Reviews

I tried desperately, and I do mean desperately to like this film considering the historical body of work by the leads, Tomei and James. They did what they could with what they were given but why? Why did these two phenomenal actors even attempt to breathe life into this dull and implausible script? Marissa Tomei was the very life of Mona Lisa Vito in My Cousin Vinny and Stephan James embodied Alfonzo Hunt as I'm sure James Baldwin envisioned him when writing If Beale Street Could Talk. Were they doing a favor for writer/director Robert Budreau? Were they begged, threatened? Kidding of course (?). The caliber of these actors rises far above the lackluster script, simplistic direction, and stale cinematography that is the mundanity of Delia's Gone.

Oscar missed an opportunity in 2018 when he failed to honor Zain Al Rafeea with a nomination as Actor in a leading role for his portrayal of Zain in Nadine Labaki's Capernaum. Here's the opportunity to make up for that major miss: Ibrahima Gueye as MoMo. This child oozes sincerity, joy, anger, hope, and love--whatever the script necessitated--and the camera loves him. The onscreen chemistry between this young unknown actor and the legendary Sophia Loren is palpable and mesmerizing! The settings are exquisite. The story, if somewhat predictable, remains thoughtful and poignant. The score by the incomparable Gabriel Yared (Betty Blue!!!) pulls everything together. I loved this film and hope that this is not the last we see of its two leading actors!

Oh, Dear. Who doesn't love Forrest Whitaker AND Anthony Mackie? I was so looking forward to what I expected to be a film noir battle between good and evil or at least a storyline that was somewhat interesting and believable. Whitaker did his best with what he was given to work with. Mackie was a disappointment. The writing is horrendous. Way too many plot holes. Obvious from the first few frames what the outcome will be. Ridiculous turns, "I wanted her to take dance but Angel insisted on yoga." Really? And who leaves their young child with an obviously disturbed parent that needs coaxing to "take your pills." Just a huge let down and a disappointment in both these actors who I have really enjoyed in the past. Last King of Scotland? Now THAT's a Forrest Whitaker worthy film. Detroit? One hell of a film and Mackie at his best in a role worthy of his talents. This thing bombed.