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Hypnotic (2023)
A Maze of Incomprehensible Plot and Hypnotic Disarray
For 90 long minutes, I was under the impression that Leslie Nielsen would spring from the wardrobe any moment, clarifying: don't worry, this is a parody. Alas, no. Robert Rodriguez's "Hypnotic", an answer to the question, "What would it look like if The Asylum attempted to recreate 'Scanners', 'Looper', and 'Inception' poorly?", is indeed intended to be taken seriously. That ultimately elicited laughter from me.
With a generous measure of good will, one cannot deny a certain humor amidst all the clumsy attempts to cash in on superior templates. When Rodriguez releases the "Spy Kids 3D" CGI team from the basement for exactly two scenes, and the earth folds over the entire sky, it has a touch of those amusing distortion effects on YouTuber thumbnails. That made me laugh as well.
The script falls into the category of "shamefully stupid". The story of a super-secret organization of super-hypnotists who can reprogram complete strangers into killing machines with just one spoken sentence never makes sense, is never exciting, and in the end, I didn't know if I found the number more embarrassing before or after the obligatory twist.
Ben Affleck's involvement can only be explained through hypnosis. At least, I've never seen him perform so tangential to a film before. His facial expression never changes, even in extreme situations, but because Alice Braga consistently spouts nonsense next to him and William Fichtner looks like he wants to leave the set immediately, Affleck's apathy doesn't weigh as heavily.
This must be what hypnosis feels like: doing something you don't really want to do, and afterward, not remembering anything. If this experience was the target for "Hypnotic", at least that was achieved.
Suzume no Tojimari (2022)
A Familiar Yet Captivating Journey Through Shinkai's Signature Themes
One can tell by now that Makoto Shinkai has found his winning formula, which is why "Suzume" often feels as though we've seen this story from him before. Shinkai once again delves into tales of disasters and the associated traumas, yet again a girl falls in love with a boy, who does not reciprocate, instead transforming into a three-legged chair (winkwink). As a result, "Suzume" comes across as more light-footed than previous Shinkai works, but it still explores melancholic themes as is customary. Moreover, I appreciated the intertwining of real natural forces with Japanese folklore, and the soundtrack is fantastic. However, don't expect another "Your Name" here.
Eighth Grade (2018)
A Masterful Portrayal of Adolescence and Its Struggles
This film, rife with powerful moments, presents the harsh reality of a young girl's transition into a world where she may find herself reduced to satisfying base desires. The car scene, in particular, stands out, offering a brutally honest and uncompromising portrayal of the issues faced by growing children, especially young girls.
While the film oscillates between moments of charm and humor, this scene stands as a stark contrast, hitting viewers with its raw emotional intensity. Far from feeling out of place, it fits seamlessly into the tapestry of the narrative, underscoring the directorial prowess of newcomer Bo Burnham. With a keen eye for drama, comedy, and coming-of-age narratives, he blends them all, creating some of the most riveting dialogues of the year - authentic, sharply observed, and precisely written.
Burnham demonstrates a remarkable sensitivity towards his characters, understanding exactly when to infuse discomfort and how to dissolve it. The narrative takes viewers on a journey, effectively encapsulating the often nerve-wracking experiences of prepubescent youth. This is largely due to the authentic performances of the cast, particularly Elsie Fisher, whose portrayal transcends typical acting.
"Eighth Grade" emerges as a finely observed, brilliantly performed gem. The minor lulls in its final third are easily forgiven in light of its compelling depiction of adolescence and its ability to transport audiences back into a time of different, yet equally significant challenges. It remains notable for offering one of the most poignant moments of the year.
Kimi no na wa. (2016)
A Mesmerizing Journey of Fate and Love
Koto Shinkai's "Kimi no na wa" (Your Name) is a poignant tale of love, time, and destiny that resonates deeply with its audience. Seamlessly blending elements of drama, fantasy, and romance, this film truly showcases the potential of the anime medium.
The film follows the lives of two teenagers, Mitsuha, a girl living in the rural town of Itomori, and Taki, a boy residing in bustling Tokyo, who inexplicably begin to swap bodies. The concept of body swapping isn't new, but Shinkai uses it as a vehicle to explore deeper themes of connection, longing, and the tension between tradition and modernity.
"Kimi no na wa" is visually stunning. Shinkai's exquisite attention to detail paints a picture of a Japan caught between its rural traditions and the pace of urban life. The film's animation breathes life into both Itomori's verdant landscapes and Tokyo's sprawling cityscape with the same level of care and detail.
The story, in its exploration of time, fate, and memory, is both enthralling and emotionally resonant. The narrative weaves a complex web that converges in a climax that is heart-rending and exhilarating in equal measure. It's a plot that keeps you on the edge of your seat, hopeful and anxious for a resolution.
