Reviews

Two newly married brides, who were veiled and wore the same dress, were traveling by train accompanied by their grooms. However, trouble ensued when one of the grooms accidentally brought the wrong bride to his own home, abandoning his own wife at the railway station.

The cast of Laapataa Ladies lacks superstars, but the quality of acting is exceptional. The three main leads are newcomers who delivered mature performances. What stands out about the cast is that each member, from the leads to the supporting cast, shines in the film and contributes significantly to the storyline. Nitanshi Goel, as Phool, receives more screen time and delivers a brilliant performance. Prathiba Ranta, as Pushpa/Jaya, had a lasting impact on me, and her screen presence and acting are worth watching. She deserves to be in more films. Sparsh Shrivastava, as Deepak, is also excellent, and his chemistry with Nitanshi is endearing. Chhaya Kadam, as Manju Mai, is literally the best part of the film; she doesn't just act, she embodies the character. Apart from her, Satendra Soni, as Chhotu, emotionally moved me with his top-notch performance and lovable character. Ravi Kishan, as Inspector Manohar, is a treat to watch. While his initial portrayal felt like a negative role, his transformation into a more sympathetic character in the second half of the film is impressive. Each member of the cast has done their best, and I would like to take note of each individual's performance.

The story of the film is not only entertaining but also has a profound and lasting impact on women's lives. The film effectively challenges cultural superstitions and inspires women to be independent and self-sufficient. Kiran Rao deserves kudos for directing this masterpiece. The dialogue in the film plays a significant role, whether it's in romantic, emotional, or social scenes. The dialogue is written with accuracy, making every conversation feel authentic and natural.

Despite being a low-budget film, the cinematography was surprisingly decent and visually appealing, making it a pleasure to watch.

The soundtrack and background score by Ram Sampath were the icing on the cake. The score at the climax, in particular, was heartwarming. Initially, I was only impressed with "Dheeme Dheeme" by Shreya Ghoshal, which was released before the film's release. However, after watching the film, I fell in love with the entire soundtrack. Every song is worth listening to. My personal favorites are "Sajni", "Dheeme Dheeme", and "Doubtwa". I love how "Sajni" symbolizes the love between Phool and Deepak, while "Dheeme Dheeme" becomes the soul of the women in Laapataa Ladies. This is one of the most decent albums of 2024.

In conclusion, Laapataa Ladies is a film that will leave you thoroughly entertained and memorable for a long time. It is undoubtedly one of the best films made in Indian cinema in 2024. If you are a woman, you must watch this masterpiece.

Vani is a devout young woman who has dedicated her life to God and rituals. However, she faces challenges when her late grandfather imposed conditions on her inheritance of his property, requiring her to get married in order to receive it. According to her grandfather's conditions, Vani marries Amarnath, a pious man who belongs to her own caste, despite having zero affection for him. The film explores how their relationship navigates the various circumstances that arise from their arranged marriage.

While Meena Kumari, a master of acting, may not have had great potential in the film initially, she proves that she is truly the "Tragedy Queen" in the second half. Her performance as Vani evokes genuine feelings, making the character relatable. Pradeep Kumar has a charming presence, but his performance is only average. However, his chemistry with Meena Kumari is undeniable, as it always is. Shashikala, who often plays negative roles, shines in her positive portrayal of the innocent woman Shanta, showcasing her versatility. Her unique chemistry with Motilal adds to the film's appeal. Motilal delivers a decent yet charming performance. The supporting cast, including David Abraham, Achala Sachdev, and Kammo, do justice to their respective characters. Minoo Mumtaz has a decent dance appearance in the mujra, but her overall performance lacks her usual significance.

The film's storyline bears a striking resemblance to "Mr. & Mrs. '55," with the central theme of arranged marriage serving as a means for property inheritance. Unfortunately, the first half of the story unfolds at a glacial pace, leaving the audience feeling bored and disengaged. The plot also fails to captivate in the first half, making it a struggle to stay invested. However, the story takes a dramatic turn in the second half, becoming increasingly engaging with each passing minute, culminating in a successful conclusion. Despite this, the second half of the story feels rushed, leaving the viewer wishing for more scenes to flesh out the narrative.

The cinematography of the film is satisfactory, although the choreography could have been improved. However, considering the storyline of the film, the choreography is decent enough in its own right.

The music composed by Hemanta Mukherjee is well-suited to the storyline of the film, but it lacks the usual rhythm and flair that is characteristic of Hemanta's work. Most of the songs are unengaging and slow, with melodies that seem like ordinary compositions. The only exception is "Dulah Ram Siya Dulhari", which I did connect with. Unfortunately, I found it difficult to connect with any of the other songs on this soundtrack. From my perspective, this is one of the lowest-rated soundtracks from Hemanta Mukherjee.

In conclusion, 'Bandhan' is not an overly entertaining film, but it is a slow-burning film that you may find yourself gradually drawn into.

After his play's initial failure, renowned stage playwright James Matthew Barrie had the opportunity to meet the Davies family, who inspired him to write his iconic play, "Peter Pan." As his play gained success, Barrie's sole desire was to bring the dying Sylvia Llewelyn Davies to Neverland, which was her most fervent desire.

I watched the film primarily because of Kate Winslet, but her character's screen time was relatively limited compared to Depp's. Given the character she was playing, this is understandable. I must admit that Kate Winslet was breathtakingly gorgeous throughout the film. Her screen presence alone made it worth watching. I wish there had been more chemistry between Kate and Johnny Depp. This is actually my first time watching a film featuring Johnny Depp, and I must say he acted brilliantly. His performance in the cathartic scenes was particularly noteworthy, as he brought a natural and interesting energy to the role. Kelly Macdonald's portrayal of Peter Pan was a key aspect of the film, and he did an impressive job of capturing his stubbornness, innocence, and loneliness. Julie Christie was also excellent in her portrayal of Mrs. Emma du Maurier, conveying both the positive and negative aspects of the character. Radha Mitchell was equally impressive as Mary Ansell Barrie. Special mention should also be given to the child actors who played the roles of the children of Sylvia Llewelyn Davies, who delivered strong performances.

