Reviews

I can't take seriously any claim that reality is subjective. Like, have you looked around at all? Do better, Dr. Chopra. As for the film itself, I also didn't find the satire to be engaging or amusing, so while I appreciate the argument it is making, it falls way too short of the mark to be effective.

The on-camera personalities were a mix of well-known and C-list personalities. It included Carrie Fisher, but again, it wasn't enough. It conveniently forgot that multiple of those actors had passed away in part due to complications stemming from their drug use. So yeah, not a great presentation, that could do more harm than good.

You know those clickbait articles? This film is just like that, and it sounds like it is narrated by an AI. It is hardly engaging, only an overview of the actors and characters.

What can I say, it is a brilliantly-executed short film which hits all the right notes.

If Mad Max and Idiocracy had a baby...

The idea of this film, with a deadly DDR-type game, piqued my interest so much that it was the first one I ever purchased from Xbox Movies.

And boy, did it deliver. Cheesy, violent, perverted, and amazing.

...but it fits. Ira Steven Behr really did craft a loving response to DS9's legacy. By bringing back all the main cast, and bringing us literally into the writers room (if only for an imaginary episode), it reminds me why I fell in love with the series in the first place.

Lauren Francesca and her team have crafted an amazing and richly detailed scifi world that may have its roots in b-movies but is A++. Plus, Lauren is beautiful in mind, body, and soul.

What can I say? It is glorious. Holiday Special has a new meaning, Jedi.

I can see why it was the Best Picture winner...equal parts entertaining, harsh, and heart-rending.

Anita Paige does a great turn here, as the titular bride, but more than a damsel in distress. And the movie makes a lion fight almost believable.

There would be a damn good film here, if it wasn't being watched during a real pandemic. I would also say that the movie doesn't know what it wants to be, but it really does: a cheesy love story couched in scifi drama. Beautiful actors, though.

Take or leave the 1920s pratfalls. But the movie is uncharming, and takes literally half the film to get Dorothy to Oz, an interminable character development that detracts from it.

Joan's wide-eyed stare off into space gets repetitive real-quick.

Stark and dreary, but richly detailed and perfectly paced. I am told it is Italy's first feature-length film, so kudos for such technical achievement. You can really believe that those sinners are suffering.

I'm not familiar with the historical context of it, but it is beautifully shot, and expertly sounded. A true gem among early documentaries.

Not sure whether the sudden, unexpected ending spoils the other, good romantic aspects of the film.

Daniel Craig (and the rest of the cast) deliver a startlingly fresh and storied show in this perfectly framed whodunit.

I like it. It is super gratuitous, and deals with heavy topics like rape, incest, and murder. But there is a reason for that, so I appreciate what the director is trying to do. Plus it is beautifully framed.

High Octane Nigthmare Fuel: The Movie. Come for Sandra Bullock navigating a river blindfold, stay for the well-realized character moments.

I was a little iffy on the CGI dog, but wow. This film inspired me so much. Truly encapsulates the spirit of the novel.

It is very much European in its sensibilities, but full of rich characters, and is wonderfully paced. And very, very sensual.