The characters are relatable and well developed, with viewers becoming emotionally invested in their journey. The chemistry between Mitsuha and Taki is palpable and serves as the emotional crux of the story. Their dialogue, often humorous and touching, drives their relationship forward in an organic and engaging way.
However, the film isn't without minor flaws. Some plot elements are left unexplained, and certain characters could have benefited from more screen time. Moreover, the resolution, although deeply satisfying, may feel somewhat convenient to some viewers.
The soundtrack, provided by Japanese rock band RADWIMPS, is hauntingly beautiful, complementing the tone of the movie and enhancing the emotional intensity of key scenes.
In conclusion, "Kimi no na wa" is a visually and emotionally stunning anime masterpiece. It's a complex tale of love and fate that captivates from start to finish, proving once again Makoto Shinkai's immense storytelling talent. Despite minor narrative shortcomings, it is a truly memorable cinematic experience.
Tenki no ko (2019)
A Visual Delight with a Warm Heart
Makoto Shinkai's "Weathering with You" is a whimsical tale of youthful love set against a backdrop of stunningly rendered weather phenomena. While it doesn't quite reach the emotional depths of its predecessor "Your Name," the movie offers a visually enchanting and heartfelt exploration of climate and connection.
"Weathering with You" follows the story of Hodaka, a runaway who lands in Tokyo and befriends Hina, a girl with the unique ability to clear the perpetually rainy skies of the city. The relationship between the two protagonists is tenderly drawn, demonstrating Shinkai's knack for portraying earnest teenage romance.
The animation is, quite simply, breathtaking. Shinkai's penchant for detailed visuals is evident in every raindrop that falls and every ray of sunshine that breaks through the clouds. The weather, far from a mere backdrop, acts as a character itself, often mirroring the emotions of the characters and their circumstances.
The storyline provides a fresh take on the climate crisis, personifying it through Hina's abilities. Although not particularly nuanced, it presents an interesting allegory about the consequences of tampering with nature. The fantastical elements are well-integrated into the narrative, lending an ethereal quality to the storyline without detracting from its emotional resonance.
However, the film doesn't entirely escape the shadow of Shinkai's previous work. The storyline, while charming, lacks the emotional punch of "Your Name," and the climax, despite being visually grandiose, fails to provide a satisfying emotional resolution. Additionally, some secondary characters could have used more development to enrich the narrative.
The film's soundtrack, composed by the band RADWIMPS, complements the narrative well, accentuating the emotional moments and enhancing the overall viewing experience.
In conclusion, "Weathering with You" is a visual spectacle imbued with a warm, if somewhat underdeveloped, narrative. It's a beautiful, thought-provoking movie that falls just short of the very high standard set by Shinkai's previous work but nonetheless stands as a testament to his extraordinary talent as a filmmaker.
Anazâ (2012)
An Unsettling Masterpiece
"Another" is a standout example of the horror genre within anime, offering an immersive, haunting narrative that continually escalates in tension and intrigue. Its mystery-driven plot surrounds a cursed class, creating a storyline laden with fear, uncertainty, and suspense.
The careful attention given to the show's animation is nothing short of spectacular. The visually striking, detailed artwork creates an eerie, atmospheric setting that underscores the series' chilling narrative. The animation work crafts an oppressive ambiance, contributing to the increasingly fraught tension that permeates each episode.
Furthermore, "Another" shines in its ability to develop compelling characters. Through gradual exposure of their backgrounds and motivations, viewers form a deep emotional connection, intensifying the impact of each character's struggle against the supernatural circumstances they face.
However, the series isn't without minor flaws. At times, the intricacies of the plot may lead to some confusion, causing certain narrative threads to seem slightly tangled. Nevertheless, this minor issue does little to detract from the engrossing nature of the storyline.
Ultimately, "Another" masterfully blends horror, mystery, and high-quality animation to deliver a captivating viewing experience. The gripping narrative, combined with detailed artwork and emotionally resonant character development, cements the series as a must-watch within the horror anime genre,
Erufen rîto (2004)
Lackluster Execution Overshadows Potential
Erufen rîto is an anime series that shows potential in its concept but falters greatly in its execution. Despite some intriguing ideas and themes, the series' issues with characterization, tonal inconsistencies, and graphic content make it difficult to fully engage with or appreciate the narrative.
The series attempts to delve into themes of identity, trauma, and humanity, but these themes often get buried under an overabundance of gratuitous violence and nudity. While mature themes and graphic content can be used effectively in storytelling, Erufen rîto often employs these elements in a way that feels gratuitous and exploitative, detracting from the overall narrative and making it difficult to fully engage with the story or characters.
Erufen rîto also struggles with tone and pacing. The series frequently shifts between horror, drama, and comedy, and these transitions can feel jarring and poorly handled. Moments of tension or emotional depth are often undercut by sudden shifts in tone, which can leave the viewer feeling disoriented and disconnected from the narrative.