The storyline is engaging, with a narrative that draws the viewer in. Although some of the initial scenes may feel slow or boring, the second half of the film shifts focus to the emotional aspect of the story, which will likely evoke tears from the audience. The well-written dialogue plays a crucial role in highlighting the film's pivotal moments.

While the cinematography may not be overly varied or ambitious, the choreography of the plays is composed with skill and precision.

The music composed by Jan A. P. Kaczmarek was arguably the standout aspect of the film. It significantly enriched the storyline, adding depth and value to each scene. Kaczmarek's work truly deserves an Academy Award for Best Original Score.

In any case, 'Finding Neverland' is a feel-good film that is perfect for watching when you're feeling down. It also serves as a valuable reminder of the significant impact that imagination can have on our lives.

A couple enters the old mansion as its new residents. The servant of the mansion is taken aback by the striking resemblance of the new residents to the last occupants of the mansion, Banani and Bijan. He then tells the couple about the story of Banani, the Banjaaran girl, and Bijan, the Zamindar boy. The film revolves around the narration of Banani and Bijan's love story.

Madhubala's performance in this film is not exceptional. While her gypsy accent is effective and her comic timing is impressive, her acting shines particularly when the emotional aspects of the story are explored. However, there are too many sobbing scenes, which, for the first time, caused me to lose interest. On a positive note, her acting when she disguises herself as an astrologer is truly impressive. Bharat Bhushan's character and acting are unremarkable, except for his good chemistry with Madhubala. Nishi Kohli and Jeevan Dhar deliver decent performances as the negative characters, although they are forgettable. Dhumal does a good job of maintaining the film's entertainment value. Mehmood has a brief role, but it doesn't have a significant impact. Badri Prasad and Murad give their best performances in their respective roles. There is also a special appearance by Cukooo, but it doesn't leave a lasting impression on me.

This 1958 film is a rare one in that it doesn't feature a traditional Saas-Bahu drama. However, despite its uniqueness, the story is surprisingly dull. At first, the story seems promising, but as it unfolds, it devolves into a familiar tale of a wealthy boy and poor girl falling in love. The second half of the film is particularly tedious, with too many scenes of sobbing that made me lose interest. The story could have been developed more interestingly, rather than relying on the repetitive plot device of Banani and Bijan's struggles and then their eventual entrapment. Instead, it feels like a predictable and unengaging narrative that fails to capture the viewer's attention.

The cinematography is commendable, but the choreography of the songs could have been improved to better match the emotional tone of the songs.

The standout aspect of the film is its music, courtesy of O. P. Nayyar. While it may not be as versatile as his other works, Nayyar has managed to create a soundtrack that enhances the story. The soundtrack is primarily composed of slow, emotional songs, including the cabaret song, which is surprisingly slow and unengaging. However, the rest of the songs are instant mood lifters. It's remarkable how Nayyar used the tune of "Ek Pardesi Mera Dil Le Gaya" in many of the songs, making it a symbol of Banani and Bijan's love story. Nayyar's work, along with Asha Bhosle's vocals, has literally saved the film from being mediocre.

In conclusion, 'Phagun' is not a great film by any stretch, but it is an entertaining one with an average storyline and chart-busting music.

Mallikajaan, the queen of Shahi Mahal, seeks to dominate everyone under her rule. Meanwhile, Fareedan is driven by a desire for revenge against Mallikajaan, who she holds responsible for her mother's death. Amidst this complex backdrop, the story unfolds amidst the intrigue of nawabs, British officials, and rebels. The tale continues...

When you watch a Sanjay Leela Bhansali creation, you know that the casting is always meticulous, but this time, the highly anticipated cast didn't quite live up to expectations. However, Manisha Koirala's portrayal of Mallikajaan was exceptional, showcasing her range as an actress and effortlessly evoking both laughter and anger from the audience. Surprisingly, Sonakshi Sinha's double role as Rehana and Fardeen left a lasting impact on me. Those who doubt her acting abilities should watch this show to understand her abilities. She was on par with Manisha Koirala, and her performance was instrumental in highlighting the battle between Mallikajaan and Fareedan. Aditi Rao Hydari was stunning as Bibbojaan, delivering impressive performances in emotional and romantic scenes. While her mujras and lip-syncing may not have been particularly memorable, her overall performance as Bibbojaan left me with goosebumps. This was my first time watching Richa Chadha, and I was blown away by her performance. She fully embodied the character of Lajjo, bringing a depth and nuance that resonated with the audience. Her acting style and dialogue delivery reminded me of Meena Kumari's iconic performances in 'Pakeezah' and 'Sahib Bibi Aur Ghulam'. Sanjeeda Sheikh was excellent as Waheeda, conveying her character's vulnerability with ease. Sharmin Segal as Alamzeb was decent, but struggled to convey the character's emotional pain and depth. Her lack of facial expressions also made it difficult to connect with her character. Jason Shah as Cartwright was dashing throughout the show, and his acting was top-notch. Mark Bennington as Henderson was equally impressive. Taha Shah Badussha was charming as Tajdar, with perfect Urdu pronunciation. Unfortunately, his chemistry with his co-star was lacking. Indresh Malik as Ustaad ji was my standout favorite from the supporting cast. He expertly portrayed the transgender character's complexity, switching seamlessly between humor and sensitivity. Fardeen Khan as Wali Mohammad received excessive hype, given his character's minimal impact on the story. It was wonderful to see Farida Jalal in another role. She never fails to impress. Prathiba Ratna was excellent as Shama, both in her acting and appearance. I wish she had more screen time. The rest of the supporting cast, including Shruti Sharma, Abha Ranta, Shekhar Suman, and Adhyayan Suman, did their parts well.

