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LOVE this movie
27 July 2011
Warning: Spoilers
Look Who's Talking is one of my favourite "feelgood" movies - the kind you watch when you just want to sit back, laugh, and not have to think too much.

Kirstie Alley plays Mollie, a 30-something accountant who finds herself pregnant by her sleazy married boyfriend (played annoyingly well by George Segal). After he abandons her for yet another mistress, she meets James (John Travolta), the cabbie who drives her to the hospital when she goes into labour.

The story that follows is par for the romantic comedy course - James falls in love with both mother and baby, while Mollie (at least initially) only sees him as a platonic friend and babysitter/surrogate father figure for son Mikey. She searches relentlessly for a suitable father for the child - dating a series of losers and even briefly attempting a reconciliation with Mikey's bio-dad. It takes her awhile, but she finally realizes that the right man has been right under her nose the whole time.

Bruce Willis is a hoot as the voice of baby Mikey - and the little boys who play Mikey are suitably adorable. The soundtrack music is fantastic, featuring the likes of Janis Joplin, The Beach Boys, and the Talking Heads.

Alley and Travolta have amazing on-screen chemistry, whereas Alley and Segal have virtually none - which, of course, is the whole point. Olympia Dukakis also has some funny scenes as Alley's meddling mom; as does Abe Vigoda as Travolta's senile grandpa.

Alley's character Mollie may be a bit unsympathetic at first - she is, after all, the "other woman" in an extramarital affair. But before long, you find yourself rooting for her to find true love and a father for her son. The movie is not perfect - it has it's share of flaws. But overall, there's not much to dislike. It's just plain fun to watch. A definite thumbs-up.
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Not wonderful, but enjoyable
1 April 2011
I recently watched this movie on HBO on a gloomy, overcast day. How appropriate, as The Lovely Bones is hardly a "feelgood" movie.

Reading some of the other reviews, I have to agree with some of the criticisms. The CGI "in-between-heaven-and-earth" stuff was beautiful, but a bit much at times. And there were definitely some plot holes that seemed illogical. For example, why did that punk kid beat the crap out of Marky Mark? And in the scene where the killer dumps the safe, he needs help to get the safe out of his truck and over to the sinkhole.......strange, since he somehow managed to get the safe from his basement into his truck all by himself. Also, as someone else mentioned, how did he manage to build (and then later get rid of) his underground lair without anyone noticing anything?

Having said all that, I have to admit I did enjoy this movie, and I was moved by the plight of the murdered child and her family. And I'm glad we weren't subjected to the actual murder - seeing the gory aftermath was bad enough. Ideally, I would have also liked to have seen a tidier ending. I do understand, however, why Peter Jackson ended it the way he did. In most movies of this genre, we get a nice, pat ending where the killer is caught, convicted and sentenced; and the murder victim gets a proper burial and the family gets closure. Jackson's ending is much more true to real life, where a "happy" ending (of sorts) is much more elusive, and things don't always turn out the way they should. Yes, we do get to see some measure of justice in The Lovely Bones - but there is still so much more that is left unfinished......that will forever remain unfinished.

Overall, despite the flaws, this was two hours well spent. The acting was great, the story was touching, and it left me with a heavy heart and tears in my eyes. Definitely worth a look-see.
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