Additionally, the characterization in Erufen rîto leaves much to be desired. The characters often feel one-dimensional, and their motivations and backstories are often poorly developed.
The series also has issues with its animation quality. While there are moments where the animation is visually appealing, these moments are few and far between. Often, the animation can feel stiff and unpolished, which can be distracting and detract from the overall viewing experience.
In conclusion, while Erufen rîto does have some intriguing ideas and themes, the series' poor execution in terms of characterization, tone, pacing, and animation quality make it a disappointing viewing experience.
Rupan sansei: Kariosutoro no shiro (1979)
A Dazzling Heist Adventure: Rupan sansei: Kariosutoro no shiro (The Castle of Cagliostro)
"Rupan sansei: Kariosutoro no shiro", better known as "Lupin III: The Castle of Cagliostro", is a vibrant, fast-paced, and highly entertaining film from the versatile filmmaker Hayao Miyazaki. Prior to his renowned career at Studio Ghibli, Miyazaki directed this second feature film in the Lupin III franchise, and his distinctive touch can be clearly seen.
The film centers on the charming anti-hero, Arsène Lupin III, who, along with his partners in crime, becomes embroiled in a rescue mission and a grand heist. The narrative is paced like a roller coaster ride, taking audiences on a high-stakes adventure filled with exciting chases, thrilling escapes, and clever plot twists. While the film doesn't delve deep into existential themes like some of Miyazaki's later work, it fully delivers as a thrilling heist movie with lots of heart and humor.
Visually, "The Castle of Cagliostro" is a delight. The European-inspired settings are beautifully drawn, and the action sequences are fluid and well-choreographed. There's a certain joy in the detailed animation that reflects the film's overall tone.
The characters, while sometimes bordering on archetypical, are endearing and entertaining. Lupin III is a charismatic rogue with an infectious spirit of adventure, and his interactions with the supporting characters add depth to the storyline.
Yuji Ohno's score adds a layer of charm to the film, with jazzy tunes that perfectly underscore the cheeky, adventurous atmosphere. The soundtrack, though not as iconic or moving as some of Miyazaki's later collaborations with Joe Hisaishi, still resonates with the story well and enhances the overall cinematic experience.
In conclusion, "The Castle of Cagliostro" is an exciting and fun film that showcases Miyazaki's storytelling prowess and keen eye for animation. While it may lack some of the depth and emotional resonance of his later work, it more than compensates with a thrilling plot, lovable characters, and beautiful animation. It is a film that deserves to be recognized and appreciated in its own right.
Sen to Chihiro no kamikakushi (2001)
A Masterful Tapestry of Storytelling: Sen to Chihiro no Kamikakushi
"Sen to Chihiro no Kamikakushi", better known as "Spirited Away", is a masterful animation from legendary filmmaker Hayao Miyazaki and the iconic Studio Ghibli. It's a film that transcends the animation genre, and it's no hyperbole to call it an all-time classic. With "Spirited Away", Miyazaki crafted a profound and heartwarming story that resonates on so many levels, with depth that leaves audiences of all ages in awe.
The narrative of "Spirited Away" is simultaneously straightforward and deeply complex. On one level, it's an adventure story about a young girl named Chihiro who finds herself in a magical world of spirits and must find the strength within her to navigate this strange realm and rescue her parents. However, on another level, the film is a rich allegory for themes of consumerism, environmentalism, identity, courage, and the passage from childhood to maturity. The seamless blend of these elements is no small feat, but Miyazaki's deft storytelling makes it appear effortless.
The film's visual aesthetic is equally as astounding. Every frame of "Spirited Away" is a testament to the incredible talents of Studio Ghibli. The world of the spirit bathhouse is breathtakingly realized, filled with remarkable details that make it feel alive. The character design, from Chihiro to the ethereal No-Face, to the gruff but kind-hearted Kamaji, is not just unique but also filled with personality and life. Miyazaki's genius lies not just in his grand visions, but also in his attention to the small, mundane details that make his world feel genuine and lived in.
"Spirited Away" isn't just a visual spectacle - its score, composed by the brilliant Joe Hisaishi, is a hauntingly beautiful soundtrack that perfectly complements the emotional resonance of the film. The music ebbs and flows with Chihiro's journey, becoming an inseparable part of the narrative that both guides and follows our heroine's development.
Furthermore, the character development in "Spirited Away" is second to none. Chihiro's growth from a petulant, fearful child into a resilient and determined young woman is deeply satisfying to watch. Her story is an inspirational message about the hidden strength that resides within us all, waiting for the right moment to emerge.
In conclusion, "Spirited Away" is more than just an animated movie - it's a profound piece of art that speaks to the heart. From its storytelling to its animation, music, and character development, every aspect of this film shines with brilliance. Miyazaki and Studio Ghibli have truly given us a masterpiece that will be cherished by future generations. It's a must-watch film that I wholeheartedly award a 10-star rating.