The story was engaging in the early episodes, but when the last three episodes arrived, I felt that there was an excessive focus on the relationships between Alamzeb and Tajdar, to the detriment of the rest of the cast. This led to a sense of monotony. Moreover, I was disappointed by the sudden shift in plot direction brought about by the union of Mallikajaan and Fareedan. It felt like the story was rushing to conclude, lacking a sense of resolution or closure. The abrupt change in direction was jarring and left me feeling unsatisfied.

The cinematography of Sanjay Leela Bhansali's creations, as always, does not disappoint. It is aesthetically pleasing in every aspect. The sets are also truly impressive. However, the choreographies of the songs are not as impressive. They could have been improved to better suit the emotional tone of the songs. Moreover, many of the choreographies seem to have been stolen from classic films like 'Mughal-e-Azam' and 'Pakeezah'.

The soundtrack of the show is another redeeming aspect. While it may not live up to the standards of Sanjay Leela Bhansali's previous albums, it still significantly enhances the plot. However, I felt that some of the songs could have benefited from smoother vocals. My favorite tracks are 'Chaudhavi Shab', 'Tilasmi Bahein', and 'Sakal Ban'. In contrast, the background score stands out even more, as it elevates each scene and adds depth to the narrative.

The dialogues are another notable strength of the show. The writing is exceptional, with unique and well-crafted lines that bring depth to each character. Each of these dialogues adds a rich layer of color to the characters, whether it's in the realm of romance, revenge, or humor. All the dialogues are engaging and interesting, making them a highlight of the show.

Ultimately, 'Heeramandi: The Diamond Bazaar' is a uniquely captivating show, thanks to its soothing music and enchanting visuals. While it may not be Sanjay Leela Bhansali's best work, it is still enjoyable and worth watching.

Harry is an isolated yet friendly tourist guide from Amsterdam, who labels himself as a cheap womanizer. When he meets one of his tourists, Sejal, he falls in love with her and starts to miss his home. Will Harry be able to control his feelings, or will he treat her like he treated his earlier female tourists?

When you see Imtiaz Ali and Shah Rukh Khan's names in the credits, you might feel like watching the film. However, this film is quite the opposite. It's probably one of Shah Rukh Khan's worst. In the first half, he overreacts with those trying-to-be-Punjabi comedy dialogues. It feels like someone is forcing him to deliver the lines. In the second half, when Harry's soft side starts to show, he is back on track, but it's too late. Nonetheless, it's yet another average performance by Anushka Sharma. I don't understand why she always acts like she's gossiping, even in serious scenes. I never liked her chemistry with Shah Rukh, although in "Rab Ne Bana Di Jodi" their chemistry worked well. I think the supporting cast did better than both Shah Rukh and Anushka.

It is hard to imagine that Imtiaz Ali wrote the script for this movie. Considering his previous works, this could be called his worst movie. There is nothing special about the plot. Even though the movie was released in 2017, it feels like it was written in the 90s. The dialogues in the first half are really childish. However, the dialogues in the second half help stabilize the film to some extent. Additionally, even a child could guess the climax of the movie.

One of the few good aspects of the film is its enchanting cinematography. The beautiful locations and views from Amsterdam kept the audience engaged in this otherwise disappointing movie. The choreography is also one of the film's few strengths. It may not be unique, but it is decent enough to watch.

The best aspect of the film and the saving grace of this otherwise disappointing movie is the soundtrack by Pritam. He created an outstanding blend of Indian-Western and Punjabi music that adds value to the script. While it may not be Pritam's best work, the way he enriches the film through the soundtrack deserves appreciation. It's a well-balanced soundtrack. Personally, I enjoyed the songs "Radha" , "Beech Beech Mein" , "Safar" , "Hawayein" , "Parinda", Raula" and "Phurr". The background score by Hitesh Sonik is also good, but it didn't leave a significant impact on me.

After all, the film is watchable yet forgettable. You might only want to watch it for its soundtrack and cinematography; otherwise, it's better to skip it.

Niloufar and Parvez, a loving couple, face an uncertain future as they encounter Halaku, a powerful emperor in Iran.

In Pran's career-best performance, initially, I didn't like his dialogue delivery, but eventually, his Iranian touch made it more acceptable. His portrayal of Halaku's cruelty and powerfulness was significantly enhanced. I watched the film primarily because of Meena Kumari's performance, yet I felt it was not as enchanting as usual, possibly due to the film's focus on two male leads. Ajit, known for such roles, gave a decent performance, but it did not leave a strong impression on me. Veena's powerful acting shines consistently throughout the film. Sunder and Shammi contributed positively to the film's entertainment. The best aspect of the movie is the song featuring Minoo Mumtaz and Helen.

The story lacks originality, being a typical melodrama with a predictable ending. The excessive emotional scenes detract from the film's entertainment value.

Regarding the cinematography, the film may not be exceptional, but I appreciate the choreography of the song "Aji Chale Aao."

The music by Shankar-Jaikishan enhances the film's appeal, though it may not be as impressive as their other works. Among the songs, "Aji Chale Aao" and "Yeh Chand Yeh Sitare" left a significant impression on me, while the rest did not have a substantial impact.

Often, the dialogues resemble a mournful narrative. However, the dialogues of Halaku and Maharani are written with elegance, allowing one to perceive the distinctly strong female and male characters.

While Pran and Veena's exceptional performances and the music by Shankar-Jaikishan are noteworthy aspects, there isn't much else to appreciate in the film. However, for the admirers of Pran, this movie holds particular significance.

When Joel Barish learns that his cherished girlfriend, Clementine Kruczynski, has undergone treatments to erase him entirely from her memory, Joel Barish decides to undergo the same procedure to forget her completely. Will Joel manage to forget Clementine, and will Clementine also forget Joel ?

Kate Winslet and Jim Carrey brought the characters of Joel and Clementine to life. Their chemistry is truly remarkable. Kristen Dunst also contributed significantly to the film's story, even though she played a supporting role. I strongly hate the character of Patrick, and Elijah Wood's powerful performance was the reason for that.

