thing on a video brought back from Hicksville,southern USA by a student,and am duly moved by the spirit to comment...

One of the most amateurish efforts I've had the misfortune to sit through in many a year-terrible performances,an unintentionally hysterical screenplay and production values up there alongside the finest that daytime soaps can offer.

While perfectly happy that the snake handlers,speaking in tongues brigade,fundamentalist dopes and happy clappy evangelists are spending their money on tripe like this rather than anything that can actually do any damage,I'd really rather it never imposed itself upon my local cinema.
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The Patriot (2000)
Absolute Rot!
8 January 2001
Obviously,idiot Americans who belive everything they see on a screen will love this,(well-the white ones will,anyway...)but how can something so chock-full of grotesque historical inaccuracies be considered to have an "historical" basis?

Massacres and atrocities which never happened,the happiest slaves this side of Gone With The Wind,troop numbers doctored in order to portray the (truthfully,inept) British Army as some kind of unstoppable killing machine and the elevation of an appalling figure from American history to folk hero status are combined and given a CGI gloss as only the makers of Godzilla know how.

If you enjoyed this,I'm sure you'd just love U-571 (Yanks claim credit for a British naval operation) and Titanic (isn't it lucky that all the British on board just happened to either a)criminally inept,b)gutless swine or c)vicious thugs).

On second thoughts-you'd possibly just better stick to D W Griffiths' Birth of a Nation (the rise of the "heroic" KKK in the face of "evil" freed slaves)-it'd suit Patriot fans down to the ground.
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Note the mise en scene of his dance routines!
15 December 2000
Just an aside,really:

You notice how sparsely Gene Kelly's finest numbers are shot? Long takes,little in the way of cinematic flair? Well,ponder this for a moment-he will often do something truly spectacular at the end of a take,leading one to wonder just how many times the poor chap put himself through the preceding minutes before getting it right...

A case in point is the justly famed (among those in the know) "Rollerskate Number":In order to demonstrate that the skates are,indeed,authentic,Kelly will swap-flawlessly-from "tap" to "glide" at the end of each take.

Incredible.

Compare and contrast,by the way,with protege Donald O'Connor's emulation in "I Love Melvin"-we never see thetwo movements co-existing within the same shot.

Gene Kelly made me want to dance when I was 11,and not feel like a poof for doing so.
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