This is not merely a conventional film depicting a breakup between a girl and a boy. Instead, it is a much more unique and well-structured storyline based on the same theme. The film's symbolic language is exceptional. Particularly noteworthy is the portrayal of Clementine's hair color, which changes depending on the state of Joel and Clementine's relationship.

The cinematography plays a crucial role in the film, with its stunning locations and shots captivating the audience. The film editing is exceptional, particularly in scenes where the story unfolds around Joel's memories.

The music serves as the heart of the film, enriching every scene with its unique flavor. The film's conclusion, featuring the soothing track "Everybody's Gotta Learn Sometime," perfectly complements the overall experience.

This movie is exceptionally rare, as it can genuinely be considered perfect in every aspect. The imaginative elements significantly enhance the narrative. This film transcends fiction, resonating deeply with our personal relationships. By fostering understanding between individuals, it demonstrates how overcoming imperfections can alleviate numerous issues within couples.

This undoubtedly qualifies as a masterpiece and a feel-good film. During challenging periods in life, simply watching this movie can undoubtedly improve your mood and provide a sense of comfort.

After the murder of a police inspector by an unidentified criminal group, a Special Task Police Inspector named Kiran Kumaar, who shares a striking resemblance to the deceased gangster Rangooni, was appointed to disguise as Rangooni in order to apprehend the criminal gang. During his mission, Inspector Kiran Kumaar encounters Ramesh, the leader of the gang, and becomes romantically involved with Manju, who is both close to Ramesh and eager for fame. Will Inspector Kiran Kumaar succeed in capturing Ramesh and his accomplices, as well as winning Manju's heart ?

The character of Manju, portrayed by Madhubala, is that of a very modern, wealthy girl. In terms of acting, it is difficult to witness such a remarkable performance due to the film being commercial in nature and Madhubala's role being predominantly comedic. In the initial half of the film, her portrayal seems like overacting because of the sophistication and eloquence of her character. However, from the second half to the end, her performance was exceptional. Additionally, except for one scene, she dons western-style attire in all the movie sequences. Truly, she appeared divine in those outfits. Towards the conclusion of the film, Madhubala reverts to her natural emotive prowess. In one scene of the movie, she fluently speaks Gujarati. Madhubala's comic timing effectively kept the audience entertained throughout the film. An impressive performance can be observed from Pradeep Kumar, who takes on dual roles as Kiran Kumaar and Rangooni. Particularly, his portrayal of these characters in various disguises is quite humorous. The chemistry between Pradeep and Madhubala is commendable. Although Nadira was credited as part of the main cast, she only appeared in one song and had limited screen time elsewhere. Nonetheless, she delivered a remarkable performance in her song sequence. Anwar effectively brought his antagonist character to life. Raj Mehra convincingly played the role of Inspector Mehra. Dhumal played a significant role in maintaining the film's entertainment quotient. His scene with Madhubala, in particular, is highly amusing. Om Prakash and Mirza Musharraf also contributed positively to the film's entertainment aspect. Tun Tun had a brief appearance in the movie but failed to leave a lasting impression. Bhagwan Dada's participation in one of the film's songs was both memorable and priceless.

The narrative revolves around crime and action, yet it remains engaging due to the inclusion of humorous scenes throughout the film. While it may be considered just another crime-action movie without any distinctiveness, it does possess a predictable climax. However, the film's dialogue is penned in a comedic manner, which significantly enhances the overall plot.

The film's shooting locations are charming, as they deviate from the typical studio settings usually seen in Madhubala's movies. The costume designer deserves praise for creating Western attire for Madhubala, which not only suits the 1950s setting but also remains fashionable by modern-day standards. The cinematography is satisfactory, while the sound mixing could have been improved. The song choreographies are decent and effectively convey emotions.

The film's music is skillfully composed by Hemanta Mukherjee. The soundtrack is enjoyable, distinctive, and harmoniously aligned with the script. However, the background score contradicts this quality, as it unnecessarily intrudes upon certain scenes. This heavy background music often hinders the audience's understanding of the dialogue, significantly impacting the film's entertainment value. Nonetheless, I appreciated the songs "Mere Tum Ho Phir Kya Hai" and "Oh Oh Baby Mudke Zara" from the movie.

In summary, "Police" may not be considered an outstanding film in terms of its storyline or acting. However, if you are interested in exploring a 1950s crime drama with an entertaining plot, this film could cater to your preferences.

In Gwalior, Shambhunath Mishra and his wife Manju face financial difficulties. Their son Guddu lives in the USA, leaving them to confront a loan shark named Prajapati. As they grapple with the situation, they encounter a corrupt cop and a hooligan leader. To safeguard their family, they devise a plan and face numerous challenges. Their focus remains on ensuring the well-being of their beloved Naina and her impoverished family.

Any movie with Neena Gupta is sure to be a good classic. But what impressed me the most in this film was Sanjay Mishra's powerful performance. I have seen many of his movies but all of them are comedies with supporting characters. That's why I was really surprised when I saw such a strong performance from him for the first time. He gave life to the character of Shambhunath not only in his acting but also in his looks and he did maximum justice to the character of Shambhunath. Neena Gupta also did justice to her role as usual, but I expected from her a great performance like in her earlier works, but more space has been allotted to the role of Shambhunath in the film. But in the second half of the film, she portrayed the naivety and poverty of a traditional Indian woman well. Also, her and Sanjay's chemistry was amazing. Saurabh Sachdeva portrayed the role of Prajapati so wonderfully that you will hate the character so much. Manav Vij also did justice to his role. His contribution in the climax is excellent. Apart from that, Ananya Singh who played the role of little Naina and Jaspal Singh Sandhu who played the role of Rathore Dada (who is himself the director of the film) were especially appreciated.

This is not merely an interesting crime thriller; it also addresses social issues. For instance, it highlights how many Indian parents invest millions in sending their children abroad, only for the children to not care about them in return. Initially, the film seemed similar to "Drishyam." However, as the second half began, it diverged from that comparison. Throughout the movie, each moment was thrilling and exciting. However, when Shambhunath agreed to Shakti Singh's plan, without proper investigation, the scenes leading up to the climax felt rushed. This is the only negative aspect of the film.

In terms of cinematography, it may not be exceptional; however, there are some brief instances of stunning panoramic frames that make a notable appearance.

Not a single song is displayed in the film, yet it does not hinder the enjoyment of the movie, as the plot is genuinely interesting. However, the decent background score by Gulcharan Singh plays a crucial role and significantly enhances the emotional scenes.

In conclusion, "Vadh" is not merely a crime thriller; it also sheds light on the lack of humanity within society. I highly recommend watching this film.

In a bustling city, Roshan lives a double life as both a pickpocket and a respected member of the community. When he steals a valuable necklace and finds himself embroiled in a dangerous plot, his life takes a tumultuous turn. His friendship with fellow gambler Daboo and his encounter with the upper-class Rita set off a chain of events that lead to betrayal and heartbreak. As Roshan gets entangled with the enigmatic figure Shankar and the stolen money, he must navigate a web of deceit and loyalty. Love, revenge, and redemption intertwine in this gripping tale of secrets and sacrifice.

Dev Anand, as usual, gives his best. The first half of his performance lacks anything extraordinary, but in the climax, when Roshan's mother dies, he portrays the emotions very well. Geeta Bali adds charm to the film, although there is nothing extraordinary in her character or acting. Nadira delivers an outstanding performance, depicting Rita's soft corner and her rage effectively. Gope contributes to the film's entertainment with his comic timing. Ramayan Tiwari effectively portrays Shankar's villainous side. The versatile Lalita Pawar adds emotional depth to the plot. Tun Tun has a brief appearance in the film, with no significant impact. Minoo Mumtaz is seen in a special dance appearance, but her usual spectacular performance is missed due to poor choreography and music.

It felt like the film was lacking something that cannot be described in words. Compared to Dev Anand's earlier crime dramas like CID, this film ranks the lowest. The only positive aspect of the plot is the way it guides the audience towards the right path by showing how Roshan lost her beloved mother due to his crimes.

Usually, when Madan Mohan composes for a film, he enriches the film. However, this time it somehow feels like he is a misfit for this crime action film. The songs are excellent and soulful, but they do not match the crime drama vibes and are more suitable for a romantic drama film. Most of the songs are slow-paced, including the cabaret ones. Almost every song, sung by Lata Mangeshkar with the same slow beats, feels monotonous. The only song I enjoyed in the film was "Duniya Ke Saath Chal Pyare," sung by Geeta Dutt. Nevertheless, I truly appreciate the background score, which adds a thrilling feeling to each scene.

Overall, 'Pocket Maar' is a good film, although not very entertaining. However, it can be enjoyed by Dev Anand fans.

David Gale, a social activist who opposes the death penalty, faces a moral dilemma when he is arrested and sentenced to death for the alleged crimes of rape and murder. Despite initially being drawn to the movie by Kate Winslet, the true hero of the story is revealed to be Kevin Spacey. Alongside Laura Linney, they effectively bring out the movie's sensitive nuances, creating a gripping thriller that culminates in an unexpected conclusion. While Gabriel Mann and Kate Winslet share good chemistry, some moments in the film can feel tedious. The impactful background score heightens the emotional scenes. On the whole, the film serves as a compelling argument against wrongful convictions for capital punishment, although the reasoning behind David's ultimate sacrifice remains puzzling. In conclusion, I highly recommend this exceptional film.

"Ek Saal" follows Usha Sinha, a young woman with a terminal brain tumor. Living with her retired colonel father, she faces limited time left to live even after unsuccessful surgeries. During her birthday celebration at her aunt's place, she encounters Suresh Kumar, a flirt who helps her recover her aunt's stolen necklace. Usha discovers that Suresh is the newly hired manager of their lands, unaware of his plot with his girlfriend Rajini to rob her family. As Usha's health worsens, Mr. Sinha asks Suresh to pretend to love her, leading to a complicated relationship. Doubts arise and an investigator is brought in, but amidst the chaos, Usha's heart opens up to Suresh's genuine love, leading them on a risky journey for a potential cure. Their love story defies the odds and finds hope in the face of despair. As a Madhubala fan, this film was worth the wait. Madhubala looks absolutely stunning as usual and showcases her acting prowess in the second half of the film when Usha realizes Suresh really does not love her. Ashok Kumar delivers a brilliant performance, effortlessly portraying both positive and negative shades of Suresh Kumar. Kuldip Kaur does well in her villainous role. Minoo Mumtaz and Johnny Walker bring entertainment to the story with their chemistry. Mehmood impresses with his serious role as a doctor. S. K. Prem delivers a spectacular performance as Colonel Sinha, portraying the emotional side of a father. The film's soundtrack by Ravi adds soul to the story, with well-connected songs like "Dil To Kisi Ko Doge" and "Miyan Mera Bada Beimaan." The cinematography is cool, and the dialogues are well written. In conclusion, "Ek Saal" is a heartwarming tale suitable for the whole family to watch, especially for Madhubala fans.

After a lot of recommendations, I watched this film. My friends said the film is so scary. But I didn't find it very scary. The plot is quite a thriller but not very interesting. However, I really like the VFX work in this film. Despite it being an 80's film, they have done a great job with the VFX. The scene where the inspector's face is disfigured in the bathroom and the scene where Diane is surrounded by corpses in the pool are truly terrifying. Each member of the cast gave their best equally. I particularly enjoyed the characters of JoeBeth and Heather. There is no big horror like the Conjuring Series, but it is more suitable for those who like to watch classic horror films.

Orphaned infant wizard Harry Potter gets an opportunity to learn magic at Hogwarts. During his journey in Hogwarts, he discovers information regarding his wizard parents and the demise of his parents at the hands of the notorious Voldemort. The focus of this chapter is on Harry Potter's attempt to prevent Voldemort from reclaiming his powers by safeguarding the philosopher's stone.

It took me more than 22 years to finally watch this film series, despite the fact that the film is incredibly popular. I had actually anticipated it to be just another children's film, easily forgotten after watching it. However, it turned out to be the complete opposite. I thoroughly enjoyed every aspect of the film. The three main teenagers, Daniel Radcliffe, Rupert Grint, and Emma Watson, delivered exceptional performances. Initially, Emma's performance in the first half seemed somewhat irritating, but it gradually grew on me. The rest of the cast also gave their best, with standout performances from Richard Harris, Robbie Coltrane, Alan Rickman, Fiona Shaw, and Maggie Smith, whom I particularly admired.

I haven't read any of the original books, though I adore the storyline of the film. It's not merely a tale about magic, but also explores themes such as friendship, loyalty, love, emotions, and much more. What I appreciate is how the director has emphasized the significance of each and every character. As a result, every character is adored by the audience, regardless of whether they play a positive or negative role.

However, the true star of the film is the VFX. It played a crucial role in depicting those enchanting moments to the viewers on the screen.

One of the things I most loved about this film is its original score by John Williams. It elevated the emotions of the film scenes to a whole different level.

The story is based on J. K. Rowling's book, Harry Potter and the Philosopher's Stone. However, in the film, it takes on a different tone, being more intense and emotionally charged compared to the book.

Harry Potter and the Philosopher's Stone is an astonishing film that can be enjoyed by viewers of all ages, without skipping a beat. It is truly a film that will be remembered for years to come.

Iris (2001) revolves around novelist Iris Murdoch, highlighting her relationship with her husband John Bayle, as they struggle against Iris' battle with Alzheimer's disease.

I was initially drawn to watch this film primarily because of Kate Winslet, although I must admit that her performance didn't quite meet my expectations compared to her other outstanding roles. Playing the younger version of Iris Murdoch, her character came across as self-obsessed and excessively talkative, which became rather bothersome for me. However, the true standout performances in this film come from Judi Dench and Jim Broadbent. While Judi struggled to give her best performance during the first half, she truly shines as Iris' Alzheimer's disease progresses. Her portrayal of Iris' struggle to regain her writing skills, which are her very essence, through her deteriorating mind, is incredibly touching. It nearly brought me to tears during the climax. Jim Broadbent, on the other hand, flawlessly embodies the naive yet caring nature of John Bayley. Even before Judi Dench's entrance, it is Broadbent who commands the screen. He skillfully portrays John's unwavering patience and love for Iris, firmly believing that she will triumph over Alzheimer's disease, despite medical professionals suggesting otherwise. John was truly the one who deeply loved Iris. Hugh Bonneville also delivers a stellar performance as the young John Bayley, capturing the complexity of his relationship with Iris from their early years. Their stark differences are well portrayed by Bonneville. Additionally, Penelope Wilton also shines in her role.

The film portrays a blend of Iris Murdoch's professional life and her relationship with her husband, John Bayley. While Alzheimer's disease is a significant element, the focus primarily revolves around their intricate and complex bond. I appreciate the director's approach in building the storyline with an emotional touch, which effectively engages the audience with the plot.

The film showcases stunning cinematography throughout, with particularly captivating shots near the beach that offer a truly satisfying visual experience.

The film features a soothing background score that enhances the emotional aspect of the story, spanning from the beginning to the end of the film.

The film not only serves as a biopic, portraying Iris' battle with Alzheimer's disease, but also delves into the challenges faced within relationships, and the difficulties one experiences when losing their passion for their beloved profession. It beautifully examines the significance of words in the life of Iris and how their loss affects her deeply.

Iris offers more than just a biopic; it presents a profound exploration of art and relationships, infused with an emotional touch. I highly recommend this film to anyone who enjoys heartwarming movies that provide a sense of comfort.

Newspaper editor Shrivastav, who is against the criminals being murdered as per the order of the head of the criminals. Inspector Shekhar was appointed to find out the anonymous main culprit of this murder.

A 50's crime thriller with a stunning soundtrack. As a Dev Anand fan I always wanted to watch the film though I wasn't had much interest earlier. Because I thought this would be another crime thriller surrounded by just suspense. But I was completely wrong. This film is not just a way ahead of its time, but also a complete package of entertainment.

This film marked one of Dev Anand's early successes, showcasing his charm and impeccable acting skills. Known for his perfection in crime thrillers during the golden era, Dev Anand shines in this one. Shakila caught my attention with her stunning looks and impressive acting, particularly in the first half. Johnny Walker's breakout role may not have been as exceptional as his other performances, possibly due to it being one of his early career roles. Nonetheless, he never fails to entertain the audience, and his chemistry with Kumkum is a highlight. While K. N. Singh usually plays the villain in crime thrillers of the 50s, this film takes a different approach. Debutant Waheeda Rehman delivers an impressive performance, even though I feel that a negative role may not have been the best fit for her at such a young age. Nevertheless, she looks breathtakingly beautiful, captivating the audience with her intoxicating eyes. Despite not being paired as a couple, the chemistry between Dev Anand and Waheeda Rehman is still enjoyable to watch. Mehmood takes on a serious role, deviating from his usual comedic characters, and Tun Tun also makes a brief appearance. Minoo Mumtaz and Sheela Vaz showcase their dancing talents in two numbers, with Minoo's performance in 'Boojh Mera Kya Naam Re' leaving a lasting impression. She truly added soul to the song.

The plot is not much of a thriller compared to today's films. But way ahead of the 50's. Usually these crime thrillers have serious thriller scenes with less entertainment and music. But this film is the opposite. I really appreciate how Raj Khosla managed to keep the entertainment of the film while making it a serious crime thriller as well.

I loved the song picturization. Especially in the closeup shots, the actresses look breathtakingly beautiful. Also impressed by the choreography by Zohra Sehgal in the songs. It's so simple though, bringing many emotions to the song picturization.

The film's standout star is O. P. Nayyar, who created a super hit album and background score. While not entirely impressed with the score, the brilliant soundtrack compensates for it. Among my favorites from the film are 'Boojh Mera Kya Naam Re' , 'Yeh Hai Bombay Meri Jaan' , 'Leke Pehla Pehla Pyaar' , and 'Kahin Pe Nigaahen Kahin Pe Nishaana'. Unfortunately, the best song, 'Jaata Kahaan Hai Dewaane', was removed, but its intro is used in the background score. 'Leke Pehla Pehla Pyaar' has two versions, one happy and the other sad. Not a single bad song can be found in the film, and I would consider this one of Nayyar's finest works. I also appreciate how the lyrics of 'Kahin Pe Nigaahen Kahin Pe Nishaana' accurately match the scenes, with Kamini urging Shekhar to run away as the villain Daramadas approaches. Majrooh Sultanpuri deserves credit for brilliantly writing the lyrics.

I would recommend anyone who likes to watch the golden era films should watch this film. Especially if you think 50's movies are boring, this film will change your mind. You can never have any other crime thriller full of entertainment like this film.

Best friends Jai and Aditi do everything together. Despite the fact that they don't love each other, everyone believes that they are having an affair. They decide to find separate mates for each other as a result of this issue. When their spouses don't fit them, things become more difficult as Jai and Aditi begin to recognise their emotions.

Prior to viewing this movie Although it was a little odd, and I initially assumed this was just another movie about college romance. Imran Khan performed so well on screen that it was difficult to realise this was his first movie. Even though I didn't like how Genelia D'Souza pronunced her Hindi, she did an outstanding job. The performers who played Jai's insane buddies, Nirav Mehta, Alishka Varde, Karan Makhija, and Sugandha Garg, gave it their all. I didn't like Prateik Babbar's character at first, but as soon as his emotional side began to emerge, I connected to him. Manjari Fadnis's performance had more of an impact on me than Imran and Genelia do. She has an appealing appearance throughout the movie. Ratna Pathak and Naseeruddin Shah, a real-life couple, add humour to the narrative. Despite not having shared the same frame, they possessed an impressive chemistry. I'm amazed at how Paresh Rawal blends humour and negativity into his character. The presence of Sohail and Arbaaz significantly increased the film's enjoyment.

The soundtrack and background score by A. R. Rahman are the film's key features. Compared to his other efforts, this wasn't his best effort. However, he has created some bizarre modern tunes to go with the story. I preferred the background score over the soundtrack. It's very comforting.

Some enchanting locations can be seen in the film depicting the beauty of nature.

The bond between Jai and Aditi serves as a powerful metaphor for the value of relationship building. The way Meghna used to fantasise of her parents as a loving couple also demonstrates how parents' grudges hurt their kids.

This movie isn't all that outstanding. But one that's enjoyable, emotional, and musically relaxing. A heartwarming movie that anybody can enjoy.

The king of Jagmer, Maharaja Daljeet and the king of Sultanpur have been long-time enemies. To end this rivalry between the two kingdoms, Daljeet sends a marriage proposal for his daughter to the prince of Sultanpur, but both the father and son reject the proposal due to their long-term hatred for Maharaja Daljeet. Maharaja Daljeet and his daughter get humiliated by the behaviour of the king of Sultanpur and decide to get revenge. But things change when Raja Beti and Kumar fall in love with each other.

This movie is single-handedly carved by Madhubala 's versatile performance. Without a doubt, one of the best performances in her career, but yet underrated. It's really impressive how she portrays different kinds of emotions in perfection throughout the film. In the first half, she comes up with a breakup and revenge and then changes it to a comic and funny character. I really like her comic timing in this film. Also one of the rarest films of Madhubala to portray male characters. She played the roles of Saint, rural wife, soldier, rural dancing girl. Which shows her sheer versatility. Pradeep kumar, who is often seen in historical characters, gives justice to his character, though nothing extraordinary in his performance. But I appreciate his chemistry with Madhubala. Kammo has done a great job while being a great support to Madhubala, especially in the comedy scenes. Ulhas portrayed the negativity in his character so well. Sohrab Modi has displayed the magnificent qualities of the Maharaja Daljeet effortlessly. Murad and Tun Tun also did a great job for their respective characters.

There is a dance appearance by Helen as well, but I didn't enjoy it as the usual Helen touch was missing in it.

This film is one of the rarest films in Madhubala's career to have more screen space for the leading lady despite the film being not a female-centric one. And I appreciate Sohrab Modi for it. This is a typically fantasy film of the 1950's but it is worth watching because of the performances. Madhubala 's character is a well written character.

The sets of the film are spectacular. There is pretty good cinematography. Some stunning tracking shots and dolly shots can be seen in the film. However, I didn't like the song choreography in this film. The songs are expressive enough though it felt like something was missing.

One of the few times that I didn't like a soundtrack by Shankar-Jaikishan. Usually, when this duo creates music, there is at least one song you will remember for a long time. But in this film it didn't happen to me. However, the soulful background score covers the decline caused by the soundtrack.

I really like the dialogue writing of this film. It was filled with love, laughter, sacrifice, revenge and many more. In particular, the comic dialogues impressed me a lot.

The film starts with the theme of rivalry between two kingdoms, though the actual theme comes later. No matter how stubborn you are, in the matter of children and parents, both sides have to sacrifice for each other, especially when you have a daughter.

I recommend every Madhubala fan to watch this film. People rarely mention Raj Hath in Madhubala 's best performances. But you will rate this higher as soon as you watch her performance.

Enigma is a suspenseful historical mystery that takes place during World War II. The Robert Harris novel served as the basis for the movie, which centres on the British codebreaking effort at Bletchley Park. A talented but quirky mathematician named Tom Jericho is called back to solve the riddles of a German naval code that has remained unsolved.

Enigma's whole cast turns forth outstanding performances. Dougray Scott captivates us with his nuanced portrayal as he expertly captures Jericho's internal conflicts. The mysterious and intriguing Claire Romilly, played by Saffron Burrows, gives the story dimension. In addition, Kate Winslet as Hester Wallace gives her character a touching blend of fragility and strength that has a long-lasting effect.

Michael Apted skillfully directs the movie, striking a delicate balance between the exciting espionage elements and the human journeys. The audience is immersed in an immersive experience because to his meticulous attention to detail in recreating the wartime setting at Bletchley Park.

The dialogues of the movie well conveys the complexity and intrigue of the plot, allowing a gratifying examination of the complicated relationships between the characters. The narrative flows easily because of the writing's careful balancing of scientific jargon with emotional depth.

The emotional strain and claustrophobia in the cramped areas of Bletchley Park, as well as the breathtaking English rural scenery, are expertly captured in Enigma's cinematography. The juxtaposition of these images highlights the opposition between freedom and secrecy, further boosting the mood of the movie.

The suspense and tone of the movie are dramatically enhanced by John Barry's eerie yet fascinating score. Barry's musical score deftly draws the listener further into the action by raising the stakes and enhancing the emotional beats. This was my favourite aspect of the movie.

In Enigma, themes of love, loyalty, sacrifice, and the ethical dilemmas addressed in times of conflict are explored. It explores the repercussions of codebreakers' labour and the personal and professional sacrifices they made, shedding light on the complexity of their existence during the war.

Enigma is a compelling synthesis of romantic suspense, daring espionage, and historical accuracy, after all. The movie's tension slowly increases throughout, building to a satisfying finale. Fans of historical dramas and espionage thrillers should both watch Enigma because of the outstanding acting, thorough attention to detail, and intriguing premise.

Piku Banerjee is an architect from a Bengali family living in Delhi. She is unmarried and lives with her stubborn father, Bhashkor, who suffers from constipation. Bhashkor is desperate to return to his home in Kolkata. For this, Piku chooses the taxi service of Rana Chaudhary, whom she dislikes. The story follows Bhashkor, Rana, Piku's trip to Kolkata and how they deal with Bhashkor's constipation.

I am not a fan of Deepika. But I saw her more beautifully in this film than any film she had ever acted in. Deepika, who applies lots of make-up in other films, was seen in this film with a charming face along with a bindi. It helped to portray the image of a Bengali girl perfectly. Overall, this is not a great performance but can undoubtedly be included among the best performances of Deepika's career. She portrayed a stubborn, quick-tempered character in the first half of the film, but the way she portrayed her as a sensitive and emotional person in the latter half of the film was priceless. She had the third best performance in the film.

I thought the movie would be good because Irrfan is there. He delivered his natural performance effortlessly as usual. Irrfan portrayed Rana's simplicity & charm, patience and honesty very wonderfully. Also, the Irrfan-Deepika chemistry was better than expected. Irrfan's comic timing here is incredible. He had the second best performance in the film.

Amitabh Bachchan undoubtedly gave the best performance in the film. I'm not much of a fan of his younger stage performances , but I admire his old-aged movies. One of them is Piku. He lived in the character of Bashkor. No one can portray Bashkor's stubbornness, humor, arrogance like Amitabh did. His dialogue delivery and antics are amazing here . Sometimes Amitabh managed to make the audience laugh and in the next moment he made them cry . No wonder why he got a national award for this film. He absolutely deserves it .

It is a great relief to see Moushumi Chatterjee on the silver screen after some years. She managed to add a smile to the audience's faces through the character of Chhobi Mashi. I love her and Amitabh's scenes here.

Jisshu Sengupta, Balendra Singh, Swaroopa Ghosh and Avijit Dutt also portrayed their roles well.

The plot is very slow but it is a mixture of sadness, happiness and fun. Satyajit Ray's film Pikoo was a little inspiration for this.

Shoojit Sircar's effort to portray Bengali culture through the film is invaluable, so that even a non-Bengali would be attracted to the film. Also, at one point in the film, a scene with a photo of Satyajit Ray and a reference to him in a dialogue can be seen, which is a successful attempt to present Bengali cinema through this film.

Juhi Chaturvedi's dialogues are awesome. The film's success was primarily due to her dialogue writing. But at times it seemed unnecessary to engage in too much dialogue about constipation.

Another landmark of the movie Piku is its cinematography. Kamaljeet Negi has done an excellent job. Beautiful scenes of places like Kolkata, Delhi, Mumbai, Howrah Bridge, Gujarat, Varanasi have been included in the film. The way the scenes are shot, especially on the highway, is fantastic. In particular, the scene of Bashkor's chair which is used for defecation can be seen on the taxi's roof, while taking it across the highway has been captured very artistically.

The soul of the film is its soundtrack and background music. This is Anupam Roy's first Bollywood movie, he has created a collection of wonderful songs. The background music of the film does not include many scores . But the particular score used throughout the film has a Bengali flavor. And a bunch of very melodious Hindi and Bengali mixed songs are included. They are created by mixing classical and modern music. My favorite songs here are "Bezubaan", "Journey Song" and "Lamhe Guzar Gaye". However, it is a pity that the Hindi and Bengali mixed verses sung by Shreya Ghoshal in the song "Journey Song" has been removed from the film.

Almost half of the film is mixed with constipation and Bengali culture, but the real theme of the film emerges in the last half. It is well reflected in Piku's dialogue "You can't judge parents, no matter how they are". Although Piku was stressed because of her father when he was alive, she realized his worth after he died. This is also very relevant to the relationships with parents for many of us.

Piku is not a perfect movie in every way. But it's a great piece of art . Watch this movie when you are in a bad mood. The relief you feel after watching this will be indescribable. An aesthetic film for life.